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Littérature scientifique sur le sujet « Lorenzo deʼ Medici »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 13 février 2022

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Articles de revues sur le sujet "Lorenzo deʼ Medici"

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Secchi Tarugi, Luisa. « Etica e politica di Lorenzo il Magnifico ». Tabula, no 17 (16 novembre 2020) : 331–44. http://dx.doi.org/10.32728/tab.17.2020.13.

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Lorenzo de’ Medici, uomo di profonda fede, data la mirabile educazione ricevuta in famiglia, accettò il governo della città dopo la morte del padre, Piero il Gottoso, come dovere, sentendone il peso, data la sua giovane età di 21 anni, secondo quanto lui stesso dice “mal volentieri accettai”. In tutta la sua vita, non molto lunga, privilegiò come fine il conseguimento del bene comune e non il proprio interesse. Attento anche alle situazioni dei meno fortunati, come il popolo fiorentino e i contadini del Mugello, si rivelò un abile politico che riuscì ad equilibrare la politica dei vari staterelli italiani, ma non dimenticò mai quale fosse il traguardo vero della vita dell’uomo e cioè guardare verso Dio staccandosi dalle ambizioni della vita terrena. Soprattutto raccomandò ai figli di saper governare diventando esempio “perché il signore deve essere servo de’ suoi servi” come scrive nella Sacra rappresentazione di Giovanni e Paolo messa in scena il 17 febbraio 1491 nella Compagnia del Vangelista.
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Steinwender, Clemens Leopold. « Korruption, Ämterkauf und Patronage in Florenz. Informelle Politik im italienischen Stadtstaat und der Toskana ». historia.scribere, no 7 (19 mai 2015) : 279. http://dx.doi.org/10.15203/historia.scribere.7.412.

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Corruption, purchase of administrative office and patronage in Florence. Informal politics in the italian city state and Tuscany This proseminar – paper deals with the corruption and Patronage in late medieval and modern age Florence. The reign of the Medici is especially looked at with prominent figures such as Lorenzo de Medici or Cosimo de Medici. The necessary institutions for this to happen are adressed as well as the forms these practices had. The ties with the pope and the church are also a part of the paper. As will be shown, the leaders of Florence often had to tolerate forms of corruption due to the nature of this italian city state.
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NESSELRATH, HEINZ-GÜNTHER. « Zur Wiederentdecküng von Julian Apostata in der Renaissance : Lorenzo de' Medici und Ammianus Marcellinus ». Antike und Abendland 38, no 1 (31 décembre 1992) : 133–44. http://dx.doi.org/10.1515/9783110241501.133.

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Masseti, Marco, et Cecilia Veracini. « The first record of Marcgrave's capuchin in Europe : South American monkeys in Italy during the early sixteenth century ». Archives of Natural History 37, no 1 (avril 2010) : 91–101. http://dx.doi.org/10.3366/e0260954109001673.

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Around the end of the second decade of the sixteenth century, in the Villa Medici of Poggio a Caiano in the vicinity of Florence, the Florentine artist Andrea del Sarto painted a great fresco, commissioned by Pope Leo X in honour of his late father, Lorenzo de’ Medici. This fresco contains one of the earliest representations in Europe of a living South American primate, which can easily be identified as Marcgrave's capuchin, Cebus flavius ( Schreber, 1774 ). The appearance is so accurate that we can assume that the painter was familiar with the animal, and may even have used a live monkey as a model. Marcgrave's capuchin is a taxon that was recently rediscovered in Brazil, where it has been found in fragments of the Atlantic Forest in the states of Rio Grande do Norte, Pernambuco, Alagoas and Paraíba. The portrayal of this species in the early sixteenth-century decoration of Poggio a Caiano raises interesting questions about the popularity of Brazilian primates in European artistic and scientific circles from the time of the discovery of the New World, and about the rapidity of the initial anthropogenic diffusion of some of these animals beyond their homeland.
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Cicali, Gianni. « L'occultamento del principe. Lorenzo il Magnifico e il Barlaam e Josafat di Bernardo Pulci ». Quaderni d'italianistica 27, no 2 (1 juin 2006) : 57–70. http://dx.doi.org/10.33137/q.i..v27i2.8578.

