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Littérature scientifique sur le sujet « Naples (Italy) – History – 15th century »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 19 juillet 2025

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Articles de revues sur le sujet "Naples (Italy) – History – 15th century"

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Janeković Römer, Zdenka. "Dubrovnik i aragonsko Napuljsko Kraljevstvo u 15. stoljeću: uloga obitelji Kotrulj." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 52, no. 3 (2020): 101–20. http://dx.doi.org/10.17234/radovizhp.52.23.

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During the first half of the 15th century, the Republic of Dubrovnik sought to establish diplomatic and trade relations with the powerful state of Naples. Economic exchanges and political connections expanded, as evidenced by documents from both Dubrovnik and Naples, and also in a different way also by Ragusan merchant and diplomat Benedict Kotrulj, in his famous work Del arte dela mercatura. The government of Dubrovnik was well informed about the king of Aragon, Alfonso V, and communicated with him during the reign of Queen Joanna II. Alfonso’s first charter to Ragusans, on the freedom of tra

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Klyuev, Artem I. "Principle of globalization, or Venice and Mongols in the Middle Ages: on the book by Nicola di Cosmo and Lorenzo Pubblici." Golden Horde Review 13, no. 1 (2025): 48–60. https://doi.org/10.22378/2313-6197.2025-13-1.48-60.

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This article analyzes the monograph by Italian historians Nicola di Cosmo, Professor of East Asian Studies at the Institute for Advanced Study (Princeton, USA) and Lorenzo Pubblici, Professor at the University of Naples «Orientale» (Italy), devoted to trade and diplomatic relations between the Venetians and Mongols on the Silk Roads in the 13th–15th centuries. Research materials: The monograph by Di Cosmo N., Pubblici L. titled Venezia e i Mongoli. Commercio e diplomazia sulle vie della seta nel medioevo (secoli XIII–XV). Roma: Viella, 2022. 315 p. Novelty and results of the study: In the 13th

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Borghese, A. "THE LIPIZZANER IN ITALY." Animal Genetic Resources Information 10 (April 1992): 67–73. http://dx.doi.org/10.1017/s1014233900003308.

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SUMMARYThe Lipizzaner is one of Europe's most ancient breeds; its history goes back to the early 16th century The original stock came from the North of Italy and Spain; six male lines introduced in the second half of the 18th century and the early 19th century, from Naples, the Austro-Hungarian empire, Denmark and Arabia upgraded the breed to its actual standard. The Italian national stud of Montemaggiore is perpetrating the Lipizzaner tradition. The horses are kept under extensive grazing conditions and all six “families” (Napolitano,Conversaro, Favory, Pluto, Maestoso and Siglavy) are presen

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Esposito, Salvatore. "From England to Italy: The Intriguing Story of Poli’s Engine for the King of Naples." Physics in Perspective 23, no. 2-3 (2021): 104–38. http://dx.doi.org/10.1007/s00016-021-00277-1.

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AbstractAn interesting, yet unknown episode concerning the effective permeation of the scientific revolution in eighteenth-century Kingdom of Naples (and Italy more generally) is recounted. The intriguing story of James Watt’s steam engine, prepared to serve a Royal Estate of the King of Naples in Carditello, reveals a fascinating piece of the history of that kingdom, as well as an unknown step in the history of Watt’s steam engine, whose final entrepreneurial success for the celebrated Boulton & Watt company was a direct consequence. This story reveals that, contrary to what claimed in th

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Lehmann, L. Th. "Underwater archaeology in 15th and 16th-century Italy." International Journal of Nautical Archaeology 20, no. 1 (1991): 9–11. http://dx.doi.org/10.1111/j.1095-9270.1991.tb00290.x.

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CARRIÓ-INVERNIZZI, DIANA. "GIFT AND DIPLOMACY IN SEVENTEENTH-CENTURY SPANISH ITALY." Historical Journal 51, no. 4 (2008): 881–99. http://dx.doi.org/10.1017/s0018246x08007115.

