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Articles de revues sur le sujet « Motion picture theaters – Employees »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 31 juillet 2025

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1

Sterling, Christopher H. "1. CBQ Review Essay: Motion Picture Theaters." Communication Booknotes Quarterly 44, no. 4 (2013): 145–58. http://dx.doi.org/10.1080/10948007.2013.836834.

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Holman, Tomlinson. "Room acoustics for THX® motion‐picture theaters." Journal of the Acoustical Society of America 85, S1 (1989): S15. http://dx.doi.org/10.1121/1.2026837.

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Stamm, Michael. "Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences." JCMS: Journal of Cinema and Media Studies 63, no. 2 (2024): 96–118. http://dx.doi.org/10.1353/cj.2024.a919193.

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abstract: From roughly 1930 to 1950, newsreel theaters played important roles in urban and film cultures. These small (200- to 600-seat) theaters showed hour-long loops of news that patrons could drop into from morning to midnight. Some aspects of the newsreel theater experience extended the rituals of nickelodeon spectatorship of earlier decades, and others predated the post–World War II development of television news consumption. Newsreel theaters allowed patrons to pass the time watching motion picture news, and they became politically charged spaces offering ways for people to watch and re

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May, Richard P. "The Theaters at the Academy of Motion Picture Arts and Sciences." SMPTE Motion Imaging Journal 113, no. 12 (2004): 425–29. http://dx.doi.org/10.5594/j16248.

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Hennig-Thurau, Thorsten, Victor Henning, Henrik Sattler, Felix Eggers, and Mark B. Houston. "The Last Picture Show? Timing and Order of Movie Distribution Channels." Journal of Marketing 71, no. 4 (2007): 63–83. http://dx.doi.org/10.1509/jmkg.71.4.063.

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Movies and other media goods are traditionally distributed across distinct sequential channels (e.g., theaters, home video, video on demand). The optimality of the currently employed timing and order of channel openings has become a matter of contentious debate among both industry experts and marketing scholars. In this article, the authors present a model of revenue generation across four sequential distribution channels, combining choice-based conjoint data with other information. Drawing on stratified random samples for three major markets—namely, the United States, Japan, and Germany—and a

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Kim, Sun Ju. "Nationalizing Film Business and the Transformation of the Sphere of Cinema Consumption: Keijō as a Showcase." Institute of History and Culture Hankuk University of Foreign Studies 86 (May 31, 2023): 245–77. http://dx.doi.org/10.18347/hufshis.2023.86.245.

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One of the transformative factors that has re-directed the realm of the cinema in colonial Korea was the move toward the nationalizing of film business that was taken in imperial Japan in the early 1930s. To mention it briefly, it was intended to protect and develop film business as a state industry. Following imperial Japan’s steps immediately, the Government-General of Korea (GGK) has promulgated a new film policy named ‘Motion Picture and Film Regulation Rule’ (No.82 ordained by the Government-General) in August 1934 and implemented the policy of ‘screen quota.’ This paper aims to examine t

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Ma, Fang, Ju Zhang, Lev Tankelevitch, et al. "Nods of Agreement: Webcam-Driven Avatars Improve Meeting Outcomes and Avatar Satisfaction Over Audio-Driven or Static Avatars in All-Avatar Work Videoconferencing." Proceedings of the ACM on Human-Computer Interaction 9, no. 2 (2025): 1–28. https://doi.org/10.1145/3711040.

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Avatars are edging into mainstream videoconferencing, but evaluation of how avatar animation modalities contribute to work meeting outcomes has been limited. We report a within-group videoconferencing experiment in which 68 employees of a global technology company, in 16 groups, used the same stylized avatars in three modalities (static picture, audio-animation, and webcam-animation) to complete collaborative decision-making tasks. Quantitatively, for meeting outcomes, webcam-animated avatars improved meeting effectiveness over the picture modality and were also reported to be more comfortable

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Kotollaku, Mimoza, and Lenida Lekli. "English Language, An Interactive Communication Tool Among Tourism Sector Employees and Foreign Tourists." British Journal of Multidisciplinary and Advanced Studies 5, no. 3 (2024): 79–89. http://dx.doi.org/10.37745/bjmas.2022.04107.

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Tourism is a very important sector in Albania's economy. With the promotion of tourist attractions, the number of foreign tourists has increased significantly. Language is of great importance for the communication of foreign tourists to tourist destinations. Today English is an international language and most tourist businesses require employees to speak English except the local language of the country. In this paper we will present a theoretical discussion on the importance and necessity of the English language in the development of the tourism sector from the point of view of tourist service

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Aziz al-Quraishi, Zuhair Abbas, and Shaker Nima Harz Alaak. "The role of television in activating the behavior of recreational tourists in the city of Baghdad." Iraqi Administrative Sciences Journal 1, no. 1 (2017): 246–84. http://dx.doi.org/10.33013/iqasj.v1n1y2017.pp246-284.

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TV is considered the strongest media in comparison with other means, therefore, its effects were and are still the strongest in human and his social, economic, purchasing and tourist behaviors. Studies emphasized the importance of TV and its distinct from other traditional media, in that it can mix between the picture, voice and motion in a more perfected way through color, shape and motion as well as it made the audience watch what is going on in the world directly. It also employed the rest of traditional communication means for its interest, in that it became a new means for information, re

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Armashova-Telnik, G. S., and T. A. Bobovich. "Key areas of staffing at the enterprises of the North-West region." Proceedings of the Voronezh State University of Engineering Technologies 83, no. 4 (2022): 375–81. http://dx.doi.org/10.20914/2310-1202-2021-4-375-381.

