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Littérature scientifique sur le sujet « Memorial to the Murdered Jews of Europe »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 1 février 2022

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Articles de revues sur le sujet "Memorial to the Murdered Jews of Europe"

Neumärker, Uwe. « Germany’s memorial to the murdered Jews of Europe : Debates and reactions ». Filozofija i drustvo 23, n^o 4 (2012) : 139–47. http://dx.doi.org/10.2298/fid1204139n.

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The article outlines the history of the Memorial to the Murdered Jews of Europe in Berlin as a very good example of how long any such procedure is, from idea to realization, as well as how strong the debate how and whom to commemorate. Federal Foundation Memorial to the Murdered Jews of Europe also supervised Memorial to the Murdered Sinti and Roma, Memorial to the Homosexuals Persecuted under the National Socialist Regime and the Memorial to mass murder of patients from mental hospitals. Besides that, the author analyzes the initiatives and sollutions for other monuments in Germany?s capital New Guard Room, as well as the Concentration Camp Sachsenhausen near Berlin.

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Olin, Margaret. « Overheard in the Memorial to the Murdered Jews of Europe ». IMAGES 2, n^o 1 (2008) : 136–55. http://dx.doi.org/10.1163/187180008x408645.

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Benjamin, Andrew. « NOW STILL ABSENT : Eisenmans Memorial to the Murdered Jews of Europe ». Architectural Theory Review 8, n^o 1 (avril 2003) : 57–62. http://dx.doi.org/10.1080/13264820309478473.

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Pickford, Henry W. « Dialectical Reflections on Peter Eisenman's Memorial for the Murdered Jews of Europe ». Architectural Theory Review 17, n^o 2-3 (août 2012) : 419–39. http://dx.doi.org/10.1080/13264826.2012.735636.

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Wysznacki, Karol. « Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis ». European Journal of Interdisciplinary Studies 2, n^o 3 (30 août 2016) : 92. http://dx.doi.org/10.26417/ejis.v2i3-92-94.

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The paper shows the importance of memory in architecture and how social participation influence the formation of cultural memory. The article examines the issue of the importance of memory and how the popular culture coexists with highly symbolic places. The research will be conducted on the case of the "Memorial to the Murdered Jews of Europe" in Berlin, built by architect Peter Eisenman. The aim of the paper is to show that architecture of memorials restores ideas and messages to protect the community from future mistakes. Social participation supports shaping public spaces and thus participates in the creation of culture. Article points out that creating memorials is connected with a great responsibility, because they strongly affect our memory and guide future generations.

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Wysznacki, Karol. « Theory of Architectural, Social Participation and “Contact” by Robert Zemeckis ». European Journal of Interdisciplinary Studies 5, n^o 1 (30 août 2016) : 92. http://dx.doi.org/10.26417/ejis.v5i1.p92-94.

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Golańska, Dorota. « Bodily collisions : Toward a new materialist account of memorial art ». Memory Studies 13, n^o 1 (23 novembre 2017) : 74–89. http://dx.doi.org/10.1177/1750698017741928.

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The major objective of this article is to elaborate on the new materialist philosophical framework as a useful analytical perspective for approaching contemporary artistic memorials. The Memorial to the Murdered Jews of Europe (designed by Eisenman, 2005) and The Garden of Exile (designed by Libeskind, 2001), both situated in Berlin, serve as illustrative examples for theoretical investigations developed in this contribution. Relying on Deleuze and Guattari’s definition of art, the article argues that these sites heighten our awareness of materials, compositional structures, or the process of encountering the work. By weaving together the representable (narrative/symbolic/semiotic) and the unrepresentable (traumatic/bodily/material), the sites deny a purely representational logic, producing instead intensive singular events that are never fixed or unwavering. The memorial character of these sites is therefore always emergent and contingent on the complex dynamic material-semiotic assemblages of different bodies. As such, it only exists in the encounter. Relation is its onto-epistemology.

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Bareither, Christoph. « Capture the feeling : Memory practices in between the emotional affordances of heritage sites and digital media ». Memory Studies 14, n^o 3 (juin 2021) : 578–91. http://dx.doi.org/10.1177/17506980211010695.

