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Thèses sur le sujet « Painting »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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1

Gruner, Billy. "Painting the object : recent formal Australian painting." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4992.

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Domin, Jacqueline. "Painting perceptions /." Online version of thesis, 1990. http://hdl.handle.net/1850/10902.

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Clucas, Graham. "Painting silence." Thesis, University of Plymouth, 2002. http://hdl.handle.net/10026.1/1102.

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This research examines the history and theory of silent painting to discover why particular paintings were called silent, what the term was meant to signify, and how the quality of silence was discernible in the paintings it described. The imderstanding thus gauied is in tum the subject of further analysis through (documented) reflective practice, which recognises a broader context of contemporary theoretical and practical viewpoints. The purpose is to investigate, through practice, the characteristics and potentialities of silence. From the emergence of'silent' painting in America during the

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Wilson, Gina Strecker. "Narrative Painting." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4527.

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Wenholz, Mary Peta. "Painting about painting: the contemporary expansion of medium specificity." Thesis, The University of Sydney, 2007. https://hdl.handle.net/2123/28934.

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Studio: The work submitted for examination in December 2007 at SCA Galleries, consists of a painting constructed within the gallery space, and is the culmination of the research undertaken during the Masters of Visual Arts program. Untitled (Vinyl wall composition) I (2007) investigates how the act of making can function as a speculative activity interested in both the materiality of painting and the architectural context in which the work is placed. Research Paper: The objective of this research paper is to investigate the theoretical concerns raised by the studio work. It expl

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Dupuis, Matthew Morris. "Charles Lebrun, painting the King and the King of painting." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0016/MQ29489.pdf.

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Ng, Yuk-lan. "Mid-Muromachi flower and bird painting in Ashikaga painting circles /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38030962.

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Dupuis, Matthew. "Charles Lebrun : painting the king and the king of painting." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26684.

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This thesis examines the transformation in the representation of painters during Charles LeBrun's tenure as Life-Chancellor to the Academie Royale de Peinture et de Sculpture, from an initial definition in terms of the monarchy at Versailles to one founded on the practice of the art of painting. To promote the status of painters and painting, Louis XIV was celebrated as the protector of the arts in a royal portrait by Henri Testelin and was depicted as the ideal subject of art in paintings by Nicolas Loir and others. A painter's stature was then derived from the skillful manner in which he pai

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Ng, Yuk-lan, and 吳玉蘭. "Mid-Muromachi flower and bird painting in Ashikaga painting circles." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B45015624.

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Olofsson, Max. "Painting in the twenty-tens;where to now? : (You can’t touch this!)." Thesis, Kungl. Konsthögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-212.

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The essay is a manifesto-like personal take on painting, and a redefinition of painting in the digital age. Careless usage of the term ”painting” has led to a diluted descriptive function and a waning categorizing capacity; almost anything can be called painting, which in turn puts actual painting in an awkward position – where it, apart from being itself, could be almost anything. The term “painthing” is introduced to distinguish painting from works that beside its two-dimensional visual information also makes a point of its specific materiality. It brings up cave paintings and links to video

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Samrelius, Gustav. "Painting is fun." Thesis, Kungl. Konsthögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-69.

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Moffett, Jessica. "Painting the impulse." Thesis, Montana State University, 2005. http://etd.lib.montana.edu/etd/2005/moffett/MoffettJ0505.pdf.

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My primary focus in my paintings is the male figure. These paintings have evolved in a non linear progression. I went from representational to partly abstract and back to representational infused with sequential art. During this development, I decided to paint my figures to resemble comic book characters of my own creation and paint them to represent emotional qualities of spontaneity and dualities of my psyche.

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Walsh, Kerry. "Potions and painting." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040701.155706/index.html.

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Thesis (M.A. (Hons.)) -- University of Western Sydney, 2003.<br>"A thesis presented to the University of Western Sydney in partial fulfillment of the requirements for the degree of Master of Arts (Honours) Creative Arts, December 2003" Includes bibliography.

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Daw, Micah Daniel. "Painting the Liminal." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276667967.

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Ambron, Michael. "Painting as Becoming." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343739050.

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Yaeger, Matthew. "Hands On Painting." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3823.

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How can we know something through how it is sensed? Making anthropomorphic, three-dimensional paintings through a set of basic, at-hand materials, I’m interested in how empathy, modesty, and doubt can mediate a tangible experience of an object. Challenging notions of perception, I want to create a heightened sense of awareness in which the intangible can be seen or felt.

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Frost, Lola Audrey. "Negativity in painting." Thesis, Goldsmiths College (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497498.

