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Articles de revues sur le sujet « Motherhood in art »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 27 juillet 2025

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1

Badoni, Georgina. "Indigenous Motherhood Art as Ceremony." Visual Arts Research 48, no. 2 (2022): 37–41. http://dx.doi.org/10.5406/21518009.48.2.05.

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Scheflan Katzav, Hadara. "The theater of motherhood." Feminismo/s, no. 41 (January 2, 2023): 297. http://dx.doi.org/10.14198/fem.2023.41.12.

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The basic premise of this article is that despite the many representations of mothers in the history of art, the maternal image has almost invariably been presented in the status of object, i.e., a reflection of the value system, interests, and perspective of the patriarchal culture, and not of the mother herself. This study examines the construction of the maternal ideal in western, particularly Israeli, culture, and suggests the turning point over the past twenty years as contemporary artist-mothers (mama’artists) have undermined this ideal. To avoid the traditional structure into which the

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Halik, Abdul, St Wardah Hanaf e. Das, Muhammad Naim, et al. "Virtual Based Principal Leadership Model in Increasing Performance and Quality of Middle Education." Revista de Gestão Social e Ambiental 18, no. 6 (2024): e05797. http://dx.doi.org/10.24857/rgsa.v18n6-053.

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Purpose: The purpose of this article is to introduce a new analytical lens for examining the role of Assisted Reproductive Technology (ART) in the construction of the human body and motherhood from a post-humanistic perspective.  Method: Employing a qualitative methodology, this study conducted in-depth interviews, observations, and analysis of ART laboratory practices, utilizing samples drawn from infertility patients and ART laboratory work. The investigation delved into the spatial dynamics of ART operations within clinical settings, elucidating how technology influences the con

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Ruiz Reyes, Dionis, Néstor Miguel Carvajal-Otaño, Madyaret Águila Carbelo, Adriel Herrero Díaz, and Ileana Beatriz Quiroga López. "Maternity: science, art and history." South Health and Policy 5 (January 1, 2026): 394. https://doi.org/10.56294/shp2026394.

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Introduction: Maternity is not only a natural fact, it is also a multi-determined cultural construction, defined and organized by norms that arise from the needs of a specific social group and from a defined period of its history. Women are considered as historical beings and a source of inspiration for artists and creators through motherhood. Objective: Characterize the impact of motherhood in science, history and art. Methods: A literature review was conducted by consulting original articles, case reports, and open access systematic reviews in peer-reviewed academic journals from the last 5

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Stevenson, Brenda E. "Silenced women, personal art, and motherhood." Psychoanalytic Inquiry 18, no. 2 (1998): 183–92. http://dx.doi.org/10.1080/07351699809534183.

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Peterson, Lorinda Jean. "Badass Mom Art: Motherhood Untold in My Kind of Crazy." Humanities 14, no. 3 (2025): 46. https://doi.org/10.3390/h14030046.

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Graphic memoir and feminist mothering theory are at the heart of my research-creation paper “Badass Mom Art: Motherhood Untold in My Kind of Crazy”, which brings feminist mothering theory into conversation with traumatic mothering stories. The research-creation comprises a series of sequential graphic stories from my 2023 memoir My Kind of Crazy and a drawing series, Mothering Myths: (Re)imaginings and (Re)visions. These narratives re-imagine trauma’s impact on my maternal generations and illustrate the feminist shift from the 20th century patriarchal institution of motherhood that creates mot

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Bogino Larrambebere, Mercedes. "Impossible motherhood: From the desire for motherhood to non-motherhood." Feminismo/s, no. 41 (January 2, 2023): 357. http://dx.doi.org/10.14198/fem.2023.41.14.

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This article proposes to explore the biographic accounts and everyday experiences of cisgender women who, for various reasons and biopsychosocial conditions, are not mothers. From a feminist focus and using a qualitative methodology, it looks at the complex nature of the experience for women who felt the desire to be mothers and started out on a quest for motherhood. As a result of the thematic analysis of their accounts, we find that some women have undergone miscarriages and repetition miscarriages, facing infertility problems (structural, relational and social) and medicalisation of their b

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Eagan, Jenna. "The Art of Motherhood, by Ken Tackett." Clinical Lactation 11, no. 4 (2020): 211. http://dx.doi.org/10.1891/article_11_the_art_of_motherhood_br.

