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Littérature scientifique sur le sujet « Nigerian films »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 16 février 2022

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Articles de revues sur le sujet "Nigerian films"

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Onuzulike, Uchenna. « Audience Reactions to the Different Aspects of Nollywood Movies ». CINEJ Cinema Journal 5, n^o 2 (11 octobre 2016) : 87–104. http://dx.doi.org/10.5195/cinej.2016.137.

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This article juxtaposes two audiences-Nigerians in Nigeria and Nigerians in South Africa in order to ascertain how they perceive favorite aspects and disliked aspects of Nigerian movie productions, popularly known as Nollywood. The results indicate that the two groups favor the depiction of Nigerian/African cultures over other themes; yet, Nigerians in South Africa disfavor the reality of Nollywood movies. The disliked aspects of these films were repetition, poor quality and the supernatural. Grounded in reception analysis and mirroring McLuhan’s hot-cool model, the analysis indicates that the quality of Nollywood movies impacts how audiences decode the movies. Findings suggest that for those living outside of Nigeria, nostalgia leads them to seek movies that allow them to escape into a Nigeria that never was.

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Ezejideaku, Emmanuel, et Esther Nkiru Ugwu. « Igbo English in the Nigerian video film ». English World-Wide 30, n^o 1 (17 février 2009) : 52–67. http://dx.doi.org/10.1075/eww.30.1.04eze.

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This paper examines the use of Igbo English, one of the ethnic varieties of Nigerian English, in the Nigerian video film. By Nigerian video film, we mean video films produced in, and/or about Nigeria in English as opposed to those produced in Nigerian indigenous languages which are variously known as Igbo video films, Yoruba video films, or Edo video films, among others. The data for this study come from a random selection from video films produced in Nigeria between 2003 and 2006. In all the films studied, it is observed that Igbo English is essentially the medium of communication. Igbo English is one of the three major ethnic varieties of Nigerian English and is characterized by the fact that, while the vocabulary is mostly English, the sentence pattern is essentially Igbo. The choice of Igbo English as the medium for the films seems to be part of the efforts by the producers to retain, as much as possible, the “Nigerianness” of the films, which inevitably have to be produced in English to accommodate the international audience. This study observes that Igbo English, as used in the films studied, manifests itself in four forms: Igbo English proper, composed of English vocabulary in Igbo sentence structure; Engligbo, a form of code-mixing that is almost a fifty-fifty blend of English and Igbo; translation, in which Igbo idiomatic and other rhetorical expressions are transferred literally into English; and errors induced by the influence of the mother tongue (Igbo) on English.

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Hanmakyugh, Teddy Thaddeus. « Ritual culture phenomenon in Igbo films : a study of Money is Money ». EJOTMAS : Ekpoma Journal of Theatre and Media Arts 7, n^o 1-2 (15 avril 2020) : 374–85. http://dx.doi.org/10.4314/ejotmas.v7i1-2.25.

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Film as a means of communication is a very potent instrument for image making, cultural diplomacy, propaganda, education, information and entertainment. The Nigerian film industry (Nollywood) ranks among the first three top world filmmaking industries in terms of the quantity of productions, popularity amongst Nigerians and the transnational audiences. Culture is the bedrock of Nollywood’s thematic film expositions. One can, therefore, conclude that Nollywood is Nigeria’s cultural ambassador. Although Nollywood films are quite potent in celebrating and promoting Nigerian cultures, some of these films have come under thematic criticisms as they glamourize negative, ritual themes in the name of culture. It is against this backdrop that this article examines the occult ritual of cultural phenomenon in Prince Emeka Ani’s Money is Money (2005) and the negative image it portends for Nigeria globally. The film depicts Andy (Kanayo O. Kanayo), an Igbo youth who deploys occult means as an instrument for making money even at the cost of his life. This paper uses content analysis and literary methods as tools to interrogate the preponderance of the occult themes in Nollywood movies. The findings show that Nigeria has several acceptable cultures as raw materials that could positively portray Nigeria’s cultures globally. However, the unceasing preoccupation with “juju”, the relentless celebration of dark rituals and diabolical cults could make viewers cultivate the perception of reality portrayed by these films. Money is Money celebrates the non-attractive side of Nigeria. Therefore, it is recommended that the Nollywood film professionals tell the global audience acceptable culturally based value themes about Nigeria. Keywords: Igboland, Ritual culture, Nollywood film professionals, Igbo film, Nigerian cultures

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Jell-Bahlsen, Sabine, et Jonathan Haynes. « Nigerian Video Films ». International Journal of African Historical Studies 32, n^o 2/3 (1999) : 618. http://dx.doi.org/10.2307/220469.