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Joy, Clair. "Contemporary landscape painting." Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523650.

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This thesis will look at the concept of contemporary landscape painting as well as examples of artists whose work could be described as landscape painting in a contemporary context. I will be using different models (both theoretical and artistic) from those associated with the history of landscape painting to look at what contemporary landscape painting might now be. My purpose is twofold: to argue that the concept of landscape has been redefined and as a result landscape painting has new ways of being thought about, and to establish a context for my own practice. I look at the idea of space-t

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Henry, Anne L. "Animated electronic painting /." Online version of thesis, 1992. http://hdl.handle.net/1850/12240.

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Bundgaard, Helle. "An Indian cloth painting and its art worlds : perceptions of Orissan patta paintings." Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/29346/.

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This study examines how a particular kind of Indian painting comes to have value. The focus of analysis is on the social life of paintings rather than the purely aesthetic. This is explored through a detailed examination of perceptions of the paintings amongst producers, consumers and art critics. The study is an attempt to apply the sociological institutional theory of art on Orissan patta paintings by developing the sociological approach into what I consider to be an anthropological approach. The Orissan patta paintings, with which the study is concerned, are circulated not only within India

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Clancy, Majella. "Painting, gender and space : an examination of contemporary women's painting practice." Thesis, Ulster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695399.

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This thesis explores aspects of contemporary women's painting practice. It investigates cultural, geographical, social and pictorial space across representations of class, gender and race. It begins with an examination of modernist histories through the language of paint. Modernist codes of sexual and cultural difference are interrogated and disrupted allowing for alternative readings of gender, culture, race and painting practices. I examine concepts of space and time found in modernist and postmodemist theory. I propose strategies in paint that collapse boundaries and categorisations, creati

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Branham, Barbara Leedy. "Some visual issues of painting : an exploration of the painting process." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3856.

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Abdullah, Hannah. "New German painting : painting, nostalgia & cultural identity in post-unification Germany." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/617/.

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During the past decade one of the bestsellers in the American art market was a group of figurative-representational paintings from post-Unification Germany. Dubbed “New German Painting”, this body of work included artists with explicit East German affiliations, such as the so-called “New Leipzig School”, as well as artists who trained at academies in former West Germany. While the American art critical discourse predominantly promoted the art as a new kind of German history painting, which confronted the country’s recent past of division and reunification, the reception amongst German art crit

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Boutote, Mary L. "A question of borders /." Online version of thesis, 1992. http://hdl.handle.net/1850/11147.

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Ratcliff, Jeremy Richard. "An apology of painting." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3618.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Fragoulis, Anastasia. "Painting circles, a novel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq39043.pdf.

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Chu, Siu-Hang. "Making digital painting organic /." View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?CSED%202007%20CHU.

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Armstrong, John Anthony. "The appreciation of painting." Thesis, University College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309058.

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Tucker, Judith Ann. "Painting landscape : mediating dislocation." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425628.

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Topsfield, Andrew. "Rajput painting in Mewar." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361864.

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Sliwinski, Peter R. "Powder painting of aluminium." Thesis, Aston University, 1985. http://publications.aston.ac.uk/14478/.

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The mechanisms involved in the production of chromate-phosphate conversion coatings on aluminium have been investigated. A sequence of coating nucleation and growth has been outlined and the principle roles of the constituent ingredients of the chromate-phosphate solution have been shown. The effect of dissolved aluminium has been studied and its role in producing sound conversion coatings has been shown. Metallic contamination has been found to have a dramatic influence on chromate-phosphate coatings when particular levels have been exceeded. Coating formation was seen to be affected in propo

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Souza, Emiliano Daniel de. "Shakespeare, television, and painting." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/93787.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010<br>Made available in DSpace on 2012-10-25T03:24:44Z (GMT). No. of bitstreams: 0<br>Este estudo trata da adaptação de peças de William Shakespeare à televisão. Abrange, em especial, duas produções da BBC Shakespeare Series, a saber, Antony and Cleopatra (1981), dirigida por Jonathan Miller, e Cymbeline (1983), dirigida por Elijah Moshinsky. Ambas foram filmadas numa época em que a maioria dos produtores e

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Speed, Isabella Maria Louise. "Painting Souvenirs of Italianicity." Thesis, Curtin University, 2020. http://hdl.handle.net/20.500.11937/86327.

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‘Souvenirs of Italianicity’ investigates the complexities of souvenirs within the domestic every day, and the potential of still life painting to engage with and to reflect on felt experiences surrounding these objects. The souvenirs that are the subject of the painting project are miniature reproductions of iconic sculptures from the old masters that quietly reside within the home of my family, not to pay tribute to the artists, but as objects embedded with hereditary significance.

