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Articles de revues sur le sujet « New York Universalist Club »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Barrows, Clayton, and David Bachrach. "Private club culture in London and New York during the Victorian era." Hospitality & Society 00, no. 00 (2021): 1–21. http://dx.doi.org/10.1386/hosp_00040_1.

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The private club literature is disparate and rarely draws comparisons between or among club cultures. In this article, club culture in New York and London are compared. Specifically, the history of private clubs in London and New York is explored, focusing on the latter part of the nineteenth century. Historical documents are reviewed in an attempt to establish the club culture in the respective cities, how clubs were viewed within their communities, and similarities that existed between ‘Club Land’ in London and similar club clusters in New York. While the press coverage in the respective cit

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Speyer, Katherine E. "New York State Club Association v. City of New York: The Demise of the All-Male Club." Pace Law Review 10, no. 1 (1990): 273. http://dx.doi.org/10.58948/2331-3528.1461.

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Rider, Jacqueline H. "The Church Club of New York Library." Theological Librarianship 6, no. 2 (2013): 29–33. http://dx.doi.org/10.31046/tl.v6i2.296.

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Organized in 1887 by religious, financial, and social leaders in Manhattan, the Church Club of New York holds a library of some 1,500 volumes. It documents the religious roots and theological framework of New York’s financial elite, the birth of the Episcopal Church, and mainline American Protestantism’s reaction to the Social Gospel movement in the early 20th century. This essay discusses how titles illustrate the challenges these gentlemen confronted to their roles and their church’s identity in a rapidly changing society. Industrialization, modernization, immigration were all affecting thei

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Shubitz, Scott M. "LIBERAL INTELLECTUAL CULTURE AND RELIGIOUS FAITH: THE LIBERALISM OF THE NEW YORK LIBERAL CLUB, 1869–1877." Journal of the Gilded Age and Progressive Era 16, no. 2 (2017): 183–205. http://dx.doi.org/10.1017/s1537781417000056.

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This essay addresses the question of how the idea of liberalism and antireligious sentiment became associated during the Gilded Age. The subject of this essay—the New York Liberal Club, a debate and lecture group in New York City (1869–1877)—sheds light on the process in which liberalism, as an idea, outgrew its religious origins in early nineteenth-century America and more than ever became linked with antireligious sentiment. In the case of the New York Liberal Club, this development owed to the club's connection to social science and members' participation in the contentious debate over scie

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Joyce, H. Horatio. "Disharmony in the Clubhouse." Journal of the Society of Architectural Historians 78, no. 4 (2019): 422–41. http://dx.doi.org/10.1525/jsah.2019.78.4.422.

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In Disharmony in the Clubhouse: Exclusion, Identity, and the Making of McKim, Mead & White's Harmonie Club of New York City, H. Horatio Joyce offers the first sustained case study of one of McKim, Mead & White's New York clubhouses. The Harmonie Club was a Jewish club, and Joyce explores how and why a firm associated with powerful Protestant interests came to design its home. His reconstruction of that story provides an unusually intimate portrait of an instance when the categories of race, gender, and class intersected to shape American society in the Gilded Age.

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Goosman, Stuart L., and Bruce A. MacLeod. "Club Date Musicians: Playing the New York Party Circuit." Notes 52, no. 1 (1995): 122. http://dx.doi.org/10.2307/898830.

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Gay, Leslie C., and Bruce A. MacLeod. "Club Date Musicians: Playing the New York Party Circuit." Ethnomusicology 40, no. 3 (1996): 520. http://dx.doi.org/10.2307/852477.

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Stripp, Dorothy. "1886–1986 New York Mineralogical Club 100-Year Anniversary." Rocks & Minerals 61, no. 1 (1986): 13–18. http://dx.doi.org/10.1080/00357529.1986.11768426.

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Stripp, Dorothy M. "The 100th Anniversary of the New York Mineralogical Club." Rocks & Minerals 62, no. 2 (1987): 90–92. http://dx.doi.org/10.1080/00357529.1987.11762635.

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Dicarlo, Abby L. "Kim Price-Glynn.Strip Club: Gender, Power, and Sex Work. New York: New York UP, 2010." Women's Studies 43, no. 1 (2014): 103–6. http://dx.doi.org/10.1080/00497878.2014.852432.