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Mustapha-Lambe, Kayode, et Eno Akpabio. « Nollywood Films and the Cultural Imperialism Hypothesis ». Perspectives on Global Development and Technology 7, n^o 3-4 (2008) : 259–70. http://dx.doi.org/10.1163/156914908x370683.

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AbstractFrom the viewpoint of the cultural imperialism hypothesis and its complications, the overall aim of this study was to find out if foreign films still had a stranglehold on Nigerian audience members. The findings indicate that a majority of respondents watch and have a favorable attitude towards Nigerian home video films. However, in terms of preference between local and foreign films, a small percentage indicated preference for the former. The study concludes that the high quality of production of American films accounts for the favorable views held by respondents, even though it is apparent that these and other foreign productions no longer have a captive market in Nigeria.

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DIOP, Samba. « Nollywood : Indigenous Culture, Interculturality, and the Transplantation of American Popular Culture onto Postcolonial Nigerian Film and Screen ». Communication, Society and Media 3, n^o 1 (12 décembre 2019) : p12. http://dx.doi.org/10.22158/csm.v3n1p12.

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Nigeria, the Giant of Africa, has three big tribes: Yoruba, Igbo, and Hausa. It was a British colony which was amalgamated in 1914. The country became independent in 1962 and was right away bedeviled by military coups d’états and a bloody civil war (1967-1970). In 1999, the country experienced democratic dispensation. In the 1990s, the Nollywood nascent movie industry—following in the footpath of Hollywood and Bollywood—flourished. The movie industry grew thanks to four factors: Rapid urbanization; the hand-held video camera; the advent of satellite TV; and, the overseas migrations of Nigerians. Local languages are used in these films; however, English is the most prominent, along with Nigerian pidgin broken English. Many themes are treated in these films: tradition and customs, religion, witchcraft and sorcery, satire, urban and rural lives, wealth acquisition, consumerism, etc. I discuss the ways in which American popular culture is adopted in Nigeria and recreated on screen. Nigeria and USA share Federalism, the superlative mode, and gigantism (houses, cars, people, etc.), and many Nigerians attend American universities. In the final analysis, the arguments exposed in this paper highlight the multitude of ways in which Nigerians navigate the treacherous waters of modernity and globalization.

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Emelonye, Obi, et Françoise Ugochukwu. « Exploring the diasporan dimension of Nollywood – a conversation with Obi Emelonye ». Issue 1 1, n^o 1 (12 juin 2018) : 41–51. http://dx.doi.org/10.31920/2516-2713/2018/v1n1a3.

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Obi Emelonye, born on March 24, 1967 in Port-Harcourt (Nigeria), settled in London in the 1990s. A prolific film producer and director with a passion for excellence, he has greatly contributed to the professionalization of the Nigerian cinema in diaspora. A graduate of Theatre Arts from the University of Nigeria, Nsukka, with a Law degree from the British University of Wolverhampton, he turned to film production and direction after a short spell as a lawyer. He has since secured international distribution for most of his films, which treat a variety of contemporary subjects, and is now recognised as a truly international leader in the profession. In this personal interview dated August 23, 2018, he offers a panoramic view of his films and reveals the professionalism, passion and hard work which characterise his production and endeared his films to both Nigerian and international audiences.

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Ogheneruro Okpadah, Stephen. « Queering the Nigerian Cinema and Politics of Gay Culture ». Legon Journal of the Humanities 31, n^o 2 (28 janvier 2021) : 95–110. http://dx.doi.org/10.4314/ljh.v31i2.4.

