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Littérature scientifique sur le sujet « Music restoration »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Music restoration"

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Holman, Peter. "A New Source of Restoration Keyboard Music." Royal Musical Association Research Chronicle 20 (1987): 53–57. http://dx.doi.org/10.1080/14723808.1987.10540919.

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Restoration keyboard music has been well served in recent years by modern editions, source studies and thematic catalogues. Thus it is all the more surprising that Brussels Conservatoire MS XY 15139, a large manuscript from the early eighteenth century containing unique pieces by John Blow and William Croft as well as a number of early copies of music by Henry Purcell, has almost entirely escaped notice. It seems that the only references to it in the scholarly literature to date have been a brief description by Margaret Reimann in her article on the Kortkamp family in Die Musik in Geschichte u

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DeWitt, Lucinda A., and Arthur G. Samuel. "Perceptual restoration of music." Journal of the Acoustical Society of America 80, S1 (1986): S110. http://dx.doi.org/10.1121/1.2023559.

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Herissone, Rebecca. "Playford, Purcell, and the Functions of Music Publishing in Restoration England." Journal of the American Musicological Society 63, no. 2 (2010): 243–90. http://dx.doi.org/10.1525/jams.2010.63.2.243.

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Abstract During Purcell's lifetime the music-publishing business in England flourished, thanks mainly to John Playford. Since intellectual property rights did not yet exist, Playford and his successors were able to select music they were confident of selling, predominantly producing multicomposer anthologies of popular tunes. Composers may have benefited little from these publications so it is significant that some took the financial risk of printing their music without an established publisher's support. Analysis suggests that musical self-publication was undertaken for several quite specific

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Fang, Jianjun. "Experimental Restoration and Reconstruction in Music Archaeology." Journal of Music Archaeology 1 (December 4, 2023): 9–21. http://dx.doi.org/10.1553/jma-001-01.

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Restoration attempts to recover the original shape of excavated musical artifacts that have been damaged. Reconstruction is primarily focused on unearthed musical instruments or those depicted in images, and aims either at creating reproductions of playable replicas and imitations, or at simulative manufacturing and model reconstruction. Restoration, on the other hand, can be carried out in tangible or intangible ways. Tangible restoration can be perceived visually, while intangible restoration is instead sonic, and therefore aurally perceptible. Restoration not only recovers the integrity of

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Wolfe, Patrick J., and Simon J. Godsill. "Perceptually Motivated Approaches to Music Restoration." Journal of New Music Research 30, no. 1 (2001): 83–92. http://dx.doi.org/10.1076/jnmr.30.1.83.7122.

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McGeary, T. "Music and science in Restoration London." Early Music 38, no. 4 (2010): 591–92. http://dx.doi.org/10.1093/em/caq084.

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Morehen, John. "From Jacobean to Restoration." Early Music XXII, no. 4 (1994): 685–87. http://dx.doi.org/10.1093/earlyj/xxii.4.685.

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Kaminska, Zofia, and Peter Mayer. "Transformation, migration and restoration." Contemporary Music Review 9, no. 1-2 (1993): 151–61. http://dx.doi.org/10.1080/07494469300640411.

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MEMELSDORFF, PEDRO. "New music in the Codex Faenza 117." Plainsong and Medieval Music 13, no. 2 (2004): 141–61. http://dx.doi.org/10.1017/s0961137104000105.

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New photographic images and digital restoration have finally permitted the integral restoration and transcription of several diminutions from the manuscript Faenza, Biblioteca Comunale Manfrediana 117, hitherto impossible because of illegible passages. Above all, it has been possible to restore two completely new pieces: a Kyrie Orbis factor (virtually complete) and part of its corresponding Gloria dominicalis (Vatican Edition XI). The two new pieces are here transcribed and published for the first time, along with the completion of the diminution of Jacopo da Bologna's madrigal Sotto l'impero

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Bailey, C. "Restoration keyboard music in the digital age." Early Music 37, no. 2 (2009): 320–22. http://dx.doi.org/10.1093/em/cap012.

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Thèses sur le sujet "Music restoration"

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Winstone, Naomi E. "The perceptual restoration of music in young children." Thesis, University of Surrey, 2009. http://epubs.surrey.ac.uk/2225/.

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Giombini, Lisa. "Music, restoration and ontology : a guide for the perplexed." Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0093/document.

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J’analyse la nature des relations entre art et métaphysique dans la tradition de la musique classique, de la performance, et de la restauration de l’art. La première partie de la thèse est dédiée à l’étude de l’ontologie de la musique. Le Chapitre 1 examine les théories concernant ce que c’est une œuvre musicale d’un point de vue ontologique, à savoir l’Idéalisme, le Nominalisme et le Platonisme en défendant l’idée qu’aucune de ces théories n’est entièrement satisfaisante. Cela conduit dans le Chapitre 2 à une discussion sur la méthodologie adéquate à l’enquête ontologique et à une analyse met

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Scott, Hugh R. R. "Multiresolution techniques for audio signal restoration." Thesis, University of Warwick, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307347.