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Il Barlaam e Josafat di Bernardo Pulci rappresenta sia un interessante testo drammaturgico, sia un altrettanto originale e interessante sottotesto encomiastico di Lorenzo il Magnifico. Rappresentata nel 1474, come evidenziato da alcuni documenti d'archi-vio, la trama di questa sacra rappresentazione altro non è che la storia di Siddharta poi detto il Buddha tradotta in greco, e poi cristianizzata e circolata in Europa attraverso numerosi manoscritti. Trasformati i personaggi principali nei santi Barlaam e Josafat, un eremita e un giovane principe (alias il Siddharta della fonte), la leggenda venne inclusa nella sua Legenda Aurea da Varagine. Pulci, anche seguendo un gusto per l'orientalismo successivo al concilio delle chiese d'Oriente e d'Occidente tenutosi a Firenze nel 1439, riesce a intessere all'interno di una sacra rappresentazione, andata in scena in S. Marco, e dunque nella sfera d'influenza culturale e politica dei Medici, una raffinatissima trama encomiastica, ma anche un ancor più abile sottotesto politico tutto in favore delle manovre condotte dal Magnifico in quegli anni.
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Van Sasse Van Ysselt, Dorine. « Johannes Stradanus : de decoraties voor intochten en uitvaarten aan het hof van de Medici te Florence ». Oud Holland - Quarterly for Dutch Art History 104, no 3-4 (1990) : 149–79. http://dx.doi.org/10.1163/187501790x00075.

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AbstractSources show that the Flemish artist Johannes Stradanus, whose career flourished from about 1555 in Florence, collaborated on several occasions on large-scale, temporary decorations, most of them commissioned by the grand dukes de'Medici, for important dynastic events such as baptisms, entries into cities and funerals. A multitude of artists and craftsmen carried out these decorations on the basis of often complicated iconographic programmes. In 1564, for instance, on the occasion of Michelangelo's funeral in S. Lorenzo, Stradanus painted the grisaille Michelangelo in 1529 in his dwelling in the Giudecca being received by the nobles of Venice by order of the Doge Andrea Gritti and the Signoria. In 1565, for the triumphal entry into the city of Johanna of Austria, he painted all the pictures decorating the triumphal arch erected on the Canto de' Tornaquinci. These consisted of five scenes glorifying the following exploits of rulers of the House of Austria: Rudolf conferring the Archdukedom of Austria on Albrecht I, Maximilian II being crowned emperor, Ferdinand I defending Vienna against the Turks, Albrecht slaing Adolf of Nassau in a battle, Philip II of Spain receiving the corona obsidionalis from Malta and two large trompe-l'oeil street views. In 1574, for the funeral of Cosimo I de'Medici in S. Lorenzo, Stradanus was probably involved in the painting of the skeletons and coats of arms. Furthermore, on the occasion of Francesco I de' Medici's funeral in S. Lorenzo in 1587, he painted the grisaille Francesco visiting his betrothed, Johanna of Austria, in Innsbruck; in 1588, for the entry of Ferdinando I de' Medici into Pisa, the canvas The burial of Pope Stephen I in the catacomb of Callixtus for the decoration of S. Stefano dei Cavalieri; in 1589, for the entry of Christina of Lorraine, the painting The retreat of the Turks after the siege of Vienna, as part of the decorations on the Canto de' Bischeri. Finally, in 1598, for the obsequies in memory of Philip II of Spain in S. Lorenzo, the grisaillc The siege and capture of Antwerp; for the same occasion he also provided the design for the grisaille The conquest of the Philippine islands, painted by his son Scipione. Stradanus' first commissions date from the start of his career in Florence, when he was working in Vasari's studio. As one of the master's assistants in decorating the Palazzo Vecchio, he had already gained ample experience in large-scale painting for the Medici. After leaving Vasari's studio in about 157 and setting up as an independent artist, Stradanus remained one of the leading Florentine artists who received commissions for official large-scale decors. He retained this status up to a venerable age, a sign of the appreciation he continued to enjoy in this field. Unfortunately none of Stradanus' decorative work has survived, with the exception of the canvas in Pisa. An impression of his skill in this field in conveyed by contemporary sources and the sketches, drawings, etchings and engravings presented in this article. This material clearly shows that in his long and productive life Stradanus was not only active as a painter of frescos and altarpieces and a designer of tapestries and engravings, but also played a prominent role at the court of the Medici as a painter of decorations.
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Brackett, J. K. « L'Assassino del Duca : Esilio e morte di Lorenzino de' Medici, by Stefano Dall'Aglio ». English Historical Review 129, no 538 (1 juin 2014) : 705–7. http://dx.doi.org/10.1093/ehr/ceu107.

