Bibliographies thématiques / Münsterland (Germany) in art

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Littérature scientifique sur le sujet « Münsterland (Germany) in art »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 4 février 2022

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Articles de revues sur le sujet "Münsterland (Germany) in art"

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Alqaragholi, Sura Abdulghani, Wael Kanoua et Patricia Göbel. « Comparative Investigation of Aquatic Invertebrates in Springs in Münsterland Area (Western Germany) ». Water 13, no 3 (30 janvier 2021) : 359. http://dx.doi.org/10.3390/w13030359.

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The main aim of this study was to investigate the abundance of invertebrates in groundwater in relation to groundwater conditions (groundwater table, discharge, rainfall, and physio-chemical parameters), and to examine the suitable time for invertebrate sampling in springs. Thus, eight springs in two separate study areas, “Baumberge” and “Schöppinger Berg” (Münsterland area, North-Rhine Westphalia in Germany), were sampled five times (24 h for 2–5 consecutive sampling days) between November 2018 and October 2019. The results showed high spatial and temporal variance. In general, the existence of invertebrates and stygobites increased, whereas invertebrate types decreased with increasing hydraulic head and spring discharge. Therefore, investigating the abundance of invertebrates and invertebrate species is recommended to be done separately. Abundance of invertebrates was affected by different factors in both areas. Spearman correlation test (two-tailed) and factor analyses (n = 80, p ≤ 0.01) highlighted the importance of detritus as the main controlling factor for invertebrate existence and stygobite individuals in Baumberge, whereas dissolved oxygen is essential for their existence in Schöppinger Berg.
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Roskosch, Julia. « Optically stimulated luminescence dating of the Upper Senne deposits (Münsterland Embayment, NW Germany) ». Quaternary International 279-280 (novembre 2012) : 414. http://dx.doi.org/10.1016/j.quaint.2012.08.1328.

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Püttmann, Tobias, Jörg Mutterlose, Ulrich Kaplan et Udo Scheer. « Reworking of Cenomanian ammonites decoded by calcareous nannofossils (southern Münsterland Basin, northwest Germany) ». Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen 291, no 1 (1 janvier 2019) : 1–17. http://dx.doi.org/10.1127/njgpa/2019/0786.

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Fehrentz, Martin, et Ulrich Radtke. « Luminescence dating of Pleistocene outwash sediments of the Senne area (Eastern Münsterland, Germany) ». Quaternary Science Reviews 20, no 5-9 (décembre 2001) : 725–29. http://dx.doi.org/10.1016/s0277-3791(00)00046-9.

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El-Madany, T., H. Geiß, A. Schmidt et O. Klemm. « Regionalization of turbulent fluxes by combining aircraft measurements with footprint analysis ». Biogeosciences Discussions 6, no 4 (14 juillet 2009) : 7017–51. http://dx.doi.org/10.5194/bgd-6-7017-2009.

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Abstract. This paper presents a method for the regionalization of turbulent fluxes by combining airborne flux measurements and footprint analysis. Eddy covariance measurements were performed with a small environmental research aircraft in May 2008 over the "Münsterland" region in northwest Germany. This region is dominated by agricultural patches that are typically a few hectares in size. An analytic footprint model was tested and applied to relate the fluxes, as measured on the aircraft during day time conditions, to different vegetation types on the ground. The geo referenced footprint areas were merged with high resolution land use data (30×30 m), resulting in a quantification of different land use types inside the respective footprints. The fluxes of the sampled area in the Münsterland of 1510 km2 were scaled up to the area of the "Westfälische Bucht" (6054 km2), since the land use composition are comparable to a large extent. The mean fluxes calculated of 99 flight segments and used for the regionalization were found −0.69 mg m−2 s−1 for carbon dioxide and +0.17 g m−2 s−1 for water vapor.
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Meinsen, Janine. « Middle Pleistocene lake outburst floods in the Münsterland Embayment (NW Germany) : magnitudes and impacts ». Quaternary International 279-280 (novembre 2012) : 320. http://dx.doi.org/10.1016/j.quaint.2012.08.908.

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Grobe, Matthias, et Hans G. Machel. « Saline groundwater in the Münsterland Cretaceous Basin, Germany : clues to its origin and evolution ». Marine and Petroleum Geology 19, no 3 (mars 2002) : 307–22. http://dx.doi.org/10.1016/s0264-8172(02)00019-3.

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Frieg, Clemens, Martin Hiss et Matthias Kaever. « Albian and Cenomanian in the central and southern Münsterland (NW Germany) - Stratigraphy, Facies, Paleogeography) ». Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen 181, no 1-3 (10 décembre 1990) : 325–63. http://dx.doi.org/10.1127/njgpa/181/1990/325.

