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Articles de revues sur le sujet « Lute manuscript »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 2 février 2022

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1

Picken, Laurence. "The Dunhuang lute-manuscript transcribed by Coralie Rockwell." Musicology Australia 20, no. 1 (1997): 15–60. http://dx.doi.org/10.1080/08145857.1997.10415971.

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Meyer, Christian, and Victor Coelho. "The Manuscript Sources of Seventeenth-Century Italian Lute Music." Revue de musicologie 82, no. 1 (1996): 189. http://dx.doi.org/10.2307/947211.

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Tyler, James, and Victor Coelho. "The Manuscript Sources of Seventeenth-Century Italian Lute Music." Notes 52, no. 4 (1996): 1158. http://dx.doi.org/10.2307/898386.

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Schöning, Kateryna. "Lautentabulatur UKR-LVu 1400/I als ein humanistisches Scholarbuch." Die Musikforschung 73, no. 3 (2021): 202–34. http://dx.doi.org/10.52412/mf.2020.h3.14.

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The Krakow Lute Tablature UKR-LVu 1400/I (ca. 1555-1592) belongs to the hardly explored collections of the Lviv University Library (Ukraine). This paper considers the manuscript is in the context of humanist culture and didactic practice in Central Europe during the 16th century. At the centre is an examination of the Tablature's relation to the elaborate scholarly traditions from the first half of the 16th century, especially to the humanist Lessons Book tradition and Commonplace practice. It is argued that the Krakow Lute Tablature was a guide to poetic and musical enterntainment in the uppe

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Leszczyńska, Agnieszka. "Emanuel Wurstisen, his Tablature and Links to Poland. Lute Music with Medicine in the Background." Muzyka 65, no. 2 (2020): 3–24. http://dx.doi.org/10.36744/m.445.

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The lute tablature CH-Bu F IX 70 was compiled by Emanuel Wurstisen (1572–1616), a Basel University student, who became a physician in Biel toward the end of his life. His biography has been supplemented here so as to include new information concerning, among other things, his collaboration with German surgeon Wilhelm Fabricius Hildanus during the first decade of the seventeenth century. When commencing his tablature, in 1591, Wurstisen planned to divide it into eight books, each devoted to works of a similar genre. The manuscript comprises nearly five hundred works, mostly anonymous, while amo

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Schöning, Kateryna. "21 hands for playing: on resolving a puzzle from the ‘Krakow lute tablature’." Early Music 47, no. 3 (2019): 345–60. http://dx.doi.org/10.1093/em/caz058.

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Abstract The ‘Krakow lute tablature’ (c.1553–1592) is preserved among the little-explored collections of the Ivan Franco National University in Lviv, Ukraine. This article is devoted to the 21 unique hand drawings on the tablature folios. Did such illustrations have any significance for readers of tablature in the 16th century? Were the hand-signs intended to convey information about the pieces to which they were obviously assigned, or even about the manuscript as a whole? Were they of didactic importance, and do they relate to performance practice around 1550 in the Polish–Lithuanian region?

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Boye, Gary R. "Lessons for the Lute, and: Duets from the Phalese Anthologies, and: Lute Duets, and: Duets by Francesco da Milano and Joanne Matelart, and: Five Duets from "Fronimo" (1584), and: Suite for 2 Lutes, and: Lute Music, and: Complete Works, and: English Lute Song before Dowland, and: Eight Pieces for the Ten-Course Lute, and: The Moscow "Weiss" Manuscript (review)." Notes 57, no. 2 (2000): 473–80. http://dx.doi.org/10.1353/not.2000.0065.

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Dragomirescu, Daniel. "Stylistic-Interpretative Statistics of The Creation for Guitar Solo (Preludes no. 1-5) by Heitor Villa Lobos." Review of Artistic Education 17, no. 1 (2019): 141–58. http://dx.doi.org/10.2478/rae-2019-0016.

