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Littérature scientifique sur le sujet « Metamodernism »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 31 janvier 2023

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Articles de revues sur le sujet "Metamodernism"

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Stoev, Dina. « Metamodernism or Metamodernity ». Arts 11, no 5 (21 septembre 2022) : 91. http://dx.doi.org/10.3390/arts11050091.

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The concept of metamodernism relies on our understanding of modernism, postmodernism and the bigger cultural periods that originated them. While modernism is a product of modernity, postmodernism is not situated comprehensively within a well-defined period. Moreover, when dealing with the dichotomy of movement and era in the last century, we are presented with a taxonomic dilemma of conflating eras and their aesthetical manifestations. Contrary to the prevalent view of cultural shifts, here I propose a different attempt at periodising and understanding ontologically the concepts of modernism, postmodernism and metamodernism, and the related cultural periods in which they are situated. I argue that modernism and postmodernism should be considered as a continuum in a temporal sense, but not as equal orders in a categorical sense, and that postmodernism is not an apt descriptor for the period following modernity, nor for the aesthetic paradigm following modernism. To resolve this problem, on the one hand, I propose we adopt the term metamodernity, which better reflects the new era of cultural development. On the other hand, I discuss metamodernism, which is the current aesthetical, and to a degree axiological, manifestation of this new era.
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Бандровська, Ольга. « РЕАЛЬНІСТЬ ЯК ВИГАДКА ? ПОНЯТТЯ “МЕТАМОДЕРНІЗМ” І “МЕТАМОДЕРН” В СУЧАСНОМУ КУЛЬТУРОЛОГІЧНОМУ І ЛІТЕРАТУРОЗНАВЧОМУ ДИСКУРСІ ». Inozenma Philologia, no 134 (15 décembre 2021) : 152–64. http://dx.doi.org/10.30970/fpl.2021.134.3519.

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At the beginning of the 20th century, postmodernism has depleted its cultural and aesthetic potential, and as most critics agree, it has become a phenomenon of the past. Among the conceptions aimed at comprehending the impact of the new media and digital technologies, together with the trend towards globalization, digimodernism, automoderrnism, altermodernism, performatism, and metamodernism can be listed as the most conspicuous ones. Proceeding from the fact that metamodernism is a theoretically developed and strongly institutionalized conceptualization of both current cultural change and 21st-century fi ction, this paper focuses on its cultural and literary strategies. Primarily, the study aims to analyze the fundamentals of metamodernism elaborated in the works by Timotheus Vermeulen and Robin van den Akker and in metamodernist web manifestoes. To achieve this goal, such notions as a “structure of feeling” and “new sincerity” that refl ect an emerging cultural sensibility, along with the principle of the metamodernist oscillation between modernist and postmodernist modes, are highlighted. The claim that the Metamodern era replaces Postmodernity is also under investigation. In addition, the paper explores the main features of metamodernism in the works by David Foster Wallace, one of the most famous and infl uential US writers of his generation, a talented novelist and essayist. Application of nonlinear, rhizomatic structures at the narrative level, modeling of the reality according to the principle “what if this is true?”, and a combination of the principles of “new sincerity” and post-irony in Wallace’s novel “Infi nite Jest” are considered. The paper concludes that metamodernism as a literary trend of the recent decades suggests new fi ctional patterns of aesthetic innovations, primarily in returning multiple facets of reality into a literary text. Key words: metamodernism, Metamodern, postmodernism, Postmodern, “new sincerity”, “structure of feeling”, Vermeulen and van den Akker, “Notes on Metamodernism”, David Wallace, “Infi nite Jest”.
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Šnircová, Soňa. « Art, Depth and Affect in Winter : Metamodernist Contexts of Ali Smith's Novel ». Studia Universitatis Babeș-Bolyai Philologia 66, no 2 (30 mars 2021) : 159–74. http://dx.doi.org/10.24193/subbphilo.2021.2.11.

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"Art, Depth and Affect in Winter: Metamodernist Contexts of Ali Smith's Novel. The paper discusses Ali Smith’s Winter through the prism of the theory of metamodernism. The novel can be related to the works of authors who reject the cynical sophistication of postmodernist art and appropriate its strategies to focus on authenticity, sincerity, and affect. Drawing on Robin van den Akker, Alison Gibbons, and Timotheus Vermeulen, who maintain that the metamodernist structure of feeling manifests through a mix of/or oscillation between pre-modernist, modernist and postmodernist tropes and devices, the author considers Ali Smith’s novel a mixture of postmodernist, modernist and romantic elements and explores how these elements function in the production of the metamodernist effect of her novel. Keywords: metamodernism, Ali Smith, Winter, art, depth, affect "
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Ovodova, Svetlana P. « Global in the discourse of metamodernism : The problem of origins ». Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 22, no 1 (22 mars 2022) : 29–33. http://dx.doi.org/10.18500/1819-7671-2022-22-1-29-33.

