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Articles de revues sur le sujet « Literature – russian »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Xue, Zhang, and Liao Duma. "The influence of Russian literature on the literary creativity of China of the 20th – early 21th century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 11-3 (2022): 232–39. http://dx.doi.org/10.31166/voprosyistorii202212statyi29.

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The content of Russian literature is rich and diverse: the writings of diff erent historical epochs carry diff erent meanings and imprints. In the course of the development of the literary tradition of China, appeals to the literary heritage of Russia were oft en made. Russian literature acceptance process in China was extremely long, during which not only the content, but also the spirit of Russian culture was perceived, which infl uenced the formation of the image of Chinese literature. In this paper, an att empt is made to study the nature and features of the infl uence of Russian literatur

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Afanasevskii, V. L. "On the philosophical "dumbness" of ancient Russian literature." Aspirantskiy Vestnik Povolzhiya 22, no. 3 (2022): 57–60. http://dx.doi.org/10.55531/2072-2354.2022.22.3.57-60.

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Aim to review the process of formation of Russian philosophical discourse. The author supports the position that there was no philosophical discourse in the literature of the ancient Russians, and the original Russian philosophy began to form only in the 18th century. The books of Ancient Russia are characterized by the absence of a direct connection with the ancient philosophical tradition. The ideas of Ancient authors came to Russia through Byzantium. However, the ancient Russian scribes perceived them as "Hellenic sophistry" and manifestations of paganism. The author comes to the conc

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Ryczkowski, J. "Russian literature." Applied Catalysis A: General 131, no. 2 (1995): N13. http://dx.doi.org/10.1016/0926-860x(95)80271-1.

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Ryczkowski, J. "Russian literature." Applied Catalysis A: General 136, no. 2 (1996): N14—N15. http://dx.doi.org/10.1016/0926-860x(96)80053-6.

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Xinzhu, Zhao, and Tian Shi Shun. "Russian literary awards and the development of modern literature." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-2 (2023): 166–69. http://dx.doi.org/10.31166/voprosyistorii202303statyi68.

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The end of the 20th century in the history of Russian literature was a time of changing aesthetic, ideological and moral guidelines. The picture of the development of literature of this period is striking, characterized by a variety of artistic trends, creative techniques, genre diversity, blurring of boundaries, thematic and stylistic enrichment of genres, a total change in the role of the writer, a change in the type of reader.

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Berezhnaya, Yekaterina P. "Russian formalists and Russian literature." RUDN Journal of Studies in Literature and Journalism 27, no. 3 (2022): 497–503. http://dx.doi.org/10.22363/2312-9220-2022-27-3-497-503.

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Russian literature of the present day has lost its statehood and no longer pretends to build its own laws of development in the historical movement. The “dictatorship of art” predicted by the formalists, intended for the total textuality of Russian culture, turned out to be a predominantly optimistic slogan that has lost its stimulating function in the context of living literary reality. The research is devoted to the problem of interaction of Russian literature and formalism. Russian literature in the works of Russian formalists was considered as an autonomously existing system structure that

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Peretyatkin, G. F. "RUSSIAN EDUCATION AND RUSSIAN LITERATURE." Belgorod State University Scientific bulletin. Series "Philosophy. Sociology. Law" 43, no. 1 (2018): 62–73. http://dx.doi.org/10.18413/2075-4566-2018-43-1-62-73.

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San, Yun Li. "Korean Literature in Russia/USSR/Russian Federation." Азия и Африка сегодня, no. 4 (April 2019): 74–79. http://dx.doi.org/10.31857/s032150750004388-8.

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Vasilyeva, Ekaterina D., and Nadezhda M. Lebedeva. "Sino-Russian Intercultural Communication Research: Literature Review." RUDN Journal of Psychology and Pedagogics 17, no. 1 (2020): 51–63. http://dx.doi.org/10.22363/2313-1683-2020-17-1-51-63.

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International relations between China and Russia have a long-lasting history. At the same time interpersonal contacts between these two ethnic groups face difficulties associated with language, cultural distance, prejudices and other factors. This article presents a review of studies on the problem of Russian-Chinese intercultural interaction. Due to its interdisciplinary nature the studies are scattered both methodologically and with respect to its theoretical foundations. In this regard, we conditionally divide the considered works into four main areas: studying the perception of the image o

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DUNCAN, PETER J. S. "CONTEMPORARY RUSSIAN IDENTITY BETWEEN EAST AND WEST." Historical Journal 48, no. 1 (2005): 277–94. http://dx.doi.org/10.1017/s0018246x04004303.

