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Thèses sur le sujet « Music and anthropology »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 1 août 2024

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1

Bérubé, Michelle. "Healing Sounds: An Anthropology of Music Therapy." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38559.

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Music therapy has been recognized as a legitimate health practice in Canada since after the Second World War. While research shows the emotional, social and health benefits of music therapy, researchers have failed to agree on the reason music can be beneficial to health. I argue that affect could be the key to understanding the myriad ways in which music, and music therapy, can have a positive effect on health. Through the lens of affect theory, I explore embodiment, relationship-building and aesthetic creation as three areas in which music can allow the harnessing of affect towards health go

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2

Stokes, Martin. "Anthropological perspectives on music in Turkey." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303568.

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3

Born, Georgina Emma Mary. "The ethnography of a computer music research institute : modernism, post modernism, and new technology in contemporary music culture." Thesis, University College London (University of London), 1989. http://discovery.ucl.ac.uk/1349616/.

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The thesis is a socio-cultural study of IRCAM, a large, state-funded computer music research institute in Paris directed by the avant garde composer Pierre Boulez. The approach is primarily ethnographic, supported by broader historical analysis. The aim is to provide a critical portrait of musical modernism and post modernism as expressed by IRCAM and its milieu; and to place this in historical perspective by combining anthropology with cultural history. Theoretically, the thesis examines the contradictory position of the contemporary musical avant garde: established in official cultural spher

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4

Thomas, Kara Rogers. "Music in the mountains music and community in western North Carolina /." [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162262.

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Thesis (Ph.D.)--Indiana University, 2004.<br>Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0291. Adviser: John H. McDowell. Title from dissertation home page (viewed Oct. 12, 2006).

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5

Bowsher, Andrew John. "Authenticity and the commodity : physical music media and the independent music marketplace." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a421adac-1d86-4351-8778-6e16e1744513.

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This thesis examines the circulation of physical music media (78rpm records, LPs, CDs, tape) in the independent music marketplace. It is based on six months of ethnographic fieldwork in Austin, Texas, amongst the producers of goods for the independent marketplace, independent music stores and consumers of these goods and services. Against prevailing constructivist interpretations, I will argue for the value of authenticity as an analytical anthropological concept because it unites what my research participants value about materiality, technology, and marketplace relationships. In the independe

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6

Farrell, Gerard James. "Indian music and the west : a critical history." Thesis, Goldsmiths College (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309508.

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7

Tsukada, Kenichi. "Luvale perceptions of Mukanda in discourse and music." Thesis, Queen's University Belfast, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356917.

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8

Thorne, Stephanie B. "A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore." Digital Commons @ Butler University, 1999. http://digitalcommons.butler.edu/grtheses/253.

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At the end of World War II, doctors trained in the western bio-medical tradition integrated music into their practice as a means of helping soldiers recover, both mentally and physically, from the atrocities experienced while overseas. For many, music was a solace, opening up the peaceful memories of home and family and pushing aside the war-torn landscapes. By establishing interpersonal relationships between the therapist and the patient, as well as patient-to-patient in group settings, music enabled feelings and emotions to flow freely. The mind was given a structured pattern to bridge the g

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9

Loten, Sarah. "The aesthetics of solo bagpipe music at the Glengarry Highland Games." Thesis, University of Ottawa (Canada), 1995. http://hdl.handle.net/10393/9502.

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The purpose of this study is to examine the aesthetics of solo bagpipe music at the Glengarry Highland Games in Maxville, Ontario, in order to understand how people perceive and receive their world. My ethnography of aesthetics of solo bagpipe music has involved a selected group of musicians that has participated in the piobaireachd and ceol beag contests at these games. Piobaireachd is the classical tradition of the Great Highland bagpipe, and ceol beag is the "light" music which consists of dance songs or marches. The first chapter explores the "arrangements" of power in this community. By "

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10

Cohen, Sara. "Society and culture in the making of rock music in Merseyside." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383995.

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11

Feriali, Kamal. "Music-induced spirit possession trance in Morocco implications for anthropology and allied disciplines /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024654.

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12

Santos, Dominique. "All mixed up : music and inter-generational experiences of social change in South Africa." Thesis, Goldsmiths College (University of London), 2013. http://research.gold.ac.uk/6563/.

