Bibliographies thématiques / Michotte, Albert

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Littérature scientifique sur le sujet « Michotte, Albert »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Michotte, Albert"

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Moors, Pieter, Johan Wagemans, and Lee de-Wit. "Causal events enter awareness faster than non-causal events." PeerJ 5 (January 26, 2017): e2932. http://dx.doi.org/10.7717/peerj.2932.

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Philosophers have long argued that causality cannot be directly observed but requires a conscious inference (Hume, 1967). Albert Michotte however developed numerous visual phenomena in which people seemed to perceive causality akin to primary visual properties like colour or motion (Michotte, 1946). Michotte claimed that the perception of causality did not require a conscious, deliberate inference but, working over 70 years ago, he did not have access to the experimental methods to test this claim. Here we employ Continuous Flash Suppression (CFS)—an interocular suppression technique to render
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Meding, Kristof, Sebastian A. Bruijns, Bernhard Schölkopf, Philipp Berens, and Felix A. Wichmann. "Phenomenal Causality and Sensory Realism." i-Perception 11, no. 3 (2020): 204166952092703. http://dx.doi.org/10.1177/2041669520927038.

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One of the most important tasks for humans is the attribution of causes and effects in all wakes of life. The first systematical study of visual perception of causality—often referred to as phenomenal causality—was done by Albert Michotte using his now well-known launching events paradigm. Launching events are the seeming collision and seeming transfer of movement between two objects—abstract, featureless stimuli (“objects”) in Michotte’s original experiments. Here, we study the relation between causal ratings for launching events in Michotte’s setting and launching collisions in a photorealis
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Wearden, John H. "Meeting of minds: Skinner and Michotte at the International Congress of Psychology, Stockholm, 1951." Journal of the Experimental Analysis of Behavior, August 18, 2024. http://dx.doi.org/10.1002/jeab.4208.

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AbstractThis note discusses the apparently unpublished correspondence between B. F. Skinner and the Belgian psychologist Albert Michotte, preceding Skinner's visit to the Thirteenth International Congress of Psychology in Stockholm in 1951. Skinner's letters, written in French, were intended to arrange a visit to Michotte's laboratory in Leuven (then called Louvain) in Belgium, which in the end never took place, although it seems highly likely that they met in Stockholm. There is no record of the topic of the conversations they may have had, although one possible speculation concerns discussio
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Wearden, John H. "The Early Work of Paul Fraisse: The Timing of ‘Spontaneous’ Rhythms." Timing & Time Perception, July 29, 2024, 1–19. http://dx.doi.org/10.1163/22134468-bja10113.

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Abstract The article discusses Paul Fraisse’s early study of the timing of what he called ‘spontaneous’ rhythms, where people were required to perform a specified sequence of spaced taps on a response key without the times between the responses being controlled. Results come from his doctoral thesis, carried out under the supervision of Albert Michotte in Louvain/Leuven in Belgium between 1935 and 1937. In spite of the lack of timing instructions, responses were divided into ‘short times’ (around 200 ms), ‘long times’ (usually around 450 ms), and ‘pauses’ (the times between execution of consec
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Thèses sur le sujet "Michotte, Albert"

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Leyssen, Sigrid. "Perception in Movement. Moving Images in Albert Michotte's Experimental Psychology (1881-1965)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0142.

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J’explore de nouvelles façons d’étudier l’histoire et l’historicité de la perception, à travers un double portrait du psychologue francophone Albert Michotte, et de la collection de ses disques en papier. Leur interaction produit de nouvelles images expérimentales, éclaircissant les complexités de la perception. J’ai navigué différents archives, archives d'objets et collections d’instruments en Belgique, en France et en Allemagne. La découverte de nouvelles sources et mes ré-animations historiques m’ont permis de combiner l’histoire des sciences et l’étude des médias, touchant sur l’histoire d
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Livres sur le sujet "Michotte, Albert"

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Brock, Marleen. Verlengstukken van het bewustzijn: Psychologische onderzoeksapparatuur uit de 'Collectie Michotte'. Leuven University Press, 2010.

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Chapitres de livres sur le sujet "Michotte, Albert"

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Gershman, Samuel. "Structure and origins of inductive bias." In What Makes Us Smart. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691205717.003.0003.

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This chapter discusses what kinds of inductive biases people have and how general are they. It examines some inductive biases that are sufficiently pervasive and can be considered domain-general, such as causality in which people perceive events as contingent on other events, not merely correlated with them. For example, when a moving object touches a stationary object and the stationary object then begins to move, people perceive the moving object as causing the movement of the stationary object. The chapter mentions psychologist Albert Michotte, who showed that the impression of causality ca
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"Albert Michotte: A Psychologist for All Sites and Seasons." In Portraits of Pioneers in Psychology. Psychology Press, 2003. http://dx.doi.org/10.4324/9781410607638-16.

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van Eck, Caroline. "Movement, Animation, and Intentionality." In Piranesi's Candelabra and the Presence of the Past. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192845665.003.0007.

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Abstract Chapter 6 returns to the issue of lifelikeness and animation, to untangle a few strands in the varieties of human-thing entanglement discussed here in the light of recent research inspired by the Uncanny. Drawing on the research into perceptual attribution mechanisms by Albert Michotte, Fritz Heider, and Marianne Simmel, and Gabriela Airenti, this chapter develops an analysis of such emotional or even bodily investment in art and of such excessive varieties of human–thing entanglement, that lifts them out of the realm of art historical anecdote, and provides at least the rudiments for
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D’Aloia, Adriano. "Acrobatics." In Neurofilmology of the Moving Image. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725255_ch02.

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The chapter ‘Acrobatics. On the wires of empathy’ takes as a starting point Edith Stein’s critique of psychologist Theodor Lipps’ notion of empathy (Einfühlung) and her original proposal for a phenomenology of intersubjectivity. Since this debate revolves around the example of an observer watching an acrobat walking on a wire in mid air, the chapter offers an analysis of acrobatic actions in contemporary cinema (such as in Zemeckis’ The Walk) and reflects on both disembodied and embodied accounts of empathy in film studies. Recovering the filmological meaning of this term (introduced into film
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"Albert Michotte’s »artificial animals«." In Bilder animierter Bewegung/Images of Animate Movement. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846756249_007.

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