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This is a review of recent English-language scholarship on the development of Russian identity since the collapse of the USSR in 1991. The first part examines literature on the economic and political changes in the Russian Federation, revealing how scholars became more sceptical about the possibility of Russia building a Western-type liberal democracy. The second part investigates approaches to the study of Russian national identity. The experience of empire, in both the tsarist and Soviet periods, gave Russians a weak sense of nationhood; ethnic Russians identified with the multi-national Sov

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Pulkkinen, Oili. "Russia and Euro-Centric Geography During the British Enlightenment." Transcultural Studies 14, no. 2 (2018): 150–70. http://dx.doi.org/10.1163/23751606-01402003.

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In this article, I shall examine the European part of the Russian Empire, Russian culture and Russians in eighteenth century handbooks of geography when “the Newtonian turn” took place in that discipline. Thanks to travel literature and history writing, we are used to thinking of the Russians as representing “otherness” in Europe. Still, in handbooks of geography, Russia was the gate between Asia and Europe. This article will explicate the stereotype(s) of the British characterisations of the Russian national character and the European part of the Russian Empire (excluding ethnic minorities in

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Temirova, D. K. "CHALLENGES IN TEACHING RUSSIAN LITERATURE." American Journal of Social Science and Education Innovations 6, no. 11 (2024): 103–6. http://dx.doi.org/10.37547/tajssei/volume06issue11-10.

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This article deals with the actual challenges in teaching Russian literature and efficient and straightforward solutions to them, utilizing the non-literary factors. Even the results have been supported clearly.

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Madina, Jabborova, and Boltaboeva Adolat. "Distinctive aspects of Russian literature." European International Journal of Philological Sciences 5, no. 1 (2025): 30–34. https://doi.org/10.55640/eijps-05-01-07.

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This article explores the distinctive aspects of Russian literature, highlighting its rich themes, historical context, and influential authors. Key themes include the struggle between the individual and society, existential inquiries, and the role of suffering as a pathway to enlightenment. The analysis of major works by iconic writers such as Fyodor Dostoevsky, Leo Tolstoy, and Anton Chekhov reveals a deep engagement with the human condition. Additionally, the impact of socio-political changes, from the imperial era to the Soviet period, is examined, illustrating how these factors shape the u

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Brooks, Willis. "Russia's Conquest and Pacification of the Caucasus: Relocation Becomes a Pogrom in the Post-Crimean War Period." Nationalities Papers 23, no. 4 (1995): 675–86. http://dx.doi.org/10.1080/00905999508408410.

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“The history of Russia is the history of a nation that colonized itself.”Russia's greatest historian has affirmed that the expansion of Russian rule, particularly its method, is of fundamental significance in understanding the course of Russian history, and the establishment of Russian power in the Caucasus has attracted as much scholarly attention as any other region where Russian imperialism spread in the last two centuries. Russia's finest literary figures, scholars of the most divergent bent, Russian participants in the conquest and, of course, native inhabitants themselves have examined g

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Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.100-105.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he i

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Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.94-99.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he i

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Hellie, Jean Laves. "Whither Russian Literature?" Soviet Studies in Literature 26, no. 4 (1990): 3–9. http://dx.doi.org/10.2753/rsl1061-197526043.

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Hirschberg, W. R., and Sona Aronian. "Russian Literature Triquarterly." World Literature Today 61, no. 2 (1987): 311. http://dx.doi.org/10.2307/40143194.

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Ilchuk, Yuliya. "From Russian Literature to Russian-Language Literature of the Empire." Ab Imperio 2022, no. 2 (2022): 85–89. http://dx.doi.org/10.1353/imp.2022.0035.

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Isakhanli, Hamlet. "Alchemy in Russian Literature." Khazar Journal of Humanities and Social Sciences 23, no. 2 (2020): 69–79. http://dx.doi.org/10.5782/2223-2621.2020.23.2.69.

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Along with sciences, alchemical activity heavily influenced literature and art, and the images of alchemists were widely reflected in the works of poets, writers, artists, philosophers, and scientists. In Eastern and Western literature of ancient, medieval, and modern times, alchemy, together with the intriguing images of alchemists, was used also as a source of vivid metaphors. This article is devoted to the subject of alchemy in Russian literature, investigating which writers were interested in it and how it was developed in Russia. Prominent Russian authors’ poetic and prosaic writings have

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Moskalenko, Olga A., and Aleksandr A. Irkhin. "The Crimean war of 1853–1856 in the modern British literature: evolution of the Russian myth." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 32–39. http://dx.doi.org/10.20339/phs.3-21.032.

