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Littérature scientifique sur le sujet « Medieval Dream Vision »

Auteur : Grafiati
Publié le 7 juin 2025
Mis à jour le 2 août 2025

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Articles de revues sur le sujet "Medieval Dream Vision"

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SARHAN, QASSIM SALMAN, and Manaar Sa'eed. "Dream Vision in Chaucer's Poetry." Kufa Journal of Arts 1, no. 19 (2014): 9–30. http://dx.doi.org/10.36317/kaj/2014/v1.i19.6404.

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Dream vision is an important and well _ known medieval narrative genre in poetry . The basic framework is that the confused narrator falls asleep and dreams , then his dream will be the main story. The dream often takes the form of allegory , enigmatic , and it needs a kind of interpretation on the part of the reader .After the troubled narrator is awakened , he determines to write his dream in a poem . 1 Dream vision poetry has an impressive and extensive image, which has been widely commented upon . Falling asleep, dreaming , dream vision , prophetic visitations and oracular guidance are fam
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Ali, Maher. "Rokeya's Utopian Imagination: Revisiting Medieval Dream Allegory through a Feminist." Sanskriti: Journal of Humanities 1, no. 1 (2024): 47–54. https://doi.org/10.5281/zenodo.15381884.

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<em>This essay reinterprets Begum Rokeya&rsquo;s Sultana&rsquo;s Dream (1905) through the lens of the medieval dream vision genre, drawing parallels between Rokeya&rsquo;s feminist utopia and traditional dream allegories. Sultana&rsquo;s Dream envisions a fantastical world where women transcend the confines of purdah and the zenana, advocating for gender equality and education as central themes. By constructing the narrative as a dream journey, Rokeya aligns with the medieval tradition, using Sister Sara as a guiding figure akin to Boethius&rsquo; Lady Philosophy, a motif often seen in medieva
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Piña Rubio, Liza Nereyda. "The Dream Vision and Medieval Incubation in the Hypnerotomachia P. Epistemological Reflections on the Dream in Literature." Medievalia 55, no. 2 (2024): 101–36. http://dx.doi.org/10.19130/medievalia.55.2/0037x01ws2731171s0xw35.

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Attributed to Francesco Colonna, the Hypnerotomachia Poliphili (HP) —The Strife of Love in a Dream— wrote in the Renaissance’s threshold: 1499. From our perspective, in spite of the date of its publication, it is a novel deeply rooted in the medieval tradition which, in turn, was nourished of Patristic Literature sources. In consequence, will be demonstrated that Colonna adopted, in a one hand, the Christian dream vision perspective (the medieval dream-book and incubation), to access the knowledge of the [him]self. In another hand, monastic composing strategies —about prayer and spiritual heal
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Kathryn L. Lynch. "Robert Henryson’s “Doolie Dreame” and the Late Medieval Dream Vision Tradition." Journal of English and Germanic Philology 109, no. 2 (2010): 177. http://dx.doi.org/10.5406/jenglgermphil.109.2.0177.

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Lynch, Kathryn L. "Robert Henryson's "Doolie Dreame" and the Late Medieval Dream Vision Tradition." JEGP, Journal of English and Germanic Philology 109, no. 2 (2010): 177–97. http://dx.doi.org/10.1353/egp.0.0140.

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Matthews. "Enlisting the Poet: The List and the Late Medieval Dream Vision." Style 50, no. 3 (2016): 280. http://dx.doi.org/10.5325/style.50.3.0280.

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Eggebroten, Anne. "Review: The High Medieval Dream Vision: Poetry, Philosophy, and Literary Form." Christianity & Literature 38, no. 3 (1989): 66–67. http://dx.doi.org/10.1177/014833318903800313.

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Matthews, David. "Enlisting the Poet: The List and the Late Medieval Dream Vision." Style 50, no. 3 (2016): 280–95. http://dx.doi.org/10.1353/sty.2016.0019.

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Davidko, Natalya. "The Great Divorce: A Dream by C.S. Lewis: A Comeback of the Medieval Genre." Athens Journal of Philology 9, no. 3 (2022): 235–64. http://dx.doi.org/10.30958/ajp.9-3-3.