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The advocacy for gayism and lesbianism in Nigeria is informed by transnational cultural processes, transculturalism, interculturalism, multiculturalism and globalisation. Although critical dimensions on Lesbian, Gay, Bisexual and Transgender (LGBT) are becoming recurrent subjects in Nigerian scholarship, scholarly works on LGBT, sexual identity and Nigerian cinema remain scarce. Perhaps, this is because of indigenous Nigerian cultural processes. While Chimamanda Adichie, a Nigerian novelist cum socio-political activist, campaigns against marginalisation and subjugation of gays and lesbians and for their integration into the Nigerian cultural system, numerous African socio-cultural and political activists hold a view that is dialectical to Adichie’s. The position of the members of the anti-gay group was further strengthened with the institution of stringent laws against gay practice in Nigeria by the President Goodluck Jonathan led government in 2014. In recent times, the gay, bisexual, transgender and lesbian cultures have been a source of raw material for filmmakers. Some of the thematic preoccupations of films have bordered on questions such as: what does it mean to be gay? Why are gays marginalised? Are gays socially constructed? What is the future of the advocacy for gay and lesbian liberation in Nigeria? Although most Nigerian film narratives are destructive critiques of the gay culture, the purpose of this research is not to cast aspersion on the moral dimension of LGBT. Rather, I argue that films on LGBT create spaces and maps for a critical exploration of the gay question. While the paper investigates the politics of gay culture in Nigerian cinema, I also posit that gays and lesbians are socio-culturally rather than biologically constructed. This research adopts literary and content analysis methods to engage Moses Ebere’s Men in Love with reference to other home videos on the gay and lesbian motifs.

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Umukoro, Olaoluwa Elsie, Damilola Felix Eluyela, Emmanuel Ozordi, Ofe Iwiyisi Inua et Sheriff Babajide Balogun. « Nollywood Accounting and Financial Performance : Evidence From Nigerian Cinemas ». International Journal of Financial Research 11, n^o 2 (16 mars 2020) : 271. http://dx.doi.org/10.5430/ijfr.v11n2p271.

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The main aim of this study is to discover what influences the financial performance of a given Nollywood film in Nigerian cinemas. We hypothesize that social media, filmmakers and friends influences financial performance of Nollywood films in Nigeria. In order to achieve this objective, we adopted survey research design methodology via the use of google forms to generate 530 copies of questionnaire between November 2018 and January 2019. Using resource dependency theory, we find out that social media, filmmakers and friends are major determinant of Nollywood financial performance in Nigeria. We recommend that filmmakers should embark on more social media campaigns and adverts in order to generate more revenue and profit for their films.

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Adesokan, A. « Practising 'Democracy' in Nigerian Films ». African Affairs 108, n^o 433 (17 juillet 2009) : 599–619. http://dx.doi.org/10.1093/afraf/adp044.

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Thèses sur le sujet "Nigerian films"

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Ostrowska, Dorota. « Parallel paths to self-discovery : a comparative history of the critical discourses of the 'nouveau roman' and the 'Nouvelle Vague', 1951-1967 ». Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270458.

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Azeez, Adesina Lukuman. « Representations of Women in Nigerian Video Films : Construction and Reception ». Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503257.

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Oladosu, Olayinka Abdulahi. « Femininity and Sexual Violence in the Nigerian Films, Child, not Bride, October 1 and Sex for Grades ». Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1621857462497919.

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Nuhu, Habib M. « Entrepreneurship and Institutions in Innovation systems research : Evidence from the Nigerian film industry ». Thesis, University of Bradford, 2016. http://hdl.handle.net/10454/15907.