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In this thesis I use music as a starting point to animate the wider social experience of individuals and groups responding to rapid social change in South Africa. Social change in South Africa is linked in to discourses about identity that have been rigidly racialised over time. The cohorts and individuals who I engaged with cross, or are crossed by, the boundaries of racial categories in South Africa, either through family background or by the composition of cohort membership. The affective quality of music in people’s experience allows a more nuanced view of the changing dynamics of identity

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13

Geyer, Christopher R. "Primitive echoes the capturing and conjuring of Native American music /." [Bloomington, Ind.] : Indiana University, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3204280.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2005.<br>Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0288. Adviser: Ruth M. Stone. "Title from dissertation home page (viewed Dec. 12, 2006)."

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14

Ruff, Joseph. "Country Music in the Northeast: Two Careers." TopSCHOLAR®, 1993. https://digitalcommons.wku.edu/theses/2792.

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Although country music and its antecedents have received attention primarily as cultural phenomena of the South, the past twenty years have witnessed a growing scholarly interest in the interplay between commercial country music, vernacular components. and performers within a regional context. The commercial product which has now attained worldwide appeal undoubtedly sustains a significant relationship to the folkways and regional identity of the South; nonetheless, performers and vernacular styles from other areas of the country have contributed to the development of country music. Most impor

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Ngige-Nguo, Josiah Edward. "The role of music amongst the Gikuyu of the Central Province of Kenya." Thesis, Queen's University Belfast, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335452.

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Machin-Autenrieth, Matthew. "Andalucía flamenca : music, regionalism and identity in southern Spain." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/49178/.

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In recent years, flamenco has been consolidated as a prominent symbol of regional identity in Andalusia, the southernmost region of Spain. In the late 1970s, Spain began to decentralise into seventeen autonomous regions. As a result, each region has been encouraged to foreground its own culture vis-à-vis national culture. Although associated with Spain in general, flamenco has fulfilled the role of regional identity building in Andalusia. Increasingly, the Andalusian Government has focused attention on the development of flamenco within and outside of the region. In this thesis, I explore this

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Osikowicz, Steve. ""We're All in This Together"| Creating a Community Around a DIY Music Scene." Thesis, State University of New York at Albany, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1555387.

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<p>To many people, music is just a hobby, something they listen to on the drive to work or background noise throughout their day. Maybe they will go to an occasional concert or buy a record here or there, or more likely download one off iTunes. To some though, it can mean so much more. To some people, music can be the whole basis of their social lives. Here I will show how the music scene in DeKalb, Illinois has created strong bonds, enough to be termed a community. Helped through punk ethics and a DIY (do-it yourself) mindset, the DeKalb punk scene has brought together musicians, poets, artis

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18

Minetti, Alfredo. "Sensivel a study on social aesthetics, group creativity, and collective emotion /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3277984.

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Thesis (Ph.D.)--Indiana University, Dept. of Anthropology, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3927. Adviser: Anya P. Royce. Title from dissertation home page (viewed May 5, 2008).

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Hankins, Sarah Elizabeth. "Black Musics, African Lives, and the National Imagination in Modern Israel." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467531.

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“Black Musics, African Lives, and the National Imagination in Modern Israel,” explores the forms and functions of African and Afro-diasporic musics amidst heated public debate around ethnic identity and national membership. Focusing on musical-political activity among Ethiopian Israeli citizens, Sudanese and Eritrean refugees, and West African labor migrants in Tel Aviv, I examine how diverse types of musicking, from nightclub DJing and live performance to church services and protest concerts, voice African and Afro-descendent claims to civic status in a fractured urban environment. Grounded

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20

Sung, Sang Yeon. "Globalization and the regional flow of popular music the role of the Korean Wave (Hanliu) in the construction of Taiwanese identities and Asian values /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319905.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3194. Advisers: Ruth Stone; Sue Tuohy.

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21

Quick, Sarah L. "Performing heritage Metis music, dance, and identity in a multicultural state /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378378.

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Thesis (Ph.D.)--Indiana University, Dept. of Anthropology, 2009.<br>Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3915. Adviser: Anya Peterson Royce.

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22

Martinez, Andy A. "Living Stories : An Investigation of the Perpetuation and Importance of Folk Ballads in the North Carolina Blue Ridge Mountains." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1576840579830106.

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23

Fass, Sunni Michelle. "The 2005 Lotus World Music and Arts Festival processes of production and the construction of spatial liminality /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215204.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1142. Adviser: Ruth M. Stone. "Title from dissertation home page (viewed June 18, 2007)."

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24

Lavengood, Kathleen Elizabeth. "Transnational communities through global tourism experiencing Celtic culture through music practice on Cape Breton Island, Nova Scotia /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319835.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on May 13, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3267. Adviser: Ruth Stone.