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Buszek, Maria Elena. "Ladies’ Auxiliary of the Lower East Side: Post-punk feminist art and New York’s Club 57." Punk & Post-Punk 9, no. 3 (2020): 425–42. http://dx.doi.org/10.1386/punk_00037_1.

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This article analyses the feminist art that emerged from New York City’s short-lived, post-punk venue Club 57 (1978–83), where music mixed with visual art, experimental film, performance and politics. A hub of New York’s ‘downtown scene’, Club 57 exemplified ways in which artists’ increasingly promiscuous experiments across media led them to abandon galleries and museums in favour of nightclubs, discos and bars. This tendency dovetailed with the practices of an emergent generation of feminist artists eager to both break out of the sexist art world and engage with popular culture and audiences.

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Gagnon, Chantal, and Esmaeil Kalantari. "Canadian translated politics at the Economic Club of New York." Translator 23, no. 1 (2016): 17–30. http://dx.doi.org/10.1080/13556509.2016.1236227.

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Zalewski, Leanne M. "Pioneering print collector: Samuel Putnam Avery (1822–1904)." Journal of the History of Collections 31, no. 2 (2018): 403–10. http://dx.doi.org/10.1093/jhc/fhy034.

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Abstract Pioneering print collector and curator, Samuel P. Avery (1822–1904), donated a collection of 17,775 prints, including works by Cassatt, Whistler, Turner and Manet, to establish the Print Collection of the New York Public Library in 1900. Prior to his donation, Avery curated print exhibitions at the Library, Metropolitan Museum of Art, Grolier Club, and Union League Club. Through an examination of Avery’s persistent efforts to exhibit exemplary prints in museum and gallery settings – including an unusual collection of prints by women – this article provides evidence that Avery’s ground

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Kelly, Brian C., Jeffrey T. Parsons, and Brooke E. Wells. "Prevalence and Predictors of Club Drug Use among Club-Going Young Adults in New York City." Journal of Urban Health 83, no. 5 (2006): 884–95. http://dx.doi.org/10.1007/s11524-006-9057-2.

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Poloni, Marco. "Marxist Film Theory and Fight Club, Anna Kornbluh (2019)." Film Matters 12, no. 1 (2021): 127–29. http://dx.doi.org/10.1386/fm_00140_5.

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Corrao, Francesca Maria. "New Notes on Ǧubrān’s Education in Boston and Its Effect on His Later Career." Studi Magrebini 22, no. 2 (2025): 286–314. https://doi.org/10.1163/2590034x-20240112.

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Abstract Ǧubrān’s cultural training in Boston fostered the young Arab immigrant’s rapid success. The poet’s universalist vision enabled a fruitful dialogue between East and West in the nation-forming years of the Arab states. The dissemination of such ideas through literary journals ferried the renewal of modern poetry from New York to Cairo and Tunis. Numerous studies have delved into the main elements and indications that emerged from his writings (on the contribution of Christianity, Nietzsche, and the cultural milieu of the Arab Nahḍa), while his American education has been investigated le

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Ompad, Danielle C., Sandro Galea, Crystal M. Fuller, Darcy Phelan, and David Vlahov. "Club Drug Use Among Minority Substance Users in New York City." Journal of Psychoactive Drugs 36, no. 3 (2004): 397–99. http://dx.doi.org/10.1080/02791072.2004.10400039.

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Wills, Jeanie, and Krystl Raven. "The founding five: transformational leadership in the New York League of Advertising Women’s club, 1912–1926." Journal of Historical Research in Marketing 12, no. 3 (2020): 377–99. http://dx.doi.org/10.1108/jhrm-04-2019-0015.

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Purpose This paper uses archival documents to begin to recover a history of women’s leadership in the advertising industry. In particular, this paper aims to identify the leadership styles of the first five presidents of the New York League of Advertising Women’s (NYLAW) club. Their leadership from 1912 to 1926 set the course for and influenced the culture of the New York League. These five women laid the foundations of a social club that would also contribute to the professionalization of women in advertising, building industry networks for women, forging leadership and mentorship links among

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Blehl, Vincent Ferrer. "John Henry Newman and Orestes A. Brownson as Educational Philosophers." Recusant History 23, no. 3 (1997): 408–17. http://dx.doi.org/10.1017/s003419320000577x.

