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Articles de revues sur le sujet « Mothers and daughters – antigua – fiction »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 31 juillet 2025

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1

Al-Rifaee, Jumana, and Eman Mukattash. "The Economic Shock in Arab and African American Female Fiction: A Socio-Economic Reading of the Mother-Daughter Relationship." Theory and Practice in Language Studies 15, no. 2 (2025): 606–14. https://doi.org/10.17507/tpls.1502.30.

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The study explores the economic difficulties encountered by Arab American and African American mothers, as well as the adverse conditions they endure due to their economic and social circumstances, which are manifested in four selected novels. This study seeks to clarify the reasons behind these difficulties and their impacts on family relations, particularly between mothers and daughters. The introduction of new economic regulations, unfamiliar to the mothers, constitutes a significant shock, profoundly affecting their understanding of their daughters' attitudes and choices. This shift in per

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Schneiderman, Leo. "Toni Morrison: Mothers and Daughters." Imagination, Cognition and Personality 14, no. 4 (1995): 273–90. http://dx.doi.org/10.2190/wb6p-hcbn-03yy-lpbr.

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The present article analyzes Morrison's novels with emphasis on the conflicted emotions of fictional African-American mothers in relation to their children. Of special interest is Morrison's depiction of the mother's role in shaping the individuation process of her daughters in a matriarchal, father-absent context. Also examined is Morrison's treatment of intergenerational continuity and the unique role of the grandmother against a background of social change. Such change is interpreted by Morrison as involving conflict between the norms of traditional, rural, folkloric black culture, and the

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Lucas, Rose. "Telling maternity: Mothers and daughters in recent women's fiction." Australian Feminist Studies 13, no. 27 (1998): 35–46. http://dx.doi.org/10.1080/08164649.1998.9994885.

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Schneider, Karen, Heather Ingman, and Phyllis Lassner. "Women's Fiction between the Wars: Mothers, Daughters and Writing." Albion: A Quarterly Journal Concerned with British Studies 31, no. 2 (1999): 355. http://dx.doi.org/10.2307/4052800.

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Harvey, Melinda. "Women's Fiction Between the Wars: Mothers, Daughters, and Writing (review)." MFS Modern Fiction Studies 46, no. 2 (2000): 551–53. http://dx.doi.org/10.1353/mfs.2000.0030.

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Lakanse, Obakanse. "Of Difficult Mothers and Rebellious Daughters: Investigating the Electra Complex in Contemporary Nigerian Feminist Fiction." NIU Journal of Social Sciences 9, no. 4 (2023): 155–60. http://dx.doi.org/10.58709/niujss.v9i4.1769.

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Chimamanda Ngozi Adichie, Sefi Atta and Lola Shoneyin are undoubtedly three of the most celebrated feminist novelists in the contemporary Nigerian literature. These three women-writers have one thing in common – each has written at least a novel in which she employs the usual problematic relations between a mother figure and a daughter as a means of exploring feminism – inflected issues such as identity-construction, subjecthood, and patriarchy, etc. I am making reference to Adichie’s Half of a Yellow Sun, Atta’s Everything Good Will Come and Shoneyin’s The Secret Lives of Baba Segi’s Wives. T

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Ahmad Rabea, Reem, and Nusaiba Adel Almahameed. "Genre Crossing in Jamaica Kincaid’s ‘Girl’: From Short Fiction to Poetry." Advances in Language and Literary Studies 9, no. 3 (2018): 157. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.157.

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The paper intends to reread Jamaica Kincaid’s short story, ‘Girl’ (1978) and provide new insights into its understanding. It aims to analyse the poetic qualities, word choice, and structure of the text that are left not fully discussed by recent scholarship. The structure as well as the poetic language of ‘Girl’ make it an unconventional piece of writing falling between two literary categories and so hard to classify. ‘Girl’ apparently violates rules and transgresses conventions by being both poetic and going beyond the traditional fictional structure of a short story. The paper argues that ‘G

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Kalia, Pooja. "The Emergence of New Women in Manju Kapur’s Difficult Daughters, Home, and The Immigrant." NETSOL: New Trends in Social and Liberal Sciences 9, no. 1 (2024): 1–9. http://dx.doi.org/10.24819/netsol2024.1.