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Abstract In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instruments (organ or clavecin) and those for the guitar’s ancestor, the lute, were preceded by an introduction bearing the title of prelude. In the seventeenth century, this prelude was used as an introduction to some religious works, being synonymous to the preamble, as both were meant to prepare the atmosphere and tone of a musical piece. Johann Sebastian Bach played a decisive role in the evolution of the prelude, using it as the first part of the preclassic instrumental suite, with the

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Gvantseladze, Teimuraz I., Gvantsa T. Gvantseladze, and Shakhban M. Khapizov. "GEORGIAN-ARABIC PALIMPSEST FROM DAGESTAN (BRIEF REPORT)." History, Archeology and Ethnography of the Caucasus 14, no. 4 (2018): 8–12. http://dx.doi.org/10.32653/ch1448-12.

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Abstract. Georgian-Dagestan relations in the early Middle Ages were distinguished by their diversity. At the same time, they included both close political ties and cultural contacts, which became even closer up until the XIV century. This aspect was mainly reflected in the influence of medieval Georgia on the spread of Christianity, Georgian literature and language in Highland Dagestan (Avaria). One aspect of this cultural influence can be considered the spread of book culture and, in particular, Georgian manuscripts. Until recently, the message from Georgian sources was not confirmed in the f

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Lafleur, Didier. "Which Criteria for Family 13 (f 13) Manuscripts? 1." Novum Testamentum 54, no. 2 (2012): 105–48. http://dx.doi.org/10.1163/156853612x628151.

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Abstract For decades, Greek New Testament textual criticism has accepted Family 13 as a first order witness. Beyond the scholarly approval still remains the question of which criteria are—or are not—specific to determine if a manuscript is—or is not—a Family 13 member. In this way, the present paper focuses on five criteria: (1) the transfer of the pericope of the adulteress to a position after Luke 21:38; (2) the transfer of the pericope of the angel and the sweat like drops of blood from Luke 22:43-44 to a position after Matt 26:39; (3) the omission of the sign of the times (Matt 16:2a-3); (

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Craig-McFeely, Julia. "Elizabethan and Jacobean Lute Manuscripts: Types, Characteristics and Compilation." Études anglaises Vol. 73, no. 3 (2021): 369–81. http://dx.doi.org/10.3917/etan.733.0369.

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Deviatkina, Ekaterina M. "Translation of the “Gospel of Luke” (1821) into Erzya: some features of noun morphology." Finno-Ugric World 12, no. 4 (2020): 379–88. http://dx.doi.org/10.15507/2076-2577.012.2020.04.379-388.

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Introduction. This paper considers some features of noun morphology in the translation of the “Gospel of Luke” (1821) into the Erzya language, namely the indicators of such grammatical categories of the noun as number, case and the categories of possessiveness and definiteness. Analysis of old manuscripts is necessary, as it provides important information in the reconstruction of the language. Materials and Methods. The text of the translation of the “Gospel of Luke” (1821) into Erzya, materials of the Erzya dialects were collected by the author during the expeditions to Samara region in 2011–

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Суботин-Голубовић, Татјана. "ТАТЬЯНА СУБОТИН-ГОЛУБОВИЧ Молебен — краткая служба особого состава в сербской книжности XIV-XV вв." Fontes Slaviae Orthodoxae 2, № 2 (2020): 105–12. http://dx.doi.org/10.31648/fso.5099.

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The paraklesis is a short service addressed to a saint composed of texts taken from the menaion dedicated to the same saint. Parakleses attest to the popularity of the saint they are dedicated to and usually originate from the area associated with his/her life or the location of their relics. Services of this type usually comprise parts of existing services. Several parakleses to St. Sava, comprising parts of different canons from the services by Teodosije the Hilandarian, have survived in the Serbian manuscript tradition of the first half of the 15th century. The paraklesis composed on the oc

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Ballman, Christine, Guillaume Morlaye, Jean-Michel, and Nathalie Vaccaro. "OEuvres pour le luth, II, Manuscrits d'Uppsala." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 48 (1994): 200. http://dx.doi.org/10.2307/3687139.

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Ness, Arthur J., Jean-Michel Vaccaro, Nathalie Vaccaro, et al. "Oeuvres pour le luth, II: Manuscrits d'Uppsala." Notes 49, no. 2 (1992): 795. http://dx.doi.org/10.2307/897966.