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Orestes Brownson (1803–1876), preacher, journalist, editor, philosopher and controversialist, was born in Stockbridge, Vt., 16 September 1803. At the age of nineteen he became a Presbyterian, but two years later a Universalist. He married in 1827. From 1826 to 1831 Brownson preached in New Hampshire, Vermont and New York. He became a Unitarian, and was ordained a Unitarian minister in 1834. In 1836 he organized ‘The society for Christian Union and Progress’ and began to preach the ‘Church of the Future’. In the same year he became acquainted with Emerson, Alcott, Ripley and others who were lab

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Kenney, Lance. "Louis Menand: The Metaphysical Club: A Story of Ideas in America. 2001. New York: Farrar, Straus and Giroux. 546 pp." Frontiers: The Interdisciplinary Journal of Study Abroad 9, no. 1 (2003): 201–4. http://dx.doi.org/10.36366/frontiers.v9i1.123.

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Louis Menand’s The Metaphysical Club, daunting in its choice of subject matter, closely aligns itself with the ancient sense of the word ‘history’ as a fluid, almost epic narrative. The Metaphysical Club of the title was a conversation group that met in Cambridge for a few months in 1872. Its membership roster listed some of the greatest intellectuals of the day: Charles Peirce, William James, Oliver Wendell Holmes, Chauncey Wright, amongst others. There is no record of the Club’s discussions or debates—in fact, the only direct reference to the Club is made by Peirce in a letter written thirty

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Betjemann, Peter. "Race, Violence, and the Textual Politics of the New York Sketch Club." Archives of American Art Journal 60, no. 2 (2021): 4–25. http://dx.doi.org/10.1086/717524.

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Teo, Thompson S. H., Sheryl E. Kimes, and Zhiyi Yong. "Case—The Rise and Fall of Taxi Club Management in New York." INFORMS Transactions on Education 20, no. 1 (2019): 28–32. http://dx.doi.org/10.1287/ited.2019.0207cs.

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Lazerwitz, Michael R. "The Moot: A Colonial New York Lawyers’ Club in the Early 1770s." American Journal of Legal History 56, no. 2 (2016): 265–97. http://dx.doi.org/10.1093/ajlh/njw002.

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Weltman, A. C., N. M. Bennett, D. A. Ackman, et al. "An outbreak of hepatitis A associated with a bakery, New York, 1994: The 1968 ‘West Branch, Michigan’ outbreak repeated." Epidemiology and Infection 117, no. 2 (1996): 333–41. http://dx.doi.org/10.1017/s0950268800001515.

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SummaryIn a community hepatitis A outbreak in the Rochester, New York area, 64 of 79 (81 %) people with anti-hepatitis A 1gM-antibodies and onset of symptoms from 9 April–31 May 1994, recalled eating food obtained from a retail buyer's club. Eleven (65%) of 17 households with cases contained club members compared with 7 (21%) of 34 neighbourhood-matched control-households (matched odds ratio 8·5; 95% CI 1·7–41·6). Club employees who ate sugar-glazed baked goods were at fourfold increased risk for hepatitis. The source of infection was an 1gM- positive baker who contaminated baked goods while a

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Ricardo, Montoro Coso, and Alexandra Sonntag Franca. "Elogio de lo común. El club como condensador social = Praise of the common. The club as social condenser." rita_ Revista Indexada de Textos Académicos, no. 14 (November 15, 2020): 142–49. https://doi.org/10.24192/2386-7027(2020)(v14)(10).

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Las luces del fuego de la razón provocada por la Ilustración harán necesario la creación de una nueva tipología para la reunión. Su calor propiciará la aparición de nuevas común-unidades de poder en la Inglaterra de la Revolución Industrial. Los Gentlemen’s clubs, o Clubs de caballeros, con sus diferentes temáticas necesitarán un soporte arquitectónico donde poder escenificar sus postulados y actividades. Este modelo será exportado a las colonias con sus respectivas adaptaciones. Nueva York

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Luvaas, Brent. "Post No Bill: The Transience of New York City Street Style." Fashion Studies 1, no. 1 (2018): 1–20. http://dx.doi.org/10.38055/fs010101.