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Cooper, James G. « Michelangelo's Laurentian Library : Drawings and Design Process ». Architectural History 54 (2011) : 49–90. http://dx.doi.org/10.1017/s0066622x00004007.

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Re-examination of a key group of Michelangelo's sketches for the Laurentian Library, located in the monastic complex of Florence's S. Lorenzo, offers a new understanding of his design process and the project as it was built. While drawings by Michelangelo survive for all three of the library's intended spaces, this study concentrates on a number of drawings on four sheets for the entrance vestibule, or ricetto, and the two drawings for what would have constituted the third space, the unbuilt rare books room. It offers a major revision of Rudolf Wittkower's pioneering study of the library's design stages, and will also allow for the identification and discussion of key precedents and their role in the development of Michelangelo's design. These included ancient Roman and Renaissance sources, as well as his own designs both for the unbuilt façade of S. Lorenzo, and for the Medici Chapel attached to the same church (Fig. 1). Consideration of the drawings for the Laurentian Library ricetto in conjunction with letters written to Michelangelo from his Roman agent, Giovanni Francesco Fattucci, and the papal secretary Pier Paolo Marzi, recording Pope Clement VII's responses to a number of important design ideas, allows for a reliable reconstruction of Michelangelo's penultimate scheme for the ricetto, which enables the recognition of a key ancient precedent that inspired Michelangelo, and throws new light on the genesis of the final design. It becomes clear, too, that Michelangelo would later rework certain design ideas that he developed in these Laurentian Library sketches for subsequent projects in Rome, including an early design for the Palazzo dei Conservatori, and also the final form of both this palace and the Palazzo Senatorio.
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Prada-Lara, Liliana, et Ryan A. St Laurent. « Hidden treasures : Mimallonidae (Lepidoptera) from the Museo Javeriano de Historia Natural, with descriptions of the female of Bedosiallo moengus (Schaus, 1928), and a new species of Gonogramma Boisduval, 1872 ». REVISTA CHILENA DE ENTOMOLOGÍA 47, no 3 (30 juillet 2021) : 501–11. http://dx.doi.org/10.35249/rche.47.3.21.08.

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We present the first list focused on Mimallonidae from a Colombian biological collection, the Museo Javeriano de Historia Natural “Lorenzo Uribe, S.J.” (MPUJ) of the Pontificia Universidad Javeriana in Bogotá. We report nine species and seven genera, and we highlight the museum’s hidden treasures: the first known female of Bedosiallo moengus (Schaus, 1928) and a new species, Gonogramma faguai nov. sp.
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Lorenzo-Valdes, Arturo. « Confianza de los inversionistas como determinante en el mercado accionario mexicano mediante un modelo TAR-EGARCH ». Análisis Económico 35, no 88 (1 janvier 2020) : 147–67. http://dx.doi.org/10.24275/uam/azc/dcsh/ae/2020v35n88/lorenzo.

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Thèses sur le sujet "Lorenzo deʼ Medici"

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Buonincontro, Lorenzo Heilen Stephan. « De rebus naturalibus et diuinis : zwei Lehrgedichte an Lorenzo de' Medici und Ferdinand von Aragonien / ». Stuttgart ; Leipzig : B. G. Teubner, 1999. http://catalogue.bnf.fr/ark:/12148/cb38985675f.