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Forster, Elizabeth, and Lillian Scott. "The Art of Motherhood, by Ken Tackett." Clinical Lactation 11, no. 2 (2020): 106–7. http://dx.doi.org/10.1891/article_8_art_of_motherhood_br.

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Heath, Joanne. "Negotiating the Maternal: Motherhood, Feminism, and Art." Art Journal 72, no. 4 (2013): 84–86. http://dx.doi.org/10.1080/00043249.2013.10792867.

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Berestovoy, O. O. "Auxiliary (surrogate) motherhood as a medical and social problem." HEALTH OF WOMAN, no. 9(135) (November 30, 2018): 21–25. http://dx.doi.org/10.15574/hw.2018.135.21.

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The problem of infertility is widespread all over the world, therefore, with the aim of solving it, the doctors developed the newest methods of treatment – assisted reproductive technologies (ART), among which the actual and widespread phenomenon of modernity is surrogate motherhood. According to this method, a woman, on the basis of mutual agreement with persons applying to her for providing this service, undergoes the procedure of implantation of an embryo created as a result of ART, nurtures a child in order to give birth and transfer it to these persons who will be legally considered the p

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Savloff, Leyla. "Deviant Motherhood." Social Text 38, no. 1 (2020): 67–88. http://dx.doi.org/10.1215/01642472-7971103.

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This article discusses two intertwined forms of care that engage with incarcerated women in Argentina. First, it examines the consequences of a policy change that allows incarcerated women who are pregnant and/or caregivers of small children to serve their time at home. Institutional confinement extends beyond the prison and has taken various forms, such as the shelter, the asylum, relocation centers, and prison camps. Inspired by recent prison studies that disrupt the prison as a fixed and hardened site, this article contends that house arrest is far from a benefit. Rather, home confinement c

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Smith, Zoey. "Lesbian Motherhood and Artificial Reproductive Technologies in North America: Race, Gender, Kinship, and the Reproduction of Dominant Narratives." Pathways 3, no. 1 (2022): 71–81. http://dx.doi.org/10.29173/pathways29.

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This paper reviews current ethnographic literature on lesbian motherhood as it relates to artificial reproductive technologies (ART) through intersectional, biopolitical and critical-race frameworks. I argue that white, lesbian intending mothers intersecting identity markers of whiteness and queerness place them in a unique position within ART discourses. ART functions as a biopolitical mechanism which aims to normalize and naturalize privilege in hierarchized power structures, while suggesting that the meanings that it produces are objectively scientific rather than socially constructed. I su

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Hogan, Susan. "Mothers Make Art: Using participatory art to explore the transition to motherhood." Journal of Applied Arts & Health 6, no. 1 (2015): 23–32. http://dx.doi.org/10.1386/jaah.6.1.23_1.

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McMillan, Kate, and Lauren England. "Gendered Obstacles in Contemporary Art: The Art Market, Motherhood and Invisible Ecologies." Journal of Gender, Culture and Society 2, no. 2 (2022): 24–38. http://dx.doi.org/10.32996/jgcs.2022.2.2.4.

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This article addresses issues of gender inequality in the UK’s contemporary art sector. It combines quantitative data on shifts in gender representation from over a hundred commercial contemporary art galleries in London in 2016, 2019 and 2022 with qualitative interviews with leading gallery directors. The research seeks to uncover structural inequalities in the commercial art sector which continue to create obstacles for female artists. In particular, we highlight the impact of the myth of meritocracy and an insistence on “quality” (particularly in relation to masculine ideology around ‘geniu

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Mohite, Ms Swati, and Dr Pradnya Vijay Ghorpade. "AFRICAN WOMEN’S QUEST FOR MOTHERHOOD IN FLORA NWAPA’S NOVELS EFURU AND IDU." Journal of English Language and Literature 10, no. 02 (2023): 145–51. http://dx.doi.org/10.54513/joell.2023.10215.

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The African classical tradition finds its development in African novel as African novels deals with variety of themes such as art, religion, apartheid, culture, tradition, ironies of life, colonial and post-colonial realities etc. African and Caribbean writing often celebrates black womanhood in a move towards a specifically African feminism. Mother is a person who nurtures and protects. African Literature in all ages celebrates motherhood and gives prime focus to motherhood in women’s’ life. Flora Nwapa, the Mother of female African Literature in English also treats motherhood as her main the

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Sarkar, Anindita. "Oh, Mother, Who Art Thou? : The Heart of Maternal Darkness in the Short Stories of Katherine Mansfield." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 79–89. http://dx.doi.org/10.24113/ijellh.v9i1.10880.