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It is universally acknowledged that the Renaissance has exerted a great influence on modern literature and art. This view has been so overwhelming that it has ousted other possibilities, as a result, the influence of medieval literature has been grossly underestimated. In the current article I want to show the role of the “dream vision” genre in shaping the modern genre of spiritual philosophical fiction elaborated in the works by C.S. Lewis, specifically in his exceptionally original novel The Great Divorce. The aim is to examine systematically and expose the intrinsic affinity of Lewis’ work
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TAYLOR, J. H. M. "Review. The High Medieval Dream Vision: Poetry, Philosophy and Literary Form. Lynch, Kathryn L." French Studies 48, no. 3 (1994): 312. http://dx.doi.org/10.1093/fs/48.3.312.

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Thèses sur le sujet "Medieval Dream Vision"

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Carlsen, Christian. "Draumkvedet and the Medieval English Dream Vision: A Study of Genre." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/867.

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The Medieval English dream vision evidence influences from a variety of earlier vision literature, notably the apocalyptic vision and narrative dream. Philosophical visions by Plato, Cicero and Boethius, and Christian revelations of John and Paul contain traits that found their way into the dream poems by Langland, the Pearl poet and Chaucer. The Norwegian ballad Draumkvedet exhibits features that mirror these English visions. Notable characteristics pertaining to the character of the dreamer, the interplay between dreamer and dream, imagery of the vision, and structure, point to a commo
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Aquilano, Mark Thomas. "Micer Francisco Imperial: A Genoese-Sevillano Poet of Dream Visions." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/195803.

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Chapter one provides a multifaceted panorama of the Genoese community in medieval Seville that helps to link Francisco Imperial, an early 15th century poet, to a group of foreigners and naturalized Castilian subjects who, despite their marginality, contributed greatly to the kingdom's emergence as a global superpower by the end of the Middle Ages. Chapter two examines materialist and scientific dream theories from the classical, medieval and contemporary periods side by side, yielding a complementary platform from which to plumb the depths of dream vision texts. The third and fourth chapters p
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Murray, Kylie Marie. "Dream and vision in Scotland, c.1375-1500." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669934.

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Roberts, John Joseph. "Dreams and visions in medieval Icelandic romance." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485264.

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This thesis is a literary analysis of the entire corpus of dreams and visions described in the prose romances (riddarasogur) composed in Iceland between the late thirteenth and early sixteenth centuries. It considers the sources and analogues of the dreams and visions, the ways in which they are narrated, their narrative functions, and their connections with folk tradition, religious beliefs, and early writings on dreams. The study is organised according to the nature of the material under analysis. The dreams and visions of the riddarasogurfall naturally into six categories: (a) fetch dreams,
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Lettau, Lisa. "Conscious constructions of self dreams and visions in the Middle Ages /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 314 p, 2008. http://proquest.umi.com/pqdweb?did=1605114991&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Wagner, Erin K. "“How Can They Meet Us Face to Face?”: The Faith-Reason Debate in C. S. Lewis’s Till We Have Faces and Medieval Dream Visions." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275766772.

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Iacobellis, Lisa Daugherty. "“Grant peine et grant diligence:” Visualizing the Author in Late Medieval Manuscripts." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500504999935605.

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WARNEMANT, JULIE E. ""KUBLA KHAN" BY S. T. COLERIDGE: A POEM IN THE MEDIEVAL DREAM VISION TRADITION." Thesis, 1986. http://hdl.handle.net/1911/13209.

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Racicot, William A. ""If we shadows have offended" reflections of social attitudes toward reform in late medieval and reformation dream visions /." 2010. http://digital.library.duq.edu/u?/etd,126819.

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Livres sur le sujet "Medieval Dream Vision"

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Lynch, Kathryn L. The high medieval dream vision: Poetry, philosophy, and literary form. Stanford University Press, 1988.

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Nancy, Van Deusen, ed. Dreams and visions: An interdisciplinary enquiry. Brill, 2010.

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1955-, Hourihane Colum, ed. Looking beyond: Visions, dreams and insights in medieval art and thought. Index of Christian Art, Dept. of Art and Archaeology, Princeton University in association with Princeton University Press, 2010.

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1955-, Hourihane Colum, ed. Looking beyond: Visions, dreams and insights in medieval art and history. Index of Christian Art, Dept. of Art and Archaeology, Princeton University in association with Princeton University Press, 2010.

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Hourihane, Colum. Looking beyond: Visions, dreams and insights in medieval art and history. Index of Christian Art, Dept. of Art and Archaeology, Princeton University in association with Princeton University Press, 2010.