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Huss, Bernhard. « Lorenzo de' Medicis "Canzoniere" und der Ficinianismus : philosophica facere quae sunt amatoria / ». Tübingen : Narr, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2970477&prov=M&dok_var=1&dok_ext=htm.

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Heilen, Stephan. « Laurentius Bonincontrius miniatensis. De rebus naturalibus et divinis : zwei Lehrgedichte an Lorenzo de Medici und Fredinand von Aragonien : Einleitung und Kritische Edition / ». StuttgartTeubner : B.G. Teubner, 1999. http://catalogue.bnf.fr/ark:/12148/cb37589609s.

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Salvadori, Patrizia. « Dominio e patronato : Lorenzo dei Medici e la Toscana nel Quattrocento / ». Roma : Edizioni di storia e letteratura, 2000. http://catalogue.bnf.fr/ark:/12148/cb389205611.

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Tesi di dott.--storia--Firenze--Università degli studi, 1993. Titre de soutenance : Lorenzo dei Medici : la penetrazione della sua influenza e del suo potere nello Stato fiorentino.
Bibliogr. p. 181-201. Index.
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Aasdalen, Unn Irene. « Climbing Diotima's ladder. Ficino, Pico and Lorenzo de' Medici on love : three philosophical commentaries in the vernacular ». Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497935.

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Mass, Christiane. « La lingua nostra patria : Die Rolle der florentischen Sprache für die Konstitution einer florentinischen : WIR-Gemeinschaft im Kreis um Lorenzo de' Medici / ». Münster : Nodus, 2002. http://catalogue.bnf.fr/ark:/12148/cb39073642c.

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Büsch, Sabina. « Die Psychologie der dramatischen Personen in den Da-Ponte-Opern Mozarts unter besonderer Berücksichtigung des Verhältnisses von Text und Musik / ». Köln : Univ, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015455640&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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L'herrou, Bradley. « Experimental Reporting and Networks of Political Information : Lorenzo Magalotti's Framing of Courts and Nature ». Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5725.

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This thesis explores changes in experimental reporting during the scientific revolution of the seventeenth century. In particular, I examine and compare some of the works of Count Lorenzo Magalotti, namely the Saggi di Naturali Esperienza or Essays on Natural Experiments and the Relazione d'Inghilterra. In 1667, as secretary of the Accademia del Cimento – the Tuscan experimental academy founded in 1657 – Magalotti (1637-1712) authored the Saggi, a collection of experimental reports. These reports included extensive written descriptions of experiments along with dozens of engravings depicting the instruments custom-made for the experiments. Magalotti also served as ambassador and agent of the Tuscan court and in the same year he traveled to England to offer a copy of the Saggi to King Charles II. While in England, Magalotti corresponded extensively with Prince Leopold and with the future grand duke, Cosimo III, reporting his observations of the English court: descriptions of political, military, and intellectual life at the court of Charles II. Magalotti’s account of his experience was compiled as Relazione d'Inghilterra in 1669. My work shows that the Saggi and the Relazione, although different in their content, emerged from the same historical context. I argue that the way information was conceived and organized, whether it originated from experimental practices (Saggi) or diplomatic actions (Relazione), changed over the course of the seventeenth century. Experimental reporting, like political reporting, became parceled into small, discrete units suited for high rates of information exchange.
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Maxson, Brian. « Review of The Duke’s Assassin : Exile and Death of Lorenzino de’ Medici, by Stefano Dall'Aglio, trans. by Donald Weinstein ». Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6183.

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Obergruber-Boerner, Carlos. « Herren und Heilige ». Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2005. http://dx.doi.org/10.18452/15382.