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Ah, Kuoi Michelle. "Jekyll and Hyde approach to painting: the antagonistic strategy in contemporary abstract painting." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/12009.

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This paper examines my paintings in conjunction with three painters; Albert Oehlan, Charline von Heyl and Christopher Wool. These painters utilise a combination of visual languages and adopt an antagonistic or contradictory painting strategy indebted to Willem de Kooning, the Dutch American Abstract Expressionist. The discussion involves how these artists have manoeuvred their own positions in painting and how they have created their own painting lexicon against the paradigm of the cyclical viability of Contemporary painting. The emphasis is on each artist’s avoidance of binary opposites; whet

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Lu, Yang. "Tour Into Painting : System Design for Virtual Exhibition of Chinese Hand-Scroll Painting." Thesis, Ecole centrale de Nantes, 2022. https://tel.archives-ouvertes.fr/tel-03921024.

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La peinture chinoise à rouleau (CHSP) est une forme de peinture chinoise typique. La manière correcte de regarder une CHSP est de la faire défiler à la main. Regarder une CHSP est considéré comme une expérience fantastique de visite dans son monde diégétique. Dans les expositions actuelles de CHSP, ces points ne sont pas bien représentées. Premièrement, la plupart des CHSP sont présentés dans des boîtes en verre. Les spectateurs ne peuvent pas les manipuler en les faisant défiler. Deuxièmement, l'expérience de la visite d'une peinture n'est interprétée que par de simples annotations. Les spect

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Jung, Chien-Wen, and 榮芊雯. "Painting to Photo: Compositing Photos for Realizing Paintings." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/76344817748468053151.

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碩士<br>國立臺灣大學<br>資訊網路與多媒體研究所<br>101<br>Before the widespread of modern capture devices, painting played an important role in depicting and recording the real world for human. These paintings provide immediate depictions of the real world, and usually have artistic appearances. While modern devices aim at recording the world in the form of photorealistic appearance, it is challenging to produce a photorealistic counterpart of a painting. In this paper, we present a method for ``transferring'' an input painting into a photorealistic appearance by referring several photos which are partl

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王道乾. "The Painting Creation Based on Taiwan Temple Decoration Paintings." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/01801897884905366879.

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碩士<br>臺北市立師範學院<br>視覺藝術研究所<br>93<br>Entering the 21st Century, the folk belief in Taiwan has undraped its veil of mysticism, but the temple still plays an important role in Taiwan society. From the cultural point of view, the temples preserve the complete assets of traditional folk arts in architectures or temple fairs, and are the main objects to reflect the folk cultures and various traditional arts. Therefore, the unique cultures derived from temples become the native characters and indispensable parts in Taiwan.Based on the above theory, the process of this research is, by taking

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LIU, HSING-CHIH, and 劉興治. "Exerting into Painting—Liu Xingzhi's Creation of Flowing Color Paintings." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8jcv3t.

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碩士<br>亞太創意技術學院<br>文化創意設計研究所<br>106<br>Researchers use the topic of “Exerting into Painting—Liu Xingzhi's Creation of Flowing Color Paintings” to hope to break through the concept of teachers and create a new style with modern art in Taiwan. Since 2004, he has created seven spirits in his paintings as a creative idea: 1. fun and direct; 2. in shape; 3. simple; 4. making existence ; 5.lingering; 6. unexpected, and 7. complete it quickly. After years of hard work, he experienced eight kinds of creative techniques of flowing color painting, including 1. Thematic background painting; 2. Landscape

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LU, YU-CHEN, and 呂昱辰. "AR Painting: Multi Kinect Reconstruction and 3D Painting." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/30833531016720675740.

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碩士<br>銘傳大學<br>資訊傳播工程學系碩士班<br>105<br>Many peoples have the experience of graffiti; however, not every real objects can be drawn. So we design a system to draw graffiti on not only paper/wall but also any object. Our system can paint on a virtual object reconstructed from KinectV2 camera. And the result will display on the real object in real time by projection mapping. The system consists of three parts, including model reconstruction, 3D painting, and projection mapping. First, the 3D coordinates of chessboard corners are used to compute the transformation matrices of multiple KinectV2 cameras

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Li, Chi-yu, and 李季育. "Mondrian Studies: "The New Plastic in Painting" and His Neoplastic Paintings." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/42989351758588759250.

