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Bibliographies thématiques / Oodgeroo Noonuccal

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Littérature scientifique sur le sujet « Oodgeroo Noonuccal »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 28 janvier 2023

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Articles de revues sur le sujet "Oodgeroo Noonuccal"

1

Watson, Sam. "Kath Walker/Oodgeroo Noonuccal." Queensland Review 14, no. 01 (January 2007): 43. http://dx.doi.org/10.1017/s1321816600005924.

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Collins, John. "Oodgeroo of the tribe Noonuccal." Race & Class 35, no. 4 (April 1994): 77–87. http://dx.doi.org/10.1177/030639689403500409.

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Farley, Simon. "Years of agony and joy: The Sadie and Xavier Herbert Collection." Queensland Review 22, no. 1 (May 7, 2015): 96–98. http://dx.doi.org/10.1017/qre.2015.9.

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The University of Queensland's Fryer Library is home to many fine literary vintages. Established in 1927 as the J.D. Fryer Memorial Library of Australian Literature in honour of a former Arts student and soldier in the Australian Imperial Force (AIF), John Denis Fryer, the collection includes the papers of significant Australian journalists, novelists and poets, including Ernestine Hill, John Forbes, David Malouf, Bruce Dawe, Thomas Shapcott, Peter Carey and Oodgeroo Noonuccal among others.

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Sharma, Dr Bhavna. "Womanist Expressions in the Poetry of Judith Wright and Oodgeroo Noonuccal." International Journal of English Literature and Social Sciences 5, no. 2 (2020): 540–43. http://dx.doi.org/10.22161/ijels.52.32.

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Jones, Jennifer. "Deemed Unsuitable for Children: The Editing of Oodgeroo's Stradbroke Dreamtime." Papers: Explorations into Children's Literature 14, no. 1 (January 1, 2004): 5–14. http://dx.doi.org/10.21153/pecl2004vol14no1art1272.

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In lieu of abstract, here is the first paragraph of the article: Oodgeroo of the Tribe of Noonuccal, Custodian of the Land Minjerriba, spent three decades of her life in the public sphere. In the 1960s, known as Kath Walker, she established and consolidated her reputation as a pan-Aboriginal activist and 'people's poet’. Her voice was received as representative of Aboriginal experience and concerns, as she lamented the lack of civil rights, impoverished living conditions, the loss and destruction of traditional cultures and lands. Strident political poems such as ‘Aboriginal Charter of Rights'

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Di Blasio, Francesca. "We Are Going by Oodgeroo Noonuccal. Aboriginal Epos, Australian History, Universal Poetry." Le Simplegadi, no. 19 (November 2019): 119–27. http://dx.doi.org/10.17456/simple-132.

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Furaih, Ameer Chasib. "‘Let no one say the past is dead’: History wars and the poetry of Oodgeroo Noonuccal and Sonia Sanchez." Queensland Review 25, no. 1 (June 2018): 163–76. http://dx.doi.org/10.1017/qre.2018.14.

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AbstractThe histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poet

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McKay, Belinda. "Imagining the Hinterland: Literary Representations of Southeast Queensland Beyond the Brisbane Line." Queensland Review 12, no. 1 (January 2005): 59–74. http://dx.doi.org/10.1017/s1321816600003913.

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Southeast Queensland — the region encompassing Coolangatta and the McPherson Range to the south, Cooloola and the Blackall Range to the north, and the Great Dividing Range to the west — represents one of Queensland's most significant literary landscapes. For millennia, this area — defined by mountains and waterways — contained important gathering places for ceremonies and trade, and its inhabitants elaborated the meaning of the landscape in a rich complex of stories and other cultural practices such as the bunya festivals. Colonisation disrupted but did not obliterate these cultural associatio

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Xu, Daozhi. "From Oodgeroo Noonuccal to Alexis Wright: Postcolonial reading of Australian Indigenous literature in China, 1988–2018." Journal of Postcolonial Writing 58, no. 1 (November 22, 2021): 95–110. http://dx.doi.org/10.1080/17449855.2021.1994223.