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The article examines the representation of the global phenomenon in the discourses of modernity and metamodernity. In the domestic reception, metamodernism is often represented as post-postmodernism. A significant discrepancy in assessments of a fairly integral phenomenon of modern philosophy of culture, which is metamodernism, can be explained. The methodological guidelines of metamodernism are still in development. Theorists of metamodernism continue their search, the establishment of interaction between postirony, authenticity, new sincerity, depth, historicity, affect, selfhood, and superhybridity. In this regard, the analysis of the methodology of metamodernism is possible not only by studying its individual attitudes, but by referring to the foundations of the metamodern discourse. Highlighting the key models of the global in the discourses of modernity and postmodernity allowed us to assess their representation in the metamodern program. The philosophy of modernity is characterized by the idea of the global as the idea of the history taken outside of it (G. Hegel), as the idea that is formed in the process of history (K. Marx). Postmodernism reduces these models to the level of simulacra. The distinction of the local is characteristic of postmodern deconstructivism. Metamodernism in its research practice combines the discourse of the global and the local, offering options for the return of history to human life.
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Jovanović, Smiljka. « Metamodernism and the Coronavirus (COVID-19) Pandemic ». INSAM Journal of Contemporary Music, Art and Technology, no 6 (15 juillet 2021) : 57–74. http://dx.doi.org/10.51191/issn.2637-1898.2021.4.6.57.

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Metamodernism is understood as the dominant cultural logic of the 21st century. Metamodernism’s breadth and complexity, as well as its theory’s advocacy for contemporaneity, invite for consideration whether the notion could address the most recent global events and the crises after 2020. Therefore, this study designates and explains the five key concepts of metamodernism – metaxy, abstraction, reconstruction, historicity, and a structure of feeling – and uses them to discuss the current state of affairs, the coronavirus (Covid-19) pandemic. The study evaluates the interpretative and discursive potentials of metamodernism, finding that the crisis we now live in can be well-conceptualized from the metamodern perspective, yet at the same time the enormous impact of the crisis brings the usual metamodern perspectives into question and puts the key concepts to test.
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Šporčič, Anamarija. « A Metamodernist Utopia : The Neo-Romantic Sense and Sensibility of the Bridgerton Series ». Acta Universitatis Sapientiae, Film and Media Studies 22, no 1 (1 novembre 2022) : 122–38. http://dx.doi.org/10.2478/ausfm-2022-0015.

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Abstract The paper addresses the cultural paradigm of metamodernism as conceived by Timotheus Vermeulen and Robin van den Akker (2010). Ontologically, metamodernism is perceived as oscillating between the modern and the postmodern, whereby the tools of postmodernism (such as irony, sarcasm, parataxis, deconstruction, scepticism and nihilism) are employed to counter (but not obliterate) modernist naivety, aspiration and enthusiasm. This oscillation results in what the above authors have termed “informed naivety,” a phrase denoting a state of wilful pragmatic idealism that allows for the imagining of impossible possibilities. Vermeulen and van den Akker’s two key observations about the shift from postmodernism to metamodernism in contemporary art are discussed in this paper, namely the (re)appearance of sensibilities corresponding to those of Romanticism and the (re)emergence of utopian desires, in an attempt at a metamodernist analysis of the Netflix adaptation of the Bridgerton book series, aimed primarily at elucidating its popularity as one of the most watched programmes of the global Covid-19 pandemic.
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Kovalova, Mariia, Zoya Alforova, Lyudmyla Sokolyuk, Oleksandr Chursin et Liudmyla Obukh. « The digital evolution of art : current trends in the context of the formation and development of metamodernism ». Revista Amazonia Investiga 11, no 56 (18 octobre 2022) : 114–23. http://dx.doi.org/10.34069/ai/2022.56.08.12.

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The involvement of gadgets and digital technologies is becoming an increasingly integral part of everyone's personal life and work life. Art has also adapted to the rapid digital evolution and computerization in all creative fields. This trajectory of development provokes a new form and philosophy of artistic development, which is called metamodern. This article examines the theoretical foundations of metamodernism and defines the main provisions of this cultural phenomenon through the prism of the development of digital technologies and the latest means of artistic direction. The main purpose of this research work is the study and in-depth analysis of the formation and development of metamodernist intentions in the modern cultural environment and the definition of the conceptual content of metamodern art. Also, the author of the article determined the purpose of distinguishing metamodernism because of the differences in its essential characteristics from the characteristics of modernism and postmodernism. The methodological approach of the research is the search and theoretical analysis of Ukrainian and foreign sources aimed at studying the phenomenon of metamodernism in view of the digital evolution of art. The author of this article used the method of analysis, cultural-historical, descriptive, comparative and theoretical-literary methods of research. As a result of scientific research, the formation and development of digital art and metamodern art were analyzed. The author also tried to identify the nearest trends in the development of the philosophy of metamodernism in the Ukrainian artistic field.
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Pipere, Anita, et Kristīne Mārtinsone. « Metamodernism and Social Sciences : Scoping the Future ». Social Sciences 11, no 10 (9 octobre 2022) : 457. http://dx.doi.org/10.3390/socsci11100457.

