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Bibliographies thématiques / Music restoration / Thèses

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Thèses sur le sujet « Music restoration »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 19 juillet 2025

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1

Winstone, Naomi E. "The perceptual restoration of music in young children." Thesis, University of Surrey, 2009. http://epubs.surrey.ac.uk/2225/.

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Giombini, Lisa. "Music, restoration and ontology : a guide for the perplexed." Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0093/document.

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J’analyse la nature des relations entre art et métaphysique dans la tradition de la musique classique, de la performance, et de la restauration de l’art. La première partie de la thèse est dédiée à l’étude de l’ontologie de la musique. Le Chapitre 1 examine les théories concernant ce que c’est une œuvre musicale d’un point de vue ontologique, à savoir l’Idéalisme, le Nominalisme et le Platonisme en défendant l’idée qu’aucune de ces théories n’est entièrement satisfaisante. Cela conduit dans le Chapitre 2 à une discussion sur la méthodologie adéquate à l’enquête ontologique et à une analyse met

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3

Scott, Hugh R. R. "Multiresolution techniques for audio signal restoration." Thesis, University of Warwick, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307347.

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4

Moon, Joshua D. "Progress, Restoration, and the Life of Rock After Alternative." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1426865642.

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5

Rigney, Ranelle. "The hymn-book controversy of 1882." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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6

Hills, Robert Allen. "A comparison of the harmful effects of secular rock music to the Christian alternative." Theological Research Exchange Network (TREN) Access this title online, 1985. http://dx.doi.org/10.2986/tren.031-0082.

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7

Dexter, Keri John. "The provision of choral music at St George's Chapel, Windsor Castle, and Eton College c.1640-1733." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312094.

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8

Mayer, Peter. "Transformation, restoration and migration : illusions in the perception of speech, music and other complex sounds." Thesis, City University London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339696.

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9

Drysdale, John Duncan. "Louis Veron and the finances of the Academie Royale de Musique 1827 to 1835." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323796.

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10

Harbor, Catherine. "The birth of the music business : public commercial concerts in London 1660-1750." Thesis, Royal Holloway, University of London, 2012. http://digirep.rhul.ac.uk/items/646996db-a880-7e0c-bd3b-13dcd85b0196/1/.

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As a case study in cultural production and consumption and of the commodification of culture in late seventeenth- and eighteenth-century England, this study examines how musicians in London began to emerge from their dependence on the patronage of court, aristocracy and church into a more public sphere, moving from positions as salaried employees to a more freelance existence where they contributed to their income by putting on public commercial concerts. Taking as its starting point the almost 50,000 references to music recorded in the Register of Music in London Newspapers 1660–1750, a datab

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11

Eustace, Gregory. "Subjective evaluation of an autoregressive model-based method for the restoration of audio recordings contaminated with impulsive noise." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32604.

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Many audio signals of historical interest are stored on degraded analog media, such as phonograph records. Degradation is often associated with audible disturbances that can be annoying for listeners. Audio restoration uses digital signal processing technology to reduce artifacts associated with noise in audio signals. Click restoration, in particular, addresses corruption by impulsive noises. This project developed click restoration software using a well-known autoregressive model-based method for the de

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12

Mayden, Brandon. "The role of the Restoration Movement editors concerning the use of instrumental music in worship 1866-1906 /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p031-0172.

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13

Yeh, Chia-Ying. "The revival and restoration of Ryukyuan court music, Uzagaku : classification and performance techniques, language usage, and transmission." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/20284/.

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The research analyses the revival of uzagaku, Ryukyuan court music, in Okinawa. In this thesis, literature on yayue in East Asia and on music revivals is discussed and differences are proposed between music revivals in the West and in East Asia. The study uses interviews, a questionnaire and participant-observation to examine uzagaku music’s ornamental variation techniques and language use. Also, it explores the education in and transmission of uzagaku in Okinawa and the promotional efforts of the Ryukyu Uzagaku Enso Kenkyukai 琉球御座楽演奏研究会 (Uzagaku Kenkyukai), an uzagaku performing group. In add

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14

Lebedinski, Ester. "Music for the Mad : A study of the madness in Purcell's mad songs." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154052.