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Coelho, Victor, and Arthur Ness. "Tablature de luth italienne, dit Siena Manuscript (ca 1560-1570)." Notes 46, no. 4 (1990): 1060. http://dx.doi.org/10.2307/941280.

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RIUS-CAMPS, JOSEP. "The Pericope of the Adulteress Reconsidered: The Nomadic Misfortunes of a Bold Pericope." New Testament Studies 53, no. 3 (2007): 379–405. http://dx.doi.org/10.1017/s0028688507000197.

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This article considers afresh the origin of the pericope of the adulteress, which is absent from some important manuscripts. Comparison of the witnesses to the text reveals that it has been preserved in two distinct forms, one (attested by Codex Bezae and the minuscules 2722 and 1071) that is Markan in style, and the other (attested by f13) that reproduces the style of Luke. The conclusion drawn is that the account was first composed by Mark (and placed after Mark 12.12) and subsequently adopted by Luke (after Luke 20.19). Because of the apparent moral leniency displayed by Jesus, the story wo

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Joachimiak, Grzegorz. "From the collection of the Polish musicologist Aleksander Poliński: On the provenance of two lute tablature manuscripts held in the Bibliothèque nationale in Paris." Muzyka 64, no. 3 (2019): 18–33. http://dx.doi.org/10.36744/m.40.

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The presented research results concerning the music collection of Professor Aleksander Poliński (the author of a book Dzieje muzyki polskiej w zarysie [An outline history of Polish music], Lviv 1907), specifically lute tablature manuscripts from the seventeenth and eighteenth centuries (Paris, Bibliothéque Nationale: Rès. Vmc. ms. 61 and Rès. Vma. ms. 1213), provide information that enables us not only to learn of their complicated history but also to indicate another source from this collection. Inscriptions written in Polish confirm that we are dealing with manuscripts which previously belon

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Kachouh, Hikmat. "Sinai Ar. N.F. Parchment 8 and 28: Its Contribution to Textual Criticism of the Gospel of Luke." Novum Testamentum 50, no. 1 (2008): 28–57. http://dx.doi.org/10.1163/156853607x229448.

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AbstractThis article examines the text of an Arabic Gospel manuscript from the “New Finds” at St. Catherine's Monastery, Sinai. It provides a general description of the codex, and then studies two hundred and thirty readings in Saint Luke's Gospel. These readings differ from the Majority Text and agree with some of the earliest Greek witnesses as well as ancient versions. The contribution of this manuscript is shown to be considerable, and a warning against minimizing the textual value of the Arabic versions.

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WHITLARK, JASON A., and MIKEAL C. PARSONS. "The ‘Seven’ Last Words: A Numerical Motivation for the Insertion of Luke 23.34a." New Testament Studies 52, no. 2 (2006): 188–204. http://dx.doi.org/10.1017/s0028688506000117.

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Luke 23.34a, ‘Father forgive them for they know not what they do’, has been a textual conundrum in text criticism. The weight for the external evidence points to the probability that this logion of Jesus from the cross was not in the earliest manuscript of Luke. What motivation then led to this saying being added to the text of Luke? In this article, the argument is made that a numerical motivation is at the heart of the addition. Luke 23.34a was added in order that there be seven sayings and not six that Jesus spoke from the cross. This issue arose as the four Gospels were collected together

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Boer, Dick E. H. de. "Protego-proterreo. Making an Amulet by Mutilating a Manuscript." Quaerendo 41, no. 1-2 (2011): 112–25. http://dx.doi.org/10.1163/001495211x572094.

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AbstractThis contribution describes the way in which amulets functioned in the medieval Latin West at the intersection of magic, medicine and religion and the way in which they were made. A Pantaleon amulet from the late fifteenth or early sixteenth century serves as an example. This amulet has been cut out of a Bible leaf and still shows the essential text of the Last Supper, from Luke 22.

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Clivaz, Claire. "The Angel and the Sweat Like “Drops of Blood” (Lk 22:43–44): 69 and f13." Harvard Theological Review 98, no. 4 (2005): 419–40. http://dx.doi.org/10.1017/s0017816005001045.