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This article develops the concept of emotional affordances, which is first used to describe the capacities of heritage sites to enable, prompt and restrict particular emotional experiences of their visitors. Secondly, the article asks how the emotional affordances of digital media, particularly those taking effect in digital photography and social media practices, allow visitors to mediate the emotional affordances of a particular heritage site. The argument builds on an ethnographic study of visitors’ digital image practices at the ‘Memorial to the Murdered Jews of Europe’ in Berlin and it demonstrates how visitors ‘capture the feeling’ of the memorial through such practices while also reshaping the experiences the place affords.

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Thèses sur le sujet "Memorial to the Murdered Jews of Europe"

Kauffman, Karen C. « Re-Inventing German Collective Memory : The Debate over the Memorial for the Murdered Jews of Europe ». Thesis, Boston College, 2008. http://hdl.handle.net/2345/557.

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Thesis advisor: Peter H. Weiler
Coming to terms with memory of the Nazi past has been a long and challenging task for the German nation. An important part of this process was the debate over building a national Holocaust memorial in Berlin, called the Memorial for the Murdered Jews of Europe. The debate began in 1989 and has arguably not yet ended. Occurring primarily in periodicals, political speeches and official colloquiums, the Denkmalstreit (memorial debate) was largely about German intellectuals developing a system of dealing with the Holocaust while redefining German identity in their own eyes and those of the world. The famous Historikerstreit (historians debate) of the 1980s raised the issues of the burden of shame and guilt on modern Germans, concern over forgetting the Holocaust, the uniqueness of the Holocaust and Jewish persecution, and the need to develop a new national identity. The Denkmalstreit dealt with these issues through the questions of whether to build a memorial and what it would mean, whether the memorial would be for descendents of perpetrators or victims, and what form the memorial should take. After closely examining these issues and the consensus the German intellectuals, politicians and artists reached in order to finally dedicate the memorial in 2005, I argue that Germany has done an exemplary job of coming to terms with the crimes of its past
Thesis (BA) — Boston College, 2008
Submitted to: Boston College. College of Arts and Sciences
Discipline: History
Discipline: College Honors Program
Discipline: History Honors Program

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Rook-Koepsel, Megan. « The (Wrapped Reichstag) and (Memorial for the Murdered Jews of Europe) some difficulties with contemporary monuments in post-reunification Berlin ] / ». College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8225.

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Thesis (M.A.) -- University of Maryland, College Park, 2008.
Thesis research directed by: Dept. of Art History and Archaeology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Magin, Michelle Anne. « Toward a globalised memory of the Holocaust : an exploration of the exhibition spaces and educational programmes at four sites of remembrance in post-unification Berlin ». Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/toward-a-globalised-memory-of-the-holocaust-an-exploration-of-the-exhibition-spaces-and-educational-programmes-at-four-sites-of-remembrance-in-postunification-berlin(c7547a80-3e71-48f9-9ee1-a35bfe6c4c09).html.

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Since unification the memorial landscape of Berlin and its surrounding territories has shifted and expanded exponentially. The majority of this change has occurred within the past ten years, as commemoration of the Holocaust and educational programmes on the National Socialist period have become not only prevalent, but a necessary and expected contribution to the shaping of German identity and memorial culture. In the past decade memorial museums and sites of remembrance, such as the House of the Wannsee Conference, the Memorial to the Murdered Jews of Europe, and the former Sachsenhausen and Ravensbrück concentration camps, have contributed to and been impacted by the formation of a globalised memory of the Holocaust. As major and internationally renowned institutions, these sites offer unique insight into the nature of current memorial culture and recent approaches to memorialising and commemorating the past. Through an analysis of their exhibition spaces (online, permanent, temporary) and educational programmes (guided tours, seminars, and workshops), this dissertation will attempt to identify how these sites contribute to the formation of a globalised memory. Though each of these four sites possesses a different connection to the history of the Holocaust, and their own alternative approach to presenting and commemorating this history; this variation will provide insight into the divergent landscape of memorialisation within Germany, while also highlighting the common approaches, and practical issues that are of concern to these institutions. Overall the main aim of this thesis will be to demonstrate how memorialisation of the Holocaust, at sites within Berlin and Brandenburg, is no longer defined and shaped solely by the nation state, but rather is influenced by and contributes to international trends of remembrance and a globalised memory of the Holocaust.

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Lamb, Emily R. « Reactions to Holocaust Memorials : The Denkmal fur die ermordeten Juden Europas and the Stolpersteine ». University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592135188748722.