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Hübner, Tom, et Arnold Müller. « Selachian teeth from Campanian sediments (Upper Cretaceous) of the Münsterland Cretaceous Basin (NW-Germany) ». Paläontologische Zeitschrift 84, no 4 (9 février 2010) : 437–55. http://dx.doi.org/10.1007/s12542-010-0056-y.

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Bertling, Markus, Doris Döppes et Wilfried Rosendahl. « Everything is a question of time – age of important Quaternary palaeontological finds from Westphalia ». Fossil Imprint 73, no 3-4 (31 décembre 2017) : 454–59. http://dx.doi.org/10.2478/if-2017-0023.

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Accelerator mass spectrometry (AMS) was used to establish the age of three mammal specimens from the Quaternary of the Münsterland, North Rhine-Westphalia, Germany. The dated samples represent regionally important finds: The woolly mammoth from Ahlen with an age of 41 ka BP and the musk-ox from Herne with an age of 24 ka BP are typical representatives of the so-called mammoth steppe. The European Bison from Gladbeck with an age of 9.2 ka BP confirms the Early Holocene appearance of this species in Europe.
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Thèses sur le sujet "Münsterland (Germany) in art"

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BRUHN, KATHERINE LENEE. « DEGENERATE ART AND NAZI GERMANY ». Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/190433.

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Stonard, John-Paul. « Art and national reconstruction in Germany ». Thesis, Courtauld Institute of Art (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412753.

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Neuenschwander, J. Brody. « The art history of Speyer ». Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

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Sterthaus, Kerstin. « Motion in architecture and the convergence of art and technology : Art center in Berlin, Germany ». Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1136709.

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"The essence of architecture is the power of adaptation to fresh facts.” Berthold LubetkinThis creative project was my way of exploring if a convergence of art and technology in architecture can exist today.This exploration involved two focus points: one was movement and the other was glass technology.Movement was used for the exploration of the spatial relationships within an interpretation of our society today: the movement on the site as well as the inner motion of the single building elements.Glass was my modern technology tool for translating artistic ideas within architecture. It acts as a mediator between inside and outside space, between art and technology and creates a connection to the ‘understanding’ of our society.This paper is presented in five parts. The first part is the introduction to my thesis and the theoretical research about art and technology. Second is the process which I used for this project. The project is the third part. The fourth part is about glass, which represents my way of exploring the convergence of art and technology within architecture today. The last part of this paper is the overall conclusion.
Department of Architecture
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Rogan, Clare I. « Desiring women : constructing the lesbian and female homoeroticism in German art and visual culture, 1900-1933 / ». View online version ; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174666.

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BARROS, ANA REBEL. « FROM FRIEDRICH TO NOSFERATU : ROMANTICS ASPECTS IN THE GERMANY MODERN ART ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15486@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Este trabalho se propõe a estudar o diálogo entre elementos da cultura romântica expressos no filme Nosferatu, de Friedrich Wilhelm Murnau - sem deixar de lado as influências do movimento Expressionista e do contexto sóciocultural da Alemanha pós-guerra, partindo da observação do historiador Robert Gerwarth (2006) acerca da predominância dos estudos culturais e históricos que ligam os acontecimentos da República de Weimar (1918-1933) ao passado imediato da Grande Guerra, obliterando influências anteriores a ela, e também levando em conta a tese de Rosenblum (1975) que aponta a existência de uma tradição romântica nórdica.
Considering the ideas of the historian Robert Gerwarth (2006) concerning the predominance of the cultural and historical studies that bind the events of the Republic of Weimar (1918-1933) to the immediate past of the Great War, obliterating previous influences on this period, and also taking in account the thesis of Rosenblum (1975) that points to the existence of a Romantic northern tradition, this work intends to study the dialogue between elements of the Romantic culture expressed in Friedrich Wilhelm Murnau´s Nosferatu film - without leaving aside the influences of the Expressionist movement and the sociocultural context of Germany´s postwar period.
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Remond, Jaya Marie-Paule. « The Kunstbüchlein : Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany ». Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11676.