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Moon, Joshua D. "Progress, Restoration, and the Life of Rock After Alternative." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1426865642.

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Rigney, Ranelle. "The hymn-book controversy of 1882." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Hills, Robert Allen. "A comparison of the harmful effects of secular rock music to the Christian alternative." Theological Research Exchange Network (TREN) Access this title online, 1985. http://dx.doi.org/10.2986/tren.031-0082.

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Dexter, Keri John. "The provision of choral music at St George's Chapel, Windsor Castle, and Eton College c.1640-1733." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312094.

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Mayer, Peter. "Transformation, restoration and migration : illusions in the perception of speech, music and other complex sounds." Thesis, City University London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339696.

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Drysdale, John Duncan. "Louis Veron and the finances of the Academie Royale de Musique 1827 to 1835." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323796.

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Harbor, Catherine. "The birth of the music business : public commercial concerts in London 1660-1750." Thesis, Royal Holloway, University of London, 2012. http://digirep.rhul.ac.uk/items/646996db-a880-7e0c-bd3b-13dcd85b0196/1/.

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As a case study in cultural production and consumption and of the commodification of culture in late seventeenth- and eighteenth-century England, this study examines how musicians in London began to emerge from their dependence on the patronage of court, aristocracy and church into a more public sphere, moving from positions as salaried employees to a more freelance existence where they contributed to their income by putting on public commercial concerts. Taking as its starting point the almost 50,000 references to music recorded in the Register of Music in London Newspapers 1660–1750, a datab

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Livres sur le sujet "Music restoration"

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Spink, Ian. Restoration cathedral music, 1660-1714. Clarendon Press, 1995.

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Murray, Lisa. The Capitol Theatre restoration. Council of the City of Sydney, 2003.

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Cox, Geoffrey. Organ music in restoration England: A study of sources, styles, and influences. Garland, 1989.

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Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Antiquarian Horological Society, 2000.

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Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Antiquarian Horological Society, 2000.

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Cloutman, E. W. English & Scottish musical clocks: Contemporary scores to aid dating and restoration. Antiquarian Horological Society, 2000.

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Dowling, Enos Everett. Hymn and gospel song books of the Restoration Movement: A bibliography. 2nd ed. Jesie C. Eury Library, Lincoln Christian College and Seminary, 1988.

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Cox, Geoffrey. Organ music in Restoration England: A study of sources, styles and influences. Garland, 1989.

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Lucie, Manén, ed. Belcanto: The teaching of the classical Italian song-schools, its decline and restoration. Oxford University Press, 1987.

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Hooper, Lisa. Keeping time: An introduction to archival best practices for music librarians. A-R Editions, Inc., 2014.

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Chapitres de livres sur le sujet "Music restoration"

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Powell, Jocelyn. "Music and spectacle." In Restoration Theatre Production. Routledge, 2025. https://doi.org/10.4324/9781003616481-4.

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Gilman, Todd S. "London Theatre Music, 1660-1719." In A Companion to Restoration Drama. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118663400.ch15.

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Martin, David. "Fifth Commentary On the Return of the Liturgical in Modernist Music and Poetry and the Reconciliation Achieved by Liturgical Poetry and Music." In Ruin and Restoration. Routledge, 2018. http://dx.doi.org/10.4324/9781315607108-7.

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Zhou, Tiange. "Algorithmic Composition Techniques for Ancient Chinese Music Restoration and Reproduction." In Artificial Intelligence for Art Creation and Understanding. CRC Press, 2024. http://dx.doi.org/10.1201/9781003406273-9.

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Doderer, Gerhard. "What Does the Restoration of the 1789 Antunes Harpsichord Reveal to Us?" In Perspectives on Music, Sound and Musicology II. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-67503-4_1.

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Newsholme, Richard. "6. The Restoration of the Monarchy and Reinstating the Anglican Church (1660–1700)." In Music, Religion and Politics at Worcester Cathedral, 680-1950. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0437.06.

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Re-establishing prayer book services, forming and training a new choir, and finding it music to sing were daunting tasks, and the building also required repairs, particularly to the roofs. New quire seating was needed as well, and the communion table and organ had to be replaced. The challenges must have seemed forbidding, but somehow the funds and energy were found. A new Book of Common Prayer was issued in 1662, and revised statutes were written for the cathedral. The music repertoire chosen was quite retrospective and old-fashioned until the 1680s, when new compositions arrived from the Cha

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Everist, Mark. "Giacomo Meyerbeer, The Théâtre Royal De L'odéon and Music Drama in Restoration Paris." In Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Routledge, 2023. http://dx.doi.org/10.4324/9781003418474-6.