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ABSTRACTThis article explains how the concept and the practice of gift-making evolved in Spanish Italy in connection with power. Contemporary chronicles, avvisi (newsletters), and letters enable us to reflect upon how gifts were seen, given, and received in the period at the Spanish embassy in Rome and in the viceroyalty of Naples. It aims to establish how the exchange of presents affected the wielding of power and how it contributed to shaping the political culture of the Spanish in Italy. The seventeenth century and Italy were the time and place that witnessed the greatest experimentation in

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Botticelli, Michela, Costanza Miliani, Eva Luna Ravan, Claudia Caliri, and Francesco Paolo Romano. "Naples Yellow Revisited: Insights into Trades and Use in 17th-Century Sicily from the Macro X-ray Fluorescence Scanning of Matthias Stomer’s ‘The Mocking of Christ’." Heritage 7, no. 3 (2024): 1188–201. http://dx.doi.org/10.3390/heritage7030057.

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In a recent non-destructive analytical campaign at Museo Civico, Castello Ursino, in Catania, Italy, several paintings in the permanent collection were investigated by MA-XRF scanning, with a special focus on Matthias Stomer’s production. On one depiction of the Mocking of Christ (ca. 1640) donated to the municipality of Catania by G.B. Finocchiaro in 1826, the analysis documented the use of Naples yellow. Sb with Pb was detected in yellow areas of the Mocking of Christ, but not in his work Tobias healing his father. This finding possibly suggested an early use of lead antimonate yellow in Sou

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Dechert, Michael S. A. "The Military Architecture of Francesco di Giorgio in Southern Italy." Journal of the Society of Architectural Historians 49, no. 2 (1990): 161–80. http://dx.doi.org/10.2307/990475.

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The role of Francesco di Giorgio (1439-1501) in developing the forms of artillery fortification marking the transition from late medieval defenses to the mature bastioned forts of the 16th century is becoming clearer as additional research has enhanced our knowledge of the chronology of his interventions, the maturation of design elements, and the interlocking personal, institutional, and political factors in his work for the Aragonese Kingdom of Naples. These efforts by Francesco di Giorgio and his associates focused on Naples, Otranto, Gallipoli, Taranto, Manfredonia, Monte Sant'Angelo, Regg

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Britnell, R. H. "England and Northern Italy in the Early Fourteenth Century: the Economic Contrasts." Transactions of the Royal Historical Society 39 (December 1989): 167–83. http://dx.doi.org/10.2307/3678983.

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We know almost as much about the operations of big Italian companies in England as about those in Italy itself during the early fourteenth century. Tuscan trade here engaged some of Europe's most celebrated businesses, attracted by the kingdom's fine wool and the credit-worthiness of her crown and nobility. Historians have some-times drawn an analogy with international lending from richer to poorer countries in the modern world, both to create a point of contact with their readers and to meet the need for deep-lying explanations. The analogy usually carries the implication that Italy had a mor

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BORRELLI, ANTONIO. "CARTEGGIO DI DOMENICO COTUGNO." Nuncius 1, no. 2 (1986): 93–101. http://dx.doi.org/10.1163/182539186x00539.

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Abstract<title> SUMMARY </title>This short essay should be - event though not exaustive at all a view on the situation of the Cotugno papers. Domenico Cotugno (1736-1822) was one of the most eminent scientists among them who worked in Naples in the 18th and in the early 19th century. This essay is particularly centred upon the Cotugno papers founded in National Library of Naples (Carteggio Cotugno, mss. S. Martino, 394-401). Among these papers there are many letters written by scientists and learned people, from Italy and from abroad. This writing finally gives some indications abo

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Thèses sur le sujet "Naples (Italy) – History – 15th century"

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Jauch, Linda. "Women, power and political discourse in fifteenth-century northern Italy." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252268.

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Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Ward, Courtney Ann. "Identifying multiple gender identities in the first century AD : a study of personal adornment and skeletal remains from the Bay of Naples." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669822.

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Beck, Émilie. "Da Vernet a Valenciennes: i pittori francesi di paesaggio a Napoli nella seconda metà del Settecento." Doctoral thesis, Scuola Normale Superiore, 2005. http://hdl.handle.net/11384/85760.

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Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places t

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Tycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.

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While scholarship often focuses on how early modern Italians used images in their devotions, particularly in the post-Tridentine era, little attention has been placed upon how laypeople engaged with devotional text during times of prayer and in their everyday lives. Studies of early modern devotional texts have explored their literary content, investigated their censorship by the Church, or concentrated upon an elite readership. This thesis, instead, investigates how ordinary devotees interacted with holy words in their material form, which I have termed ‘material prayers’. Since this thesis d

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Blaha, Isabelle. "Laïques et ecclésiastiques entre religion citadine et Contre-réforme à Naples des débuts du XVIe siècle aux début du XVII siècle : résister, contrôler et discipliner." Electronic Thesis or Diss., Lyon 2, 2022. http://www.theses.fr/2022LYO20048.