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Our culture assumes: No love is as great as that of a mother for her child. Motherhood has been perpetually associated with self-effacement and self-abnegation. Adrienne Rich while making a distinction between the actual lived experience of a mother and the institution of motherhood has argued that motherhood is a cultural construct and a far cry from the real experience of mothering. This article traces and examines representations of motherhood in the select short stories of Katherine Mansfield, in the light of Adrienne Rich’s theories in Of Woman Born. Much like Adrienne Rich, Mansfield dis

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Álvarez Trigo, Laura. "Feeding Anxieties and the Identity of the Artist: The Monstrous Mother in Rachel Yoder’s Nightbitch (2021)." Esferas Literarias, no. 7 (December 21, 2024): 91–104. https://doi.org/10.21071/elrl.i7.17394.

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This paper examines the representation of monstrous motherhood in Rachel Yoder’s Nightbitch (2021) through theorizations of female monstrosity, with a specific focus on the role that food and art play in the narrative. While idealized motherhood is often associated with homemaking—especially food preparations and serving—Nightbitch’s animalistic subjectivity leads to a blood thirst that slowly but surely drives her away from traditional sanitized maternal cooking and cleaning. Besides, the loss of her professional identity as an artist caused by becoming a stay-at-home mother is ultimately tac

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Harrower, Jennifer. "Merging Art, Science and Motherhood to Save Joshua Trees." Leonardo 52, no. 5 (2019): 498–99. http://dx.doi.org/10.1162/leon_a_01791.

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Human behaviors have driven us into a planetwide species extinction crisis that is linked to the rapidly changing climate. To move forward we need interdisciplinary research approaches that protect our resources and a variety of outreach strategies to educate and inspire the public toward sustainable living. We need a public identity shift into the role of environmental caretaker to continue living on this planet and to improve the environmental conditions for ourselves and others. In her current doctoral ecological and arts research, the author draws on themes of motherhood to connect people

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Deepwell, Katy. "Art Criticism and the State of Feminist Art Criticism." Arts 9, no. 1 (2020): 28. http://dx.doi.org/10.3390/arts9010028.

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This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”

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Moreno-Almárcegui, Antonio, and Germán Scalzo. "From Mary’s Motherhood to the Immaculate Conception: An Iconographic Analysis of Marian Art in Spain during the Tenth to Nineteenth Centuries." Religions 12, no. 12 (2021): 1061. http://dx.doi.org/10.3390/rel12121061.

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This article analyzes Marian art in Spain from the tenth to nineteenth centuries in order to show how popular piety represented Mary’s motherhood. Through art, including architecture, painting, sculpture, and oral preaching, a popular image of Mary emerged and, in turn, became key for understanding the history of the family in western Catholic countries. Studying the evolution of Marian iconography during this thousand-year period reveals a kind of grandeur, and then a certain crisis, surrounding Mary’s motherhood. This crisis specifically involves the meaning of the body as an effective sign

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Klein, Stacy S. "Motherhood and Mothering in Anglo-Saxon England by Mary Dockray-Miller." Arthuriana 12, no. 3 (2002): 124–26. http://dx.doi.org/10.1353/art.2002.0076.

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Arabovna, Murodova Dildora. "THE THEME OF MOTHERHOOD IN “WOMEN'S PROSE” BY MASHA TRAUB." International Journal Of Literature And Languages 3, no. 12 (2023): 34–38. http://dx.doi.org/10.37547/ijll/volume03issue12-07.

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The article examines the work of the modern writer Masha Traub, we come to the conclusion thatin “women's prose” the same processes occur as in the rest of literature, processes aimed at finding new relationships in art and new methods of fixing them.

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Stasi, Alessandro. "Protection for Children Born Through Assisted Reproductive Technologies Act, B.E. 2558: The Changing Profile of Surrogacy in Thailand." Clinical Medicine Insights: Reproductive Health 11 (January 1, 2017): 117955811774960. http://dx.doi.org/10.1177/1179558117749603.