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The current study examines how women’s roles have changed in Indian society through an analysis of Manju Kapur’s Difficult Daughters (1998), Home (2006) The Immigrant (2009), and literary works. This paper analyzes the quest for feminine identity and the struggle for change in the female protagonists in the select works. Her fiction projects raise feminist concerns and feminist issues. In Indian tradition goddesses like Lakshmi, Saraswati, and Durga are worshipped in every household. Thus, the women are expected to have goddess-like characteristics to escape the scrutiny of critical eyes and f

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Druker, Jonathan. "Mothers and Daughters in the Holocaust Writing of Edith Bruck, Liana Millu, and Giuliana Tedeschi." Italica 100, no. 1 (2023): 87–97. http://dx.doi.org/10.5406/23256672.100.1.06.

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Abstract This article focuses on Italian Holocaust testimonies written by three female survivor-writers—Edith Bruck, Liana Millu, and Giuliana Tedeschi. It considers how these authors use diverse literary forms to represent the experiences of mothers and daughters in the Auschwitz-Birkenau concentration camp. Key passages in Tedeschi's survivor memoir C’è un punto della terra show the extent to which her experience was shaped by her separation from her children, and by feelings of maternal longing. Millu's autobiographical story collection Il fumo di Birkenau deftly employs the imaginative tec

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Puskás, Andrea. "Autofiction and Therapy: Encounters of Generations and Cultures and the Journey to Self-Discovery in Amy Tan’s Fiction." Acta Universitatis Sapientiae, Philologica 16, no. 1 (2024): 28–39. https://doi.org/10.47745/ausp-2024-0003.

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Amy Tan is one of the most significant contemporary Chinese American authors, whose personal life, full of family traumas, has been openly discussed by the author herself in various forums. Her first significant novel, The Joy Luck Club (1989), was her first fictional attempt in self-definition via exploring and investigating mother–daughter conflicts, ethnic heritage, and the successes and failures in accepting otherness. Tan’s novels, especially The Kitchen God’s Wife (1991) and later The Bonesetter’s Daughter (2001), are concrete examples of the author’s continuing desire to explore deeply

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Jabeen, Tahira, Tribhuwan Kumar, and Mehrunnisa M. Yunus. "Fathers, Daughters, and Domesticity in the Early Novels of George Eliot." SAGE Open 12, no. 3 (2022): 215824402211138. http://dx.doi.org/10.1177/21582440221113821.

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This article explores how George Eliot shows fathers in domestic life in her fiction by focusing on the core components of Victorian fatherhood named by Claudia Nelson, that is, “authority, guidance and financial support.” In the 19th century Britain, fathers were having privileges of ownership and authority while mothers were confined to nurturing and comforting in domestic life. Most of the researchers on fathers in Eliot’s novels have tried to analyze the father-daughter conflicted relationship from a psychological, or Freudian, perspective. Alternatively, this study by drawing upon the the

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Kella, Elizabeth. "Matrophobia and Uncanny Kinship: Eva Hoffman’s The Secret." Humanities 7, no. 4 (2018): 122. http://dx.doi.org/10.3390/h7040122.

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Eva Hoffman, known primarily for her autobiography of exile, Lost in Translation: A Life in a New Language (1989), is also the author of a work of Gothic science fiction, set in the future. The Secret: A Fable for our Time (2001) is narrated by a human clone, whose discovery that she is the “monstrous” cloned offspring of a single mother emerges with growing discomfort at the uncanny similarities and tight bonds between her and her mother. This article places Hoffman’s use of the uncanny in relation to her understanding of Holocaust history and the condition of the postmemory generation. Relyi

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Jones, Daintee Glover. "Edith Wharton's Dialogue with Realism and Sentimental Fiction, and: Mothers and Daughters in the Twentieth Century: A Literary Anthology, and: Is it Really Mommie Dearest? Daughter-Mother Narratives in Young Adult Fiction (review)." NWSA Journal 14, no. 2 (2002): 216–19. http://dx.doi.org/10.1353/nwsa.2002.0038.

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Sawers, Naarah. "‘You molded me like clay’: David Almond’s Sexualised Monsters." Papers: Explorations into Children's Literature 18, no. 1 (2008): 20–29. http://dx.doi.org/10.21153/pecl2008vol18no1art1179.

