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Littérature scientifique sur le sujet « Motion pictures Australia »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "Motion pictures Australia"

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Jóźwiak, Marek, Brian Po-Jung Chen, Bartosz Musielak, Jacek Fabiszak, and Andrzej Grzegorzewski. "Social Attitudes toward Cerebral Palsy and Potential Uses in Medical Education Based on the Analysis of Motion Pictures." Behavioural Neurology 2015 (2015): 1–8. http://dx.doi.org/10.1155/2015/341023.

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This study presents how motion pictures illustrate a person with cerebral palsy (CP), the social impact from the media, and the possibility of cerebral palsy education by using motion pictures. 937 motion pictures were reviewed in this study. With the criteria of nondocumentary movies, possibility of disability classification, and availability, the total number of motion pictures about CP was reduced to 34. The geographical distribution of movie number ever produced is as follows: North America 12, Europe 11, India 2, East Asia 6, and Australia 3. The CP incidences of different motor types in
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Zvegintseva, Irina A. "The Theme of Apocalypse in Australian Cinema." Journal of Flm Arts and Film Studies 7, no. 4 (2015): 111–20. http://dx.doi.org/10.17816/vgik74111-120.

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The article analyses the Australian apocalypse films. Apocalypse is often used as a synonym to the worlds end or a world scale catastrophe. The world knows hundreds of motion pictures of different talent and artistry, where the set takes place either before, during or after a global catastrophe. Reasons for the apocalypse vary: nuclear war, alien invasion, riot of the machines, a gigantic meteor, a disease unknown to science, etc. Nevertheless, the result always remains the same: humanity ceases to exist. Australian filmmakers, too, have not stood out of their foreign colleagues and made a lar
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MCKENZIE, JORDI. "Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office*." Economic Record 84, no. 266 (2008): 338–53. http://dx.doi.org/10.1111/j.1475-4932.2008.00495.x.

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McKenzie, Jordi. "Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office." Journal of Cultural Economics 33, no. 4 (2009): 279–99. http://dx.doi.org/10.1007/s10824-009-9104-4.

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CONSIDINE, MARK, SIOBHAN O’SULLIVAN, MICHAEL MCGANN, and PHUC NGUYEN. "Locked-in or Locked-out: Can a Public Services Market Really Change?" Journal of Social Policy 49, no. 4 (2019): 850–71. http://dx.doi.org/10.1017/s0047279419000941.

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AbstractAustralia’s welfare-to-work system has been subject to ongoing political contestation and policy reform since the 1990s. In this paper we take a big picture look at the Australian system over time, re-visiting our earlier analysis of the impact of marketisation on flexibility at the frontline over the first ten years of the Australian market in employment services. That analysis demonstrated that marketisation had failed to deliver the service flexibility intended through contracting-out, and had instead produced market herding around a common set of standardised frontline practices. I
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Helmholz, P., S. Zlatanova, J. Barton, and M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (Gi4DM2020): PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-3/W1-2020 (November 18, 2020): 1–3. http://dx.doi.org/10.5194/isprs-archives-xliv-3-w1-2020-1-2020.

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Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-
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Helmholz, P., S. Zlatanova, J. Barton, and M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (GI4DM2020): PREFACE." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences VI-3/W1-2020 (November 17, 2020): 1–2. http://dx.doi.org/10.5194/isprs-annals-vi-3-w1-2020-1-2020.

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Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-
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McGowan, John J. "From “Eve in Ebony” to a “Bran Nue Dae”: The Representation of Aboriginal and Torres Strait Islander People in Australian Motion Pictures ‒ A Synopsis." Zeitschrift für Australienstudien / Australian Studies Journal 28 (2014): 8–27. http://dx.doi.org/10.35515/zfa/asj.28/2014.03.

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MCNABB, ALEX. "A CONCEPTUAL MODEL FOR THE ORIGINS OF GEOTHERMAL AND VOLCANIC ACTIVITY IN THE NORTH ISLAND OF NEW ZEALAND." ANZIAM Journal 50, no. 3 (2009): 421–25. http://dx.doi.org/10.1017/s1446181109000182.