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The article considers the problem of the emergence and development of images of Russia and Russians in the cultural consciousness of Great Britain in the period of the Crimean War of 1853–1856, which played an important role in shaping the national identity of the British through the opposition of “Our” to “Other”. Based on historical and literary analysis, the authors identify the basic components of the myth of Russia and Russians in British literature during the Crimean War: a hostile territory where three very different ethnotypes (Tatars, Cossacks and Russians) exist quite independently,

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Li, M. "The Role of Russian Fiction Literature in the Perception of the Russia’s Image in China." Humanities and Social Sciences. Bulletin of the Financial University 13, no. 5 (2023): 39–44. http://dx.doi.org/10.26794/2226-7867-2023-13-5-39-44.

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The article analyzes the process of forming the image of Russia and Russian people by means of Russian literature. Russian literature perception in China, the transformation of the Russian literature mission in China can be traced over five periods: Russian literature of the XIX century, Soviet “Red Classics”, Russian literature in the 1960s, Russian literature in the 1980s, Russian literature after the collapse of the USSR to the present time. Currently the amount of publication as well as the number of those who read modern Russian literature in China are gradually declining, this leads to t

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Kara-Murza, Alexey A. "Philosophy in Russia and Russian philosophical journalism." Philosophy Journal 16, no. 3 (2023): 17–23. http://dx.doi.org/10.21146/2072-0726-2023-16-3-17-23.

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The article examines the question of the correlation of the phenomena “Russian philosophy” and “philosophy in Russia”. The author believes that these phenomena are not identical to each other, and Russian philosophy, being an important fragment of intellectual subculture, was often created outside of Russia. This phenomenon became especially prominent in the twentieth century, when Russian dissidents who were exiled abroad, working in the West, continued to be the largest Russian philosophers. On the other hand, within Russia itself (the Moscow Kingdom, the Russian Empire, the short “democra

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Giuliani, Rita. "About the Utility of Russian Literature Outside of Russia." Проблемы исторической поэтики 18, no. 3 (2020): 290–300. http://dx.doi.org/10.15393/j9.art.2020.8262.

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<p>This article analyzes the excellence, uniqueness and specific elements of Russian literature that make it valuable in the eyes of a Western reader, helping him or her to better understand Russia and enrich his or her spiritual dimension. There are many such elements, and while I cannot touch on all of them, I would like to remind the reader of the fact that Russian literature has always been that particular point where social, humanitarian, political and philosophical thought comes together. Russian literature also sheds light on the mindset of the Russian people (<em>narod</

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Stefanovich, Petr S. "The “Slavic-Russian Nation” in the Historical Literature of Ukraine and Russia from the 1600s to the mid-1700s." Slovene 9, no. 2 (2020): 417–47. http://dx.doi.org/10.31168/2305-6754.2020.9.2.9.

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The article analyzes the history of the concept of a “Slavic-Russian nation”. The concept was first used by Zacharia Kopystenskij in 1624, but its wide occurrence starts in 1674, when Synopsis, the first printed history of Russia, was published in Kiev. In the book, “Slavic-Russian nation” refers to an ancient Slavic people, which preceded the “Russian nation” (“rossiyskiy narod”) of the time in which the book was written. Uniting “Slavs” and “Russians” (“rossy”) into one “Slavic-Russian nation”, the author of Synopsis followed the idea which was proposed but not specifically defined by M. Str

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Lutsenko, E. M. "The Russian theme in world literature: A co-authored monograph." Voprosy literatury, no. 6 (December 8, 2023): 180–85. http://dx.doi.org/10.31425/0042-8795-2023-6-180-185.

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The review offers a detailed analysis of a new co-authored monograph devoted to world literature with a broad focus on the global community’s perception of the Russian theme, including the Russians’ national identity, the nation’s political and social structure, and traditions and customs. Exploring Russia’s active interaction with the West and the East, the author stresses the ‘unity of the diverse.’ The book discusses world literature in the articles devoted to writers from Western, Central, and Eastern Europe, South Korea, China, and Brazil. As the study is confined to the Russian theme, th

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Dzyuba, Elena M. "Value Vectors of Russian Literature: Nizhny Novgorod Text of Russian Literature." Studia Litterarum 7, no. 3 (2022): 430–63. http://dx.doi.org/10.22455/2500-4247-2022-7-3-430-463.