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The sidewalks outside New York Fashion Week are lined with makeshift plywood walls. They are designed to keep pedestrians out of construction zones, but they have become the backdrops of innumerable “street style” photographs, portraits taken on city streets of self-appointed fashion “influencers” and other stylish “regular” people. Photographers, working to build a reputation within the fashion industry, take photos of editors, bloggers, club kids, and models, looking to do the same thing. The makeshift walls have become a site for the staging and performance of urban style. This photo essay

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Teo, Thompson S. H., Sheryl E. Kimes, and Zhiyi Yong. "Case Article—The Rise and Fall of Taxi Club Management in New York." INFORMS Transactions on Education 20, no. 1 (2019): 26–27. http://dx.doi.org/10.1287/ited.2019.0207ca.

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Happersett, Susan. "The Cartesian MathArt Hive Exhibition, The Bowery Poetry Club, New York, 2009–2010." Journal of Mathematics and the Arts 4, no. 3 (2010): 163–72. http://dx.doi.org/10.1080/17513472.2010.490756.

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McGowan, Matthew. "Teaching Latin in New York City’s Public Schools: A Panel Discussion Sponsored by the New York Classical Club, May 4, 2012." Classical World 107, no. 2 (2013): 255–71. http://dx.doi.org/10.1353/clw.2013.0128.

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Bird, Jess. "Fire in the Bronx: Austerity, Quality of Life, and Nightlife Regulation in New York City Post-1975." Journal of Urban History 46, no. 4 (2019): 836–53. http://dx.doi.org/10.1177/0096144219836930.

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America’s underground economy has grown strikingly since the 1970s, reflecting consumer demand for cheap prices, workers’ search for alternative sources of income, and government intervention. Far from unregulated, this economy has been managed in crucial ways, revealing a fundamental paradox in free market rhetoric. This was particularly striking in New York City in the latter decades of the twentieth century, where a set of uneven responses to the underground economy expanded its boundaries through new licensing, zoning, and permitting requirements that many businesses could not conform to.

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Lee, Mitchell. "Self and The City: Social Identity and Ritual at New York City Football Club." Journal of Contemporary Ethnography 47, no. 3 (2016): 367–95. http://dx.doi.org/10.1177/0891241616677581.

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This article addresses the construction of a singing culture at New York City Football Club (NYCFC) over the course of its inaugural season in Major League Soccer (MLS). Although being a supporter can provide many of the feelings associated with the term “community,” in order to capture the fluid reality of twenty-first-century group formation, this article rejects that label, preferring to understand NYCFC fandom as an emerging “social identity.” Such an approach enables us to recognize the many layers of identification that form people’s self-concepts. I argue that NYCFC fandom, and perhaps

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Rayl, Susan. "“Holding Court”: The Real Renaissance Contribution of John Isaacs." Journal of Sport History 38, no. 1 (2011): 5–17. http://dx.doi.org/10.5406/jsporthistory.38.1.5.

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Abstract John Isaacs learned to play basketball while growing up in Harlem, New York. He gained top honors on his high school team and played professionally for the famed New York Renaissance, assisting in their 1939 “World” title. During World War II, Isaacs played for several professional basketball teams, including the 1943 champion Washington Bears. Following his basketball career, Isaacs worked full time as a clerk for New York Life Insurance during the day and at the Boys and Girls Club in the evening in the Bronx. Isaacs dedicated his life to the youth of New York City over the next fif

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Lifschutz, Leon. "Club Sports: Maximizing Positive Outcomes and Minimizing Risks." Recreational Sports Journal 36, no. 2 (2012): 104–12. http://dx.doi.org/10.1123/rsj.36.2.104.

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Today's college students are getting involved outside the classroom in record numbers. One area that has witnessed massive growth is the realm of club sports. A New York Times article estimated that nearly two million students across the nation actively participate in club sports (Pennington, 2008). With so many students clamoring for these programs it is essential for institutions of higher education too understand what exactly a club sport is, and how it differs from its cousins, varsity sports and intramural sports. It is also important to recognize the many positive outcomes that can be a

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ZELENSKY, NATALIE K. "Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties." Journal of the Society for American Music 14, no. 4 (2020): 480–509. http://dx.doi.org/10.1017/s1752196320000346.