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AbstractThe current geothermal and volcanic activity in the North Island of New Zealand is explained as a consequence of Pacific and Australian plate interactions over the last 20 million years. The primary hypothesis is that the Kermadec subduction zone has for the last 20 million years or more been retreating in a south-easterly direction at about five centimetres per year. It is surmised that this motion and interaction with another subduction zone almost at right angles to it under the North Island resulted in plate tearing due to the incompatibility of the plate geometry where these subdu
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Ghafele, Roya. "Reply to George S. Ford’s ‘A Counterfactual Impact Analysis of Fair Use Policy on Copyright Related Industries in Singapore: A Critical Review’." Laws 9, no. 1 (2020): 2. http://dx.doi.org/10.3390/laws9010002.

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Ford’s ‘Comments (Laws 2018, 7(4), 34; https://doi.org/10.3390/laws7040034, https://www.mdpi.com/2075-471X/7/4/34)’ are biased by a partisan approach to the issues at stake and cannot be based on scientific evidence. The article “A Counterfactual Impact Analysis of Fair Use Policy on Copyright Related Industries in Singapore”, which Gibert and Gafelle wrote together nearly a decade ago, came under heavy criticism by George S. Ford from an organization named the Phoenix Centre for Advanced Legal and Economic Public Policy Studies in an article ‘A Counterfactual Impact Analysis of Fair Use Polic
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Thèses sur le sujet "Motion pictures Australia"

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Reid, Mary Anne. "Success factors in Australian cinema in the 1990s." Thesis, Queensland University of Technology, 2000.

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The main body of this research thesis employs a combination of case study and national data to discuss the concept of 'success' in relation to the Australian film industry in the 1990s. Faced with the problem of measuring 'success', my approach has been to apportion success into 'commercial' and 'critical', in relation to three Australian films - Muriel's Wedding, Love And Other Catastrophes and Kiss or Kill - each of which is considered to have been successful in one way or another. The purpose of these case studies is to demonstrate that films can be successful at different levels - niche or
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Crilly, Shane. ""Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /." Connect to this title online, 2004. http://hdl.handle.net/2440/37939.

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The dominance of male characters in Australian films makes our national cinema a rich resource for the examination of the construction of masculinities. This thesis argues that the codes of the hegemonic masculinities in capitalist patriarchal societies like Australia insist on an absolute masculine position. However, according to Oedipal logic, this position always belongs to another man. Masculine yet 'feminised,'identity is fraught with anxiety but sustained by the 'dominant fiction' that equates the penis with the phallus and locates the feminine as its polar opposite. This binary relation
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Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.

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Peach, Ricardo. "Queer cinema as a fifth cinema in South Africa and Australia." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.

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Australia had the world’s first gay film festival at the Sydney Filmmakers Co-op in June 1976, part of a larger commemoration of the Stonewall Riots in New York City of 1969. In 1994, South Africa became the first country in the world to prohibit discrimination in its constitution on the basis of sexual orientation, whilst allowing for positive discrimination to benefit persons disadvantaged by unfair discrimination. South Africa and Australia, both ex-British colonies, are used in this analysis to explore the way local Queer Cinematic Cultures have negotiated and continue to negotiate dominan
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Emerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.

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Boden, Susan, and n/a. "'an unsettled state': the real and the imainary in Australian cinematic and designed landscapes." University of Canberra. Design, 2002. http://erl.canberra.edu.au./public/adt-AUC20060426.161116.

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This thesis considers varied representations of landscape in Australian narrative film and designed landscape. Landscape is taken as an active concept that combines the associative meanings of place and the dynamism of space. Sixteen film and designed landscapes are examined to derive their landscape sources, forms and ideas, using the methodology of 'contextual poetics', Each of these landscapes is considered under a specific theme: landscape as delight, absence, nation or hope. In addition to detailing specific landscape responses by the designers of the examined landscapes, this project aim
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Weightman, Elise. "The mirror has many faces : an exploration of women's aesthetics in contemporary mainstream Australia." Thesis, Queensland University of Technology, 1999.