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The article analyzes the current trends in the field of “supertext” studies, summarizes the reflection on the “Nizhny Novgorod text of Russian literature,” as well as border chronotopes, carried out in the period from 2007 to the present. Authors of the article indicate the main directions of research, such as the identification and description of the sacred toposes of the Nizhny Novgorod land, the comprehension of the value vectors of Russian literature, which were configured in a number of stable images: the images of the city of Kitezh, the Volga, the Diveevsky and Sarov sacred toposes, the

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Ruslan, Mamarajabov. "FEATURES OF MODERN RUSSIAN MASS LITERATURE." European International Journal of Multidisciplinary Research and Management Studies 02, no. 11 (2022): 163–68. http://dx.doi.org/10.55640/eijmrms-02-11-38.

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Well into the 20th century, Russian literature was an important forum for societal self-understanding. This function, however, was lost during the First World War. Revolution and civil war completed the transformation of the literary establishment, although another brief flowering followed in the 1920s. The chronological pattern of Russian literature at the beginning of the 20th century is mostly oriented towards the diverse movements, groups, and schools. Although some structures persisted in part into the years after 1917, they did not prove resistant to the political, social, economic, and

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Saratovskaya, Larisa. "South African literature in Russia." African Research & Documentation 58 (1992): 11–15. http://dx.doi.org/10.1017/s0305862x00012577.

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The African continent and South Africa in particular have always interested Russians. It may be interesting to note that as early as the 18th century the Russian tzar and reformist Peter 1st, ordered the compilation of a description of Africa, which was made in 1710 in Moscow. In the 18th and especially in the 19th centuries there were many Russian sailors and explorers who went as far as the Cape of Good Hope. Among them was a famous Russian writer and sailor Ivan Goncharov who spent two months in South Africa in 1853 and devoted more than 150 pages of his travelling book “Frigate Pallada” to

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Tuna, Mustafa. "Anti-Muslim Fear Narrative and the Ban on Said Nursi's Works as “Extremist Literature” in Russia." Slavic Review 79, no. 1 (2020): 28–50. http://dx.doi.org/10.1017/slr.2020.8.

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This article analyzes the causes and consequences of Islamophobia in the Russian Federation following the story of the Russian ban on the works of a scholar of Islam from Turkey, Bediuzzaman Said Nursi (1878–1960), despite the overall positive reception of his ideas and followers by Russia's Muslims. It positions Russia's existing domestic anti-Muslim prejudices, which evolved in the contexts of the Chechen conflict and the influx of migrant workers from culturally Muslim former Soviet republics to cosmopolitan Russian cities, against the background of the post-9/11 global fear narrative about

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Sewell, Frank. "“Going Home to Russia”? Irish Writers and Russian Literature." Studia Celto-Slavica 1 (2006): 239–51. http://dx.doi.org/10.54586/vrzx4817.

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The poet Josef Brodski once wrote: ‘I’m talking to you but it isn’t my fault if you can’t hear me.’ However, Brodski and other Russian writers, thinkers and artists, continue to be heard across gulfs of language, space and time. Indeed, the above line from Brodski forms the epigraph of ‘Travel Poem’, originally written in Polish by Anna Czeckanowicz. And just as Czeckanowicz picks up on Brodski’s ‘high talk’ (as Yeats might call it), so too do Irish writers (past and present) listen in, and dialogue with, Russian counterparts and exemplars. Some Irish writers go further and actually claim to i

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Hajili, Asif. "ISLAM AND MUSLIMS IN THE ANCIENT PERIOD RUSSIAN LITERATURE." Islamic History and Literature 2, no. 2 (2024): 128–36. http://dx.doi.org/10.62476/ihl22128.

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In the article the attitude towards the Islamic religion and Muslims in the ancient Russian literature, first of all the Turks and also the relation to the Islamic religion and Muslim peoples in the literature of the Russian folk art is analyzed. The political, social, spiritual-cultural, literary-philological aspects of the attitude to Islam from ancient times are interpreted. The spread of Islam in Russia by the Khazars, as Turkic community, the positive effect of acquaintance with Islamic culture on Russian culture, relations with the East, statehood, Eastern culture, as well as the Islamic

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Nikolyukin, Alexander. "S.P. SHEVYREV ABOUT THE LAUGHTER IN RUSSIAN LITERATURE." Literaturovedcheskii Zhurnal, no. 2 (2022): 112–24. http://dx.doi.org/10.31249/litzhur/2022.56.07.

