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Littérature scientifique sur le sujet « Milan (Italy) – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Milan (Italy) – Fiction"

1

Bertolotti, Elisa, and Anca Serbanescu. "‘1 Question 10 Answers’." Convergences - Journal of Research and Arts Education 15, no. 29 (2022): 21–39. http://dx.doi.org/10.53681/c1514225187514391s.29.84.

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'1 Question 10 answers' is a didactic exercise, designed to investigate the notion of interpretation in communication design, and to reflect upon issues that arise in the creation of non-fiction narratives. In particular, this research analyses the relationship between the interviewer and the interviewee, as well as the poetic devices of collection, tabulation and repetition in storytelling. The exercises discussed in this project were applied in various educational contexts: initially from 2017-2019 on the Typography module of the BA in Design at the Universidade da Madeira (Madeira, Portugal

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2

Shpall, Sam. "Female Freedom and The Neapolitan Novels (Part 1)." Hypatia 36, no. 4 (2021): 676–701. http://dx.doi.org/10.1017/hyp.2021.53.

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AbstractThis essay begins to develop a philosophical interpretation of Elena Ferrante's L'amica geniale, a work of fiction that is known in English as The Neapolitan Novels. My ultimate aim is to explore the work's ambitious moral psychology, and particularly its subtle conceptualization of women's path to freedom. I begin by reconstructing some of the main ideas of Italian difference feminism as they are expressed in the texts of the Milan Women's Bookstore Collective—texts that are controversial milestones of Italian social theory, yet are relatively unknown outside of Italy. I then show how

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Retez, Riccardo. "The (Post)human Condition in Times of Crisis: The Interplay between Artificial Intelligence, Otherness, and Environmentalism, Electricdreams—Between Fiction and Society II, IULM University, Milan, Italy, October 20–23, 2023." Utopian Studies 35, no. 2-3 (2024): 826–32. https://doi.org/10.5325/utopianstudies.35.2-3.0826.

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4

Kłos, Anita. "Tkanina Penelopy. Historia wydawnicza Le botteghe color cannella w świetle dokumentów z archiwum wydawnictwa Einaudi." Schulz/Forum, no. 21-22 (December 30, 2023): 5–30. https://doi.org/10.26881/sf.2023.21-22.01.

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The article presents the editorial history of Le botteghe color cannella, the volume of Bruno Schulz’s stories translated into Italian by Anna Vivanti Salmon and published with an introduction by Angelo Maria Ripellino, a poet and Slavic literature scholar. Drawing on the documents preserved in the archives of the publishing house Einaudi in Turin and Fondazione Alberto e Arnoldo Mondadori in Milan, the author follows a long and complicated production process of the book. The first trace of interest in Schulz’s oeuvre inside Einaudi surfaces in 1959, in correspondence between Konstanty A. Jele

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Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

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Thèses sur le sujet "Milan (Italy) – Fiction"

1

Gaspar, Andrea Marques. "'Where does the new come from?' : an ethnography of design performances of 'the new'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/where-does-the-new-come-from-an-ethnography-of-design-performances-of-the-new(cd77bec4-ba9b-48ed-b2c4-f53ed0eb7e03).html.

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The core concern of my thesis is with shifting the focus from the description on how innovation is done (predominantly STS accounts of innovation in-the-making) to what designers do with conceptions of innovation. The thesis is based on ethnographic fieldwork within a group of interaction designers of Milan. Despite the different conceptions and traditions of innovation that these designers bring in – the artistic and technological ones – I observed that a design-centered conception of innovation is reproduced, as well as the idea that plans and intentions precede things. However, another key

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Livres sur le sujet "Milan (Italy) – Fiction"

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Ennis, Michael. Duchess of Milan. Onyx, 1993.

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2

Jacob, Naomi Ellington. Gollantz: London, Paris, Milan. Piatkus, 1985.

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3

Jacob, Naomi Ellington. Gollantz: London, Paris, Milan. Charnwood, 1985.

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Ennis, Michael. Duchess of Milan. Viking, 1992.

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5

Jacob, Naomi Ellington. Gollantz: London, Paris, Milan : the Gollantz saga 6. Futura, 1985.

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6

Bruschini, Vito. La strage: Il romanzo di piazza Fontana. Newton Compton editori, 2012.

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7

Giuseppe, Lippi, ed. Dalla terra alle stelle: Tre secoli di fantascienza e utopie italiane. Biblioteca di via Senato, 2005.

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8

Marseglia, Luigi. Drammaturgia e romanzo: Primo Ottocento : i generi letterari nel Conciliatore. Palomar, 2004.

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9

Maarleveld, Saskia, and Katharine Duckett. Miranda in Milan. Audible Studios on Brilliance, 2019.

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10

Duckett, Katharine. Miranda in Milan. Doherty Associates, LLC, Tom, 2019.

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