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AbstractIn the midst of the Prohibition era, New York City proliferated with nightclubs that presented patrons with imagined worlds of music and entertainment. This essay explores the role of music in creating such imagined worlds, looking specifically at the Russian-themed nightclubs founded by and employing émigrés recently exiled from Bolshevik Russia. Examining Midtown's Club Petroushka as a prime example of such a space, this essay focuses on the so-called “Russian Gypsy” entertainment that caught the eye and ear of the club's patrons, whose ranks included Charlie Chaplin, Harpo Marx, and

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Scriabine, Alexander. "The New York Lipid and Vascular Biology Research Club Angiogenesis and Atherosclerosis The Rockefeller University, New York, NY, USA Tuesday, May 2, 2000." Cardiovascular Drug Reviews 18, no. 2 (2006): 175–76. http://dx.doi.org/10.1111/j.1527-3466.2000.tb00041.x.

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Le Beau, B. F. "The Universalist Movement in America, 1770-1880. By Ann Lee Bressler. New York: Oxford University Press, 2001. 204 pp. $35.00." Journal of Church and State 44, no. 2 (2002): 363–64. http://dx.doi.org/10.1093/jcs/44.2.363.

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Kahn, Douglas. "Christian Marclay's Early Years: An Interview." Leonardo Music Journal 13 (December 2003): 17–21. http://dx.doi.org/10.1162/096112104322750737.

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The artist discusses with the author his early career and influences. Marclay explains his upbringing in Switzerland and his lack of familiarity with American mass culture, to which he credits his early experiments in art, music and performance using records. Marclay describes the evolution of his use of records and discusses other influences, such as art school and the New York club scene of the 1970s.

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Nanín, José E., and Jeffrey T. Parsons. "Club Drug Use and Risky Sex Among Gay and Bisexual Men in New York City." Journal of Gay & Lesbian Psychotherapy 10, no. 3-4 (2006): 111–22. http://dx.doi.org/10.1300/j236v10n03_10.

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Nanin, Jose, and Jeffrey Parsons. "Club drug use and risky sex among gay and bisexual men in New York city." Journal of Gay & Lesbian Mental Health 10, no. 3 (2006): 111–22. http://dx.doi.org/10.1080/19359705.2006.9962457.

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Di Paoleo, Marianna. "Gloria Nardini, Che bella figura!: The power of performance in an Italian ladies' club in Chicago. (SUNY series in Speech Communication & SUNY series in Italian/American Studies.) Albany, NY: State University of New York Press, 1999. Pp. x, 164. Pb $19.95." Language in Society 30, no. 2 (2001): 324–27. http://dx.doi.org/10.1017/s0047404501392059.

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In this book, Nardini presents “a ‘thick description’ of the Collandia Ladies' Club” from an ethnographic, feminist perspective (p. 127). Using data she gathered as a participant observer in this women's auxiliary to an Italian-American men's club in Chicago, Nardini shows that “examining language use in this ‘community of practice’ allows us to revise our notions of women as powerless users of language” (128). In fact, these immigrant and first-generation Lucchese-American club women are shown to wield a considerable amount of power over one another and over the men in the club by using commu

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Hinitz, Blythe. "NCSS Notable Trade Book Lesson Plan: The Bully Blockers Club." Social Studies Research and Practice 2, no. 2 (2007): 298–300. http://dx.doi.org/10.1108/ssrp-02-2007-b0014.

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This lesson plan can be used for compliance with the laws in twenty-nine states (and eleven in preparation) [New York Times, January 28, 2007] requiring that K-12 schools and school districts have plans in place for addressing bullying, teasing, and harassment in educational settings (including school buildings and premises and school buses). The trade book The Bully Blockers Club assists elementary level students in developing positive proactive anti-bullying and anti-harassment strategies.

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McCoy, Garnett. "The Rise and Fall of the American Artists' Congress." Prospects 13 (October 1988): 325–40. http://dx.doi.org/10.1017/s0361233300005329.