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Appréhender la foi des laïcs napolitains au XVIe siècle est une entreprise ardue tant en raison des difficultés matérielles d’accès aux sources, que de leur discontinuité temporelle, qui rendent difficile toute reconstruction historique systématique fondée sur la longue durée, ou l’étude de séries homogènes de sources. Malgré cette réalité, les difficultés matérielles ont été contournées par des dépouillements systématiques de fonds d’une grande diversité, tant des archives archidiocésaines ou d’État de Naples,que de la Curie généralice de la Compagnie de Jésus, et que celles du Saint-Siège, t

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ROICK, Matthias. "Mercury in Naples : the moral and political thought of Giovanni Pontano." Doctoral thesis, 2009. http://hdl.handle.net/1814/13281.

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Defence date: 26 October 2009<br>Examining Board: Prof. Martin van Gelderen (EUI) - supervisor; Prof. Anthony Molho (EUI); Prof. Riccardo Fubini (University of Florence); Prof. Thomas Kaufmann (University of Göttingen).<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>The present study returns to Giovanni Gioviano Pontano's role as a thinker and philosopher. It is based on the treatises and tracts Pontano wrote, to which scant attention has been paid until now, but also on his ad hoc political writings and his better known dialogues and poems. It moves between

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CAGLIOTI, Daniela Luigia. "Il guadagno difficile : commercianti e artigiani napoletani nella seconda meta dell'800." Doctoral thesis, 1992. http://hdl.handle.net/1814/5806.

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Defence date: 9 October 1992<br>Examining board: Prof. Heinz-Gerhard Haupt, IUE ; Prof. Daniel Roche, Paris I (supervisore esterno) ; Prof. Raffaele Romanelli, Università di Pisa ; Prof. Robert Rowland (supervisore) ; Prof. Pasquale Villani, Università di Napoli<br>First made available online: 16 October 2015

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TOFFOLO, Sandra. "Depicting the city, depicting the state : fifteenth-century representations of Venice and the Venetian terraferma." Doctoral thesis, 2013. http://hdl.handle.net/1814/29618.

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Defence date: 5 December 2013<br>Examining Board: Professor Luca Molà, EUI (Supervisor); Professor Antonella Romano, EUI; Professor Filippo de Vivo, Birkbeck, University of London; Professor Deborah Howard, University of Cambridge<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis addresses the construction of ideas concerning the identities of geographical spaces, focusing on Venice in the period 1381-1509. It concentrates on the representations of two different roles held in this period by Venice: that of a city in a circumscribed urban setting, and t

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Livres sur le sujet "Naples (Italy) – History – 15th century"

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editor, Gavran Lovro Fra, ed. Skënderbeu, letërkëmbimi me sulltanët: (8 letra nga Arkivi Bibliotekës Kombëtare të Napolit dhe nga Arkivi Sekret i Vatikanit). Fast Print, 2018.

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Thomas, Frank. Bruderschaften im spätmittelalterlichen Kirchenstaat: Viterbo, Orvieto, Assisi. M. Niemeyer, 2002.

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Hibbert, Christopher. The Borgias and their enemies: 1431-1519. Harcourt, Inc., 2008.

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1959-, Welch Evelyn S., ed. Making and marketing medicine in Renaissance Florence. Rodopi, 2011.

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Ronald, Giannone, ed. The venerable Maria Lorenza Longo: Foundress of the Hospital of the Incurables and of the Capuchin Poor Clares of Naples, 1463-1547. Paulist Press, 2009.

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Park, Katharine. Doctors and medicine in early Renaissance Florence. Princeton University Press, 1985.

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National Gallery of Art (U.S.). Italian paintings of the fifteenth century. National Gallery of Art, 2003.

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Bulgarelli, Massimo. All'ombra delle volte: Architettura del Quattrocento a Firenze e Venezia. Electa, 1996.

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Henri, Zerner, ed. Italian art, 1500-1600: Sources and documents. Northwestern University Press, 1989.

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Roger, Prior, ed. The Bassanos: Venetian musicians and instrument makers in England, 1531-1665. Scolar Press, 1995.

