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Littérature scientifique sur le sujet « LGBTQ literary criticism »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "LGBTQ literary criticism"

Maia, Helder, Mário Lugarinho, and Fernando Curopos. "Literatura à mão: os serões do convento literature for the hand: os serões do convento." Moderna Språk 112, no. 2 (2018): 21–35. http://dx.doi.org/10.58221/mosp.v112i2.7672.

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In this text, based on the analysis of Os serões do Convento (1862), the concept of literature for the hand is introduced to discuss the pornographic literature that circulated between Brazil and Portugal. For that, the language, the place of the work in the Brazilian and Portuguese literary historiographies and LGBT, its anticlericalism, its intertextualities, the resonances of the book in other literary texts and its problematic authorship are analyzed. Also, the anticlericalism, the intertextuality, its resonances in other literary texts are indicated and its questionable authorship. Finall

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Rudin, Shai. "Belly Mommy, Heart Mommy: Queer Children’s Literature in Israel." Women in Judaism: A Multidisciplinary e-Journal 18, no. 1 (2022). http://dx.doi.org/10.33137/wij.v18i1.38908.

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Since the establishment of the State of Israel in 1948, only 23 Queer literary works have been published for children and adolescence in Hebrew. This paper examines the characteristics of these works in light of the ambivalent and controversial status of the LGBTQ+ Community in Israel. The findings show that the few works that have been published and that present same-sex families or LGBTQ+ characters, and the manner in which Queer themes are presented in those texts, are in line with how these issues are perceived and addressed by Israeli society. Moreover, this article divides the Queer Isra

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Rudin, Shai. "An ambivalent story: Queer children’s literature in Israel between 1986 and 2022." Power and Education, March 10, 2023, 175774382311630. http://dx.doi.org/10.1177/17577438231163045.

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Since the establishment of the State of Israel in 1948, only 23 Queer literary works have been published for children and adolescents in Hebrew. This paper examines the characteristics of these works in light of the ambivalent and controversial status of the LGBTQ+ community in Israel. The findings show that the few works that have been published and that present same-sex families or LGBTQ+ characters, and the manner in which Queer themes are presented in those texts, are in line with how these issues are perceived and addressed by Israeli society. Moreover, this article divides the Queer Isra

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De Melo, Alysia. "The Influence of BookTok on Literary Criticisms and Diversity." Social Media + Society 10, no. 4 (2024). http://dx.doi.org/10.1177/20563051241286700.

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BookTok, a TikTok community where creators discuss and review books, influences the publishing industry as books that gain popularity on TikTok have seen mainstream success. BookTok is believed to be a diverse space where stories about marginalized identities are celebrated. This is in opposition to the traditional publishing world that is dominated by White, heterosexual, cis-gendered men. However, despite misconceptions, online spaces are notably homogeneous, and TikTok does not appear to diverge from these patterns. By analyzing 55 TikTok videos collected from the BookTok community, this st

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Shelton, Stephanie Anne. "The Center Cannot Hold: Censorship and Queer(ing) Literacies in the Rural South." Reading Research Quarterly 60, no. 3 (2025). https://doi.org/10.1002/rrq.70034.

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ABSTRACTThere are more anti‐LGBTQ+ policies and legislation affecting schools now than ever before. Within this political milieu, teachers navigate censorship, surveillance, community criticism, and curricular mandates that limit or even illegalize their efforts to foster queer‐ and trans‐affirming classrooms. This article presents a case study of Echo's efforts and experiences, as she found her curricular agency and teaching effectiveness stripped away by ever‐increasing restrictions from censorship laws and policies that disallowed ranges of topics, texts, and pedagogical practices—and the w

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Karthika, M. K. "Mapping the Aesthetics of Differently Abled: Exploring the Hidden Identity of the Marginalised in The Shiva Trilogy." May 28, 2021. https://doi.org/10.5281/zenodo.5055902.

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<em>Disability is one of the major reasons for marginalising people. The term disability is nowadays gaining new insights, rather than the helplessness of a person to tackle the absence of a body part or senses. In a comprehensive view, not only the inflexibility of the body but also the problems of LGBT people, poverty, unemployment, even infertility can be regarded as a state of disability to act the idea of “normal”. Sometimes culture and society label people as disabled when it fails to identify a set of qualities in them. Therefore, it can be rightly considered that the notion

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Brennan, Joseph. "Slash Manips: Remixing Popular Media with Gay Pornography." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.677.

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A slash manip is a photo remix that montages visual signs from popular media with those from gay pornography, creating a new cultural artefact. Slash (see Russ) is a fannish practice that homoeroticises the bonds between male media characters and personalities—female pairings are categorised separately as ‘femslash’. Slash has been defined almost exclusively as a female practice. While fandom is indeed “women-centred” (Bury 2), such definitions have a tendency to exclude male contributions. Remix has been well acknowledged in discussions on slash, most notably video remix in relation to slash

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Hackett, Lisa J., and Jo Coghlan. "The History Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2752.

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Introduction Many people’s knowledge of history is gleaned through popular culture. As a result there is likely a blurring of history with myth. This is one of the criticisms of historical romance novels, which blur historical details with fictional representations. As a result of this the genre is often dismissed from serious academic scholarship. The other reason for its disregard may be that it is largely seen as women’s fiction. As ‘women’s fiction’ it is largely relegated to that of ‘low culture’ and considered to have little literary value. Yet the romance genre remains popular and lucra

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Livres sur le sujet "LGBTQ literary criticism"

1954-, Nelson Emmanuel S., ed. Encyclopedia of contemporary LGBTQ literature of the United States. Greenwood Press, 2009.

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Castle, Terry. The professor and other writings. Tuskar Rock, 2011.

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Gomes, Peter J. The Good Book. HarperCollins, 2003.

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Gomes, Peter J. The good book: Reading the Bible with mind and heart. Avon Books, 1998.

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J, Summers Claude, ed. The Gay and lesbian literary heritage: A reader's companion to the writers and their works, from antiquity to the present. H. Holt, 1995.

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J, Summers Claude, ed. The Gay and lesbian literary heritage: A reader's companion to the writers and their works, from antiquity to the present. Bloomsbury, 1997.

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J, Summers Claude, ed. The gay and lesbian literary heritage: A reader's companion to the writers and their works, from antiquity to the present. Routledge, 2002.

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Werth, Barry. The scarlet professor: Newton Arvin, a literary life shattered by scandal. Nan A. Talese, 2001.

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Alpert, Rebecca T. Like bread on the seder plate: Jewish lesbians and the transformation of tradition. Columbia University Press, 1997.

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Alpert, Rebecca T. Like bread on the seder plate: Jewish lesbians and the transformation of tradition. Columbia University Press, 1997.

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Chapitres de livres sur le sujet "LGBTQ literary criticism"

Bromley, James M. "Epilogue." In Clothing and Queer Style in Early Modern English Drama. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867821.003.0006.

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This Epilogue addresses the historicist criticism that theoretical and presentist approaches to literature are narcissistic. It responds to these critiques by showing that defenses of historicism engage in the obscurations and suppressions of difference that presentist approaches are accused of. It draws on the work of Michael Warner to identify a queer idealism within Freudian narcissism, and this idealism can motivate literary criticism’s engagement with the literature of the past. The Epilogue also reflects on why a queer rethinking of sexuality remains necessary in light of recent legal vi

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