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At this moment, humanity is confronting several global metacrises that demand a new image of science to deal with the complex problems associated with these crises. In addition to natural sciences and humanities, social sciences can become an equally efficient resource for use in this transformation if they succeed in constructing new frameworks congruent with the new reality. The purpose of this theoretical paper in the discourse of philosophy of science is to discern the features of the social sciences within a new paradigm of metamodernism. For the first time, the authors elaborate on the new principles of metamodernist philosophy and apply them to the ontology, epistemology, axiology, and methodology of the social sciences. The set of six transversal principles comprises the ontological principle of paradoxical simultaneity, caused by oscillation, epistemological principles of paradoxical understanding of truth and grand narratives, as well as metaxis-based thinking and dia/polylogue, axiological negotiation between rhizomatic and hierarchical social relations and values, and methodological pluralism. The last principle showcases the coexistence and interlinkage of previous stages of metamodernism. The application of these principles to the social sciences was designed from the perspectives of a specific discipline, inter/transdisciplinarity, and instrumental level of social practice. The paper concludes with a discussion of additional avenues for the development of metamodernism in the social sciences.
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Kersten, Dennis, et Usha Wilbers. « Introduction : Metamodernism ». English Studies 99, no 7 (3 octobre 2018) : 719–22. http://dx.doi.org/10.1080/0013838x.2018.1510657.

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Sazanova, Svetlana L. « On the Influence of Metamodernity on Institutional Economic Theory ». Economics of Contemporary Russia, no 3 (23 septembre 2021) : 69–76. http://dx.doi.org/10.33293/1609-1442-2021-3(94)-69-76.

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The article analyses the influence of the philosophy of metamodernism on the institutional economic theory. The author considered the philosophy of metamodernism as a complex of ideas that form the “spirit of the times” – ​the “era of metamodernity”, which is an external environment in relation to institutional economic theory. Having analyzed the key characteristics of modernity and postmodernity, the author proved that metamodernity is not only a synthesis of the philosophical ideas of modernity and postmodernity, but also a new worldview that embraces the entire socio-economic reality. The author formulated the features of the era of metamodernity in the context of economics-society-institutions. The author found that under the influence of the ideas of metamodernity, there have been changes in the motivation of economic agents: from the satisfaction of subjective preferences to the search for new emotional reactions. This, in turn, led to changes in collective (social) economic behavior: rejection of traditional values in favor of values of self-expression, rejection of long-term relationships in favor of long-term ones. According to the author, changes in individual and collective economic behavior occur in parallel with institutional changes at the micro, meso and macro levels: hierarchical institutional structures are being replaced by socio-economic and business ecosystems. Exploring the evolution of economic science in the context of evolution from modern philosophy to postmodern and metamodern philosophy, the author revealed the influence of the ideas of metamodernity on modern economic theory in general and institutional economic theory in particular. The author found that under the influence of the ideas of metamodernity, changes occur in the object and subject of economic research, which requires the improvement of the methodology of institutional economic theory based on an interdisciplinary approach.
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Thèses sur le sujet "Metamodernism"

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Rowell, Jenny. « The Selvage of Incoherence : Metamodernism in Padgett Powell’s The Interrogative Mood : A Novel ? » Thesis, Högskolan Dalarna, Engelska, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-13952.

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DeToy, Terence. « It's All In the Family?Metamodernism and the Contemporary (Anglo-) -"American" Novel ». Thesis, Tufts University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3728511.

