Articles de revues sur le sujet « National Beijing Opera Theatre of China »
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THORPE, ASHLEY. "Transforming Tradition: Performances of Jingju (‘Beijing Opera’) in the UK." Theatre Research International 36, no. 1 (2010): 33–46. http://dx.doi.org/10.1017/s0307883310000702.
Texte intégralDin, Jun, and Violetta N. Yunusova. "Tea Ceremony in Tan Dun’s Opera “Tea: A Mirror of Soul”." Observatory of Culture 21, no. 3 (2024): 274–81. http://dx.doi.org/10.25281/2072-3156-2024-21-3-274-281.
Texte intégralXue, Wang. "Features of the Genre and Style of the Historical and Heroic Opera “Jiang Jie”." Университетский научный журнал, no. 79 (April 24, 2024): 133–40. http://dx.doi.org/10.25807/22225064_2024_79_133.
Texte intégralDing, Yi. "East and West: “Lear is Hear” directed by Wu Xing Guo." Культура и искусство, no. 2 (February 2020): 1–9. http://dx.doi.org/10.7256/2454-0625.2020.2.32195.
Texte intégralЛю, Ч. "Фортепианная сюита Инь Чэнцзуна на материале оперы «Легенда о красном фонаре»". АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, № 4(75) (23 грудня 2024): 85–96. https://doi.org/10.26086/nk.2024.75.4.009.
Texte intégralСЯО, Хуівен. "ЛІРИКО-ПСИХОЛОГІЧНА ДРАМА «ЖАЛЬ ЗА МИНУЛИМ» У ДЗЕРКАЛІ СВОГО ЧАСУ: ЛУ СІНЬ – ШИ ГУАННАНЬ". Fine Art and Culture Studies, № 1 (4 квітня 2023): 112–21. http://dx.doi.org/10.32782/facs-2023-1-16.
Texte intégralFei, Faye Chunfang, and William Huizhu Sun. "Othello and Beijing Opera:." TDR/The Drama Review 50, no. 1 (2006): 120–33. http://dx.doi.org/10.1162/dram.2006.50.1.120.
Texte intégralHuang, Chuting, Irene Bartlett, and Margaret Schindler. "Broadway to Beijing: Training Musical Theatre Singers in China." Australian Voice 25, no. 2024 (2024): 88–99. https://doi.org/10.56307/quiv9291.
Texte intégralChen, Chen. "Theatre as Memory Site: Cultural Activities, Imaginaries, and Theatrical Things of a Regional Xiqu Theatre in Contemporary China." Asian Theatre Journal 41, no. 1 (2024): 50–79. http://dx.doi.org/10.1353/atj.2024.a927713.
Texte intégralLiao, Jingjing. "Chinese National Opera in the Perspective of Feminism." Journal of Education and Educational Research 13, no. 1 (2025): 30–37. https://doi.org/10.54097/qfy3xv78.
Texte intégralKaidi, Wang. "CULTURAL CONTACTS BETWEEN RUSSIA AND CHINA IN THE FIELD OF MUSIC AND DRAMA THEATER (50s of the XXth century)." Arts education and science 1, no. 2 (2021): 99–106. http://dx.doi.org/10.36871/hon.202102012.
Texte intégralSchmich, Isabelle, Paul Chervin, Zhu Xiangdong, Yan Xiang, and L. Guo‐Qi. "The acoustics of the Beijing National Grand Theatre of China." Journal of the Acoustical Society of America 123, no. 5 (2008): 3097. http://dx.doi.org/10.1121/1.2932950.
Texte intégralMenwen, Zhang. "CONTRIBUTION OF THE RUSSIAN PEDAGOGICAL SINGING SCHOOL TO THE FORMATION OF GUO SHUZHEN, THE STAR OF THE CHINESE OPERA OLYMPUS." Arts education and science 1, no. 34 (2023): 72–78. http://dx.doi.org/10.36871/hon.202301072.