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Eldon J. Epp recently asserted that “the greater the ambiguity in the variant readings in a given variation unit, the more clearly we are able to grasp the concerns of the early church.” I agree with this principle and submit that the famous text-critical problem regarding the authenticity of Luke 22:43–44—the agony of Jesus on the Mount of Olives, which mentions the angel and the sweat “like drops of blood”—has not yet yielded its store of information about early Christianity, particularly in Alex-andria. This article has the modest purpose of presenting two technical notes on the complex que

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Dry, François, Jean-Michel, Nathalie Vaccaro, and Francois Dry. "Guillaume Morlaye II. Œuvres pour le luth -- Manuscrit d'Uppsala. Vol. 1." Revue de musicologie 76, no. 1 (1990): 121. http://dx.doi.org/10.2307/947167.

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Jones, Brice C. "A New Sahidic Fragment of the Gospel of Luke from the Michigan Collection." Novum Testamentum 56, no. 2 (2014): 198–204. http://dx.doi.org/10.1163/15685365-12341434.

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AbstractThis article publishes for the first time the extant remains of a Sahidic Coptic manuscript containing portions of Luke 17-19. Almost all of the special Lukan pericope concerning Jesus and Zacchaeus is preserved (19:1-10), as well as most of the parable of the Dishonest Judge (18:1-8). The edition includes a transcription, translation, palaeographical analysis, critical apparatus, as well as images of the fragment.

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Clavijo-Ramirez, Carlos Arturo. "APAGANDO GENES PARA ILUMINAR LA INTERACCIÓN ENTRE EL MACRÓFAGO Y LEISHMANIA." Acta Biológica Colombiana 21, no. 1Supl (2016): 259–63. http://dx.doi.org/10.15446/abc.v21n1supl.50885.

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<p>La enfermedad causada por los parásitos del género Leishmania representa un problema de salud pública de importancia a nivel nacional e internacional. El conocimiento actual de la interacción entre el macrófago humano y el parásito aún luce insuficiente para reflejarse en mejoras del tratamiento empleado. El presente manuscrito aspira a ser un texto de divulgación para el púbico general y trata de explicar la importancia de este tipo de investigación científica y la estrategia empleada por nuestro grupo de investigación, en la búsqueda de soluciones al flagelo representado por los dif

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Bovon, François, and Nancy P. Ševčenko. "Byzantine Art and Gospel Commentary: The Case of Luke 13:6–9, 10–17." Harvard Theological Review 109, no. 2 (2016): 257–77. http://dx.doi.org/10.1017/s0017816016000055.

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This paper represents a conversation between two disciplines that too rarely enter into dialogue: New Testament studies and the history of Byzantine art. Two gospel passages have been chosen for analysis here: the first is a parable, the parable of the fig tree (Luke 13:6–9); the second, which follows immediately upon the first, is a miracle story that provokes a controversy (Luke 13:10–17). Both passages appear exclusively in the Gospel of Luke. Our joint study will start with exegetical notes on the Gospel of Luke and the history of the interpretation of these particular verses and will then

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Timm, Torsten, and Andreas Schinner. "Review of The linguistics of the Voynich manuscript by Claire Bowern and Luke Lindemann." Cryptologia 45, no. 5 (2021): 434–38. http://dx.doi.org/10.1080/01611194.2021.1911875.

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Myllykoski, Matti. "Tears of Repentance or Tears of Gratitude? P.Oxy. 4009, the Gospel of Peter and the Western Text of Luke 7.45–49." New Testament Studies 55, no. 3 (2009): 380–89. http://dx.doi.org/10.1017/s0028688509000216.