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The dissertation studies sixteenth-century German artists' manuals (Kunstbüchlein), a new kind of book that addresses certain types of artistic practices. The Kunstbüchlein testify to and shape transformations of knowledge in early modern Europe. Disseminating practical knowledge in printed form, they endowed craft know-how with a form of authority until then reserved for the liberal arts. They aimed also to reconcile theoretical and practical knowledge, what Albrecht Dürer (the crucial forerunner to the authors of the Kunstbüchlein) termed respectively Kunst and Brauch. Authors Sebald Beham, Heinrich Voghterr, Heinrich Lautensack, and Erhard Schön sought to provide accessible, useful knowledge. Focused on a limited set of topics, they pretended to be closer to practice and to respond more effectively to the needs of their apprentices than Dürer and others in their publications. In fact, the Kunstbüchlein did not mediate Brauch, but show instead what their authors understood Brauch to be. Emphasizing the hands-on acquisition of knowledge through looking, reading, and doing, the Kunstbüchlein placed the printed image, whether as schematic diagram or finished illustration, at the core of the didactic process.
History of Art and Architecture
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Meyer, Anna R. « That wasn't funny ! the critical humor of Otto Dix in Weimar Germany / ». Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6111.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 13, 2009) Includes bibliographical references.
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Lennox, Jordana Kay. « Envisioning the new woman : women and art in Weimar Germany 1918-1933 / ». Title page, table of contents and introduction only, 2004. http://web4.library.adelaide.edu.au/theses/09AR/09arl568.pdf.

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Lim, Shan. « Intermedial art and cybernetic vision : Nam June Paik in Germany, 1956 - 63 ». Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557302.

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This study traces Nam June Paik's intermedial art and cybernetic vision in his German period (1956-63) from the diverse activities as an Action Musician to the making of electronic media artwork. Most of the information was gathered from Paik's writings, correspondences and interviews. Much literature ofPaik extols the new possibilities offered by Video Art, but Paik's early days in Germany, and his intermedial practice and cybernetic strategy of the period have been little explored. This study attempts to examine Paik's German period based on the concepts of intermedia and Cybernetics. Part I (chapters 1-3) provides the historical and conceptual background ofPaik's art. It explains how Paik's avant-garde spirit began during his childhood; and it shows, in turn, how it had been developed to his dissertation on Arnold Schonberg in post-war Japan. Part I then focuses on the post-war techno-cultural discourses as tools for Paik's understanding of the relationship between electronic technology and human sensory perception before examining ./ the art historical context ofPaik's art through such avant-garde practices as Richard Wagner's Gesamtkunstwerk, John Cage's Experimental Music, the Darmstadt School and Fluxus. Part II (chapters 4-6) analyses Paik's artistic activities in Germany from a view of intermedia and Cybernetics. It is intended to contribute to an interdisciplinary project of mapping the early history ofNam June Paik's art. It argues that Paik German period represented an aesthetical moment in which the intermedial communication between body, language and technology were being reconfigured, and it suggests that Cybernetics played a significant role in framing Paik's ideas about complexity, interactivity, and participative creativity around this shifting technological landscape.
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Livres sur le sujet "Münsterland (Germany) in art"

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Quincy, Illinois, immigrants from Münsterland, Westphalia, Germany. Westminster, Md : Heritage Books, 2010.

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Münster, Graphikmuseum Pablo Picasso, dir. Georges Braque : Werke aus der Sammlung der Sparkasse Münsterland Ost. Münster : Kunstmuseum Pablo Picasso, 2010.

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(Hannover), Kestner-Gesellschaft. Made in Germany : [Kurzführer] = Made in Germany : [short guide]. [Hannover] : Sprengel Museum Hannover, 2007.

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Gallery, Saatchi, dir. Gesamtkunstwerk : New art from Germany. London : Saatchi Gallery, 2011.

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Wilbrand, Christa. Die Halle Münsterland 1926 bis 2001 : Veranstaltungszentrum für Stadt und Region. Münster : Ardey-Verlag, 2001.

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Quoika-Stanka, Wanda. Jugendstil in Austria and Germany. Monticello, Ill., USA : Vance Bibliographies, 1987.

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Powell, Cecilia. Turner in Germany. London : Tate Gallery Publications, 1995.

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Helen Foresman Spencer Museum of Art. Baroque art of Germany and Austria. Lawrence : Spencer Museum of Art, 1985.

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Mildred Lane Kemper Art Museum, dir. Precarious worlds : Contemporary art from Germany. St. Louis : Mildred Lane Kemper Art Museum, Washington University, 2011.

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Stonard, John-Paul. Fault lines : Art in Germany 1945-1955. London : Ridinghouse, 2007.

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Chapitres de livres sur le sujet "Münsterland (Germany) in art"

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Mühlenfeld, Daniel. « Cinema, Art, and Music ». Dans A Companion to Nazi Germany, 385–98. Chichester, UK : John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118936894.ch23.