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Gegenstand der Arbeit sind Darstellungen, die dem Umfeld zweier Heiligenkulte in Florenz angehören und auf Bestellungen der Medici, ihrer Freunde und Verbündeten zurückzuführen sind. Den ursprünglich römischen Kult seiner Namenspatrone, der hll. Cosmas und Damian hat erst Cosimo de’ Medici in Florenz bekannt gemacht. Dabei erwies sich das Fehlen einer nennenswerten Florentinischen Tradition als maßgeblicher Faktor seiner Wirkkraft. Fra’ Angelico, Filippo Lippi und andere Künstler konnten formal neuartige Bildlösungen entwickeln, deren Inhalte sich als Projektionsflächen der politischen und geistigen Florentiner Eliten eigneten. Cosimo etablierte auf diese Weise ein Netzwerk persönlicher Repräsentation, das nicht allein die Barriere zwischen privatem und öffentlichem Raum zu durchdringen vermochte, sondern auch demonstrativ über die in Florenz herkömmliche Beschränkung auf das eigene Stadtviertel hinausgriff. Mit dem Generationswechsel nach Cosimos Tod erforderten die veränderten Machtverhältnisse auch einen Wechsel in der Strategie des Kults. In der zweiten Hälfte des 15. Jahrhunderts tritt ein anderer Kult, jener der hll. Drei Könige in den Vordergrund. Dieser besaß im Gegensatz zur Verehrung von Cosmas und Damian in Florenz eine eigenständige, spezifisch republikanische Tradition. Unter deren Schutz konnte eine kontinuierliche Politisierung althergebrachter Rituale und die Übernahme der Kontrolle durch die Medici stattfinden. Auch in diesem Fall zeigt die Analyse der erhaltenen Darstellungen, dass sie den Auftraggebern als Loyalitätsnachweis dienten und die Zugehörigkeit zum Klientel der Medici und damit der städtischen Eliten markierten. Noch in der Mitte des 16. Jahrhunderts griff Herzog Cosimo I. auf strategische Elemente und Motive des Kults zurück, nun zunehmend aus dem sakralen Kontext gelöst und Bestandteil höfischer Panegyrik.
The Images observed here are mainly of two religious cults commissioned by members, friends and allies of the Medici family. In the early 15th century Cosimo de’ Medici following the example of his father introduced his patron saints, Cosmas and Damian into his native city of Florence. Prior to this the cult of these saints was of no vital importance outside Rome. Thus there was no eminent pictorial tradition of their images which proved an important factor in the cult’s success. Fra’ Angelico, Filippo Lippi and other artists were able to develop a new imagery that allowed members of Florence’s political and humanistic circles to identify with. Cosimo established a network of personal representation which did not only penetrate the barriers between private and public space but ostentatiously reached beyond the customary boundaries of a family’s home quarter. After Cosimo’s death in 1464 political instability resulted in a change of strategy. In the second half of the 15th century a different cult, that of the Three Magi, moves into the center of medicean interest. Contrary to Saints Cosmas and Damian the cult of the Magi had an ancient and marked republican tradition in Florence. Under cover of this tradition the Medici party managed to take over control of the confraternity of the Magi and wield its influential instruments to their own benefit. As with images of Saints Cosmas and Damian those depicting the Adoration of the Magi were used as a confirmation of loyalty to the Medici and their faction. Even in the 16th century Duke Cosimo I. went back to elements and motifs of his predecessors’ strategy. Rather than reviving the cult of Saints Cosmas and Damian however they are used to give evidence of political and dynastical continuity.
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Livres sur le sujet "Lorenzo deʼ Medici"

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Barenboĭm, Petr. Myshʹ Medichi i Mikelandzhelo : Kapella Medichi = Il topo dei Medici e Michelangelo : capella Medicea. Moskva : "Letniĭ sad", 2006.

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Gino, Corti, dir. Lorenzo de' Medici, collector and antiquarian. Cambridge : Cambridge University Press, 2006.

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Medici, Lorenzo de'. Lorenzo de Medici : Selected poems and prose. University Park, Pa : Pennsylvania State University Press, 1991.

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Walter, Ingeborg. Der Prächtige : Lorenzo de' Medici und seine Zeit. München : Beck, 2003.

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Nanni, Paolo. Lorenzo agricoltore : Sulla proprietà fondiaria dei Medici nella seconda metà del Quattrocento. Firenze : Accademia dei georgofili, 1992.

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Salvadori, Patrizia. Dominio e patronato : Lorenzo dei Medici e la Toscana nel Quattrocento. Roma : Edizioni di storia e letteratura, 2000.