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Chapitres de livres sur le sujet "Naples (Italy) – History – 15th century"

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Tavoni, Mirko. "The 15th-Century Controversy on the Language Spoken by the Ancient Romans." In The History of Linguistics in Italy. John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.03tav.

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"NAPLES IN THE EIGHTH AND NINTH CENTURIES." In Making History in Ninth-Century Northern and Southern Italy. Pisa University Press, 2018. http://dx.doi.org/10.2307/j.ctvb1hs12.13.

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Grab, Alexander. "From the French Revolution to Napoleon." In Italy in the Nineteenth Century. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198731283.003.0002.

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Abstract ‘In the beginning was Napoleon. His influence upon the history of the German people, their lives and experiences was overwhelming’. This statement by Thomas Nipperdey on Germany applies also to Italy. The Napoleonic invasion into northern Italy in 1796 laid the foundations of the modern Italian state and society and launched the long march toward the peninsula’s unification. No other country except Germany was so affected by Napoleonic rule. Before 1796, Italy was divided into ten states: the Kingdom of Sardinia (Piedmont); the Duchy of Milan, belonging to the Habsburg Empire; the republics of Venice, Genoa, and Lucca; the Papal State; the Duchies of Modena and Parma; the Grand Duchy of Tuscany; and the Kingdom of Naples, which included Sicily.

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Giudice, Christian. "Risorgimento Italy." In Occult Imperium. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197610244.003.0002.

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The following chapter provides the reader with a brief history of the Italian Risorgimento, the sociopolitical movement that led to the unification of the country in 1870. The importance of Risorgimento ideas and values in the life of Arturo Reghini, who was born only eight years after the birth of the Italian nation, is highlighted and explored, especially through the works of Mario Banti and Denis Mack Smith. An analysis of the main threads of the occult tradition that flourished in nineteenth-century Italy and their impact on Reghini is also attempted, with special relevance given to Freemasonry, Spiritualism, and the occult ideas of Italo/Roman primacy, which blossomed in Naples toward the end of the century and strongly informed Reghini’s worldview. A short excursus on the history of the Vatican State and the Roman question is also attempted, since this event influenced Reghini’s strong anti-clerical stance.

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"Law of Caesar on Municipalities." In Milestone Documents in World History. Schlager Group Inc., 2024. https://doi.org/10.3735/9781961844056.book-part-026.

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The text of the Law of Caesar on Municipalities comes from bronze panels known as the Tablets of Heraclea, which were discovered in two parts in 1732 and 1735, respectively, near the town of Heraclea, a former Greek city in southern Italy near Naples on the Gulf of Tarentum. (Southern Italy was once in the possession of the Greeks and was known as Magna Graecia, or Greater Greece.) On one side are inscriptions in Greek, dating to the third or fourth century BCE and relating to land rights and rules of use of the areas around two temples. On the other side, Latin inscriptions record the Law of Caesar on Municipalities. It is unknown whether the Latin inscriptions refer to all municipalities gained under the Roman program of territorial expansion or only to municipalities in the Italian peninsula or just to the town of Heraclea itself. While the laws are representative of the new type of legislative, political, and fiscal changes enacted by Caesar, it is not clear where these laws applied or when exactly they were composed. It has also been suggested that the inscriptions, which include laws enacted in both the capital and the provinces, cannot all be attributed to Caesar.

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Weigel, Sigrid. "Defamatory Images: Disfiguration in Physiognomy and Caricature’s Two Bodies." In Grammatology of Images. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9781531500153.003.0006.

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The chapter departs from the controversy about the ‘Muhammed Caricatures,’ interpreted as a religious war between comparable fundamentalist positions (ban of pictures vs. freedom of press), and analyses the iconographic tradition the individual cartoons refer to. Their pictorial rhetoric, typical for the genre's tension between critique and defamation, initiates a) a theoretical investigation of the genre and its relation to the joke in reference to the psychoanalytic approach (Freud, Kris, Gombrich) and b) an archaeology of the caricature/ pictorial satire beyond the mainstream narrative of the genre, whose origin usually is seen in the invention of ‘caricatura’ as distorted portrait in 16th-century Italy. In contrast, the chapter traces the history of pictorial satire back to the religious war of the 15th century, iconoclasm, and the defamatory image policy of the 14th century (Schandbilder), and interprets the invention of the distorted likeness in relation to the emergence of physiognomics. The last part summarizes these paths in a new theoretical approach to the political theology of the genre, namely, the caricature's two bodies.

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