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The National Legislative Assembly of Thailand has enacted on February 19, 2015 the Protection for Children Born through Assisted Reproductive Technologies Act (ART Act). Its primary objective aims at protecting children born through assisted reproductive technologies and providing the legal procedures that the intended parents must follow. The focus of this article is to discuss the ongoing issues involving assisted reproduction in Thailand. After reviewing the past legal framework surrounding surrogate motherhood and the downsides of the assisted reproductive technology market in Thailand, th

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Kovacek-Stanic, Gordana. "Principles of art in Serbian and European laws and stands of Christian orthodox church on art." Zbornik Matice srpske za drustvene nauke, no. 148 (2014): 737–46. http://dx.doi.org/10.2298/zmsdn1448737k.

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In Serbia, Biomedically Assisted Fertilization is regulated by the Act on Treatment of Infertility with Biomedically Assisted Fertilization Procedures from 2009, and by the Family Act from 2005, the provisions on the family status of the child. In European context, the principles of the application of biology and medicine are regulated by the Council of Europe Convention from 1997 for the Protection of Human Rights and Dignity of the Human Being with regard to the Application of Biology and Medicine (Convention on Human Rights and Biomedicine). In this paper, Serbian law is compared with Europ

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Butterfield, Alexandra Carlile. "Holy Motherhood and Heavenly Fetus: Encouraging Maternity in Medieval Art." Comitatus: A Journal of Medieval and Renaissance Studies 52, no. 52 (2021): 165–85. http://dx.doi.org/10.1353/cjm.2021.0006.

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Sahinoglu, Serap, and Nuket Buken. "Gender, Infertility, Motherhood, and Assisted Reproductive Technology (ART) in Turkey." Human Reproduction & Genetic Ethics 16, no. 2 (2010): 218–32. http://dx.doi.org/10.1558/hrge.v16i2.218.

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Lall, Seema. "Motherhood Prioritized over Career for Women undergoing Assisted Reproductive Technology (ART)." Advances In Management 17, no. 2 (2025): 7–15. https://doi.org/10.25303/1702aim07015.

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The recent advancement in reproductive technology has provided newer opportunities to conceive naturally through Assisted Reproductive Technology (ART), which entails financial and emotional costs as well as complications. The choice to opt for ART involves complex processes which not only involve the couple but also their families, social structure and cultural norms. In many cultures including India, having one’s biological child is given prime importance due to the social, religious and cultural norms associated with the notion of motherhood and parenthood. In such a scenario, giving birth

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Greenboim-Zimchoni, Adi. "An untold truth about pregnancy and motherhood: A self-analysis through photography." Journal of Applied Arts & Health 12, no. 2 (2021): 209–24. http://dx.doi.org/10.1386/jaah_00070_1.

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The author recounts that giving birth to her first child was a life-changing experience that she commemorated through photography. The author’s art process involves analysing her own experiences and therefore she also approached her pregnancy through an artistic lens. In this article, the author describes the art-based process used to increase self-knowledge and self-exploration of the changes occurring in life during and after pregnancy. This self-analysis contributed to the development and collection of ideas that formed the author’s identity as a new mother. Motherhood incorporates both joy

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Kovács, Ágnes Zsófia. "Reinscribing Malinche in Contemporary Visual Art." Acta Hispanica 28 (December 19, 2023): 131–47. http://dx.doi.org/10.14232/actahisp.2023.28.131-147.

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Malinche was an indigenous slave woman who helped Cortés communicate with and understand native chiefs during the conquest of Mexico. This paper analyzes the way the Denver Art Museum represented cultural metaphors of Malinche in visual culture in its 2022 show titled “Traitor, Survivor, Icon: The Legacy of La Malinche.” The exhibition distinguishes five key metaphors in the reception of Malinche from the sixteenth century through today. The paper highlights the theme of Malinche as the mother of the nation and its diverse appearances in visual culture among the images displayed. The paper sur

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Ahmad, Nehaluddin. "An International View of Surgically Assisted Conception and Surrogacy Tourism." Medico-Legal Journal 79, no. 4 (2011): 135–45. http://dx.doi.org/10.1258/mlj.2011.011029.