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As the innovation systems approach becomes increasingly transferred from developed to developing countries as a framework for achieving increased productivity, the notion of deficient institutions becomes more important. Prior research on innovation systems has adopted a broad treatment of institutions that has resulted in an omission of the impact that deficient institutions have on implementing innovation. Towards providing a treatment of institutions that is more specific and by extension, accounts for the impact of deficient institutions within developing country innovation systems, this thesis on the account of both the personcentric characteristic of the entrepreneur and the entrepreneur’s ability to deal with uncertainty focused on answering the research question: How do entrepreneurs deal with deficient institutions in developing country innovation systems in order to introduce innovation? By considering the context of the Nigerian film industry innovation system, this thesis showed that entrepreneurs dealt with the deficient institutions by substituting them with informal institutions during their interactions with Nigerian actors, and with formal institutions that looked to be external to the Nigerian environment when interacting with international actors. In addition to this, the decision to use these institutions was seen to have been influenced by both the situations that the entrepreneurs faced and their personal experiences personal experiences. By showing this, the thesis contributed to the literature on innovation systems by providing a more nuanced understanding of institutions in comparison with what previously existed. Another contribution was the introduction of agency (through analytical focus on the entrepreneur) within innovation systems research.

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Blomgren, Joel, et Tim Viklund. « Distribution i Nollywood -En Potentiell Framtid ». Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-72111.

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Nollywoods distribution is a complex phenomenon that is ever changing. With a competing market, the industry needs to constantly keep up with innovative distribution methods. As the VCD/DVD market fades away, newer distribution platforms rise. In this thesis we are going to analyze and discuss Nollywood's opportunities of growth. With empirical material from previous research and direct contact with professionals in the industry through interviews, we can establish how Nollywood is going to flourish.

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Owolabi, T. O. « Internal marketing and turnover intentions in Nigerian law firms ». Thesis, University of Liverpool, 2018. http://livrepository.liverpool.ac.uk/3021717/.

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Igwe, Ezinne. « Formalizing Nollywood : gentrification in the contemporary Nigerian film industry ». Thesis, Birmingham City University, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.753291.

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This study investigates transformations in the Nigerian film industry, focusing specifically on a segment of the industry known as Nollywood. Typically characterized as an informal industry due to its low budgets and unofficial modes of distribution, Nollywood is regularly referred to as a success story, accounting for $7.2 billion (1.42%) of Nigeria’s gross domestic product. Because of this success, the Nigerian government, under the President Goodluck Jonathan administration (2010-2015), introduced various mechanisms to formalize and economize Nollywood in the quest to maximize its potentials and diversify the Nigerian economy. This endeavour availed the industry of film fund, professional training and enhanced distribution. My study focuses on this specific area, addressing wider issues of debate relating to how countries seek to economically benefit from their film economies and the role policy plays in the formalization of film industries. Existing studies on Nollywood have concentrated on a point in the evolution of the industry, an era now labelled the old Nollywood. Whole studies on political economic matters, national cinema discourses and individual and corporate efforts and motivation towards these transformations remain lacking. In this study, I examine as gentrification the efforts of the state, corporate organizations and individuals to transform Nollywood. Adopted from urban studies, gentrification is applied figuratively to examine the motivations propelling these transformations in order to determine its implications for the industry and the industry players. I draw on primary data sourced using a method I term econo-ethnography that combines forms of ethnography, economic base theory and political economy analysis. This data is interrogated using a theoretical framework that incorporates literature from the fields of political economy, gentrification and national cinema, the intention being to understand the development of evolving film economies, particularly Nollywood. I argue that with the right policies, sustained state and corporate support, Nollywood would be gentrified. However, this attempt to gentrify Nollywood impacts on the economic processes of the industry as well as the practices of the industry players. I find that with deep-rooted informality, inefficiencies in policymaking and implementation and sporadic nature of state support, gentrification will further sector Nollywood creating new and varied opportunities for filmmakers, distributors and consumers.

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Melodi, Gabriel Olamitimbo. « Inventory control in a developing economy : the case of Nigeria ». Thesis, University of Ulster, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.258228.

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Mshelia, James Buba. « Political risk assessment by multinational firms in Nigeria ». Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/30193/.

