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1

Turner, Thomas. Mobutu Sese Seko and the crisis in Zaire. s.n., 1992.

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2

Nsungu, Baudouin Banza Mukalay. Ma verité sur le Maréchal Mobutu Sese Seko et la transition. Editions Africa Text, 2005.

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3

Odey, John Okwoeze. Mother Teresa and Mobutu Sese Seko: The beautiful and the ugly : a lesson for African leaders. St. Patrick's Parish, 1997.

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4

Piñol, Albert Sánchez. Payasos y monstruos: Bokassa, Idi Amin Dada, Mobutu Sese Seko--, dictadores africanos que se creían dioses. Aguilar, 2006.

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5

Wrong, Michela. In the Footsteps of Mr. Kurtz. HarperCollins, 2007.

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6

In the footsteps of Mr. Kurtz: Living on the brink of disaster in the Congo. Fourth Estate, 2000.

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7

In the footsteps of Mr. Kurtz: Living on the brink of disaster in Mobutu's Congo. HarperCollins Publishers, 2001.

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8

Schatzberg, Michael G. Mobutu or chaos?: The United States and Zaire, 1960-1990. University Press of America, 1991.

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9

Mobutu's totalitarian political system: An Afrocentric analysis. Routledge, 2007.

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10

America's tyrant: The CIA and Mobutu of Zaire : how the United States discovered Mobutu, put him in power, protected him from his enemies, and helped him become one of the richest men in the world, and lived to regret it. American University Press, 1994.

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11

M, Elliot Jeffrey, Dymally Mervyn M. 1926-, and Mobutu Sese Seko 1930-, eds. Voices of Zaire: Rhetoric or reality. Washington Institute Press, 1990.

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12

Rumba rules: The politics of dance music in Mobutu's Zaire. Duke University Press, 2008.

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13

Avomo, Javier Clemente Engonga. History of Africa: Mobutu Sese Seko, the Groom of Europe. Independently Published, 2021.

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14

Young, Crawford. Rise and Decline of the Zairian State. University of Wisconsin Press, 2013.

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15

Young, Crawford. Rise and Decline of the Zairian State. University of Wisconsin Press, 2012.

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16

In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo. Harper Perennial, 2002.

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17

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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18

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2012.

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19

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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20

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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21

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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22

Ikambana, Jean-Louis Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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23

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo. Harper Perennial, 2002.

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24

Roessler, Philip, and Harry Verhoeven. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611354.003.0001.

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Chapter one begins with a critical juncture in African history—the expulsion of the Rwandan Patriotic Front from the Democratic Republic of the Congo in July 1998. Building on this vignette, it motivates the book with a puzzle: fifteen months after overthrowing one of Africa’s longest serving dictators, Mobutu Sese Seko, why did the revolutionaries and their regional allies turn on each other, ushering in the deadliest conflict since World War II? It then lays out the book’s central argument: that the seeds of Africa’s Great War were sown in the struggle against Mobutu—the way the revolution came together, the way it was organized and, paradoxically, the very way it succeeded. While the collapse of the Zairian state and the Rwandan genocide were important antecedents to the Great War, Why Comrades Go to War argues these factors mattered primarily in the way they shaped the organization and structure of the anti-Mobutu revolution. The penultimate sections of the chapter summarize the book's approach and contributions.
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25

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in The. HarperCollins Publishers, 2007.

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26

In the Footsteps of Mr Kurtz: Living on the Brink of Disaster in the Congo. HarperCollins Publishers Limited, 2001.

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27

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in The. HarperCollins Publishers, 2007.

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28

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in The. HarperCollins Publishers, 2007.

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29

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in The. HarperCollins Publishers, 2007.

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30

Wrong, Michela. In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in The. HarperCollins Publishers, 2009.

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31

Wrong, Michela. In the Footsteps of Mr Kurtz: Living on the Brink of Disaster in the Congo. HarperCollins Publishers Limited, 2012.

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32

Ikambana, Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis. Taylor & Francis Group, 2006.

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33

Ikambana, Peta. Mobutu's Totalitarian Political System: An Afrocentric Analysis (African Studies). Routledge, 2006.

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34

Soyinka, Wole. Gigantes em cena. Imprensa da Universidade de Coimbra, 2020. http://dx.doi.org/10.14195/978-989-26-1998-9.

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Gigantes em Cena mostra um quadro estático no qual os “gigantes” do título, Kamini, Gunema, Kasko e Tuboum – representações levemente disfarçadas de Idi Amin Macias Nguema, Jean-Bedel Bokassa e Mobutu Sese Seko, respetivamente – se apresentam como constituintes dos produtos pós-coloniais das superpotências do ocidente. Kamini, por exemplo, é colocado no poder pelos britânicos, financiado pelos americanos, militarmente armado pelos soviéticos e, no final, abandonado por todos, quando os serviços de um ditador insano já não lhes é conveniente. Gigantes em Cena constitui, deste modo, uma fantasia surreal de justiça poética internacional em que os sistemas de apoio económico e político dos governos ocidentais respondem, a seu tempo e bel-prazer, de forma catastrófica, aos monstros que eles próprios criaram e sobre os quais, consequentemente, perderam o controlo.<br>Nesta peça, Soyinka consegue reunir num só local todos os infames ditadores de África. O Secretário-Geral das Nações Unidas e dois delegados, da Rússia e dos Estados Unidos da América, constituem as outras personalidades que dão o caráter internacional a Gigantes em Cena. O pretexto para tal encontro é uma reunião das Nações Unidas. À medida que a peça se desenrola, assistimos ao papel que as superpotências desempenham na sustentação dos ditadores no poder e, simultaneamente, à verdadeira natureza destes ditadores africanos – as suas confusões, perversões sexuais, os conceitos errados que têm do poder e respetivas complexidades.
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35

Roessler, Philip, and Harry Verhoeven. Why Comrades Go to War. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611354.001.0001.

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In October 1996, a motley crew of ageing Marxists and unemployed youths coalesced to revolt against Mobutu Seso Seko, president of Zaire/Congo since 1965. Backed by a Rwanda-led regional coalition that drew support from Asmara to Luanda, the rebels of the AFDL marched over 1500 kilometers in seven months to crush the dictatorship. To the Congolese rebels and their Pan-Africanist allies, the vanquishing of the Mobutu regime represented nothing short of a “second independence” for Congo and Central Africa as a whole. Within 15 months, however, Central Africa’s “liberation Peace” would collapse, triggering a cataclysmic fratricide between the heroes of the war against Mobutu and igniting the deadliest conflict since World War II. Uniquely drawing on hundreds of interviews with protagonists from Congo, Rwanda, Angola, Uganda, Tanzania, Ethiopia, Eritrea, South Africa, Belgium, France, the UK and the US, Why Comrades Go to War offers a novel theoretical and empirical account of Africa’s Great War. It argues that the seeds of Africa’s Great War were sown in the revolutionary struggle against Mobutu—the way the revolution came together, the way it was organized, and, paradoxically, the very way it succeeded. In particular, the book argues that the overthrow of Mobutu proved a Pyrrhic victory because the protagonists ignored the philosophy of Julius Nyerere, the father of Africa's liberation movements: they put the gun before the unglamorous but essential task of building the domestic and regional political institutions and organizational structures necessary to consolidate peace after revolution.
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