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This dissertation examines the function of family as a thematic in the contemporary Anglo-American novel. It argues that contemporary aesthetics increasingly presents the family as an enabling platform for conciliation with the social totality: as a space of personal development, readying one for life in the wider social field. This analyses hinges on readings of Jonathan Franzen’s Freedom (2010), Zadie Smith’s NW (2012), A. M. Homes’ May We Be Forgiven (2012) and Caryl Phillips’ In the Falling Snow. In approaching these novels, this project addresses the theoretical lacuna left open by the much-touted retreat of postmodernism as a general cultural-aesthetic strategy. This project identifies these novels as examples of a new and competing ideological constellation: metamodernism. Metamodernism encompasses the widely cited return of sincerity to contemporary aesthetics, though this project explains this development in a novel way: as a cultural expression from within the wider arc of postmodernism itself. One recurrent supposition within this project is that postmodernism, in its seeming nihilism, betrays a thwarted political commitment; on the other hand contemporary metamodern attitudes display the seriousness and earnestness of political causes carried out to an ironic disregard of the political. Metamodernism, in other words, is not a wholesale disavowal of postmodern irony, but a re-arrangement of its function: a move from sincere irony to an ironic sincerity. The central inquiry of this dissertation is into this re-arranged role of family and familial participation amidst this new cultural landscape. My argument is that family and the political have maintained a tense relationship through the twentieth century in the American consciousness. They represent competing models of futurity in a zero-sum game for an individual’s life-energy. What metamodernism represents, so this dissertation will articulate, is a new form of anti-politics: a fully gratified impulse to depoliticize. Analyzing what this project terms the “politics of the local,” this dissertation will argue that the highly popular and successful models of conscientious capitalism have been superseded. Today, increasingly, redemption from consumerism guilt is itself wrapped up in commodities: the utopian impulse celebrated by Fredric Jameson has itself obtained a price tag. The contemporary novel thus reflects new social functions for that which has trumped the political: the family.

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Johnson, Felicia. « Planning Paradigms for Social Cities : A Multidimensional Case Study of Uppsala and Minneapolis ». Thesis, Uppsala universitet, Kulturgeografiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-434803.

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The focus of this research aims to target feelings, tendencies, and perceptions of community belonging in order to highlight current challenges in negotiating urban social relationships. The mixed-methods empirical study deployed attempted to identify the multiple and intersecting perspectives contributing to the conceived representations of community in each city. Applying theoretical constructs taken from studies on social cohesion, intersectionality, and metamodernism, this thesis looks to multidimensionality in forming a new theoretical model for achieving cohesive community and social belonging; the purpose of which is to uncover how planning can be conceived as a solution to ethnoracial division and lack of community and social belonging. As individuals, respondents found that meeting on the same premises, taking the perspectives of others into account, and actively acknowledging the presence of unity in difference were all conceived as constructive measures to take. Developing approaches to incorporating these desiderata into planning strategy therefore becomes a logical implication of my research.
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Sandbacka, K. (Kasimir). « Utopia derailed:Rosa Liksom's retrospection of the modern project ». Doctoral thesis, Oulun yliopisto, 2017. http://urn.fi/urn:isbn:9789526216027.

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Abstract Rosa Liksom is one of the most internationally recognized contemporary Finnish authors and leading Finnish postmodernists. Indeed, the postmodernist aesthetics of her works have received most of the academic attention: features such as irony, dark humor, intertextuality, and parody have been convincingly studied. Liksom’s singular public image has been connected to these aesthetics, but although her cosmopolitanism is often mentioned, her postmodern nonconformity has usually been read in a local and a national context. Liksom’s engagement with modernity has been only implicitly and insufficiently explicated. This dissertation focuses on Liksom’s works and public image in the broader historical context of the modern project in its 20th century legacy. The study of Liksom’s engagement with the utopianism of the modern project is paramount to a deeper understanding of the politico-ethical underpinnings of Liksom’s works and image. To examine Liksom’s retrospection of the modern project, this dissertation makes use of a broad range of theoretical approaches, which can be collectively summarized as contextual close reading. The central theoretical framework is Fredric Jameson’s theory of postmodernism. Other important theories are Linda Hutcehon’s theories of postmodernism and irony, Svetlana Boym’s typology of nostalgia, as well as Krishan Kumar’s theory of utopia. This study elucidates the complexity of Liksom’s engagement with the modern project and bestows new importance on the positive, constructive elements of Liksom’s works that have hitherto gained less attention. Liksom’s works try to salvage something from the history of the modern project instead of merely lingering in the negative attempt to deconstruct historical truths and dismantle the very possibility of such truths. Below the irony and criticism of utopianism in Liksom’s artistic ethos runs a mournful undercurrent that broods over the lack of agency and political choices we seem to face in our present historical condition, and a nostalgia that reflects upon the lost utopian potentialities of the past. Liksom’s works suggest this process of mourning may result in a tentative prospect of communion between people and cultures based on an understanding of their shared situatedness in a postmodern, uncertain world
Tiivistelmä Rosa Liksom on kansainvälisesti tunnetuimpia suomalaisia nykykirjailijoita ja keskeisiä postmodernisteja. Akateeminen kiinnostus onkin keskittynyt ensisijaisesti hänen teostensa postmoderniin estetiikkaan: teosten ironiaa, musta huumoria, intertekstuaalisuutta ja parodiaa on tutkittu ansiokkaasti. Liksomin ainutlaatuinen taiteilijakuva on kytketty tähän estetiikkaan, mutta vaikka hänen kosmopoliittisuutensa usein mainitaankin, hänen postmodernia epäsovinnaisuuttaan on yleensä tulkittu lokaalissa ja kansallisessa viitekehyksessä. Toistaiseksi Liksomin suhdetta modernin ajan ihanteisiin on pohdittu vain välillisesti ja riittämättömästi. Tässä väitöskirjassa Liksomin teoksia ja julkisuuskuvaa käsitellään laajemmassa viitekehyksessä, nimittäin modernin projektin ja sen 1900-luvun perinnön kontekstissa. Ymmärtääksemme Liksomin teosten ja julkisuuskuvan poliittis-eettisiä perustuksia syvällisemmin on välttämätöntä tarkastella hänen suhdettaan moderniin utooppisuuteen. Tässä väitöskirjassa selvitetään monipuolisen teoreettisen välineistön avulla, kuinka Liksom retrospektiivisesti tarkastelee modernin projektia. Teoreettista lähestymistapaa voidaan kutsua kontekstuaaliseksi lähiluvuksi. Keskeinen teoreettinen viitekehys on Fredric Jamesonin postmodernismin teoria. Muita keskeisiä teorioita ovat Linda Hutcheonin teoria postmodernismista ja ironiasta, Svetlana Boymin nostalgian typologia, sekä Krishan Kumarin ja utopia-teoria. Liksomin taiteellisen eetoksen ironisuuden ja utopiakritiikin alla kulkee surumielinen pohjavire, joka pohtii nykyisessä historiallisessa tilanteessa kohtamaamme toimijuuden ja poliittisten vaihtoehtojen puutetta, ja nostalginen pohjavire, joka mietiskelee menetettyjä utooppisia mahdollisuuksia. Liksomin teoksiset antavat ymmärtää, että tämän suruprosessin tuloksena voi olla mahdollisuus löytää ihmisten ja kulttuurien välinen yhteys, joka perustuu ymmärrykseen siitä, että me kaikki paikannumme postmoderniin, epävarmaan maailmaan
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Volk, Mitchell James. « GRAAPHS : graphic representations of abstract and altruistic phenomenological hymns and stories ». Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6871.