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The study offers an insight into the dynamics of the relationship between political risk and multinational firms in the context of emerging markets. Political Risk Assessment (PRA) importance for multinational firms investing in emerging markets has increased significantly with the growing rate of Foreign Direct Investment (FDI) globally. It is used for managing political risk, and decision-making processes during firms’ internationalisation, and has been identified as one of the key determinants of FDI into developing countries. However, only a few empirical studies on PRA have been undertaken in emerging markets. Previous studies have shown that political risk has been evolving and has resulted in a range of consequences that have influenced the type of strategies which firms adopt. It is in recognition of this that the need to identify a country’s specific political risk factors and their consequences for multinational firms that this study is undertaken in Nigeria. Despite the flux in the political environment of the country with its population divided along cultural, ethnic, language and religious lines within its different geographical regions, Nigeria has witnessed a continuous inflow of FDI. This research contributes to the assessment of political risk by critically analysing the determinants and indicators to examine how the consequences of political risk impact upon multinational firms, with a view to understanding the managerial practices associated with managing political risk in Nigeria. Six objectives were identified as follows: to investigate the determinants of political risk; to examine their impacts; to investigate the variables and indicators used to forecast political risk; to investigate the consequences of political risk; to explore practices of PRA in multinational firms and to identify strategies used to manage and mitigate political risk in Nigeria. Likewise, four hypotheses underpinning these objectives were formulated to understand the dynamics of the relationship between political risk and multinational firms. This study empirically used a sequential mixed method strategy to analyse statistically as well as using thematic and content analysis data collected through a multi-method approach from 74 multinational firms in Nigeria. The dataset of the International Country Risk Guide (ICRG) PRA annual rating for Nigeria within the period 2011 to 2015 was also analysed. The study identifies eight determinants that contribute to the emergence of political risk. It highlighted factors that influence the consequences of political risk on multinational firms which supports the conceptual premise for identifying reasons why firms manage and mitigate political risk in countries, and why some internationalise into specific countries. Empirically, it showed that the impact of political risk varies from one part of a country to another, as do the consequences of their impacts which inform why multinational firms are located more in some parts of the country, and how the consequences of political risk will differ between firms, depending on their location in a country. These findings have implications for practice and showed that firms could improve their conduct of PRA, influence the type of strategies they adopt and how to explore quantitative PRA methodologies when operating in similar emerging markets. This study also showed that some risk indicators used for forecasting political risk appeared major and did not retain the same value within the country. The case of Nigeria showed that the presence of high political risk does not deter firms if the financial and economic risk is low. It reveals also that the practice of PRA differs within firms and that the strategies used to mitigate political risk mostly involve the conduct of PRA and engagement in Corporate Social Responsibility (CSR).

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Sawyerr, Olukemi Olaitan. « Environmental Scanning Practices of Manufacturing Firms in Nigeria ». Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc277815/.

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The purpose of this study was to examine scanning practices in a developing country by looking at the scanning behavior of executives of Nigerian manufacturing firms. Specifically, this study examined the decision maker's perception of environmental uncertainty (PEU), the frequency and degree of interest with which decision makers scan each sector of the environment, the frequency of use of various sources of information, the number of organizational adjustments made in response to actions of environmental groups, and the obstacles encountered in collecting information from the environment.

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Livres sur le sujet "Nigerian films"

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Ekwuazi, Hyginus. Film in Nigeria. 2^e éd. Jos, Nigeria : Nigerian Film Corp., 1991.

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Ekwuazi, Hyginus. Film in Nigeria. Bodija, Ibadan [Nigeria] : Moonlight Publishers, 1987.

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Adeiza, Mohammed Shamoosideen. The cradle of film : Landmarks of the Nigerian Film Corporation. [Jos, Nigeria] : NFC, 1994.

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Board, Nigeria National Film and Video Censors. Film and video directory in Nigeria. Abuja, Nigeria : National Film and Video Censors Board, 2002.

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Mgbejume, Onyero. Film in Nigeria : Development, problems, and promise. [Nairobi, Kenya] : African Council on Communication Education, 1989.

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Gidado, Maxwell Michael. Petroleum development contracts with multinational oil firms : The Nigerian experience. Maiduguri : Ed-Linform Services, 1999.