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In an article published earlier this year (NTS 55.1: 104–15), a full reconstruction of the less intelligible side of P.Oxy. 4009 (lines 1–13) was presented, and it was argued that this text belongs to the Gospel of Peter. These 13 lines parallel the Lukan pericope of the sinful woman (Luke 7.45–49) and demonstrate that the Gospel of Peter used manuscripts that represent the Western text of the earlier Gospels. The most notable Western feature, the omission in P.Oxy. 4009 of Luke 7.47b–48, is no coincidence. There are weighty arguments for the omission of these verses in the Lukan original as w

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Johnson, Nathan C. "When Seventy Equals Seventy-Two: A Reception-Historical Contribution to the Text-Critical Problem of Luke 10:1, 17." Journal of Theological Studies 70, no. 2 (2019): 633–51. http://dx.doi.org/10.1093/jts/flz084.

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Abstract The question of how many disciples Jesus sends in Luke 10:1—70 or 72—has long brought interpreters to an impasse, with Bruce Metzger concluding that the number is ‘elusive’ and ‘cannot be determined with confidence’. However, one simple solution has yet to be considered. Appealing to ancient number theories, reception history, and Luke’s manuscript tradition, this essay maintains that 70 and 72 were often, strangely, the same number in antiquity. A facile solution in isolation, equating 70 and 72 is demonstrated to be a common phenomenon in antique Jewish and Christian literature. The

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BAARDA, TJITZE. "The Reading ‘Who Wished to Enter’ in Coptic Tradition: Matt 23.13, Luke 11.52, and ‘Thomas’ 39." New Testament Studies 52, no. 4 (2006): 583–91. http://dx.doi.org/10.1017/s0028688506000312.

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Two Middle Egyptian Coptic texts of Matthew, published by the late Professor Hans-Martin Schenke, namely the Scheide Codex and the Schøjen Codex, are of great interest, not only for Coptisants but also for New Testament textual critics. These manuscripts probably belong, respectively, to the fifth and fourth century. So they may tell us something about form and character of the Greek text in the fourth or perhaps even third century in Egypt, at least if we assume that these manuscripts were copies of older Coptic texts. Moreover, the two texts are also important for our knowledge of the langua

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Gathercole, Simon. "The Earliest Manuscript Title of Matthew’s Gospel (BnF Suppl. gr. 1120 ii 3 / 𝔓4)". Novum Testamentum 54, № 3 (2012): 209–35. http://dx.doi.org/10.1163/156853612x650084.

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Abstract A flyleaf bearing the title of Matthew’s gospel, found with the Luke fragments of 𝔓4 (henceforth P4), has been neglected in studies of P4 as well as in editions of the Greek New Testament. This article publishes for the first time a photograph of the flyleaf, and seeks to provide an accurate transcription of the often misspelled title. It also discusses the various factors impinging upon the date of the fragment, such as the Philo codex in which it was found and the apostrophe in the middle of Matthew’s name. A date in the late second or early third century makes best sense of the evi

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Noailly, Jean-Michel. "Une tablature italienne pour le luth: le manuscrit 6244 de la Bibliothèque municipale de Lyon." Revue de musicologie 72, no. 2 (1986): 261. http://dx.doi.org/10.2307/928370.

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Heilmann, Jan, and Kevin Künzl. "Das Problem von Kurz‑ und Langtext in Lk 22,17–20 und das für Marcion bezeugte Evangelium." Novum Testamentum 62, no. 2 (2020): 117–38. http://dx.doi.org/10.1163/15685365-12341649.

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Abstract This article reassesses the evidence for the text critical problem of the so‑called “short and long text” in Luke 22:19b–20. By means of a detailed analysis of the Patristic evidence and a critique of the reconstructions by Harnack, BeDuhn, Roth, and Klinghardt, the authors argue that the Gospel used by Marcion is an overlooked witness for the “short text.” The information that Tertullian gives about Marcion’s text either points directly to the “short text” or to a version of it showing influence from 1 Cor 11:23–25, and, hence, is similar to certain “intermediate” text forms that can

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KUMASHIRO, KEVIN, WILLIAM PINAR, ELIZABETH GRAUE, et al. "Thinking Collaboratively about the Peer-Review Process for Journal-Article Publication." Harvard Educational Review 75, no. 3 (2005): 257–85. http://dx.doi.org/10.17763/haer.75.3.h317564n18346928.