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Matiure, Sheasby. "Performing Zimbabwean music in North America an ethnography of mbira and Marimba performance practice in the United States /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3344589.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2008.<br>Title from PDF t.p. (viewed on Oct. 5, 2009). Source: Dissertation Abstracts International, Volume: 70-02, Section: A, page: 0649. Adviser: Ruth M. Stone.

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Murray, Eric A. "Tradition and innovation in the pedagogy of Brazilian instrumental choro." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618861.

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<p> Choro is a traditional Brazilian music that began in Rio de Janeiro during the latter half of the nineteenth century. A virtuosic instrumental music, choro developed through Brazilian interpretations of European dance genres, especially polka and waltz. Participation by both amateur and professional musicians characterizes choro's traditional pedagogy, a reflection of informal and formal learning processes and contexts. At the turn of the twenty-first century, choro schools now offer venues for defining and validating the tradition as well as inspiring an atmosphere for innovation and crea

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Nomita, Dave. "The revolution's echoes : music and political culture in Conakry, Guinea." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4224085a-354f-409f-8c9b-1160a8e9a789.

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This thesis is an ethnographic study of music and authoritarianism in Conakry, Guinea. Representations in the scholarly and popular literature often emphasize African music as a site for resistance and oppositional politics, while musicians who support the state are seen as tools of propaganda. In this thesis, I examine instead the choices and subjectivities of musicians who sing for an authoritarian state. As I show, musicians in Conakry, across genres and generations, rarely express dissent and overwhelmingly adopt cautious and conservative positions towards the state. I describe these stanc

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Bispham, John Christopher. "The human faculty for music : what's special about it?" Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/284459.

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This thesis presents a model of a narrow faculty for music - qualities that are at once universally present and operational in music across cultures whilst also being specific to our species and to the domain of music. The comparative approach taken focuses on core psychological and physiological capabilities that root and enable appropriate engagement with music rather than on their observable physical correlates. Configurations of musical pulse; musical tone; and musical motivation are described as providing a sustained attentional structure for managing personal experience and interpersonal

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Young, Michael A. "Cultural performances of German national identity| Popular music, body culture, and the 2006 FIFA World Cup." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535413.

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<p> This thesis explores the intersection of nationalism, popular music, and sport as they collided with German identity politics and discourses of twentieth-century history. I contextualize public performances of German national identity during the 2006 World Cup within the broader historical context of national identity construction through music and sport in the last two hundred. I contextualize Germans' public performance of national pride and hospitality during the World Cup as the latest in a long line of cultural performances of German identity that have shaped and been shaped by histor

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Pegg, C. A. "Music and society in East Suffolk : an examination of continuity and change in the musical activities of some villages in East Suffolk." Thesis, University of Cambridge, 1985. https://www.repository.cam.ac.uk/handle/1810/272716.

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Bakker, Sarah. "Fragments of a liturgical world| Syriac Christianity and the Dutch multiculturalism debates." Thesis, University of California, Santa Cruz, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3589305.

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<p> This dissertation explores the reconfiguration of Syriac Orthodox liturgical tradition among Aramaic-speaking Christian refugees in the Netherlands. Under the pressures of Dutch integration policy and the global politics of secular recognition, the Syriac liturgy is rapidly losing its significance as the central axis of social life and kinship-relations in the Syriac Orthodox diaspora. As such, it has become a site for debate over how to be religiously, culturally, and ethnically distinct despite the narrative binary of Christian Europe and the Muslim Middle East that dominates Dutch multi

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Feather, Andrew. "The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity." Thesis, Dartmouth College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10145502.

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<p> In my thesis I set out to investigate and understand my personal relationship with hip-hop music and the part it played in my development. In addition to my personal story, I sought to understand the status of hip-hop in a rural state like West Virginia. I utilized a memoir style of writing that relied heavily on self- reflection. I then fact checked my memories by incorporating hard data which allowed me to gain a greater understanding of how media spreads, and is consumed in West Virginia. I could then compare this data to the media consumption of the United States. These statistics show

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Hoh, Lyndsey. "The sound of metal : amateur brass bands in southern Benin." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:d47d74ec-39f0-4ed8-87fa-91094174009d.

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This thesis contributes an empirically informed understanding of postcolonial experience and musical expression in West Africa through an ethnographic study of amateur brass bands (fanfares) in the Republic of Benin. During the nineteenth and twentieth centuries, the Western hegemonic cultural tradition of the brass band was exported across the globe through imperialist institutions such as the military and the church. Music in colonial Dahomey was an integral part of the French civilizing mission, and the brass band took center stage. Brass bands remain pervasive in present-day Benin and perf

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Xu, Yifan. "Globalization of Millennial's' Music Consumption: A cross-national music taste study of undergraduate students in China and the U.S." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1420741275.