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   Monsters and the Gothic fiction that creates them are therefore technologies, narrative technologies that produce the perfect figure for negative identity. Monsters have to be everything the human is not and, in producing the negative of the human, these novels make way for the invention of human as white, male, middle-class, and heterosexual. (Halberstam, 1995, p.22). Something unusual is happening in some of the most well-regarded, contemporary British children’s fiction. David Almond and Neil Gaiman are investing their stories with a seemingly contemporary feminis

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Dhobi, Saleem. "Literary Representation of Women in South Asian Writings." Patan Prospective Journal 2, no. 2 (2022): 215–23. http://dx.doi.org/10.3126/ppj.v2i2.52960.

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This paper scrutinizes the portrayal of women in South Asian fiction by female writers who have been vocal and have been advocating the rights of women in general and the rights and position of Muslim women in particular. How society treats women at different phases of life: daughterhood, womanhood and motherhood have been the point of examination in this article. The paper employs the radical feminist perspective as a theoretical tool to examining the represented position of women in novels of Monica Ali and Taslima Nasreen who belong to Bangladesh but reside beyond the national territory. Al

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Adams, Kimberly VanEsveld. "From Stabat Pater to Prophetic Virgin: Harriet Beecher Stowe's Recovery of the Madonna-Figure." Religion and the Arts 13, no. 1 (2009): 81–121. http://dx.doi.org/10.1163/156852908x388340.

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AbstractThis study of Harriet Beecher Stowe's Madonna-figures questions some influential arguments about the novelist's treatment of motherhood and domesticity. Critics such as Jane Tompkins, Elizabeth Ammons, and Gillian Brown have claimed that the novels privilege an alternative maternal culture and may even present the Christian Savior in feminized terms. But the early novels in fact reveal the gender restrictions of nineteenth-century Protestantism, which allowed no sanctified female roles. Uncle Tom's Cabin and Dred, for example, have Christ-figures but no Madonnas. Stowe's travels overse

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Jones, Daintee Glover. "BOOK REVIEW: Hildegard Hoeller. EDITH WHARTON'S DIALOGUE WITH REALISM AND SENTIMENTAL FICTION. Gainesville: University Press of Florida, 2000. and Heather Ingman. MOTHERS AND DAUGHTERS IN THE TWENTIETH CENTURY: A LITERARY ANTHOLOGY. New York: Columbia University Press, 2000. and Hilary S. Crew. IS IT REALLY MOMMIE DEAREST? DAUGHTER-MOTHER NARRATIVES IN YOUNG ADULT FICTION. Lanham, MD: Scarecrow Press, 2000." NWSA Journal 14, no. 2 (2002): 216–19. http://dx.doi.org/10.2979/nws.2002.14.2.216.

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He, Jiafu. "From the “angel in the house” to the heroine of an educational novel: The image of Florence in Charles Dickens’ novel “Dombey and Son”." Philology. Theory & Practice 18, no. 1 (2025): 37–47. https://doi.org/10.30853/phil20250006.

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The aim of the study is to substantiate the ambiguity of the central female character in Charles Dickens’ novel “Dombey and Son” (1846-1848), Florence Dombey, who significantly deviates from the typical image of a Victorian woman as an “angel in the house”. Florence, along with other Dickens characters such as Agnes Copperfield (“David Copperfield”, 1850), Esther Summerson (“Bleak House”, 1853) and Amy Dorrit (“Little Dorrit”, 1855-1857), is usually seen as the embodiment of the Victorian ideal of a woman who subordinates her life to the service of the family, a dominant role in which belongs