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ABSTRACT "Music for the Mad: A study of the madness in Purcell's mad songs" Ester Lebedinski, Uppsala University, Sweden, Department of Musicology, 2009. Madness was a stock topic in seventeenth-century drama, and music a compulsory feature on the Restoration stage. Henry Purcell's contributions to the latter are abundant, and include the popular combination of madness and music in his mad songs for Thomas Durfey's comedies. This essay aims at exploring the depiction of madness through music, verbal text and dramatic context in Purcell's mad songs for Durfey's plays A Fool's Preferment (1688),

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15

Dittmar, Christian [Verfasser], Meinard [Akademischer Betreuer] Müller, Meinard [Gutachter] Müller, and Kazuyoshi [Gutachter] Yoshii. "Source Separation and Restoration of Drum Sounds in Music Recordings / Christian Dittmar ; Gutachter: Meinard Müller, Kazuyoshi Yoshii ; Betreuer: Meinard Müller." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2018. http://d-nb.info/1161607641/34.

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16

Barclay, Robert Leslie. "A critical analysis of actions taken upon historic musical instruments through the period of the early music revival from the beginning of the 20th century to the 1990s." Thesis, n.p, 1999. http://library7.open.ac.uk/abstracts/page.php?thesisid=3.

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17

Shen, Jianming. "Functional transfer of musical training to speech perception in adverse acoustical situations." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405107128.

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18

SIMONETTA, FEDERICO. "MUSIC INTERPRETATION ANALYSIS. A MULTIMODAL APPROACH TO SCORE-INFORMED RESYNTHESIS OF PIANO RECORDINGS." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/918909.

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This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named “Music Interpretation Analysis” (MIA) is presented. In the proposed framework, a distinction is made between the “performance” – the physical action of playing – and the “interpretation” – the action that

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19

Goodwin, Peter Edward. "Worship in the Anglican country parishes from the Restoration to the nineteenth century : its music and architectural setting, with particular reference to selected churches within the present diocese of Chelmsford." Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396016.

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20

Duarte, Fernando Lacerda Simões [UNESP]. "Resgates e abandonos do passado na prática musical litúrgica católica no Brasil entre os pontificados de Pio X e Bento XVI (1903-2013)." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/136482.

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Submitted by FERNANDO LACERDA SIMÕES DUARTE null (lacerda.lacerda@yahoo.com.br) on 2016-03-30T18:10:16Z No. of bitstreams: 1 DUARTE_Fernando_LS_tese_musica_resgates_e_abandonos.pdf: 42562559 bytes, checksum: 277fe3fc40d5baae35f25faf334c8c9c (MD5)<br>Approved for entry into archive by Juliano Benedito Ferreira (julianoferreira@reitoria.unesp.br) on 2016-04-01T13:23:35Z (GMT) No. of bitstreams: 1 duarte_fls_dr_ia.pdf: 42562559 bytes, checksum: 277fe3fc40d5baae35f25faf334c8c9c (MD5)<br>Made available in DSpace on 2016-04-01T13:23:35Z (GMT). No. of bitstreams: 1 duarte_fls_dr_ia.pdf: 42562559

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21

Porto, Glaucia Graziano Ribeiro. "Tambores da missão : a conservação como instrumento de preservação da memória afro-brasileira /." São Paulo, 2009. http://hdl.handle.net/11449/86896.

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Orientador: Percival Tirapeli<br>Banca: Alberto T. Ikeda<br>Banca: Elaine da Graça P. Caramella<br>Possui anexos em CD-ROOM<br>Resumo: Essa dissertação tem como objetivo tratar dos conceitos contemporâneos de conservação e sua aplicabilidade, tendo como base as obras dos autores Chris Caple e Salvador Muñoz Viñas. De posse da compreensão desses conceitos, do estudo da história da restauração e considerando os códigos de conduta e ética bem como algumas cartas de restauro; analisei um caso de restauração. O caso em questão se trata do restauro de 18 tambores de Xangô, atualmente sob a salvaguar

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22

Damaso, Patr?cia de Paula. "Vegeta??o dunar: caracteriza??o estrutural de dunas do munic?pio de Natal-RN como subs?dio para implanta??o de t?cnicas de reflorestamernto, recupera??o e conserva??o do ecossistema." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/18195.

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Made available in DSpace on 2014-12-17T15:54:52Z (GMT). No. of bitstreams: 1 PatriciaPD.pdf: 601243 bytes, checksum: d461dd21e8a82ccf92df33c979e31098 (MD5) Previous issue date: 2009-04-24<br>The Brazilian coast has a wide variety of complex environments and ecosystems along the coast, about 80% are represented by sandbanks and dunes. The coastal ecosystems were the first to suffer the impacts man and places, as the very fragile ecosystems, are somehow altered. Are few areas of restinga well as natural features, very few protected in conservation units. Only in the last two decades the Brazil

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23

Oliveira, Rejane Nunes Lopes de. "Tratamento restaurador atraum?tico (ART): avalia??o de um protocolo de atendimento em gestantes da rede p?blica do munic?pio de Feira de Santana." UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA, 2007. http://localhost:8080/tede/handle/tede/40.