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Emergence, growth and challenges of films and home videos in Nigeria. Bowie, Maryland, U.S.A : African Renaissance Books, 2009.

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NISER Annual Monitoring Research Programme., dir. Nigeria's technological capacity in the food and beverages industry, 2003 : A pilot study of firms in South Western Nigeria. Ibadan : NAMRP, 2005.

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Omatsola, Daniel. Televisual film production in Nigeria : A critical source book. Benin City : Abotu Research Publishers, 1998., 1998.

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Dzever, Samuel. An appraisal of the role of foreign firms in the Nigerian tin industry. Linköping : Linköping University, Department of Management and Development, 1987.

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Chapitres de livres sur le sujet "Nigerian films"

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Esan, Oluyinka. « Audience Appreciation of Nigerian Films (Nollywood) ». Dans Valuing Films, 121–45. London : Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305854_8.

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Nwabara, Olaocha Nwadiuto. « Re-producing Self, Community, and ‘Naija’ in Nigerian Diaspora Films : Soul Sisters in the United States and Man on the Ground in South Africa ». Dans Art, Creativity, and Politics in Africa and the Diaspora, 125–49. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91310-0_7.

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Otasowie, Osamudiamen Kenneth, et Ayodeji Emmanuel Oke. « Mentoring Practices in Construction Professional Firms in Nigeria ». Dans The Construction Industry in the Fourth Industrial Revolution, 124–32. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26528-1_13.

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Ogunleye, Akin George, et Rasheed Oyaromade. « Globalization and the Performance of Selected Multinational Firms in Nigeria ». Dans Contributions to Management Science, 343–58. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11766-5_13.

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Dagogo, Daibi W. « Government, Bank, and Private Capital Financing of Entrepreneurial Firms in Nigeria ». Dans Entrepreneurial Finance in Emerging Markets, 361–72. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46220-8_23.

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McCain, Carmen. « Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria ». Dans Silencing Cinema, 223–40. New York : Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137061980_14.

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Abubakar, Abdulmutallib Ado, et Sharafa Dauda. « Socio-Economic Psychology of Nigeria’s Nollywood and Kannywood Film Industries ». Dans Nollywood in Glocal Perspective, 163–86. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30663-2_9.

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Ogunjemilua, Emmanuel M., Billy A. Oluwale, Oluseye O. Jegede et Blessing F. Ajao. « The Nexus of Knowledge Sharing and Innovations in the Informal Sector : The Case of Otigba Hardware Cluster in Nigeria ». Dans International Business and Emerging Economy Firms, 275–99. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27285-2_9.

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Akinradewo, Olusola Festus, et Bamidele Temitope Arijeloye. « Contracting Firms Compliance to Health and Safety Measures on Construction Sites in Nigeria ». Dans The Construction Industry in the Fourth Industrial Revolution, 419–27. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26528-1_42.

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Efobi, Uchenna R., Emmanuel Orkoh et Scholastica Atata. « Financial Inclusion and Foreign Market Participation of Firms : A Quasi-experiment from Nigeria ». Dans Financing Sustainable Development in Africa, 39–61. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78843-2_3.

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Actes de conférences sur le sujet "Nigerian films"

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Kusimo, Abisola C., et Sheri Sheppard. « Manufacturing Vulnerability : How Resource Scarcity Hinders Team Coordination During Manufacturing in Nigerian Factories ». Dans ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97820.

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Abstract The purpose of this research is to learn how less-skilled workers (LSWs) and highly-skilled workers (HSWs) coordinate in Nigerian factories, where the formal education gap between these two groups can be quite significant. The study takes place in two factories and two universities across four Nigerian states over the summer of 2018. Drawing on methods of ethnography (i.e. a collection of qualitative methods to closely observe social interactions and practices as to interpret and build theory), it was discovered that resource scarcity hinders team coordination through the occurrence of four obstacles: (1) unclear role boundaries and work processes, (2) poor attitude towards work, (3) under- and overutilization of employees, and (4) worker demoralization and feelings of being undervalued. This paper builds upon previous work on factory coordination in cross-occupational functional groups in Silicon Valley. Theoretically, this paper reveals how the studied manufacturing firms in Nigeria currently perform team coordination and the challenges that prevent them from reaching high efficiency. Additionally, it offers premises for future field experiments to test the generalizability of the findings and interventions to enhance coordination effectiveness and the product development process in Sub-Saharan African manufacturing firms. Implications for the literature on engineering for global development is discussed. Ultimately, this research is a small step towards enabling independent African firms to have the skills, tools, and resources to design and create their own unique solutions for challenges faced in-country.