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In this conversation, Kevin K. Kumashiro shares his reflections on challenges to publishing anti-oppressive research in educational journals. He then invites eight current and former editors of leading educational research journals—William F. Pinar, Elizabeth Graue, Carl A. Grant, Maenette K. P. Benham, Ronald H. Heck, James Joseph Scheurich, Allan Luke, and Carmen Luke — to critique and expand on his analysis. Kumashiro begins the conversation by describing his own experiences submitting manuscripts to educational research journals and receiving comments by anonymous reviewers and journal edi

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Пушин, Олег Михайлович. "An Encomium on St. Luke the Evangelist”. Translation from Greek, Preface and Notes by Oleg M. Pushin." Библия и христианская древность, no. 2(10) (July 10, 2021): 72–92. http://dx.doi.org/10.31802/bca.2021.10.2.003.

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Статья посвящена одному энкомию в честь евангелиста Луки, текст которого сохранился в рукописи Laud. gr. 81 (и в двух её копиях), в которой его автором назван прп. Андрей Критский, и в Ambros. A 63 inf., в которой авторство приписывается диакону и скевофилаксу Фотию. Рассматриваются некоторые аргументы в пользу того, что прп. Андрей мог быть автором этого текста, и публикуется его перевод на русский язык. This article is dedicated to an encomium on St. Luke the evangelist, whose text has been preserved in the manuscript Laud. gr. 81 (and two copies of it), which says that its author is St Andr

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Hazard, Benjamin. "A Manuscript Copy of the Declaration of Arbroath from the Roman Archives of Fr Luke Wadding (1588–1657)." Scottish Historical Review 90, no. 2 (2011): 296–315. http://dx.doi.org/10.3366/shr.2011.0038.

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Ballman, Christine. "Technique du chant au luth d'apres le manuscrit Cavalcanti (Bruxelles, Bibliotheque Royale Albert Ier, Ms II 275)." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 50 (1996): 35. http://dx.doi.org/10.2307/3687036.

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Lauriti, Nádia Conceição. "O manuscrito da Pedagogia do Oprimido: rasuras e a crítica genética." Retratos da Escola 14, no. 29 (2020): 403–26. http://dx.doi.org/10.22420/rde.v14i29.1154.

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Este trabalho tem como objeto de investigação as rasuras no manuscrito da Pedagogia do Oprimido, de Paulo Freire, publicado no ano de 2013. O universo de pesquisa circunscreve-se ao exame das rasuras mais significativas realizadas pelo autor e registradas na obra durante o processo de criação. A abordagem teórico-analítica ancora-se na crítica genética, recurso metodológico destinado às análises de manuscritos, possibilitando ouvir as vozes que surgem das rasuras por meio de movimentos escriturais e operações de deslocamento, substituição, acréscimo ou eliminação. Por essas marcas autorais tor

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Pinchard, Laurent. "L’oncial 0171, témoin-clef du développement du texte néotestamentaire avant le 3e s. : Un point sur Mt 10,17-32." Novum Testamentum 61, no. 4 (2019): 339–66. http://dx.doi.org/10.1163/15685365-12341648.

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AbstractThis essay discusses the text of the 3rd c. uncial 0171. The uncial consists of three fragments, two pertaining to the text of Luke, and one pertaining to the text of Matthew (10: 17-32), which is the focus of the present study. Despite its extremely fragmentary nature, certain letters are sufficiently legible to permit a faithful reconstruction of the text. Although the “Western” character of the manuscript is well-established, some of the earlier studies of the textual variants seem to have overlooked or misinterpreted a number of key elements. Through a verse by verse reassessment o

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Meyer, Christian. "Les manuscrits de luth du fonds Fetis (Bruxelles, Bibliotheque Royale Albert Ier, Mss II 4086-4089)." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 50 (1996): 197. http://dx.doi.org/10.2307/3687046.

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Stuckenbruck, Loren T. "The Dead Sea Scrolls: Insight into Traditioning Processes and the Growth of Gospel Traditions." Dead Sea Discoveries 23, no. 3 (2016): 304–28. http://dx.doi.org/10.1163/15685179-12341406.