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Made available in DSpace on 2015-07-15T13:31:39Z (GMT). No. of bitstreams: 1 Rejane Oliveira.pdf: 1599274 bytes, checksum: c629b135eccc51045fc99dc864689219 (MD5) Previous issue date: 2007-12-18<br>The Atraumatic Restorative Treatment (ART) is a treatment alternative for the caries disease, which remains with high prevalence, and constitutes a serious public health problem. The ART consists in the removal of the carious tissue with manual instruments and later closing of its cavities with glass-ionomer cement (GIC). It is important to develop a health promotion program associated with the cli

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24

Smith, Nicholas Alexander. "The perceptual restoration of music." 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94797&T=F.

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25

"Synthesizing Styles: International Influence on Organ Music in Restoration England." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.27521.

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abstract: Following the Restoration of the English monarchy in 1660, musical culture gradually began to thrive under the support of royal patronage and the emerging middle class. The newly crowned Charles II brought with him a love of French music acquired during his time in exile at the court of his cousin, the young Louis XIV. Organ builders, most notably Bernard Smith and Renatus Harris, brought new life to the instrument, drawing from their experience on the Continent to build larger instruments with colorful solo stops, offering more possibilities for performers and composers. Although re

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26

Chang, Hsuan, and 張璿. "From “Qinzheng Restoration “ to “Contemporary Qinzheng”─The Adaptation and Application of Shaanxi Drama Music in Qinzheng Music." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/tj3v69.

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碩士<br>國立臺灣藝術大學<br>戲劇學系表演藝術碩士班<br>101<br>The popularity of the Qinzheng was revived during the 1950s by the Qinzheng Restoration Movement initiated by Mr. Zhou Yiangjia. For the last sixty years or so, Qinzheng music has been noted by many for its rich Shaanxi musical heritage. More importantly, the Qinzheng, as compared to other Chinese zither instruments, is unique in its capacity for contemporary musical development. Qinzheng music readily borrows and absorbs elements of Shaanxi folk music, especially Shaanxi drama music. Numerous Qinzheng compositions are based upon music from the vario

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27

Frecker, Kevin A. "The graduale romanum : a comprehensive approach to chant restoration." 2011. http://liblink.bsu.edu/uhtbin/catkey/1661173.

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The restoration of Gregorian chant throughout the nineteenth century culminated in the publication of new official Vatican chant books, particularly the Graduale Romanum of 1908. Major contributions were made by the monks at the abbey of Solesmes, who focused on the oldest available medieval manuscripts, and by scholars in the Cecilian movement, who favored sources compiled after the Middle Ages. These two viewpoints were fused into the Graduale Romanum to create a comprehensive historical perspective. To support this position, this thesis traces historical events and conflicts leading up to t

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28

Oehm, Gregory James. ""Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services." Thesis, 2014. http://hdl.handle.net/1959.13/1041676.

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Research Doctorate - Doctor of Philosophy (PhD)<br>William Turner (1651-1740) is arguably the least recognised of the great composers of the English Restoration period, despite achieving significant acclaim as a composer in his lifetime. This study of Turner’s most significant and substantial contributions to the English sacred music repertoire has identified and catalogued 50 anthem settings that, with variants, comprise 60 individual works. Of these, three have been lost, their existence known only through anecdotal evidence. This study has also found that Turner composed six service setting

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29

Zimmer, Markus. "Recepce «germánského chorálního dialektu» v první polovině 20. století." Doctoral thesis, 2021. http://www.nusl.cz/ntk/nusl-449600.

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The reception of the german dialect of the gregorian chant between 1900 an aprox. 1950 (Abstract) In today's musicology, the germanic chant dialect («germanischer Choraldialekt») ist nearly unimportant. Especially in the first half of the 20th century, it was very different. In particular, the invention of the term by Peter Wagner of Fribourg in 1925 promoted the perception of a melodic phenomenon, which can be found equally in many sources of plain chant in central europe. The oldest witnesses of the phenomenon are adiastematic sources, the youngest ones were restored, restituted or newly com

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