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The human capital of an enterprise is the main resource of every organization, the quality and efficiency of which largely depend on the results of the company's activities and its competitiveness. Labor resources set in motion the material elements of production, create a product, value and surplus product in the form of profit. By investing in staff and creating comfortable conditions for the professional growth of employees, a business entity can count on a greater profit than investing only in solving production tasks. Which is consistent with the objectives of the Regional Staffing Standa

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Christensen, Louise. "Metaphors of change." Journal of Organizational Ethnography 6, no. 2 (2017): 116–28. http://dx.doi.org/10.1108/joe-04-2017-0019.

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Purpose The purpose of this paper is to explore how a study of a practice can lay the foundation to describe this very practice whilst transformations of it were taken place. Descriptions of changes to the practice of social work which was observed empirically serve as a starting point for experimenting with how social scientists, though often exploring transformative study objects, can remain focused on describing the object, under study. Design/methodology/approach The study was done through circa one year of fieldwork conducted with participant observation in two Danish municipal units offe

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D’Onofrio, Grazia, Laura Fiorini, Alessandra Sorrentino, et al. "Emotion Recognizing by a Robotic Solution Initiative (EMOTIVE Project)." Sensors 22, no. 8 (2022): 2861. http://dx.doi.org/10.3390/s22082861.

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Background: Emotion recognition skills are predicted to be fundamental features in social robots. Since facial detection and recognition algorithms are compute-intensive operations, it needs to identify methods that can parallelize the algorithmic operations for large-scale information exchange in real time. The study aims were to identify if traditional machine learning algorithms could be used to assess every user emotions separately, to relate emotion recognizing in two robotic modalities: static or motion robot, and to evaluate the acceptability and usability of assistive robot from an end

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Sokolov, D. A., and E. I. Golovina. "Ensuring Safe Working Conditions under the Influence of Vibroacoustic Factors on Train Crew Workers." Safety of Technogenic and Natural Systems, no. 1 (February 28, 2024): 50–57. http://dx.doi.org/10.23947/2541-9129-2024-8-1-50-57.

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Introduction. The increased intensity of noise and vibration of railway traffic may become not only an urgent problem in the field of occupational safety, but also a serious environmental problem in the near future due to the constant need to increase the weight of freight trains, the speed of passenger trains and the capacity of railway lines. Recently, a lot has been done to minimize the negative effects of noise and vibration in railway transport. However, the problem of exceeding the indicators of vibration noise factors remains relevant. Reducing the harmful effects helps to improve the w

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 12, no. 2 (2022): 194–96. http://dx.doi.org/10.32703/2415-7422-2022-12-2-194-196.

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The issue of the journal begins with an article on French sinology. French sinology takes a special place in the history of the sinological studies development. It was France that became the first country where the transformation of missionary sinology, which was common among a limited circle of researchers (mainly in a religious sphere), into the academic scientific discipline, which had already been taught and studied at a professional level in academic institutions, occurred. The Parisian type of sinology used to dominate the entire world for a long time, including such powerful centers of

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Wifall, Rachel. "Setting As You Like It: Shakespearean Appropriation for the Cable Television Market." Borrowers and Lenders The Journal of Shakespeare Appropriations 3, no. 2 (2023). https://doi.org/10.18274/uzqx3743.

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Continuing his trend of Shakespearean adaptation, Kenneth Branagh and his Shakespeare Film Company recently released a new interpretation of As You Like It through HBO and BBC films. Although the film was released to theaters in Italy on 1 September, 2006, it went straight to television in the United States; HBO first aired the film on 21 August, 2007. With stage and screen veterans Brian Blessed, Kevin Kline, and Alfred Molina, RSC star David Oyelewo, RADA graduate Adrian Lester, and talented newcomers Bryce Dallas Howard (daughter of director Ron Howard) and Romola Garai, Branagh's film is g

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Fang, Sihan, Hyeokkoo Eric Kwon, Anandasivam Gopal, and Yongjin Park. "Return of the Movie Night? Analyzing the Impact of Netflix Subscriptions on Offline Movie Spending." Information Systems Research, October 11, 2024. http://dx.doi.org/10.1287/isre.2022.0530.

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The advent of streaming services, like Netflix and Prime Video by Amazon, has led to the expectation that demand for offline movie consumption is likely to die (i.e., consumers will simply stop going to the movies). We study this question in our work, and instead, we find that although streaming services provide value to customers in terms of comfort, convenience, and price, they do not lead to a reduction in offline movie consumption. Instead, we show that the offline movie consumption actually increases because streaming services do not fully substitute for the social aspects of going to the

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Maxwell, Richard, and Toby Miller. "The Real Future of the Media." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.537.

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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisit

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Deck, Andy. "Treadmill Culture." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2157.

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Since the first days of the World Wide Web, artists like myself have been exploring the new possibilities of network interactivity. Some good tools and languages have been developed and made available free for the public to use. This has empowered individuals to participate in the media in ways that are quite remarkable. Nonetheless, the future of independent media is clouded by legal, regulatory, and organisational challenges that need to be addressed. It is not clear to what extent independent content producers will be able to build upon the successes of the 90s – it is yet to be seen whethe

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Champion, Katherine M. "A Risky Business? The Role of Incentives and Runaway Production in Securing a Screen Industries Production Base in Scotland." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1101.

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IntroductionDespite claims that the importance of distance has been reduced due to technological and communications improvements (Cairncross; Friedman; O’Brien), the ‘power of place’ still resonates, often intensifying the role of geography (Christopherson et al.; Morgan; Pratt; Scott and Storper). Within the film industry, there has been a decentralisation of production from Hollywood, but there remains a spatial logic which has preferenced particular centres, such as Toronto, Vancouver, Sydney and Prague often led by a combination of incentives (Christopherson and Storper; Goldsmith and O’Re

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