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Siebert, H. R. « „State of the Art“ in Germany ». Dans Hefte zur Zeitschrift „Der Unfallchirurg“, 454. Berlin, Heidelberg : Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-642-78271-8_252.

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Hay, Bruce L. « Westfield v. Federal Republic of Germany ». Dans Nazi-Looted Art and the Law, 69–93. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64967-2_4.

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Mundt, Andreas. « Antitrust Courts and Economic Findings in Germany ». Dans The Art of Judicial Reasoning, 307–20. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02553-3_23.

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Walter, Morgane. « The Allied Cultural Policies in Germany ». Dans Making Art History in Europe After 1945, 25–40. 1. | New York, NY : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9781351187596-3.

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Jung, Jacqueline E. « France, Germany, and the Historiography of Gothic Sculpture ». Dans A Companion to Medieval Art, 513–46. Hoboken, NJ, USA : John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch22.

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von Beyme, Klaus. « Capital-Building in Post-War Germany ». Dans On Political Culture, Cultural Policy, Art and Politics, 141–56. Cham : Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01559-0_9.

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Gasse, W., R. Göcke et K. H. Hilpert. « The Hexactinellid Sponge Genus Becksia Schlüter, 1868 from the Campanian of the NW Münsterland (Upper Cretaceous, NW Germany) ». Dans Fossil and Recent Sponges, 21–35. Berlin, Heidelberg : Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-75656-6_3.

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Singh, Satyendra. « E-Governance State-of-the-Art Survey : Stuttgart, Germany ». Dans Advances in 21st Century Human Settlements, 47–64. Singapore : Springer Singapore, 2014. http://dx.doi.org/10.1007/978-981-287-287-6_2.

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Haller, Klaus. « State of the art of retrospective cataloguing in Germany ». Dans Retrospective cataloguing in Europe, sous la direction de Franz Georg Kaltwasser, 33–37. Berlin, Boston : De Gruyter, 1992. http://dx.doi.org/10.1515/9783111325996-006.

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Actes de conférences sur le sujet "Münsterland (Germany) in art"

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Heinrich, Hermann. « Thermography in Germany : state of the art ». Dans AeroSense 2000, sous la direction de Ralph B. Dinwiddie et Dennis H. LeMieux. SPIE, 2000. http://dx.doi.org/10.1117/12.381563.

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Sulejmanova, G. M., et E. A. A. Rudyak. « Social prerequisites for the emergence of expressionism in Germany ». Dans Scientific trends : Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-03.

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Poppy, Wolfgang. « Automation and Robotics in Construction - State of the Art in Germany ». Dans 8th International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 1991. http://dx.doi.org/10.22260/isarc1991/0002.

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Jockel, Wolfgang. « Requirements and state of the art of monitoring systems in Germany ». Dans Optical Sensing for Environmental and Process Monitoring, sous la direction de Orman A. Simpson. SPIE, 1995. http://dx.doi.org/10.1117/12.210813.

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Pettenpaul, E. « State-of-the Art of MMIC Technology and Design in West Germany ». Dans MTT-S International Microwave Symposium Digest. MTT005, 1987. http://dx.doi.org/10.1109/mwsym.1987.1132525.

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Wanner, M. C. « Robotics in Construction : State of the Art in the Federal Republic of Germany ». Dans Colloque CAO et Robotique en Architecture et BTP (3rd International Symposium on Automation and Robotics in Construction). Paris : Hermes, 1986. http://dx.doi.org/10.22260/isarc1986/0037.

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Zimina, T. M., V. V. Luchinin, N. O. Sitkov, Yu A. Gvozdev, V. E. Lemoserskii et Yu D. Orekhov. « Hybrid-integrated lab-on-a-chip for total express-microbiological analysis : State of the art and the nearest perspectives ». Dans XIV RUSSIAN-GERMANY CONFERENCE ON BIOMEDICAL ENGINEERING (RGC-2019). AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5122009.

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Ferran, Yana. « Study on the Formation of Copyright in Music in Germany and in Russia ». Dans Proceedings of the 2nd International Conference on Art Studies : Science, Experience, Education (ICASSEE 2018). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.141.

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KIM, Hyeong Min, et Chang Hyun Cho. « Comparative Analysis of Multi-Cultural Situations Between Korea and Germany -Focusing on Multi-Cultural Backgrounds, Characteristics and Policies for Social Integration ». Dans Art, Culture, Game, Graphics, Broadcasting and digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.87.21.

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Kryshtop, Ludmila. « Schopenhauer's Thoughts on Holiness and the Projects of Moral Religion in the Age of Enlightenment in Germany ». Dans 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.173.

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