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Aviv, Lee. « The Classical Unconscious : A Critique of the Paradoxical Design Projects of Peter Eisenman ». University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367943654.

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Steinberg, Katharina. « Das Denkmal für die ermordeten Juden Europas und seine Wirkung auf die Besucher ». Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2014. http://dx.doi.org/10.18452/16943.

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In dieser Studie wird erstmals die Frage untersucht, wie das Denkmal für die ermordeten Juden Europas in Berlin auf die Besucher wirkt. Dafür wird eine quantitative Befragung von 500 Besuchern durchgeführt. Zunächst werden die Erinnerungskulturtheorien von Jan und Aleida Assmann und Horst-Alfred Heinrich vorgestellt. Anschließend wird das Denkmal für die ermordeten Juden Europas örtlich und zeitlich eingebunden, indem das Konzept des repräsentativen öffentlichen Raums eingeführt und die Erinnerung an die Opfer des Holocaust in der Bundesrepublik und der DDR beleuchtet werden. Es folgt die Darstellung der Entstehung des Denkmals. Über die Rezeption von Denkmälern existieren in den Sozialwissenschaften bisher keine Theorien. Daher wird auf die kunstsoziologische Theorie von Pierre Bourdieu, auf eine Studie über die Wirkung von Gedenkstätten von Bert Pampel und auf eine Untersuchung über die emotionale Wirkung von Gemälden von Dorothée Halcour zurückgegriffen. Für die Untersuchung wird angenommen, dass sich die Besucher aufgrund ihres Bildungsgrades, ihrer Nationalität, ihres Alters und ihres Sozialisationsortes in ihren Reaktionen auf das Denkmal unterscheiden. Weiterhin wird angenommen, dass die Umstände des Denkmalbesuchs die Wirkung des Denkmals beeinflussen. Die Befragung zeigt: Personen mit niedrigerem Bildungsgrad konnten sich das Denkmal seltener erschließen als Personen mit höherem Bildungsgrad. Diese Ergebnisse deuten darauf hin, dass Teile der Bevölkerung nicht an der Erinnerung an den Holocaust teilhaben können, wenn die Materialisierung der Erinnerung über Kunst geschieht. Die Nationalität beeinflusste wesentlich, wie die Befragten das Denkmal bewerteten: So beurteilten Deutsche das Denkmal häufiger negativ und seltener positiv als Ausländer. Die Ergebnisse der Befragung werden abschließend im Kontext erinnerungspolitischer Debatten diskutiert.
This study asks how the Memorial to the Murdered Jews of Europe in Berlin affects its visitors. The study comprises a quantitative survey of 500 visitors. First the study introduces the theories of memory by Jan and Aleida Assmann and Horst-Alfred Heinrich. This is followed by the concept of the so-called representative public space that locates the memorial topographically. This chapter also shows the historical context of the memorial. It describes the development processes of earlier monuments to remember the victims of the Holocaust in the Federal Republic of Germany and the German Democratic Republic between 1945 and 2005. The study then shows the development process of the Memorial to the Murdered Jews of Europe. There are no theories on the effects of memorials in the social sciences. The study uses Pierre Bourdieu''s theory of art sociology as well as a study on the impact of memorial sites by Bert Pampel and a study on the emotional effects of paintings by Dorothee Halcour as a theoretical frame. The most resultant hypothesises tested by the research state that visitors differ in their reactions to the memorial according to their education, their nationality and their age. Furthermore the study presumes that the circumstances of visiting the memorial affect how people react to the memorial. The results show that visitors with lower levels of education are less often able to develop an understanding of the memorial compared to visitors with a higher education background. The results indicate that these visitors are excluded from the intended remembrance of the Holocaust when the materialization of the memorial is implemented with artistic measures. Nationality plays a significant role too and influences visitors when judging the memorial. Germans more often have negative and less often positive judgements than foreign visitors. Finally the results of the research are discussed in the context of the cultural debate around the significance of memorials.

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Seager, Brenda Mary. « Memory Retrieved : The Memorial for the Murdered Jews of Europe ». Thesis, 2004. http://hdl.handle.net/1805/5010.

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McKim, Joel. « Filling in the voids : Berlin's "Memorial for the Murdered Jews of Europe" ». Thesis, 2003. http://spectrum.library.concordia.ca/2255/1/MQ83808.pdf.