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Adams, Alice. "Maternal Bonds: Recent Literature on MotheringApache Mothers and Daughters: Four Generations of a Family. Ruth McDonald Boyer , Narcissus Duffy GaytonMother-Infant Bonding: A Scientific Fiction. Diane E. EyerShelley's Goddess: Maternity, Language and Subjectivity. Barbara Charlesworth GelpiMotherhood by Choice: Pioneers in Women's Health and Family Planning. Perdita HustonMothers of Incest Survivors: Another Side of the Story. Janis Tyler JohnsonMotherhood and Representation: The Mother in Popular Culture and Melodrama. E. Ann KaplanMotherhood and Sexuality. Marie Langer , Nancy Caro HollanderWelfare States and Working Mothers: The Scandinavian Experience. Arnlaug LeiraProtecting Motherhood: Women and the Family in the Politics of Post-War Germany. Robert G. MoellerSocial Support and Motherhood. Ann OakleyThe Anchor of My Life: Middle-Class American Mothers and Daughters, 1880-1920. Linda W. RosenzweigCenturies of Solace: Expressions of Maternal Grief in Popular Literature. Barbara Katz Rothman , Wendy SimondsProtecting Soldiers and Mothers: The Political Origins of Social Policy in the United States. Theda SkocpolLives Together/Worlds Apart: Mothers and Daughters in Popular Culture. Suzanna Danuta Walters." Signs: Journal of Women in Culture and Society 20, no. 2 (1995): 414–27. http://dx.doi.org/10.1086/494981.

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Ross, Ellen. "New Thoughts on "The Oldest Vocation": Mothers and Motherhood in Recent Feminist ScholarshipApache Mothers and Daughters: Four Generations of a Family. Ruth McDonald Boyer , Narcissus Duffy GaytonMother-Infant Bonding: A Scientific Fiction. Diane E. EyerShelley's Goddess: Maternity, Language and Subjectivity. Barbara Charlesworth GelpiMotherhood by Choice: Pioneers in Women's Health and Family Planning. Perdita HustonMothers of Incest Survivors: Another Side of the Story. Janis Tyler JohnsonMotherhood and Representation: The Mother in Popular Culture and Melodrama. E. Ann KaplanMotherhood and Sexuality. Marie Langer , Nancy Caro HollanderWelfare States and Working Mothers: The Scandinavian Experience. Arnlaug LeiraProtecting Motherhood: Women and the Family in the Politics of Post-War Germany. Robert G. MoellerSocial Support and Motherhood. Ann OakleyThe Anchor of My Life: Middle-Class American Mothers and Daughters, 1880-1920. Linda W. RosenzweigCenturies of Solace: Expressions of Maternal Grief in Popular Literature. Barbara Katz Rothman , Wendy SimondsProtecting Soldiers and Mothers: The Political Origins of Social Policy in the United States. Theda SkocpolLives Together/Worlds Apart: Mothers and Daughters in Popular Culture. Suzanna Danuta Walters." Signs: Journal of Women in Culture and Society 20, no. 2 (1995): 397–413. http://dx.doi.org/10.1086/494980.

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Schneider, Karen. "Heather Ingman. Women’s Fiction between the Wars: Mothers, Daughters and Writing. New York: St. Martin’s Press. 1998. Pp. xi, 180. $19.95 paper. ISBN 0-312-21515-0. - Phyllis Lassner. British Women Writers of World War II: Battlegrounds of Their Own. New York: St. Martin’s Press. 1998. Pp. x, 293. $55.00. ISBN 0-312-21241-0." Albion 31, no. 2 (1999): 355–57. http://dx.doi.org/10.1017/s0095139000063286.

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Jerelianskyi, P. (Velychko Yu P. ). "Equal among equals. Ukrainian women in historical and cultural context." Aspects of Historical Musicology 17, no. 17 (2019): 33–43. http://dx.doi.org/10.34064/khnum2-17.02.

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The article is an attempt to define a very special role of women in society, inherent in only Ukrainian historical realities. In particular, a somewhat non-trivial approach to the formation of a source base for the study allowed referring to works of fiction. Most attention is paid to the issue of women entering society medium in the times of the Cossacks. Among the conclusions – contrary to national, gender and social oppression for several centuries – Ukrainian women have maintained their commitment to universal human and Christian ideals and virtues. The role and place that women take in th