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This thesis investigates the concept of "women's aesthetics", as distinct from "feminine" or "feminist" aesthetics, asserting that an original and liberated women's film practice and spectatorship may be realised, in the late 1990s, by reinterpreting women's aesthetics as diverse social and artistic processes. Aesthetic concepts such as pleasure, value, art and sensory experience are also tested in this study to establish their relevance to feminist discourses on film, the wider culture and society. The study also argues that the aesthetics of Australian women filmmakers working in mainstream
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Beeton, Sue 1956. "Film-induced tourism impacts and consequences." Monash University, National Centre for Australian Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7570.

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Enders, Michael Leonard. "Gettin' acquainted : film, ethnicity and Australian society." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36279/1/36279_Enders_1996.pdf.

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This thesis uses a cultural studies- based social- cultural- historical methodology to compare changes in depictions of ethnicity in selected Australian feature films produced from 1930 to 1995 to changes in Australian immigration policy over the same period. The aim is to identify the relationship between feature film depictions and the societies which produced them. The study will show that depictions of ethnicity in Australian feature films have progressed through three phases in line with the changes in Australian immigration policy from 'white Australia' (1930-1946) to assimilation
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McKenzie, Susan M., and n/a. "Canadian and Australian Feature Film Policy in Perspective: A Comparative Study from 1968 to 1998." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040804.142852.

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This comparative study is an investigation into the changing concerns of feature film policy in Canada and Australia from 1968 to 1998. Its purpose is to determine how similar policy initiatives have produced divergent results in two economically, culturally and socially similar nations. The inquiry's aim is to establish what financial, political and geographic variables affect the application of feature film policy. While resemblances between these nations justify the contrasting of comparable feature film policy initiatives, differences in outcomes suggest that these nations are not entirely
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Livres sur le sujet "Motion pictures Australia"

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Dermody, Susan. The screening of Australia. Currency Press, 1987.

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Rattigan, Neil. Images of Australia: 100 films of the new Australian cinema. Southern Methodist University Press, 1991.

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Hodson, Barrett. Straight roads and crossed lines: The quest for film culture in Australia from the 1960s? [sic]. Edited by Mudie Peter. Bernt Porridge Group, 2001.

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Giannoudēs, Panagiōtēs M. Me ton Hellēniko kinēmatographo stēn Australia: Pisō apo tis provoles. Aphē, 2009.

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Giannoudēs, Panagiōtēs M. Me ton Hellēniko kinēmatographo stēn Australia: Pisō apo tis provoles. Aphē, 2009.

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1939-, Bertrand Ina, ed. Cinema in Australia: A documentary history. NSWU Press, 1989.

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McFarlane, Brian. New Australian cinema: Sources and parallels in American and British films. Cambridge University Press, 1992.

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1961-, French Lisa, ed. Womenvision: Women and the moving image in Australia. Damned Pub., 2003.

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Wilson, Jake. Mad dog morgan. Currency Press, 2015.

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Scott, Murray, Caputo Raffaele, and Tanskaya Alissa, eds. Australian film, 1978-1994: A survey of theatrical features. 2nd ed. Oxford University Press, 1995.

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Chapitres de livres sur le sujet "Motion pictures Australia"

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"Motion Pictures: An Analysis of Railway Timetables and Maps." In Transporting Moments: Mobility, Australian Railways and the Trained Society, edited by Colin Symes. BENTHAM SCIENCE PUBLISHERS, 2015. http://dx.doi.org/10.2174/9781681080116115010009.

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Tomsic, Mary. "Entertaining children: The 1927 Royal Commission on the Motion Picture Industry as a site of women’s leadership." In Diversity in Leadership: Australian women, past and present. ANU Press, 2014. http://dx.doi.org/10.22459/dl.11.2014.13.

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Harris, Joshua. "Hidden for Sixty Years: The motion pictures of the American–Australian Scientific Expedition to Arnhem Land." In Exploring the Legacy of the 1948 Arnhem Land Expedition. ANU Press, 2011. http://dx.doi.org/10.22459/elale.06.2011.12.

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Actes de conférences sur le sujet "Motion pictures Australia"

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Balli, Mardick. "Fluorescent Lighting Systems for Television and Motion Pictures." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001128.

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Mitchell, Boris. "A New High Speed Motion Picture Film." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001125.

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