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This thesis takes Peter Eisenman's soon to be built Holocaust memorial as a focal point for considerations of contemporary memory practices that test the limits of representation. It begins by situating the memorial within the spatial and discursive landscape of contemporary Berlin, one that is dominated by the mythology of former chancellor Helmut Kohl. The intended function of Eisenman's monument is then questioned through an examination of its relation to several central figures of deconstruction and trauma theory, such as the chora , the uncanny, and the witness. This thesis ultimately argues that the Eisenman memorial problematically presents the Holocaust as a sanctified event that is beyond even partial comprehension. By positioning the traumatic events of the past as impenetrable voids that lie beyond the limits of representation, the monument assumes the ethical burden of remembering, rather than dispersing this ethical call amongst its audience. The emerging aesthetic tradition of the counter-monument is looked to for examples of self-critical contemporary memorials that initiate an active process of remembering within specific communities.

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Lee, Tzu-Hui, et 李姿慧. « The meaning and functions of memorial facilities. The construction of Memorial to murdered Jews of Europe in Berlin ». Thesis, 2012. http://ndltd.ncl.edu.tw/handle/99908108426650934921.

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碩士
東吳大學
德國文化學系
100
There are five chapters in this thesis. In the introduction chapter, the tension, purpose, scope and method of the research were discussed. The other chapters were presented as follows. This thesis includes three large basic parts. The first part is about historical policy of murdered Jews in Germany after WWII. The second part talks about the historical division of the establishment of the Holocaust Memorial, and the last one concerns the controversial issues of the establishment of the Holocaust Memorial. Part One- historical policy of murdered Jews in Germany after WWII Through the German politics, policies and history to investigate the difference of thoughts of the period after WWII. Issues involve that are German accomplices of the Nazi regime, how is the influence of Nazi regime after its failure, and how did German react to the historical reflections. Part Two- the historical division of the establishment of the Holocaust Memorial. In terms of commemorative policies after WWII in Germany, which focus on the importance of reminding and vigilance of Holocaust on Jews. Thus, in the end of 1980 people proposed to establish the Memorial to the Murdered Jews of Europe in Berlin. There were four periods, “1988-1995”, ”1996”, “1997” and “1998-2000”. Part Three- the controversial issues of the establishment of the Holocaust Memorial. Construction of the Memorial to the Murdered Jews of Europe lasts around twelve years. Through discussions of the process clarifies the identification to German themselves and their country. To clarify purposes and meanings of a memorial is the most fundamental elements. There were four issues, “should this Holocaust Memorial be built”, “where to build”, “how to build” and “who should be commemorated”.

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Burger, Lauren. « Striving for integrated commemoration : the presentation of the Holocaust and the Memorial to the Murdered Jews of Europe, Berlin ». Thesis, 2006. http://spectrum.library.concordia.ca/9058/1/MR20668.pdf.

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This thesis investigates Holocaust commemoration at the Memorial to the Murdered Jews of Europe in Berlin, Germany. Completed in Mitte in May 2005, the Mahnmal has come to be understood as Germany's central Holocaust Memorial. It is, however, dedicated exclusively to the Jewish victims of Nazi crimes. During the Memorial's 17 year-long genesis, many criticized those responsible for the project for institutionalizing a hierarchy of the victims of National Socialism. Discontent about how a new memorial to the murdered Jews of Europe would centralize a diverse landscape of memory---both physically, by eclipsing numerous memorial institutions and historical sites in Germany, and interpretively, by establishing that the Nazi persecution of Jews overshadows that of other victim groups---fuelled the long debate over the Mahnmal . Pointing to aspects of the Mahnmal 's history, its current tourist literature, the presentation at its attached Information Centre and the programme of its governing body, this study counters such criticism. I contend that the Mahnmal is a site where a determined attempt to integrate the memorialization of European Jews murdered during the Holocaust---into the landscape of the capital, into the network of historical and memorial sites pertaining to National Socialism and the Third Reich, and into other histories of suffering during that period---emerged as a predominant theme, and a clear goal of the memorial-Makers. The project, I demonstrate, engenders such integrated commemoration, and fosters dynamic opportunities for ongoing Holocaust commemoration in Germany.

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Livres sur le sujet "Memorial to the Murdered Jews of Europe"

Eisenman, Peter. Memorial to the murdered Jews of Europe. New York : Leo Baeck Institute, 2005.