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Modern medicine, specifically assisted reproductive technology (ART), has overtaken the law in many jurisdictions around the world. New technologies and practices open a Pandora's Box of ethical, religious, social and legal questions, and may present a variety of significant legal problems to the courts and legislators. Surrogate motherhood and pregnancy through ART have both attracted controversy. Some groups condemn ART and want it banned while its supporters acknowledge there is a need for legislative guidelines and regulations. A proposed statute, the Assisted Reproductive Technique Servic

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Perahia, Mathilde. "Motherhood as Research and Creative Territory." Corpo Grafías Estudios críticos de y desde los cuerpos 12, no. 12 (2024): 22–37. https://doi.org/10.14483/25909398.22666.

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Motherhood transforms us, hybridizes us, connects us, refocuses us, and scatters us. Sometimes excluded from the social world, the mother is nevertheless at its center or its interstices. The mother is both hybrid and multiple. The experience of maternity is a journey that links us to the universal, to the night of times that weaves the thread of all the ancient and future wombs as much as it is a deeply intimate experience that shakes us at every moment. As we go through this extreme and fascinating physical experience, how does it change our experience of the world? What new somatic knowledg

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Klein, Shana. "Bound and Boarded: Policing Native Motherhood in US Art and Culture." Art Bulletin 106, no. 2 (2024): 119–43. http://dx.doi.org/10.1080/00043079.2024.2296285.

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Ulmer, Spring. "An Infidel's Interpretation of the Islamic State Mother and Child Case." ARCHIVO PAPERS 3, no. 1 (2023): 100–110. https://doi.org/10.5281/zenodo.7951279.

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<em>An Infidel’s Interpretation of the Islamic State Mother and Child Case</em> reframes images of Islamic State wives and children as Madonna and child artworks to trouble ideologies that represent such women and children as enemies, as dangerous minds, as detritus, unworthy of statehood. The overlaying of news photographs of Islamic State mothers and children atop artworks referencing the Madonna and child also serves to decolonize traditional, art historical, visual analyses of artworks employing the Madonna and child motif. The additional redrawing of each overlay in the style o

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Glăvan, Gabriela. "Dorothea Tanning’s Reimagining of the Maternal." Romanian Journal of English Studies 18, no. 1 (2021): 70–75. http://dx.doi.org/10.1515/rjes-2021-0008.

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Abstract Dorothea Tanning’s longstanding interest in the maternal element completes the artist’s complex relationship to femininity and the female experience, turning them into essential themes in her oeuvre. I shall explore the particular manner in which the American Surrealist integrates and transforms the notion of motherhood in her art. I shall also argue that Tanning’s works as a writer offer an original insight into this cardinal theme in western art, as she dismantles common tropes and refashions them into a new, unusual language.

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Gwak, Misook. "A Study on the Symbolism of the Alligator." Korean Association of Sandplay Therapy 20, no. 2 (2024): 97–122. https://doi.org/10.60039/kjsc.2024.20.2.97.

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This study aims to expand the understanding of the biological characteristics of alligators, their symbolism in myths, folk tales, and art, and their symbolic meanings as they appear in sandplay therapy. The symbolism of alligators has been categorized into five main themes: divinity, motherhood, greed and aggression, false tears, and death and regeneration. In the context of sandplay therapy, alligators have emerged as significant symbols in the sand tray scenes of children facing emotional and behavioral challenges. For instance, an 11-year-old boy who struggled with uncontrollable violent b

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Razor, Sasha. "The Protest Art of Antanina Slabodchykava." Digital Icons: Studies in Russian, Eurasian and Central European New Media, no. 22 (June 7, 2023): 159–70. https://doi.org/10.5281/zenodo.14677241.

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While online protest art attracts the public’s attention, the act of its creation or the artists themselves often remain overlooked. This opinion piece will focus on Belarusian protest art in the digital sphere in summer–fall 2020 as exemplified by the work of Antanina Slabodchykava, the artist behind the logo of Sviatlana Tsikhanouskaya’s Campaign Headquarters. Used by millions of Belarusians worldwide, her Heart, Fist, and Victory Sign (2020) became one of the most recognizable symbols of the protests. This essay narrates the story of the logo’s creation, introduces o

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Xeros-Constantinides, Sophia, and Bernice Boland. "Maternal fear, loss and hope in Melbourne’s COVID-19 lockdown: Women-mothers performing lived maternity, using self-report in words and pictures, within the context of the CONNECT-from-HOME art therapy Zoom group." Performing Ethos: International Journal of Ethics in Theatre & Performance 13, no. 1 (2023): 61–81. http://dx.doi.org/10.1386/peet_00054_1.