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Kibiya, Muhammad Umar. « Audit Committee Characteristics and Financial Reporting Quality : Nigerian Non-Financial Listed Firms ». Dans ISSC 2016 International Conference on Soft Science. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.08.106.

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3

« Assessing the level of adoption of TQM practices in Nigerian construction firms ». Dans WABER 2019 Conference. WABER Conference, 2019. http://dx.doi.org/10.33796/waberconference2019.08.

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4

« Managing Construction Risk in Nigeria through Capitalization of Construction Firms ». Dans International Conference on Artificial Intelligence, Energy and Manufacturing Engineering. International Institute of Engineers, 2014. http://dx.doi.org/10.15242/iie.e0614010.

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5

Atolagbe, Tolulope, Rowland Worlu, Anthonia Adeniji, Odunayo Salau, Hezekiah Falola, Mercy Ogbari, Stephen Ibidunni, Maxwell Olokundun et Taiye Borishade. « DEMYSTIFYING LEARNING CULTURE AND INNOVATION PERFORMANCE OF PROFESSIONAL FIRMS IN NIGERIA ». Dans 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1047.

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« Influence of organizational sub-culture on total quality management practices in Nigerian construction firms ». Dans WABER 2019 Conference. WABER Conference, 2019. http://dx.doi.org/10.33796/waberconference2019.49.

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7

Egede, Frank, Oghenerume Ogolo, Victor Anochie, Amina Danmadami et Zephaniah Ajibade. « Application of the Delayed Royalty Framework for Onshore Petroleum Investment in Nigeria ». Dans SPE Nigeria Annual International Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/208264-ms.

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Abstract Nigeria uses the concessionary petroleum fiscal system for onshore investment in the country where the ownership of the hydrocarbon resources belongs to the contractor's. The government then gets her revenue through payment of royalties and taxes. A fixed royalty rate of 20% is specified for onshore petroleum investment in the country. This kind of royalty payment system is regressive in nature and affects the sustainability of E&P firms during period of low oil price. This research considered the incorporation of a delayed royalty framework into the concessionary petroleum fiscal system in Nigeria. Two economic models were built to evaluate upstream petroleum investment in Nigeria onshore environment using the spreadsheet modeling technique. The delayed royalty framework was incorporated into one of the model. The delay in royalty payment was made as a function of the time it takes the contractor to recoup his capital before payment of royalty and taxes. Oil price was varied in the model between $30-$90/bbl to see the impact of the delay in royalty payment on the sustainability of the investment under the delayed royalty framework. It was observed that the delayed royalty framework made the contractor to recoup his capital early during the life of the investment. It also increased the contractor's revenue which will help to increase the sustainability of the investment during period of low oil price.

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« Assessment of internal marketing relationship of quantity surveying firms in southwestern Nigeria ». Dans WABER 2019 Conference. WABER Conference, 2019. http://dx.doi.org/10.33796/waberconference2019.11.

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Otegbulu, Austin, Abayomi Odekaya, Olusola Johnson et Adesegun Awosanya. « Structure of Property Valuation firms and Property Valuation Reporting Quality in Nigeria ». Dans 13th African Real Estate Society Conference. African Real Estate Society, 2013. http://dx.doi.org/10.15396/afres2013_125.

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Bubou, Gordon M., et Joe E. Amadi-Echendu. « Measuring the technological innovativeness of petroleum firms in an emerging economy like Nigeria ». Dans 2016 IEEE European Technology and Engineering Management Summit (E-TEMS). IEEE, 2016. http://dx.doi.org/10.1109/e-tems.2016.7912602.

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