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Kennedy, Thomas R. « Virtual / Reality : Designing permeable spaces for social well-being in the digital age ». VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4243.

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The digital age has pushed people closer together than ever before. A device that fits in the palm of your hand allows instantaneous communication with billions of other human beings. People share everyday experiences, passing thoughts, personal photos, sometimes privately, often publicly. Distances between people and places feel reduced. Never has it been so easy to be so emotionally close to so many people. But as digital experiences become routine, our collective perceptions of closeness and distance shift. As virtual communities become larger, so does our awareness of the actual distance between things. Even though humans can be genuinely close to one another on the internet, fragments of meaning, tone, and physicality are often lost in distance. Over-dependence on digital connection can erode local communities and generate apathy towards the real systems we depend on for survival. This project aims to investigate strategies designers and architects may employ to regenerate and recontextualize local communities in the digital age. Research suggests that contemporary cities benefit from a softening of the barrier between public and private spaces. Porous and permeable boundaries between interior and exterior realms can allow dialogues to open and communities to grow, resulting in more enriched urban societies.
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Fröderberg, Max. « PANNCENTRALEN : Form Follows Process & ; The Nature Of Order ». Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223385.

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It seems clear to me that humanity currently stands at a major crossroad where “the old truths have lost their validity and new ones are yet to emerge”, to quote late sociologist Zygmunt Bauman. It seems also clear that these “new truths” has to be formulated quickly if we do not want to end up on the wrong fork of the road... During recent years, these two insights has driven my desire to understand where we are now, how we ended up here and how we might move forward. Whereas I began in the field of architecture, my curiosity has led me to look into a wide array of subjects ranging from economy to thermodynamics and sociology in order to comprehend the bigger picture. In this thesis however, I have limited myself to the architectural realm again and I have done so through a close reading of a figure I found along the way: Christopher Wolfgang Alexander. During the course of the project, I have read his four-volume, magnum opus “The Nature of Order: An Essay on the Art of Building and the Nature of the Universe ” (2003-2004) where he summarizes over thirtyfive years of scientific and architectural research and practice into a “grand unified theory of architecture”. His views on many issues (social to scientific) align a lot with with mine so the goal of this project has been to let his theoretical framework guide my own creative process in order to be able to evaluate the result – does his work present some “new truths” to help us move forward or is it just another blind alley?
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Sibthorpe, Nathan L. « The effect of embodied metafiction in contemporary performance ». Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/121498/1/Nathan_Sibthorpe_Thesis.pdf.

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This study seeks to define a particular sub-genre of contemporary performance where self-awareness is a significant factor in the audience's experience. Exemplified in the development of a new performance work ('Spectate'), the term 'embodied metafiction' is proposed as a way of understanding the effect of highlighting an audience's presence and participation in the theatrical experience. Principles of 'embodied metafiction' are observed through 'Spectate' to demonstrate how an audience can be stimulated to experience a more vivid sense of the immediate present when their bodies and minds are positioned as part of a complex web of meaning.
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Sukle-Zanone, Therese. « La métamorphose dans l'oeuvre de Steven Millhauser ». Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENL016/document.