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Jurgen, Hohmuth, dir. Denkmal für dir ermordeten Juden Europas, Berlin = : Memorial to the murdered Jews in Europe, Berlin. München : Prestel, 2005.

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Benjamin, Yigael. They were our friends : A memorial for the members of the hachsharot and the Hehalutz underground in Holland murdered in the Holocaust : monograph. Jerusalem : Association of Former Members of the Hachsharot and the Hehalutz Underground in Holland-Westerweel Group included, 1990.

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Memorial books of Eastern European Jewry : Essays on the history and meanings of Yizker volumes. Jefferson, N.C : McFarland, 2011.

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Memorial to the Murdered Jews of Europe. Deutscher Kunstverlag, 2010.

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Memorial to the Murdered Jews in Europe (Museum Guides). Prestel Publishing, 2005.

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Stiftung Denkmal fur die Ermordeten Juden Europas., dir. Materials on the Memorial to the Murdered Jews of Europe. Berlin : Nicolai, 2005.

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Schlor, Joachim. Memorial to the Murdered Jews in Europe / Denkmal Fur Die Emordenten Juden Europas (Museum Guides). Prestel Publishing, 2005.

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1959-, Megargee Geoffrey P., et United States Holocaust Memorial Museum., dir. The United States Holocaust Memorial Museum encyclopedia of camps and ghettos, 1933-1945. Bloomington : Indiana University Press, 2009.

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The United States Holocaust Memorial Museum encyclopedia of camps and ghettos, 1933-1945. Bloomington : Indiana University Press, 2009.

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Chapitres de livres sur le sujet "Memorial to the Murdered Jews of Europe"

Sion, Brigitte. « Affective Memory, Ineffective Functionality : Experiencing Berlin’s Memorial to the Murdered Jews of Europe ». Dans Memorialization in Germany since 1945, 243–52. London : Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248502_23.

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Marsoobian, Armen T. « How Do We Memorialize Genocide ? The Case of the German Memorial to the Murdered Jews of Europe ». Dans Multidisciplinary Perspectives on Genocide and Memory, 169–85. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-65513-0_10.

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« Memorial to the Murdered Jews of Europe (Memorial, 2005) : Is There an End to Holocaust Memory ? » Dans Holocaust Representations in History : An Introduction. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350091849.ch-018.

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« Spaces of Memory – Reflections on Social Transformation at the Memorial for the Murdered Jews of Europe ». Dans Contemporary Jewish Reality in Germany and Its Reflection in Film, 231–38. De Gruyter, 2012. http://dx.doi.org/10.1515/9783110265132.231.

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Young, James E. « 8. Peter Eisenman’s Design for Berlin’s Memorial for the Murdered Jews of Europe : A Juror’s Report in Three Parts ». Dans (Re)Visualizing National History. Toronto : University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442687257-010.

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Bemporad, Elissa. « Introduction ». Dans Legacy of Blood, 1–13. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190466459.003.0001.

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The genocidal impulses that erupted during the pogroms of the Russian Civil War (1917–21), together with the recurring claim of Jewish ritual murder and its multiple permutations, became necessary components for the events that unraveled in the so-called Bloodlands. The persistence, the permutation, andthe responses to anti-Jewish violence and memories of violence suggest that Jews (and non-Jews alike) cohabited with a legacy of blood that did not vanish. It is in fact difficult to fully grasp thedynamics of violence unleashed during World War II in the region of Eastern Europe, which comprised present-day Ukraine, Belarus, and Russia, without integrating the historical violence and memories of violence that earmarked Jews. The blood legacies played a central role in the carnage of European Jewry and made the Bloodlands likely. Under the Soviets, who from the beginning outlawed antisemitism, violence against Jews did not supersede entirely, and even when it was forbidden (like in the case of the pogroms), it was not forgotten. There is an unexplored history of antisemitism in the Soviet lands that sheds light on the complicated experience of concurrent Jewish empowerment and vulnerability in Soviet society.

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« 14. Deconstructivism and the Holocaust : Peter Eisenman’s Memorial to the Murdered Jews of Eu rope ». Dans Probing the Ethics of Holocaust Culture, 283–303. Harvard University Press, 2016. http://dx.doi.org/10.4159/9780674973244-015.