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In the fall of 1929, just after the stock market crash but before its effects were widely felt, a group of radical artists and writers in New York established the John Reed Club, named after the already legendary journalist, poet, and revolutionary activist. The founders, some of them members of the Communist Party, some loosely associated with the party's cultural magazine New Masses, were committed but restless young men in search of a focus for their political energies. Soon after the club began, the artist members created an art school, organized exhibitions, and sponsored a lecture series

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McCoy, Garnett. "The Rise and Fall of the American Artists' Congress." Prospects 13 (October 1988): 325–40. http://dx.doi.org/10.1017/s0361233300006773.

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In the fall of 1929, just after the stock market crash but before its effects were widely felt, a group of radical artists and writers in New York established the John Reed Club, named after the already legendary journalist, poet, and revolutionary activist. The founders, some of them members of the Communist Party, some loosely associated with the party's cultural magazine New Masses, were committed but restless young men in search of a focus for their political energies. Soon after the club began, the artist members created an art school, organized exhibitions, and sponsored a lecture series

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Loney, Glenn. "A Theatre of Pre-Depression: Economics and Apathy in New York." New Theatre Quarterly 8, no. 32 (1992): 313–20. http://dx.doi.org/10.1017/s0266464x00007090.

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In an article in NTQ22 (May 1990), Glenn Loney clarified, with special concern for a British readership, the many ‘Factors in the Broadway Equation’. In NTQ 30 (May 1992), he took a closer look at the productions of the 1990–91 season, with its glut of musicals, from the lavish to the just plain lousy, economic ‘single-person shows’ – and the sometimes more challenging products of the off-Broadway and not-for-profit sectors. Here, he continues to trace the long decline of the ‘fabulous invalid’ through the season of 1991–92 – a season overshadowed by the death of Joe Papp, the mourning for a g

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Lerum, Kari. "Strip Club: Gender, Power, and Sex Work. By Kim Price-Glynn. New York: New York University Press, 2010. Pp. xiv+263. $75.00 (cloth); $22.00 (paper)." American Journal of Sociology 117, no. 1 (2011): 345–47. http://dx.doi.org/10.1086/661034.

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Silvestri, Katarina, Mary McVee, Christopher Jarmark, Lynn Shanahan, and Kenneth English. "Multimodal positioning of artifacts in interaction in a collaborative elementary engineering club." Multimodal Communication 10, no. 3 (2021): 289–309. http://dx.doi.org/10.1515/mc-2020-0017.

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Abstract This exploratory case study uses multimodal positioning analysis to determine and describe how a purposefully crafted emergent artifact comes to influence and/or manipulate social dynamics, structure, and positionings of one design team comprised of five third-graders in an afterschool elementary engineering and literacy club. In addition to social semiotic theories of multimodality (e.g., Kress, G. (2010). Multimodality: a social semiotic approach to contemporary communication. New York, NY: Routledge) and multimodal interactional analysis (Norris, S. (2004). Analyzing multimodal int

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Glynn, Tom. "The Professionalization of a Calling: Mission and Method at the New York Library Club, 1885-1901." Libraries & the Cultural Record 41, no. 4 (2006): 438–61. http://dx.doi.org/10.1353/lac.2006.0058.

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Habich, Robert D., and Bryan Watermar. "Republic of Intellect: The Friendly Club of New York City and the Making of American Literature." Journal of American History 96, no. 1 (2009): 197. http://dx.doi.org/10.2307/27694765.

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Longaker, Mark Garrett. "Bryan Waterman.Republic of Intellect: The Friendly Club of New York City and the Making of American Literature.:Republic of Intellect: The Friendly Club of New York City and the Making of American Literature.(New Studies in American Intellectual and Cultural History.)." American Historical Review 113, no. 2 (2008): 499–500. http://dx.doi.org/10.1086/ahr.113.2.499.

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Cocciolo, Anthony. "Community Archives in the Digital Era: A Case from the LGBT Community." Preservation, Digital Technology & Culture 45, no. 4 (2017): 157–65. http://dx.doi.org/10.1515/pdtc-2016-0018.

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Abstract:This project looks at the challenges of establishing a digital community archives. The case that will be explored is that of Front Runners New York, an LGBT running club. The archive documents this small slice of the New York City LGBT community, capturing the impact of the AIDS epidemic and the community's struggle for wide acceptance in the 1980s and 1990s, and more recent triumphs in the 2010s such as the success of the marriage equality movement. This project finds that establishing and maintaining a community digital archive necessitates navigating a complex set of technological

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