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This article proposes that parallel traditions among the Dead Sea Scrolls offer a comparative data-set by which to reassess “the Synoptic problem” in the New Testament gospels. The Dead Sea materials, not only shared traditions but also differences between them, whether in the manuscripts of the same work or overlapping portions of different works, show similarities to the ways in which the Gospels of Mark, Matthew, Luke, and the putative “Q” overlap and depart from one another. The multiple degrees in which some Dead Sea texts evolved underscore the plausibility that, with or without the infl

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Martins, Max. "Dois Poemas Inéditos de Max Martins: Lume! e Clara. Claríssima / Manuscrito de MM / Depoimento de Amarílis Tupiassú." MOARA – Revista Eletrônica do Programa de Pós-Graduação em Letras ISSN: 0104-0944 2, no. 46 (2017): 08. http://dx.doi.org/10.18542/moara.v2i46.4158.

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“Eu anotei nos meus cadernos um poema novo, em que começo, um poema que quero que seja longo, para escrever durante um ano, que tenha 365 versos, vamos dizer assim, como o começo de uma autodisciplina para me forçar a escrever. E eu começo, e naturalmente, isso pode até não entrar no poema, sair do poema, até uma coisa biográfica. ‘Lume!’, com exclamação.(...) Então aí, esse primeiro verso, desse poema longo que quero fazer e que mal começou, é uma invocação e uma convocação das musas. E tem muitas musas que, por acaso, são ‘emes’, de nomes com M, que coincidem com o meu, com meus dois ‘emes’.

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Sá, Carolina Mafra de, and Ana Maria de Oliveira Galvão. ""A mulher soldado" nos palcos (São João Del-Rei, Minas Gerais, 1916)." Revista Brasileira de História da Educação 21, no. 1 (2020): e144. http://dx.doi.org/10.4025/10.4025/rbhe.v21.2021.e144.

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As apresentações da opereta A mulher soldado em São João del-Rei - MG (1916) foram muito apreciadas pelo público e pela imprensa e se configuraram como performances que educaram sensibilidades. Este artigo analisa o manuscrito da peça, jornais locais e uma peça são-joanense do período, fontes encontradas no acervo que pertencia ao grupo amador responsável pelos espetáculos. Buscamos compreendera educação das sensibilidades que teria ocorrido durante essas encenações. Apoiadas nos estudos sobre a história da educação das sensibilidades, identificamos que os espetáculos ao mesmo tempo em que ref

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Sá, Carolina Mafra de, and Ana Maria de Oliveira Galvão. ""A mulher soldado" nos palcos (São João Del-Rei, Minas Gerais, 1916)." Revista Brasileira de História da Educação 21, no. 1 (2020): e144. http://dx.doi.org/10.4025/rbhe.v21.2021.e144.

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As apresentações da opereta A mulher soldado em São João del-Rei - MG (1916) foram muito apreciadas pelo público e pela imprensa e se configuraram como performances que educaram sensibilidades. Este artigo analisa o manuscrito da peça, jornais locais e uma peça são-joanense do período, fontes encontradas no acervo que pertencia ao grupo amador responsável pelos espetáculos. Buscamos compreendera educação das sensibilidades que teria ocorrido durante essas encenações. Apoiadas nos estudos sobre a história da educação das sensibilidades, identificamos que os espetáculos ao mesmo tempo em que ref

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Rundle, David. "A Renaissance bishop and his books: a preliminary survey of the manuscript collection of Pietro del Monte (c. 1400–57)." Papers of the British School at Rome 69 (November 2001): 245–72. http://dx.doi.org/10.1017/s0068246200001823.

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UN VESCOVO DEL RINASCIMENTO ED I SUOI LIBRI: RICERCHE PRELIMINARI SULLA COLLEZIONE DI MANOSCRITTI DI PIETRO DEL MONTE (c. 1400-57)Pietro del Monte, vescovo di Brescia (1442–57), fu identificato da Vespasiano da Bisticci come un appassionato bibliofilo. Attraverso l'identificazione di 66 dei suoi manoscritti e la discussione del suo collezionismo di libri, questo articolo costituisce il primo tentativo di ricostruzione della biblioteca di del Monte. In particolare, viene analizzata l'attività di regolare ed intelligente copista dello stesso del Monte. L'articolo si apre con la descrizione della

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Roosimaa, Peeter. "Mt 10,38 ja Lk 14,27 sajandeid püsinud küsitav tõlge." Eesti ja soome-ugri keeleteaduse ajakiri. Journal of Estonian and Finno-Ugric Linguistics 4, no. 3 (2013): 175–94. http://dx.doi.org/10.12697/jeful.2013.4.3.09.