Texte intégralHao, Shuang. "Peoples Character and National Identity: The Role of the 1955 European Tour of the Chinese Classical Dance and Music Troupe in Promoting New Chinas Diplomacy." Communications in Humanities Research 64, no. 1 (2024): 17–26. https://doi.org/10.54254/2753-7064/2024.18993.
Texte intégralYan, Yang. "The activities of the Chinese orchestras of the traditional instruments of the new type in the 1960s - 1970s." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 198–211. http://dx.doi.org/10.34064/khnum2-49.14.
Texte intégralYan, Yang. "The activities of the Chinese orchestras of the traditional instruments of the new type in the 1960s - 1970s." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 198–211. http://dx.doi.org/10.34064/khnum1-49.14.
Texte intégralChernyavska, Marianna, and Sun Le. "Sound image of Peking opera in piano works of Chinese composers." Aspects of Historical Musicology 37, no. 37 (2024): 138–66. https://doi.org/10.34064/khnum2-37.07.
Texte intégralXiao, Xiaoning. "The Use of Traditional Opera Elements in the Characterization Process of Contemporary Stage Drama." Highlights in Art and Design 4, no. 1 (2023): 13–16. http://dx.doi.org/10.54097/hiaad.v4i1.11564.
Texte intégralShao, Chunbo. "ASPECTS OF IMPLEMENTATION OF CHINESE NATIONAL TRADITIONS IN YIN QING’S OPERA. ON THE EXAMPLE OF THE OPERA THE BALLAD OF THE CANAL." Scientific and analytical journal Burganov House. The space of culture 21, no. 1 (2025): 26–33. https://doi.org/10.36340/2071-6818-2025-21-1-26-33.
Texte intégralXue, Charlie Qiuli, Zhigang Wang, and Brian Mitchenere. "In search of identity: the development process of the National Grand Theatre in Beijing, China." Journal of Architecture 15, no. 4 (2010): 517–35. http://dx.doi.org/10.1080/13602365.2010.507532.
Texte intégralZhang, Tianjiao. "To the origins of creation of Beijing Ballet School. Olga Aleksandrovna Ilyina." Человек и культура, no. 5 (May 2020): 25–35. http://dx.doi.org/10.25136/2409-8744.2020.5.33738.
Texte intégralCui, Ziying. "Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness." Asian Theatre Journal 41, no. 2 (2024): 360–84. http://dx.doi.org/10.1353/atj.2024.a936941.
Texte intégralHan, Xiaoxin, and Feng Sun. "The Origin and Initial Development of Chinese Documentaries (1905-1931)." Russian and Chinese Studies 4, no. 2 (2020): 170–75. http://dx.doi.org/10.17150/2587-7445.2020.4(2).170-175.
Texte intégralJin, Panpan, and Shuang Liu. "Study on the Development Path of Lingbi Shadow Theater in the Age of Self-media." Academic Journal of Science and Technology 7, no. 2 (2023): 210–12. http://dx.doi.org/10.54097/ajst.v7i2.12275.
Texte intégralDemchenko, Mariia. "MARKETING MANAGEMENT IN THE FIELD OF THEATRE ARTS." Vìsnik Sumsʹkogo deržavnogo unìversitetu 2024, no. 2 (2024): 55–63. http://dx.doi.org/10.21272/1817-9215.2024.2-06.
Texte intégralLi, Qiang. "Peculiarities of the mutual influence of Italian and Chinese musical theater tradition in historical development." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 67, no. 67 (2023): 56–77. http://dx.doi.org/10.34064/khnum1-67.04.
Texte intégralXu, Jiekang. "The Second Rise of the Role of the Male Dan and Its Opera Historical Significance." Humanities and Social Science Research 8, no. 1 (2025): p133. https://doi.org/10.30560/hssr.v8n1p133.
Texte intégralGuo, Shiyong, and Norzizi Zulkafli. "The Emotional Expression in the Dance Performance of ‘Confucius’ in the Dance Drama ‘Confucius’." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 5 (2025): e003398. https://doi.org/10.47405/mjssh.v10i5.3398.