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Frühauf, Tina. « Remembering the Holocaust ». Dans Transcending Dystopia, 67–74. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197532973.003.0006.

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Having survived the Nazi atrocities, Jewish communities offered different spaces for collective mourning and remembrance. Among the earliest commemorative events were reburial ceremonies, presided over by American military chaplains and cantors. There were also memorials for those murdered in the Holocaust. Memorial days firmly instituted in the first months after liberation would have a lasting presence in Germany’s culture of remembrance. From early on, the communities’ commemorative efforts included music, which served as an agent to help with emotional hardship and to create an atmosphere of dignity, respect, and compassion. In parallel to the somber memorials, euphoric celebrations of liberation took place as well, which defined the Jewish population as survivors, rather than victims. Beginning in 1948, celebrations dedicated to the newly founded State of Israel had a massive impact on the self-image, political consciousness, and culture of Jews in post-Holocaust Germany.

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Radonić, Ljiljana. « From “Double Genocide” to “the New Jews” : Holocaust, Genocide and Mass Violence in Post-Communist Memorial Museums ». Dans The Holocaust/Genocide Template in Eastern Europe, 28–47. Routledge, 2020. http://dx.doi.org/10.4324/9780429356407-2.

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Polonsky, Antony. « War and Genocide 1939–1945 ». Dans Jews in Poland and Russia : A Short History, 308–79. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781906764395.003.0010.

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This chapter explores how the outbreak of the Second World War initiated a new and tragic period in the history of the Jews of north-eastern Europe. The Polish defeat by Nazi Germany in the unequal campaign that began in September of 1939 led to a new partition of the country by Germany and the Soviet Union. Though Hitler had been relatively slow to put the more extreme aspects of Nazi antisemitism into practice, by the time the war broke out, the Nazi regime was set in its deep-seated hatred of the Jews. Following the brutal violence of Kristallnacht on November 9–10, 1938, when up to a hundred Jews were murdered in Germany and Austria and over 400 synagogues burnt down, Hitler, disconcerted by the domestic and foreign unease which this provoked, decided to entrust policy on the Jews to the ideologues of the SS. They were determined at this stage to enforce a ‘total separation’ between Jews and Germans, but wanted to do so in an ‘orderly and disciplined’ manner, perhaps by compelling most Jews to emigrate. The Nazis did not act immediately on the genocidal threat of ‘the annihilation of the Jews as a race in Europe’, but during the first months of the war, a dual process took place: the barbarization of Nazi policy generally and a hardening of policy towards Jews.

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Actes de conférences sur le sujet "Memorial to the Murdered Jews of Europe"

Azulay Tapiero, Marilda. « Arquitectura, dispositivo de experiencia memorial. *** Architecture : a drive of memorial experience . » Dans 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia : Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y Benjamin Idelson (1961) en Yad Vashem, Jerusalén; por su significado científico e histórico, como el Museo de Historia del Holocausto, también en Yad Vashem, de Moshé Safdie (2005); por su relevancia cultural o arquitectónica, como el Museo Judío (Ampliación del Museo de Berlín con el Departamento del Museo Judío) de Daniel Libeskind en Berlín (1999); e incluso por la controversia que han suscitado, como el Monumento en Memoria de los Judíos Asesinados de Europa, también en Berlín, conocido como el Monumento del Holocausto, de Peter Eisenman (2004).***Architecture can introduce us to the experience of memory; memory as reflection, and architecture as a drive for the experience of remembering as well as a container of information. Each object is de ned in a process in which different actors, their wills, options and experiences, are taken into account. This is the case of the artworks addressed by the present communication, in which we reveal and ask ourselves about the architectural gesture, the evoked memory and its social interpretation. Artworks that have achieved prominence for different reasons, such as the Hall of Remembrance, of Arieh Elhanani, Arieh Sharon and Benjamin Idelson (1961) in Yad Vashem, Jerusalem; for its scientific and historical significance, such as the Holocaust History Museum, also in Yad Vashem, by Moshe Safdie (2005); for its cultural or architectural relevance, such as the Jewish Museum (Extension of the Berlin Museum with the Department of the Jewish Museum) by Daniel Libeskind in Berlin (1999); and even because of the controversy they have raised, such as the Memorial to the Murdered Jews of Europe, also in Berlin, known as the Holocaust Memorial, by Peter Eisenman (2004).

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