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La fiction de Steven Millhauser est caractérisée par le mouvement perpétuel : un mouvement générique du réalisme au fantastique, avec des intrigues qui résistent aux dénouements et des personnages, des lieux et des objets en transformation constante. Son œuvre nous présente exploration de la métamorphose littéraire, qui se manifeste à la fois comme style d'écriture et comme motif. Enracinée dans une conception typiquement américaine de la métamorphose, née de la philosophie Ralph Waldo Emerson, la métamorphose millhauserienne attire l'attention du lecteur sur le pouvoir transformateur de l'art et plus spécifiquement de la littérature. Utilisant la relation entre l'art et l'identité culturelle comme point de départ, notre thèse montre que la fiction de Millhauser développe la nature métamorphique de l'expérience esthétique. Au cœur de la dynamique de la métamorphose littéraire se trouve la relation entre lecteur, texte et auteur, relation transformatrice que Millhauser met en scène à plusieurs reprises, afin d'explorer les possibilités et les limites du language. Si sa fiction illustre le potentiel destructeur de la métamorphose linguistique, et manifeste aussi une certaine angoisse concernant les limites du langage, son œuvre est néanmoins dominée par un sentiment d'émerveillement et d'espoir dans la valeur régénératrice de la fiction, et son pouvoir de faire resurgir la beauté d'un monde devenu ordinaire
Steven Millhauser's fiction is characterized by perpetual movement: a transition from realism to the fantastic, with plots which resist denouement and characters, places and objects in constant transformation. Millhauser's work offers the reader a literary metamorphosis which is both stylistic and thematic. The millhauserien metamorphosis is typically American, the offspring of Emersonian philosophy, and it highlights the transformative power of art and, specifically, of literature. Using the mutually transformative relationship between art and cultural identity as a starting point, this thesis demonstrates the ways in which Millhauser's fiction develops the metamorphic nature of the esthetic experience. The relationship between the reader, the text and the author is at the heart of literary metamorphosis, and this transformative relationship, which often appears in Millhauser's work, sets the stage for an exploration of the possibilities and limits of language. If Millhauser's fiction illustrates the destructive potential of linguistic metamorphosis, and articulates a certain anxiety concerning the limits of language, his work is nonetheless dominated by the sentiment of wonder and hope in the regenerative value of fiction and its power to reveal the unusual beauty of a world which has become ordinary
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Brott, Jonathan. « The Point of Play : Resuscitating Romantic Irony in Metamodern Poetics ». Thesis, Stockholms universitet, Engelska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157375.

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This essay investigates the prospect of Romantic Irony’s potential resurgence in contemporary poetics and discusses its relevance and likeness with metamodernism. The internet has by now not only seeped into, but fully permeated, the process of literary production and distribution. The effect of this has been the birth of a new kind of poetic discourse which can broadly be called metamodernism, The New Sincerity or Alt-lit. This movement is characterized by its self-reflexive metacommentary, fragmentary nature and an oscillation between of irony and sincerity. Vermeulen and Akker, among others, have hinted at metamodernism’s relation to Romanticism, but research into the specifics of its tendency towards Romantic Irony is scarce. By viewing the writings of Steve Roggenbuck (a central figure in the new poetic movement), alongside the philosophy of Friedrich Schlegel, I propose a comparative framework for discussion of sincerity, irony and the instrumentalization of contemporary metamodernist writing. I demonstrate that Roggenbuck’s writing displays narratological, tropological and thematic tendencies commonly associated with both Romantic Irony and metamodernism. Apart from broader structural comparison, I attempt a comparative analysis between Roggenbuck’s poetry (2010-2015) and Thomas Carlyle’s novel “Sartor Resartus” (1833-1834) in order to provide a visualisation of the rhetorical and narratological strategies of Romantic Irony. I aim to frame Romantic Irony as a sensibility, or mode of discourse - rather than a strict system of thought - which may still be at work today. In extension, the sensibilities of Romantic Irony may shed further light into the philosophical potential of the seemingly incomprehensible and contradictory tendencies of metamodernism. By ironicizing its poetic form, literary ambition and desire for sincerity in a post-postmodern era, Roggenbuck’s poetry celebrates ambiguity and literary failure, ultimately framing irony as a constructive and potentially democratic operation.
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Livres sur le sujet "Metamodernism"

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Storm, Jason Ananda Josephson. Metamodernism : The Future of Theory. University of Chicago Press, 2021.

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Rowland, Antony. Metamodernism and Contemporary British Poetry. Cambridge University Press, 2021.