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This article offers a window onto the authoring and performing of lived maternity experiences by new mothers who met virtually and participated in group art therapy during the time of COVID-19 lockdown in Melbourne, Australia, between July and December 2020. The eight-week, face-to-face art therapy programme CONNECT for distressed mothers and babies was delivered for the first time via Zoom to participant mothers, each provisioned with a printed booklet and a pack of art materials. In weekly Zoom sessions, women-mothers were encouraged to contemplate and revisit their motherhood journeys throu

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Donnellan, Alice. "“My Body Knows Unheard of Songs”." Columbia Journal of Literary Criticism 18, no. 1 (2021): 10–16. http://dx.doi.org/10.52214/cjlc.v18i1.8766.

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In 1908, shortly after giving birth to her first son, Cécile Sauvage, a young poet from rural south-eastern France, grieves the alteration of physical, emotional, and spiritual intimacy with her newborn son. Sauvage engenders her coming of age as a mother in twenty poems, which together comprise L’Âme en bourgeon (“The Soul in Bud”) forming the latter part of her first 1910 collection Tandis que la terre tourne (“As the Earth Spins”).Through the poetic figuration of her conflicting joys and melancholies with maternal status, Sauvage’s works reflect an oscillation between her embodiment of and

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Huang, Junting. "Bordering domesticity: Filipina domestic workers in Hong Kong’s contemporary art." Journal of Contemporary Chinese Art 8, no. 1 (2021): 33–48. http://dx.doi.org/10.1386/jcca_00036_1.

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Since the 1970s, hundreds of thousands of migrant domestic workers from the Philippines have moved to Hong Kong. As they filled the city’s growing demand for care work, they also altered the city’s art practice and cultural landscape. In this article, I propose to consider a double meaning of ‘domesticity’ ‐ in both the language of motherhood and motherland ‐ as a productive framework to investigate the migratory experience of Filipina domestic workers. Focusing on Cedric Maridet’s Filipina Heterotopia and Xyza Cruz Bacani’s We Are Like Air, I examine how ‘domesticity’ has become particularly

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Wei, Qinlin. "Motherhood as Method: Chinese Feminism and Gendered Resistance in the Works of Yu Hong and He Chengyao." Art and Society 4, no. 4 (2025): 34–44. https://doi.org/10.63593/as.2709-9830.2025.05.005.

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This article explores how contemporary Chinese women artists Yu Hong and He Chengyao engage with the concept of motherhood as both a cultural construct and a critical strategy. By situating their practices within the historical trajectories of Confucian ethics, Maoist gender policy, and neoliberal maternalism, the paper argues that their art articulates a form of ‘Chinese feminism’ shaped by socio-political constraints and localised resistance. Through case studies of Yu’s introspective Witness to Growth series and He’s visceral performance 99 Needles, the essay demonstrates how maternal image

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E, . IBU OTOR PhD, Chika Okeke PHD Clementina, and Juliet Odimma PHD Nkechiyere. "APPRAISAL OF THE LEGAL ISSUES IN THE USE OF ASSISTED REPRODUCTIVE TECHNIQUES IN NIGERIA." ISIR Journal of Arts, Humanities and Social Sciences (ISIRJAHSS) 2, no. 1 (2025): 32–38. https://doi.org/10.5281/zenodo.14937332.

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<em>Modern medicine has introduced a lot of means to ameliorate human sufferings and struggle. A good example is the Assisted Reproductive Technique or technology (ART). This is the term used to refer to the technological infertility treatment option.  The ART option is not without its legal issues or challenges especially in Nigeria where it is claimed that there is no law regulating the use of ART.  There are different types of ART which includes Surrogate Motherhood, In Vitro Fertilization (IVF) and Artificial Insemination (A1), Gamete Intra Fallopian Transfer(GIFT) among others.

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Buettner, Stewart. "Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz." Woman's Art Journal 7, no. 2 (1986): 14. http://dx.doi.org/10.2307/1358300.

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O'Rourke, Meghan. "Amy Herzog and Brenda Shaughnessy: On making art and the multiverse of motherhood." Yale Review 108, no. 1 (2020): 52–84. http://dx.doi.org/10.1353/tyr.2020.0109.