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For the first time the topic of laughter in Ancient Russia was voiced in an article by S.P. Schevyrev “The Theory of the Ridiculous, with Application to Russian Comedy” (1851) and in his book “History of Russian Literature” (1846-1860), where he completely opened ancient Russian literature to the reader. In this book the notion of laughter comes through as one of the permanent features of Old Russian and modern Russian literature. Shevyrev calls Daniil Zatochnik (12th century), the master of “weeping laughter and smiling sadness”, the first Russian humorist and compares the lucid laughter of G

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Karsten Brüggemann. "Russia and the Baltic Countries Recent Russian-Language Literature." Kritika: Explorations in Russian and Eurasian History 10, no. 4 (2009): 935–56. http://dx.doi.org/10.1353/kri.0.0129.

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Deriglazova, L. V., and A. M. Pogorelskaya. "Historical Transformations of the Russian Literary Canon in Russia and the United Kingdom." Vestnik NSU. Series: History and Philology 23, no. 1 (2024): 31–43. http://dx.doi.org/10.25205/1818-7919-2024-23-1-31-43.

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The article aims to reveal the changes in studies of Russian literature in Russia and the United Kingdom in the last three decades. The authors use the concept of the Russian literary canon to highlight the differences in the content and focus of the study of Russian literature. The empirical base of the research is Russian official documents, school textbooks, syllabi of university courses in Russian literature, and the collections of university libraries in the UK. Russian literary canon has changed to bridge the ideological break in Russian literature of the twentieth century. In Russia, th

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Petrova, S. M. "Russian literature in teaching Russian as a foreign language." Philology and Culture, no. 3 (October 5, 2023): 248–56. http://dx.doi.org/10.26907/2782-4756-2023-73-3-248-256.

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The promotion of the Russian language in the world is one of the main goals of the modern Russian education strategy. An important part of this problem is teaching Russian to foreigners in Russian universities. The current problem of modern Russian studies is the search for the most effective forms, methods and means of Russian language learning. Teaching Russian to foreigners should be built on an interdisciplinary basis. The most important component of teaching Russian to foreign students is literature. Turning to it, foreigners get acquainted with the history, culture and traditions of Russ

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Na, Sai. "“Notes of a Hunter” by I.S. Turgenev in the Chinese translation and research reception." OOO "Zhurnal "Voprosy Istorii" 2024, no. 1 (2024): 208–17. http://dx.doi.org/10.31166/voprosyistorii202401statyi04.

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Historically, there has been close cultural interaction between Russia and China, which was largely influenced by Russian literature. Russian classics translations in China occupy a special place, and it is generally recognized that many Russian writers have had and continue to have an impact on the attitude of Chinese society towards Russia. Creativity I.S. Turgenev shaped the worldview of more than one generation of Russians, and with the advent of translations of his works into Chinese, it continued its influence on Chinese society. Interest in the prose of I. S. Turgenev in China has been

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McMillin, Arnold, and Victor Terras. "Handbook of Russian Literature." Modern Language Review 82, no. 1 (1987): 264. http://dx.doi.org/10.2307/3730000.

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Woodward, James, and Daniel Rancour-Laferriere. "Russian Literature and Psychoanalysis." Modern Language Review 86, no. 3 (1991): 805. http://dx.doi.org/10.2307/3731138.

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Porter, Robert, Ian K. Lilly, and Henrietta Mondry. "Russian Literature in Transition." Modern Language Review 96, no. 4 (2001): 1171. http://dx.doi.org/10.2307/3735981.

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Givens, John. "Russian Literature Understood Counterclockwise." Russian Studies in Literature 45, no. 3 (2009): 3–7. http://dx.doi.org/10.2753/rsl1061-1975450300.

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Givens, John. "Russian Literature in 2012." Russian Studies in Literature 50, no. 1 (2013): 3–7. http://dx.doi.org/10.2753/rsl1061-1975500100.

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Givens, John. "Shakespeare and Russian Literature." Russian Studies in Literature 50, no. 3 (2014): 3–7. http://dx.doi.org/10.2753/rsl1061-1975500300.

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Wells, David, Ian K. Lilly, and Henrietta Mondry. "Russian Literature in Transition." Slavic and East European Journal 44, no. 4 (2000): 669. http://dx.doi.org/10.2307/3086300.

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