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Storm, Jason Ananda Josephson. Metamodernism : The Future of Theory. University of Chicago Press, 2021.

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Rowland, Antony. Metamodernism and Contemporary British Poetry. University of Cambridge ESOL Examinations, 2021.

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Rowland, Antony. Metamodernism and Contemporary British Poetry. University of Cambridge ESOL Examinations, 2021.

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Metamodernism : Historicity, Affect, and Depth after Postmodernism. Rowman & Littlefield Publishers, Incorporated, 2017.

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Gibbons, Alison, Timotheus Vermeulen et Robin van den Akker. Metamodernism : Historicity, Affect, and Depth after Postmodernism. Rowman & Littlefield Publishers, Incorporated, 2017.

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Gibbons, Alison, Timotheus Vermeulen et Robin Van Den Akker. Metamodernism : Historicity, Affect and Depth after Postmodernism. Rowman & Littlefield Publishers, Incorporated, 2017.

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Hill, Valerie J. Metamodernism and Changing Literacy : Emerging Research and Opportunities. IGI Global, 2020.

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Hill, Valerie J. Metamodernism and Changing Literacy : Emerging Research and Opportunities. IGI Global, 2020.

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Chapitres de livres sur le sujet "Metamodernism"

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Lopičić, Vesna. « Towards Metamodernism : Colette Langlois’s “The Emigrants” ». Dans Les Migrations postmodernes : Le Canada = Postmodern Migrations : Canada, 93–107. Beograd : Univerzitet u Beogradu, Filološki fakultet, Srpska asocijacija za kanadske studije, 2021. http://dx.doi.org/10.18485/asec_sacs.2021.9.ch5.

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James, David, et Urmila Seshagiri. « METAMODERNISM ». Dans The New Modernist Studies Reader. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350106291.0019.

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Storm, Jason Ānanda Josephson. « 3. Process Social Ontology ». Dans Metamodernism, 85–104. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0004.

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Storm, Jason Ānanda Josephson. « 8. Conclusion ». Dans Metamodernism, 276–86. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0009.

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Storm, Jason Ānanda Josephson. « 4. Social Kinds ». Dans Metamodernism, 105–46. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0005.

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Storm, Jason Ānanda Josephson. « 1. How the Real World Became a Fable, or The Realities of Social Construction ». Dans Metamodernism, 29–46. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0002.

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Storm, Jason Ānanda Josephson. « 5. Hylosemiotics ». Dans Metamodernism, 149–206. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0006.

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Storm, Jason Ānanda Josephson. « 7. The Revaluation of Values ». Dans Metamodernism, 236–75. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0008.

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Storm, Jason Ānanda Josephson. « 6. Zetetic Knowledge ». Dans Metamodernism, 209–35. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0007.

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Storm, Jason Ānanda Josephson. « Opening ». Dans Metamodernism, 1–26. University of Chicago Press, 2021. http://dx.doi.org/10.7208/chicago/9780226786797.003.0001.

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Actes de conférences sur le sujet "Metamodernism"

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Managarova, Viktoriia. « New business without evil.Vision of metamodernism, after-metamodernism. » Dans 6th International Conference on Modern Approach in Humanities. acavent, 2018. http://dx.doi.org/10.33422/6mah.2018.11.29.

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Ovodova, Svetlana. « Representation of Cultural Traumas in Contemporary Public Discourse : “New Frankness” of Meta-Modernism ». Dans The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.

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The prerequisites for this study are criticism of postmodernism by theorists and philosophers of culture, and the actualisation of metamodernism as one of the most popular theories of postmodernism. The relevance of the study is determined by the appearance of a ‘new sensitivity’ having arisen from geopolitical events of the 2000s. Metamodernism theory authors declare the new structure of sensation to be different from the dominants of postmodernism and modernism. The article describes the transformation of the representation of cultural traumas in public discourse with the consideration of ideas of metamodernism and a new frankness. The article covers the methodological capabilities for using postmodernism and metamodernism discourses for analysing the principles of representation of cultural trauma within public discourse. Distinguishing features of new frankness are highlighted. Immortal Regiment action is analysed as an example of actualisation of personal experience and family history in public discourse. The concept of ‘new frankness’ increases the role and significance of the witness. The examples of works of contemporary mass culture and media resources are used to trace the actualisation of the witness’s narrative of cultural trauma. Warmth, depth, and affect, characteristic of metamodernism, actualise the demand for plausibility and personal experience of an event. An indirect effect of these hypotheses consists in that narratives on cultural trauma are multivariate as manifested in criticism of the conventional image of a historic event. Re-evaluating historical events from different points of view triggers mechanisms of latent trauma, potentially making almost any historical event a cultural trauma. The study resulted in the revelation of accentuation of sensitivity in narratives of cultural traumas, as opposed to manners prevailing in modernism and postmodernism discourses, i.e. practices of stigmatisation, suppression, and the commodification of cultural traumas.
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Danilova, Elina, et Daria Bakshutova. « Metamodernism : The Phenomenon of Memory as Part of an Architectural Concept ». Dans 3rd International Conference on Architecture : Heritage, Traditions and Innovations (AHTI 2021). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211125.162.