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Edwards, Karen L., Peter Coss, Michael Hicks, et al. "Reviews: Written Work: Langland, Labor, and Authorship, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching, the Making of Jacobean Culture, the Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800, Romantic Writing and Pedestrian Travel, the Scottish Invention of English Literature, Dante and the Victorians, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, the Imperial Game: Cricket, Culture and Society, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry, Professional Domesticity in the Victorian Novel: Women, Work and Home, Women's Fiction between the Wars: Mothers, Daughters and Writing, British Women Writers of World War II: Battleground of Their Own, the Tyranny of the Discrete: A Discussion of the Problems of Local History in England, Issues of Regional Identity: In Honour of John Marshall, Imperial Cities: Landscape, Display and Identity, Figural Realism: Studies in the Mimesis Effect, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its AcademiesJusticeSteven and Kerby-FultonKathryn (eds), Written Work: Langland, Labor, and Authorship , University of Pennsylvania Press, pp. 347, £42.75.StrohmPaul, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422 , Yale University Press, 1998, pp. xiv + 274, £25.McCulloughPeter E., Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching , Cambridge University Press, 1998, pp. xv + 237, £35PerryCurtis, The Making of Jacobean Culture , Cambridge University Press, 1997, pp. xiv + 281, £35.KelleyDonald R. and SacksDavid Harris (eds), The Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800 , Woodrow Wilson Center Press/Cambridge University Press, 1997, pp. xii + 374, £50.JarvisRobin, Romantic Writing and Pedestrian Travel , Macmillan, 1997, pp. x + 246, £45.CrawfordRobert (ed.), The Scottish Invention of English Literature , Cambridge University Press, 1998, pp. 259, £35.MilbankAlison, Dante and the Victorians , Manchester University Press, 1998, pp. ix + 277, £45.00ThompsonAndrew, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento , Macmillan, 1998, pp. x + 243, £42.50.SandifordKeith A. and StoddartBrian (eds), The Imperial Game: Cricket, Culture and Society , Manchester University Press, 1998, pp. viii + 178, £40.00.GrahamColin, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry , Manchester University Press, 1998, pp. 194, £40.CohenMonica F., Professional Domesticity in the Victorian Novel: Women, Work and Home , Cambridge University Press, 1998, pp. 216, £35.InghamHeather, Women's Fiction Between the Wars: Mothers, Daughters and Writing , Edinburgh University Press, 1998, pp. 180, £40, £14.95 pbLassnerPhyllis, British Women Writers of World War II: Battleground of Their Own , Macmillan, 1998, pp. 293, £45.MarshallJ. D., The Tyranny of the Discrete: A Discussion of the Problems of Local History in England , Scolar Press, 1997, pp. vii + 152, £40RoyleEdward (ed.), Issues of Regional Identity: In Honour of John Marshall , Manchester University Press, 1998, pp. xi + 252, £40.DriverFelix and GilbertDavid (eds), Imperial Cities: Landscape, Display and Identity , Manchester University Press, 1999, pp. 283, £45.WhiteHayden, Figural Realism: Studies in the Mimesis Effect , Johns Hopkins University Press, 1999, pp. 205, £31.50.DohertyThomas, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40." Literature & History 9, no. 1 (2000): 96–116. http://dx.doi.org/10.7227/lh.9.1.8.

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"Women's fiction between the wars: mothers, daughters and writing." Choice Reviews Online 36, no. 02 (1998): 36–0807. http://dx.doi.org/10.5860/choice.36-0807.

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"Mothers and daughters in American short fiction: an annotated bibliography of twentieth-century women's literature." Choice Reviews Online 31, no. 05 (1994): 31–2406. http://dx.doi.org/10.5860/choice.31-2406.

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Brennan, Christina. "Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, March 9, 2015. http://dx.doi.org/10.2218/forum.0.1201.

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Max Silverman’s Palimpsestic Memory describes a “transgenerational voice of memory” which may emerge from diverse histories of victimisation. This article will seek to expand upon how this “transgenerational voice” is significant within manifold cultural contexts through examining how the mother-daughter relationship is becoming increasingly prominent within recent Francophone women’s literature from Algeria. Within the fiction which reflects upon the destruction wrought by the Algeria’s civil crisis (c. 1992-1998), the mother-daughter bond connects women’s suffering during this “black decade”

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Nandi, Miriam. "The Opacity of the World: Zadie Smith’s Swing Time." Contemporary Women's Writing, November 17, 2023. http://dx.doi.org/10.1093/cww/vpad019.