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Beisswenger, Donald. "Singing Schools in Southcentral Kentucky." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2128.

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Singing school teachers, who teach rural church congregations to sing from shape-note gospel songbooks, are still working in southcentral Kentucky, but the demand for them is smaller than it was in the first half of the twentieth century. The interdependence network in which singing school teachers, songbook publishers, and community singing events were key parts began to weaken in the 1940s as a result of the growth in popularity of professional gospel quartet concerts and gospel record albums. Many gospel music enthusiasts who once looked to songbooks as a major source for new material and f

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Canuday, Jose Jowel. "Music, dances, and videos : identity making and the cosmopolitan imagination in the southern Philippines." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:ad25b3dd-8d0c-4c9a-8b0a-c85eb3255dd3.

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This ethnography examines the processes in which rooted but overlapping forms of cosmopolitan engagements implicate the Tausug imagination of collectivity. It investigates Tausug expression of connection and belonging as they find themselves entangled into global cultural flow and caught up in the state and secessionist politics of attachment. Utilising methodological and theoretical approaches engendered by visual and material anthropology, the ethnography locates rooted cosmopolitan imagination in the works and lives of creative but marginalised and often silenced Tausug cultural agents enga

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Brinkhurst, Emma. "Music, memory and belonging : oral tradition and archival engagement among the Somali community of London's King's Cross." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7994/.

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This thesis focuses on the transmission and role of poetry and song within the Somali community in London’s King’s Cross, which has developed since 1991 as Somalis have fled from violence in their homeland. I explore the relationship between past and present, continuity and change within Somali oral artforms, and the role of song and poetry in transmitting cultural knowledge. I also consider the potential of sound archives – specifically the British Library’s World and Traditional Music section, which neighbours the Somali community in King’s Cross – to support the continuation of oral traditi

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Liu, Menghan. "Rephrasing Mainstream And Alternatives: An Ideological Analysis Of The Birth Of Chinese Indie Music." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1351367197.

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Angel, Samanatha. "Music and paleolithic man the soundtrack of human cognitive development." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/651.

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Archaeologists have pored over countless texts of the ancient civilizations, attempting to piece together bygone worlds. However, relatively little work has been done to reconstruct the musical history of these societies, and even less on why their musical histories are important. This paper aims at a synthesis between the ancient Egyptian and classical Greek archaeological records to analyze the importance of music in Paleolithic human cognitive development. Countless musical instruments have been discovered globally, ranging from pre-Columbian bone flutes in Oaxaca, Mexico to ancient trumpet

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Seng, Sophea. "The Soriya Band| A Case Study of Cambodian American Rock Music in Southern California." Thesis, University of California, Riverside, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10153682.

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<p> Following the 1975-1979 genocide, Cambodian exiles in the U.S. recreated cultural institutions through music. Music remains significant in rebuilding cultural life in diasporic Cambodian communities. Live bands perform contemporary and classic ballads during Cambodian New Year in April, at wedding parties and in restaurants on weekend nights. Live rock bands continue to dot community celebrations as survivors collectively create musical repertoires and schedule practices to perform at festive community events. Despite the ubiquity of live musical performance in Cambodian communities, this

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Ridington, Amber. "At the Crossroads Commercial Music and Community Experience The Quonset Auditorium - A Roadhouse on the Dixie Highway." TopSCHOLAR®, 2002. http://digitalcommons.wku.edu/theses/632.

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This study of the Quonset Auditorium, one roadhouse among many on the regular tour route of R&B, gospel and country musicians in the post-World War II era (1947- 1959), illustrates the important role of roadhouses during a time of growth and change in popular music. It situates memories and experiences from the Quonset Auditorium in relation to regional and national movements of the day such as highway development, commercial and popular music, and the civil rights movement. With hindsight, we can see that the Quonset Auditorium stood at a crossroads as regards these social and technological m

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Nguyen, Jason R. "Staging Vietnamese America| Music and the performance of Vietnamese American identities." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1546986.

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<p> This study examines how Vietnamese Americans perform identities that acknowledge their statuses as diasporic Vietnamese to construct and maintain specifically Vietnamese American communities. I argue that music, especially public forms of musical expression within mass media and locally staged cultural performances, is a crucial way for Vietnamese Americans across the diaspora to transmit markers of cultural knowledge and identity that give them information about themselves and the "imagined community" constructed through their linked discourses.</p><p> The argument is organized around t

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Lobley, Noel James. "The social biography of ethnomusicological field recordings : eliciting responses to Hugh Tracey's 'The Sound of Africa' series." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:42da8899-6f92-4d65-9756-5c2be9656cad.