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O'Rourke, Meghan. "Amy Herzog and Brenda Shaughnessy: On making art and the multiverse of motherhood." Yale Review 108, no. 1 (2020): 52–84. http://dx.doi.org/10.1111/yrev.13601.

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Vandecasteele, Marieke, Ted Oonk, Elisabeth De Schauwer, and Geert Van Hove. "A visitor in your house? Letters about non/normative family lives from sisters becoming mothers." DiGeSt - Journal of Diversity and Gender Studies 7, no. 2 (2021): 94–113. http://dx.doi.org/10.21825/digest.v7i2.16570.

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Two women have become mothers. They both make art. They both grew up in a family with a sibling labelled as disabled. Ted, a visual artist, has made photographic and video work about her youngest sister. Marieke, an ethnographic filmmaker, created a short film about her eldest brother which fuelled her PhD about non-normative family lives. Intrigued by motherhood and sisterhood they start writing letters, through which they bring their memories, thoughts, artistic creations into life. This arts-based study is about entangled motherhood—i.e., the entanglement of mother-sister-daughter roles and

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Bhamani, Shireen Shehzad, David Arthur, An-Sofie Van Parys, Nicole Letourneau, Gail Wagnild, and Olivier Degomme. "Development and Validation of Safe Motherhood-Accessible Resilience Training (SM-ART) Intervention to Improve Perinatal Mental Health." International Journal of Environmental Research and Public Health 20, no. 8 (2023): 5517. http://dx.doi.org/10.3390/ijerph20085517.

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Perinatal mental health issues in women can lead to a variety of health complications for both mother and child. Building resilience can strengthen coping mechanisms for pregnant women to improve their mental health and protect themselves and their children. The study aims to develop and validate the contextual and cultural appropriateness of the Safe Motherhood-Accessible Resilience Training (SM-ART) intervention for pregnant women in Pakistan. A three-phase approach was used to develop and validate an intervention that promotes resilience in pregnant women. Phase I comprised a needs assessme

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Osmenda, Katarzyna. "Surrogacy versus artificial womb technology: the future of reproduction in the European Union." Law Review 29, no. 1 (2024): 41–63. http://dx.doi.org/10.7220/2029-4239.29.3.

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Author of this article discussed the issue of surrogate motherhood laws and practices in the European Union, and tried to consider whether the artificial womb technology (AWT) could constitute an alternative in terms of assisted reproductive technologies (ART) and other means of treating infertility. For the purpose of answering this question, a formal-dogmatic approach was applied. In order to provide necessary context, the legislative research was supplemented by the case law and secondary source research as well. Part one provides a brief explanation of the artificial womb technology. It be

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Langher, Viviana, Fabiola Fedele, Andrea Caputo, Francesco Marchini, and Cesare Aragona. "Extreme desire for motherhood: Analysis of narratives from women undergoing Assisted Reproductive Technology (ART)." Europe’s Journal of Psychology 15, no. 2 (2019): 292–311. http://dx.doi.org/10.5964/ejop.v15i2.1736.

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The problem of infertility and its consequent treatment (denoted as Assisted Reproductive Technology or ART) represent an increasing phenomenon, especially in industrialized countries. Confronting with one’s own procreative limitations can generate strong negative emotional reactions. This study aims at understanding how the desire for motherhood manifests itself in infertile women undergoing ART, studying their emotional and subjective perspective. An in-depth explorative research study was conducted on 17 infertile women attending an Italian hospital clinic for fertility treatment. Emotional

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Stanić, Gordana Kovaček. "Comparative Analysis of ART in the EU: Cross-border Reproductive Medicine." Medicine, Law & Society 8, no. 1 (2015): 5–23. http://dx.doi.org/10.18690/8.5-23(2015).

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The need for cross-border reproductive medicine exists for several reasons. Some are due to the fact that some states do not permit particular ART procedures; thus couples travel to the state where needed procedure is allowed (surrogate motherhood, embryo donation, posthumous fertilization). Other situations are due to the fact of who is entitled to ART procedures. In some states ART procedures are not allowed to same-sex couples or a single woman. The consequence of the cross-border reproductive medicine might be that the born child becomes parentless (“limping legal parentage”) and stateless

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