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Alain, Hrsg :. Corbellari, ed. Recherches et rencontres, vol. 25: Le reve medieval. Librairie Droz, 2007.

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Edwards, Robert R. The dream of Chaucer: Representation and reflection in the early narratives. Duke University Press, 1989.

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Edwards, Robert. The dream of Chaucer: Representation and reflection in the early narratives. Duke University Press, 1989.

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Robert, Edwards. The dream of Chaucer: Representation and reflection in the early narratives. Duke University Press, 1989.

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Francis, Covella, and Fowler David C. 1921-, eds. Piers Plowman: The A-text : an alliterative verse translation. Medieval & Renaissance Texts & Studies, 1992.

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Chapitres de livres sur le sujet "Medieval Dream Vision"

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Barbetti, Claire. "The Ekphrastic Medieval Dream Vision." In Ekphrastic Medieval Visions. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230370531_2.

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Saunders, Corinne. "Thinking Fantasies: Visions and Voices in Medieval English Secular Writing." In Visions and Voice-Hearing in Medieval and Early Modern Contexts. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52659-7_5.

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AbstractThe creative engagement with visions and voices in medieval secular writing is the subject of this essay. Visionary experience is a prominent trope in late medieval imaginative fiction, rooted in long-standing literary conventions of dream vision, supernatural encounter and revelation, as well as in medical, theological and philosophical preoccupations of the period. Literary texts repeatedly depict supernatural experience of different kinds—dreams and prophecies, voices and visions, marvels and miracles, otherworldly and ghostly visitants. In part, such narratives respond to an impuls
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Sennis, Antonio. "Dreams, visions and political competition in the monasteries of medieval Central Italy." In Haut Moyen Âge. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.hama-eb.5.107360.

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Hayes, Kevin J. "Letters to an Old Friend." In The Road TO Monticello. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195307580.003.0036.

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Abstract As a literary device, the dream vision reached its peak during the time of Pierce Plowman. By no means did it disappear from the literary discourse once the medieval period gave way to the Renaissance. John Bunyan’s Pilgrim’s Progress, the best-known dream vision of the seventeenth century, influenced such works as Benjamin Franklin’s “Silence Dogood, No. 4,” the best-known dream vision in early American literature. But Franklin was not the only early American author and, for that matter, not the only signer of the Declaration of Independence who wrote dream visions. Benjamin Rush gre
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Kruger, Steven F. "Dialogue, debate, and dream vision." In The Cambridge Companion to Medieval English Literature 1100–1500. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521841672.006.

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Kruger, Steven. "Medical and Moral Authority in the Late Medieval Dream." In Reading Dreams. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198183631.003.0003.

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Abstract Cresseid’s dream in Robert Henryson’s Testament of Cresseid is closely, indeed causally, linked to her illness, faithfully predicting and enacting disease. Awaking from her vision and taking up a mirror, the once ‘fair’ (42, 78) Cresseid discovers that she has become, as the closing words of the dream explicitly predict, ‘lyke ane lazarous’ (343).
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Cowan, Yuri. "10. ‘Paradyse Erthly’: John Ball and the Medieval Dream-Vision." In Writing on the Image. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442685130-011.

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Boffey, Julia. "John Skelton, The Bouge of Court." In Fifteenth-Century English Dream Visions. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199263974.003.0006.

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Abstract John Skelton’s writings, which bridge the periods conventionally classified as ‘medieval’ and ‘Renaissance’, demonstrate the continued life of the poetic dream vision well over a century after Chaucer’s influential experiments with the form. Skelton had read Chaucer carefully, but also draws into his own writing the fruits of the wide scholarly reading which qualified him in the last years of the fifteenth century for a post as tutor to the future Henry VIII.
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Brooks, Francesca. "‘The Axile Tree’." In Poet of the Medieval Modern. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860136.003.0006.

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Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of T
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Ganim, John M. "Flesh and stone: William Morris’s News from Nowhere and Chaucer’s dream visions." In Contemporary Chaucer across the centuries. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526129154.003.0013.

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John Ganim unpacks William Morris’s eroticised but anxious politics in News from Nowhere. Ganim highlights the significance of the emotional attachment to environment in the formulation of Morris’s utopia. He also considers the enabling influence of the medieval dream vision, especially Chaucer’s, for promoting ‘psychological experience and fantasy’. Both themes illuminate Morris’s conflicted approach to subjects that caused him discomfort due to his perverse familial situation.
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