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Artikkel käsitleb Uue Testamendi eesti keelde tõlkimise probleeme. Paralleelkirjakohtades Mt 10,38 ja Lk 14,27 on Jeesuse ütlus, mis koosneb kolmest osalausest. Neist esimene ja viimane on eitavad, kuid eestikeelses tõlkes on eitatud ka teist osalauset. Selline lisaeitus leidub juba 1686. aastal ilmunud „Wastses Testamendis”. Uue Testamendi esimesed eestikeelsed tõlked on teinud saksa soost pastorid, kellel oli raskusi eituste edasiandmisel saksa keele omast erineva lausestruktuuriga eesti keeles. Kasutades aastatest 1680–1705 pärinevate tõlkekäsikirjade trükis avaldatud tekste, on artiklis va

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Willemart, Philippe. "A luta de Jacó com o Anjo: o crítico entre o gozo e o texto móvel do manuscrito." Literatura e Sociedade, no. 18 (March 13, 2015): 91. http://dx.doi.org/10.11606/issn.2237-1184.v0i18p91-97.

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Lavoura, Tiago Nicola. "O Lazer e a Formação da Individualidade Livre e Universal." LICERE - Revista do Programa de Pós-graduação Interdisciplinar em Estudos do Lazer 17, no. 4 (2014): 269–305. http://dx.doi.org/10.35699/1981-3171.2014.1023.

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O presente artigo de revisão tem como objetivo apreender as contribuições teóricas de Paul Lafargue, notadamente a partir do seu memorável texto O Direito à Preguiça, para se pensar o fenômeno do lazer e suas possibilidades de formação da individualidade humana livre e universal. Lafargue com seu manuscrito publicado em 1881, já procurava apontar a necessidade de se considerar as determinações ontológicas para se pensar uma vida plena de sentido. A partir de tal pressuposto teórico e metodológico, busca-se abordar o tema do lazer e a luta pela formação dos indivíduos em sua forma mais plena, l

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Bispo, Nívia De Morais, and Ariana Rocha Caldeira. "As contradições sociais evidenciadas pelo novo coronavírus e a vida das mulheres no contexto da pandemia." Germinal: Marxismo e Educação em Debate 12, no. 3 (2021): 479. http://dx.doi.org/10.9771/gmed.v12i3.37149.

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<p>A pandemia do novo coronavírus revela e potencializa as contradições da sociedade capitalista, que mostra a sua face mais destrutiva: o lucro acima das vidas. Contraditoriamente, revela também a sua insustentabilidade. Neste manuscrito, apontamos algumas contradições que são evidenciadas e potencializadas pela pandemia e os impactos disso para a classe trabalhadora, de forma geral, e para as mulheres, em particular. Historicamente submetidas à dominação-exploração e opressão de gênero, de raça e de classe, as mulheres sentem os impactos desta pandemia em seus corpos. Os índices de vio

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Lifshits, Alexander L. "Two Blessings for Ostromir the Posadnik." Slovene 6, no. 1 (2017): 498–503. http://dx.doi.org/10.31168/2305-6754.2017.6.1.20.

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The article is devoted to a new interpretation of the well-known postscript in the so-called Ostromir Gospels—the earliest Russian manuscript, written in 1056/1057. In this afterword on fols. 294r and 294v, one of scribes (deacon Gregory by name) twice asked for a blessing for Ostromir the “Posadnik,” who had paid for the creation of this outstanding manuscript. The first blessing requested is the blessing of the Holy Evangelists. Although it is perfectly appropriate for someone who ordered such an expensive Gospel book to ask for blessings from the evangelists, the names of the evangelists we

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