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Abstract Zadie Smith’s novel Swing Time explores the complex ways in which women relate to each other across cultural difference and generational gaps, as mothers and daughters, as rivals and friends. My article traces the friction between Black feminist group solidarity and aesthetic distance in Swing Time to suggest that the novel can be brought into dialogue with a postcolonial aesthetics of opacity, as coined by Édouard Glissant. The tension between opacity and transparency is the organizing principle of Swing Time, as the novel engages with movement and change, postcolonial spaces, and th

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Kume, Yoriko, and Helen Kilpatrick. "Patriarchal Traces in Japanese Girls’ Fiction: Beyond the Loss of the Father to Patriarchal Mothers and Resistant Daughters." Japanese Studies, November 15, 2022, 1–16. http://dx.doi.org/10.1080/10371397.2022.2143334.

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Douglas, Roxanne. "Situating Arab women’s writing in a feminist ‘global gothic’: madness, mothers and ghosts." Feminist Theory, May 26, 2021, 146470012110191. http://dx.doi.org/10.1177/14647001211019188.

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This article sketches a new way of approaching some contemporary Levantine (Egyptian and Lebanese) feminist texts. Extending Glennis Byron’s notion of the ‘global gothic’, I examine Hanan Al-Shaykh’s The Story of Zahra (1986), Mansoura Ez Eldin’s Maryam’s Maze (2007) and Joumana Haddad’s The Seamstress’ Daughter (2019) as examples of an Arab feminist Gothic approach, which serves as a framework to theorise difficult and pressing questions that feminism poses regarding women’s rights. Arab feminist Gothic writers use the jahiliyyah period, or the ‘time of ignorance’, as a folkloric referential

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Rama, Devi Pebbili. "Diasporic Identity And Cultural Displacement In Jamaica Kincaid's Lucy." May 30, 2025. https://doi.org/10.5281/zenodo.15565889.

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This paper engages the complex figuration of diasporic subjectivity and cultural dislocation in Jamaica Kincaid's novel Lucy, which maps the psychic and affective disturbance of the titular Antiguan young woman as she attempts to survive in America. Close reading of the novel, this analysis investigates performances of colonial pedagogy, matricide struggle and cultural estrangement in reshaping Lucy's sense of self. Assuming postcolonial and feminist theory stands, the work is keen to examine how Kincaid theorizes the self as a site of resistance against external narrativity and cultural forge

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Mueller, Adeline. "Roses Strewn Upon the Path: Rehearsing Familial Devotion in Late Eighteenth-Century German Songs for Parents and Children." Frontiers in Communication 6 (September 3, 2021). http://dx.doi.org/10.3389/fcomm.2021.705142.

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Intra- and inter-generational family singing is found throughout the world’s cultures. Children’s songs across many traditions are often performed with adult family members, whether simultaneously (in unison or harmony) or sequentially (as in call-and-response). In one corpus of printed children’s songs, however, such musical partnering between young and old was scripted, arguably for the first time. Children’s periodicals and readers in late eighteenth-century Germany offered a variety of poems, theatricals, riddles, songs, stories, and non-fiction content, all promoting norms around filial o

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Pinder, Morgan. "Mouldy Matriarchs and Dangerous Daughters." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2832.

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The Resident Evil video game series is especially notable for engaging with uncanny nature and monstrous reproduction, often facilitated through viral contamination. These third-person games usually feature an outbreak of some kind, instigated by a shadowy organisation, and star a member of law enforcement or the military as the protagonist. However, the seventh and eighth games of the franchise were different. While they explored many of the same themes and conventions as their predecessors, the technologies by which they evoked fear and suspense had become further immersed in the survival ho

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McDonald, Donna. "Shattering the Hearing Wall." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.52.

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She leant lazily across the picnic hamper and reached for my hearing aid in my open-palmed hand. I jerked away from her, batting her hand away from mine. The glare of the summer sun blinded me. I struck empty air. Her tendril-fingers seized the beige seashell curve of my hearing aid and she lifted the cargo of sound towards her eyes. She peered at the empty battery-cage before flicking it open and shut as if it was a cigarette lighter, as if she could spark hearing-life into this trick of plastic and metal that held no meaning outside of my ear. I stared at her. A band of horror tightened arou

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Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou

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