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Salvadori, Patrizia. Dominio e patronato : Lorenzo dei Medici e la Toscana nel Quattrocento. Roma : Edizioni di storia e letteratura, 2000.

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Di Lorena, Cristina. Lettere alla figlia Caterina de' Medici Gonzaga duchessa di Mantova (1617-1629). Sous la direction de Beatrice Biagioli et Elisabetta Stumpo. Florence : Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-732-6.

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Il carteggio tra Cristina e sua figlia Caterina rappresenta un caso unico nel panorama epistolare conservato in casa Medici, per l’ampiezza, per la varietà dei temi trattati, per il tono intimo e confidenziale che traspare dalle lettere. Nei dieci anni trascorsi a Mantova da Caterina le due donne si scambiarono consigli, raccomandazioni e timori che ci permettono di seguire e delineare lo scenario più ampio in cui si muovevano entrambe. Con questa edizione abbiamo ricreato l’unità di un fitto scambio epistolare, costituitosi come unicum nella volontà della scrivente, ma separato poi in due nuclei distinti nelle vicende della sua trasmissione. Sono qui pubblicate le lettere inviate dalla granduchessa Cristina di Lorena alla figlia Caterina de’ Medici Gonzaga presenti nella filza 6110 del fondo Mediceo del Principato conservato nell’Archivio di Stato di Firenze e nelle buste 1095, 1096 e 1097 dell'Archivio Gonzaga presso l'Archivio di Stato di Mantova.
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Dall'Aglio, Stefano. L'assassino del duca : Esilio e morte di Lorenzino de' Medici. Firenze : L.S. Olschki, 2011.

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L'assassino del duca : Esilio e morte di Lorenzino de' Medici. Firenze : L.S. Olschki, 2011.

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Chapitres de livres sur le sujet "Lorenzo deʼ Medici"

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Wild, Gerhard. « Medici, Lorenzo de' ». Dans Kindlers Literatur Lexikon (KLL), 1. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13130-1.

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Schwaderer, Richard. « Medici, Lorenzo de' : Das lyrische Werk ». Dans Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13131-1.

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Gaisser, Julia Haig. « Apuleius in Florence from Boccaccio to Lorenzo de’ Medici ». Dans Textes et Etudes du Moyen Âge, 45–72. Turnhout : Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.tema-eb.3.2216.

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Kent, F. W. « Unheard Voices from the Medici Family Archive in the Time of Lorenzo de’ Medici ». Dans Late Medieval and Early Modern Studies, 389–404. Turnhout : Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.lmems-eb.3.3540.

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Fabbri, Lorenzo. « The Magnificent Arbitrator : Lorenzo de’ Medici and the Patrician Families in Florence ». Dans Europa Sacra, 95–113. Turnhout : Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.es-eb.5.109700.

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Stapleford, Richard. « Household Goods in the 1492 Inventory of the Estate of Lorenzo de’ Medici ». Dans Inventories of Textiles – Textiles in Inventories, 127–42. Göttingen : V&R unipress, 2017. http://dx.doi.org/10.14220/9783737003926.127.

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Wilson, Arline. « Liverpool’s Lorenzo de Medici ». Dans The Making of the Middle Ages, 188–205. Liverpool University Press, 2007. http://dx.doi.org/10.5949/liverpool/9781846310683.003.0010.

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‘Liverpool’s Lorenzo de Medici’, written by Arline Wilson, discusses William Roscoe’s study of Lorenzo de Medici and its subsequent reception. Also included in this chapter is a biography of Roscoe’s personal life and upbringing in Merseyside.
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Mazzeo, Tilar J. « Lorenzo de Medici.a ». Dans Mary Shelley’s Literary Lives and other Writings, 77–84. Routledge, 2020. http://dx.doi.org/10.4324/9780429349751-4.

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« Prato and Lorenzo de’ Medici ». Dans Late Medieval and Early Modern Studies, 281–98. Turnhout : Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.lmems-eb.4.000150.

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« Prato and Lorenzo de’ Medici ». Dans Communes and Despots in Medieval and Renaissance Italy, 213–28. Routledge, 2016. http://dx.doi.org/10.4324/9781315259871-27.

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