Texte intégralGao, Xiaobin, and Rumpai Soonjan. "Development and Promotion of Wushu Guidelines in Shanxi Province University." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 2 (2024): 157–72. http://dx.doi.org/10.60027/ijsasr.2024.3840.
Texte intégralZhang, Guangjian. "Problems of interpretation of the piano compositions byZhangZhao (on the example of the Fantasy “Pihuang”)." Aspects of Historical Musicology 21, no. 21 (2020): 230–47. http://dx.doi.org/10.34064/khnum2-21.15.
Texte intégralЯн, Т., and Д. И. Варламов. "The development of Chinese vocal music of the 20th century in the context of the processes of academization of art." АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, no. 1(72) (April 1, 2024): 76–84. http://dx.doi.org/10.26086/nk.2024.72.1.012.
Texte intégralZhou, Yi. "Presentation of the Motherland image in the creativity of modern Chinese vocalists." Aspects of Historical Musicology 19, no. 19 (2020): 285–97. http://dx.doi.org/10.34064/khnum2-19.16.
Texte intégralZhang, Xiqui. "Interpretive properties of recitation in the vocalist’s performing arts." Aspects of Historical Musicology 21, no. 21 (2020): 247–60. http://dx.doi.org/10.34064/khnum2-21.16.
Texte intégralVernyhor, Dmytro. "Ukrainian Dance – Global Hallmark (Dedicated to the Anniversary of the National Honoured Dance Ensemble of Pavlo Virsky)." Diplomatic Ukraine, no. XIX (2018): 757–66. http://dx.doi.org/10.37837/2707-7683-2018-47.
Texte intégralXiong, Yahuan. "Soprano as a phenomenon of artistic representation of the human image in European and Chinese traditions." Aspects of Historical Musicology 33, no. 33 (2023): 86–110. http://dx.doi.org/10.34064/khnum2-33.05.
Texte intégralGiordano, Silvia. "“Originated in China”: Western opera and international practices in the Beijing National Centre for the Performing Arts." European Journal of Cultural Management and Policy 7 (December 1, 2017). http://dx.doi.org/10.3389/ejcmp.2023.v7iss1-article-3.
Texte intégralСюй, Ц. "«Образцовые спектакли» и их роль в развитии музыкальной культуры Китая ХХ–XXI веков". АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, № 2(69) (30 червня 2023). https://doi.org/10.26086/nk.2023.69.2.009.
Texte intégralHuang, Angela Lin. "Leaving the City: Artist Villages in Beijing." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.366.
Texte intégralPuppin, Giovanna. "China’s ‘CivilOlympic’ Performances and (Re)gained Global Visibility Fantasising about a New Brand China through Olympic Public Service Announcements." 57 | 2021, no. 1 (June 30, 2021). http://dx.doi.org/10.30687/annor/2385-3042/2021/01/018.
Texte intégralЛЯН, Л. "ПОСТАНОВКА ОПЕРЫ ТАН ЦЗЯНЬПИНА «А ЗОРИ ЗДЕСЬ ТИХИЕ»: ДИАЛОГИ ВО ВРЕМЕНИ И ПРОСТРАНСТВЕ". Музыка и время, № 4 (28 квітня 2025). https://doi.org/10.25791/music.4.2025.1355.
Texte intégralPapageorgiou, Maria, and Zeno Leoni. "The Five Eyes Allies and China: Assessing Threat Perceptions and Power Dynamics." Journal of Chinese Political Science, April 14, 2025. https://doi.org/10.1007/s11366-025-09913-w.
Texte intégralKang, Yingzheng. "Music culture of China in the middle of the XX century in the context of socio-cultural and ideological transformations." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 1 (May 29, 2022). http://dx.doi.org/10.32461/2226-3209.1.2022.257446.
Texte intégralKuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.
Texte intégralChen, Jasmine Yu-Hsing. "Beyond Words." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3033.
Texte intégralRibas-Segura, Catalina. "Pigs and Desire in Lillian Ng´s "Swallowing Clouds"." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.292.
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