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Guseynov, Aleksandr, et Viktoriya Shipovskaya. « Development of scientific images about radicalization of protest activity of personality ». Dans Safety psychology and psychological safety : problems of interaction between theorists and practitioners. «Publishing company «World of science», LLC, 2020. http://dx.doi.org/10.15862/53mnnpk20-02.

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The analysis of theories and models of radicalization existing in psychology and sociology is given. The complexity and transitivity of the world, the emerging methodological trends in psychology, the change of postmodern discourse to metamodernism require new psychological approaches to a research of this phenomenon, which can take into account the role of cultural factors and anthropological turn, as well as space and time as ontological constants of reality. Theoretical: theoretical and methodological analysis of scientific literature, comparison, generalization, interpretation. The paper summarizes a number of empirical studies of the authors related to the problems of extremism. The goal is to consider the evolution of ideas about the radicalization of protest activity and substantiate the high relevance of the subject-being approach to explain the problem of extremism. The authors distinguish six main theories and models that reveal the nature of radicalization: the theory of anomy (R. Merton), the theory of "relative deprivation" (T. Garr), the concept of an authoritarian personality (A. Adorno), a model of social identity in collective activity (M. Van Zomeren ), the model of radicalization (R. Borum), the model of radicalization (F. Mohaddam). The authors note the demand for a metamodern methodological strategy, which makes it possible to record personal transformations and construct new images of a person. The authors come to the conclusion that the substantive differences in approaches lie in the influence quantity of external determinants causing the emergence of radical attitudes. In the development of the theme of extremism, the main ones are the principle of the unity of the personality and its being, the methodological principle of subjectivity and the principle of uncertainty, which reveal additional nuances of the phenomenon that increases cognitive capabilities. The conditions of the subject-being approach are considered and the concept of protest activity is presented, based on the notions of "existential personal identity", "subjective activity", "subjectivity", revealing the reasons for negative transformation of personality, considering extremism as a violation of the developing configuration of identity. The subject-being approach to the personality is recognized as the most efficient theoretical and methodological basis for researching this problem, since it allows us to overcome the deficiency of the content given by the deterministic interpretation of radicalization.
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Matsevko-Bekerska, L. V. « Transformations of cognitive-narrative typologies in the metamodernist context ». Dans PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES : EUROPEAN POTENTIAL. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-261-6-41.

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Andaní, Ángela Bonet. « Nuevos horizontes especulativos ». Dans V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. València : Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15515.

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La promesa especulativa de la nueva estética es el título de un artículo de Luke Turner en el blog “Notas sobre el Metamodernismo” (2012). Turner es el autor del manifiesto del metamodernismo, una corriente estética que recoge la estructura del sentimiento más allá del posmodernismo, y que intenta comprender, asimilar y describir las oscilaciones estéticas de la práctica artística y de la cultura visual en la actualidad. En torno a dicha corriente se está manifestando, de una manera necesaria, la posibilidad de un nuevo orden de las cosas en la cultura contemporánea y, llevando sus tentáculos más allá, en nuestra sociedad. Así, en un momento de horizontes especulativos abiertos, una filosofía, el realismo especulativo -OOO (ontología orientada a los objetos)- de Graham Harman, avala la posibilidad de concebir la realidad y, con ella, la causalidad desde nuevos puntos de vista, sin precedentes. Abandonar el antropoceno y comenzar a escuchar otras formas de inteligencia: la inteligencia artificial, o abrir la posibilidad a la escucha de la inteligencia de la naturaleza: primates, cefalópodos, árboles, piedras, madera… Para ilustrar estos cambios ontológicos a nivel artístico propondremos el estudio del caso de James Bridle como representante de The New Aesthetic. Una etiqueta que recapitula el imaginario visual donde se interrelaciona la superhibridación del imaginario colectivo en la era digital. Y por otra parte, nos acercaremos a la obra musical de Holy Herndon, investigadora sonora que, a través de la electrónica, explora y asimila las nuevas tendencias artísticas relacionadas con la inteligencia artificial. Spawn, un sistema de grabación inteligente creado a partir un aprendizaje automático, da lugar a conjuntos de datos a través de los cuales se genera la pista sonora. Ambos artistas tuvieron una charla fructífera en Berlín en verano de 2019 sobre la Inteligencia Artificial (AI), la naturaleza de la inteligencia y sus implicaciones con la evolución, la cultura y el control del poder.
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