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Rimas, Juozas, and Juozas Rimas Jr. "The Text and the Work." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_15.

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AbstractThe author brings out the most important aspects of this vast topic from the perspective of a musician. The text is the primary given for musical interpretation which indicates a hidden meaning. The text is aggressive because it declares what is written in it, and powerless, because everyone can do with it as they please (T. Sodeika). The work is only a promise, since what unfolds within it “does not yet exist” (A. Maceina). The work issues a challenge which expects to be met (H. Gadamer). The said [le dit] does not count as much as saying [le dire] (E. Levinas): for the explanation of

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Newsholme, Richard. "9. Queen Victoria’s Reign." In Music, Religion and Politics at Worcester Cathedral, 680-1950. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0437.09.

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The arrival of a new dean following the Cathedrals Act of 1840 gave some hope of improvement, not only to a failing choir but also to other troubles. The act reduced the number of canons to four, and set salaries for the dean and canons. Standards started to improve, choir salaries increased, and the cathedral underwent a major restoration campaign lasting around twenty years. Lighting and heating were improved and new initiatives followed. A voluntary choir was formed, which was to flourish under the direction of an assistant organist. Excerpts from Bach’s passion music were performed by an a

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Newsholme, Richard. "5. The Interregnum and Managing the Aftermath of Civil War (1646–60)." In Music, Religion and Politics at Worcester Cathedral, 680-1950. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0437.05.

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During the Interregnum, cathedral services were led by the Independent minister, Simon Moore. The services seem to have followed the pattern prescribed by the Directory that was issued to replace the Book of Common Prayer. The city had been damaged by the war and citizens were impoverished by the loss of wage-earning men and the quartering of Royalist soldiers in private homes. Money was raised by selling roofing lead, in particular that of the ‘leaden steeple’, a free-standing campanile near the cathedral. However, problems were caused by the presence of frustrated and angry Parliamentary sol

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Actes de conférences sur le sujet "Music restoration"

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Baldwin, C., and R. Sutton. "Using Music to Facilitate Attentional Control and Restoration." In 10th Convention of the European Acoustics Association Forum Acusticum 2023. European Acoustics Association, 2022. http://dx.doi.org/10.61782/fa.2023.0546.

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Medentzidou, Paschalina, and Constantine Kotropoulos. "Restoration of missing data in Greek folk music by interpolation techniques." In 2016 Digital Media Industry & Academic Forum (DMIAF). IEEE, 2016. http://dx.doi.org/10.1109/dmiaf.2016.7574912.

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Dufera, Bisrat Derebssa, Eneyew Adugna, Koen Eneman, and Toon van Waterschoot. "Restoration of Click Degraded Speech and Music Based on High Order Sparse Linear Prediction." In 2019 IEEE AFRICON. IEEE, 2019. http://dx.doi.org/10.1109/africon46755.2019.9133792.

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Hibbeln, Joseph. "Omega-3 fats as pivotal elements integrating neural, immune and sympathetic nervous systems in aggression, depression and consciousness." In 2022 AOCS Annual Meeting & Expo. American Oil Chemists' Society (AOCS), 2022. http://dx.doi.org/10.21748/ksaz2558.

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Consciousness emerges from the harmonics of neronal networks in a manner analogous to music emerging from symphony orchestras. Â Neurons integrate electrochemical signals as long axons fire in pulsing rhythms like instrument strings. Many brain regions communicate in harmonies or dissonance, like orchestra sections. Critically, both neurons and musical instruments depend on their physical composition to stay in tune.Â For neurons, essential fatty acid compositions determine membrane biophysics of synapses, axons and immune responses, thus dietary fats can either optimize or degrade neuronal ha

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Labelle, Paul. "A Theatre of Catches – Dialogue, Theatre and Ritual in the Restoration Catch." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.122.

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Folk, Christian. "Music Teachers’ Perceptions and Implementations of Restorative Justice Practices." In AERA 2024. AERA, 2024. http://dx.doi.org/10.3102/ip.24.2095147.

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Folk, Christian. "Music Teachers’ Perceptions and Implementations of Restorative Justice Practices." In 2024 AERA Annual Meeting. AERA, 2024. http://dx.doi.org/10.3102/2095147.

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Kozáry, Andrea. "Conflict Resolution, Mediation, Restorative Justice and the Policing of Ethnic Minorities in Germany, Austria and Hungary (COREPOL)." In MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.100.

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Giménez-Rodríguez, Francisco J. "Music Tales of the Alhambra (1832-1855): Revolutions and Restorations in Spanish Salons." In Međunarodni i interdisciplinarni simpozij Glazba, umjetnosti i politika: revolucije i restau- racije u Europi i Hrvatskoj 1815.-1860. (14 ; 2019 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, 2021. http://dx.doi.org/10.21857/y26kec43r9.

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Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.

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Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models

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