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This thesis is an ethnographic analysis of a collection of field recordings of music from sub-Saharan Africa: The Sound of Africa series made and published by Hugh Tracey between 1933 and 1973. I analyse the aims, methods, value and potential use of this collection, now held at the International Library of African Music (ILAM), in order to address a gap in the ethnomusicological literature and to begin to develop a critical framework for an evaluation of field recording and aural ethnography. An archival analysis of the collection enables me to trace the scope and intended uses of Tracey’s rec

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Szczepanski, Beth. "Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211286766.

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Burkhardt, Paul Edward. "The production and consumption of the commodity community: Playing, working and making it in the local music scene." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/288991.

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Employing methodologies and theoretical approaches from the fields of cultural studies, cultural anthropology, community studies, folkloristics, and critical political economics of communication, this study explores the production and consumption of commodities, performances and community within local southern Arizona popular music scenes in the context of the increasingly global media industries. This participant-observer ethnography engages my everyday life experiences as a musician, recording engineer and producer with contemporary academic debates about meaning, value and postmodernism. Sc

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Martin, Carla Denny. "Sounding Creole: The Politics of Cape Verdean Language, Music, and Diaspora." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10282.

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This dissertation investigates the interrelationship of language and music in the complex cultural domain of Cape Verde and the Cape Verdean diaspora in West Africa, Europe, and North America. I illustrate how derogatory tropes of degeneracy, inferiority, and impurity applied to Creole languages and cultures (Creole exceptionalism) have prevented language parity between Portuguese, Cape Verde’s official colonial language, and Cape Verdean Creole (CVC), the vernacular of the country’s entire population. These tropes and their sociological implications are, ultimately, detrimental to efforts tow

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Martínez, Rosalía. "Music, movements and colors in Andean fiesta. Bolivian examples." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/79171.

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En la fiesta andina, la música suele tanto oírse como verse. Esta dimensión multisensorial de la situación musical no es únicamente el resultado de una yuxtaposición de elementos sonoros y visuales. el análisis de las articulaciones que los campesinos indígenas de la zona de sucre (Bolivia) construyen entre sonidos, movimientos y colores revela la presencia de organizaciones singulares de la experiencia sensible que se caracterizan tanto por su espesor sensorial como por la manera en la cual se encuentran conectadas con otros campos del conocimiento. Estas formas de intersección culturalmente

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Åkerström, Per. "Utan rödvin och körsång är livet inte värt att leva : Kören i människan." Thesis, Linköping University, Department of Social Anthropology, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-8118.

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<p>People have different hobbies. The people we are going to meet here share the same interest - choir singing. Singing together in different choirs is their hobby (leisure time interest).</p><p>What brings them together is the singing, getting an opportunity to sing together with people they otherwise would not meet. In this essay you will learn some of the reasons behind the fact that choir singing is a big movement in Sweden (reasons behind choir singing having a great number of practitioners). You will get a direct link to the informants, without having to read answers that have been tampe

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Salazar, Amador. "Mariachi Music in San Antonio| The Construction of Cultural and Ethnic Identity in a Hybridized City." Thesis, The University of Texas at San Antonio, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10279937.

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<p> The intent of this research is to reveal and understand the symbolic meanings of cultural and ethnic identity that cultural creators and receivers perceive through their involvement in mariachi. This study’s shows the way those involved in mariachi perceive their cultural and ethnic identity while living in a city that infuses Mexican and Texan cultural sensibilities. A mixed-method approach was taken between in-depth qualitative interviews and participant observation. Participant observation was utilized as a means to build a stratified snowball sample of the various cultural produc

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Livni, Eran. "Chalga to the max! Musical speech and speech about music on the road between Bulgaria and modern Europe." Thesis, Indiana University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3672900.

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<p> This dissertation explores a discourse of democratic modernity in EU-member Bulgaria, which revolves around a hybrid popular music called chalga. I argue that chalga does not function as the name of a defined music genre. Rather, Bulgarians use it as a self-reflexive voice of ambivalence regarding the recontextualziation in liberal democracy of the socialist language ideology of evolutionary modernization: <i> navaksvane</i>—catching up—with Europe. On one hand, chalga indexes musical images that resonate with the current <i>zeitgeist</i> of modern European culture: aesthetical

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