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Khoiriyah, Wardatul. "SUBALTERNISM IN OODGEROO NOONUCCAL’S SELECTED POEMS." PARADIGM 1, no. 2 (September 27, 2020): 91–106. http://dx.doi.org/10.18860/prdg.v1i2.10096.

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This study focuses on the subalternism in Oodgeroo Noonuccal’s selected poems. The approach used in this research is post-colonial approach, which focused on the context of literary works contained the effects of colonialism both on societies and cultures. The result of this research shows that the selected poems of Oodgeroo are portraying the subalternism in the matter of the superior domination and the effects which illustrate the British superiority that lead to their domination against Aboriginal people as the weaker party and resulting the great predicaments for them. Woman as subaltern w

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Thèses sur le sujet "Oodgeroo Noonuccal"

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Jones, Jennifer A. "Aboriginal women's autobiographical narratives and the politics of collaboration /." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phj7761.pdf.

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Reddy, Colleen. "Ecological consciousness in modern Australian poetry." Thesis, Queensland University of Technology, 1998.

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One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a conservation or environmental ethic. There follows a brief discussion of Deep Eco

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Jones, Jennifer A. (Jennifer Anne). "Aboriginal women's autobiographical narratives and the politics of collaboration." 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phj7761.pdf.

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Bibliography: leaves 273-284. This thesis examines the autobiographical texts of the Aboriginal women writers, Oodgeroo, Margaret Tusker and Monica Clare, in light of the 'community of commitment' which supported their publications. It considers how and why the Aboriginal women elicted outside support and how the ideology of the group informed the epistemology of the text.The role of collaborating white editors and professional editors are examined as crucial in influencing the style and content of the finished piece. The original manuscripts are compared against the published editions and the

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Flanagan, Willanski Cassie. "Here where we live: the evolution of contemporary white Australian writers’ responses to white settler status." Thesis, 2012. http://hdl.handle.net/2440/85506.

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It is proposed that Australians of white settler heritage writing on the subject of Indigenous Australians in the period from the early 20th Century to the present day take a combination of three common approaches. The “haunted”, “contemporary representations” and “stepping back” approaches represent an evolving attitude in contemporary white Australian writing on Indigenous themes. This evolution occurs in a rough chronological order, however within this chronology the writing may exhibit a fluidity, moving back and forth between the three approaches. Texts by Patrick White and Judith Wright

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Jones, Jennifer A. (Jennifer Anne). "Aboriginal women's autobiographical narratives and the politics of collaboration / Jennifer Anne Jones." Thesis, 2001. http://hdl.handle.net/2440/21762.

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Bibliography: leaves 273-284.<br>284 leaves : ill. (some col.) ; 30 cm.<br>This thesis examines the autobiographical texts of the Aboriginal women writers, Oodgeroo, Margaret Tusker and Monica Clare, in light of the 'community of commitment' which supported their publications. It considers how and why the Aboriginal women elicted outside support and how the ideology of the group informed the epistemology of the text.The role of collaborating white editors and professional editors are examined as crucial in influencing the style and content of the finished piece. The original manuscripts are co

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Livres sur le sujet "Oodgeroo Noonuccal"

1

1920-1993, Oodgeroo Noonuccal, and Oodgeroo Noonuccal 1920-1993, eds. Oodgeroo Noonuccal con We are going. Trento: Università degli studi di Trento, Dipartimento di lettere e filosofia, 2013.

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2

Taylor, Gail. Livewire Real Lives Oodgeroo Noonuccal. Cambridge University Press, 1999.

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Chapitres de livres sur le sujet "Oodgeroo Noonuccal"

1

Gaile, Andreas. "Oodgeroo Noonuccal." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14442-1.

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Gaile, Andreas. "Oodgeroo Noonuccal: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14443-1.

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3

Fox, Karen. "Oodgeroo Noonuccal: media snapshots of a controversial life." In Indigenous Biography and Autobiography. ANU Press, 2008. http://dx.doi.org/10.22459/iba.12.2008.05.

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