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碩士<br>國立中央大學<br>藝術學研究所<br>86<br>Abstract The Abstract art, which firstly appeared in the beginning of 20th century, was a new form of art expression. From the beginning of this cent- ury, there has been various styles of abstract art. By the formal elements, we could divide the abstract art into two categories: first, those with the for m simplified from objects in nature; second, those without. In this content, Klee belongs to the first and Kandinsky, the second. Also, the e

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Jung, Tsai Fu, and 蔡馥榕. "「Alternative Genre Paintings」－The Study of Tsai Fu Jung 's Painting." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/2vsy4g.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>102<br>This creation aims to probe into the works and process of serial creation from 2011 to 2014. The purpose is to combine the elements of childhood images, such as Bougainvillea, brick houses, dragonflies, cats, toys and eyes in the creation by depicting characters and sceneries in childhood. By non-logical style of Surrealism, it constructs fantasy scenes of fairy tales in illustration books and infuses scenes of fairy tales in changed sceneries of the past village life. The stories of lives are established and alternative genre paintings filled with imaginati

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Zhang, Qi-Chang, and 張琪昌. "Expression of time in paintings - A Study of Zhang QiChang's Painting." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/kczucs.

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碩士<br>國立臺灣師範大學<br>美術學系<br>104<br>In this study, with “time” as the spindle, it discusses the complex relationship between time’s expression and ways of expression and the painting. In the meantime, the author focuses his perspective on the people around him in daily life, and reveals the psychological characteristics of people, especially the young people of this era, by demonstrating their images and complex characters in figurative realistic approach. And also by studying how other artists express “time” in their artworks and understanding their point of view, the author aims to enrich his o

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CHOU, PEI-YU, and 周旆瑜. "Explore the signs in painting of Paul Klee--in mysellf paintings." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/46411352764924776406.

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碩士<br>臺北市立教育大學<br>視覺藝術研究所<br>94<br>“SIGNS” takes a great part in Paul Klee’s art creation. Klee has said that creation of signs made him feel steady in the heart and that’s why signs can always show Klee’s inner thoughts and feelings. His paintings does not reproduce the visible, it makes visible by the way of using signs. To Klee, signs are like language of arts: sign is also the foundation of Klee’s artworks. Exploring the beginning and developing of signs in Klee’s career, we can judge from three important periods in his life; visit to Tunisia, World War I and his old life. Besides, we ca

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張祐強. "The Synthesis of Image-Mosaic Painting Style Based on Artist’s Paintings." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/81859352898265515550.

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碩士<br>國立交通大學<br>多媒體工程研究所<br>103<br>Chuck Close is an American contemporary artist who is famed for his realistic paintings, through his massive-scale portraits. The objective of this thesis is to mimic one of this painting style. In the painting process, a photo is taken as the reference, then he puts a grid on the photo and also on the canvas and paints on cells of the canvas according to those of the photo. Therefore, this painting style is similar to mosaic tiles. Also, it is usually referred to as pointillism because he uses many colors in a small cell. When getting closer, it looks very c

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LIU-YI-WEN and 劉怡雯. "Flower Meaning and Flower Painting—Exploring a Series of Floral Paintings." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/85392043185864361144.

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碩士<br>大葉大學<br>造形藝術學系碩士在職專班<br>96<br>The research focuses on flowers and explores historic changes of floral paintings. By examining the past, the researcher expects to learn the advantages of traditional artists and then develop a realistic, detailed and symbolic style of painting. The thesis is entitled Flower Meaning and Flower Painting – Exploring a Series of Floral Paintings. “Flower meaning” examines theories of floral paintings. “Flower painting” presents and interprets the researcher’s personal creation of floral paintings, composed of three series – seasonal flowers, dialogues wit

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Cafcules, Stephanie. "Concrete Painting." Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6066.

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This thesis explores the evolution of my artwork with synthetic materials through influences of the Minimalist and Process Artists of the 1960's and 1970's, inspiration from natural forms, and my exploration of concrete painting. Each work reveals discoveries of different processes and materials, accelerating the creation of new works. It is my hope this thesis will inform viewers about the process and concepts that my work embodies.<br>M.F.A.<br>Masters<br>Visual Arts and Design<br>Arts and Humanities<br>Emerging Media; Studio Art and the Computer Track

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Chen, wei-tu, and 陳威圖. "Message-Painting." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/a7by86.

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碩士<br>國立臺南藝術大學<br>造形藝術研究所<br>101<br>This thesis draws on the transformation of my creative work since 2006. By reviewing the module of my creative work, I used to extract senses from my life experience, and take these senses as an object of my creation. When I noticed the limitation of depending on senses to form my creation, I turned to take the observation of everyday life as an object of my creative work. Through chapter one buttered bubble, by demonstrating the old module of my creative work, it shows that I aimed to provoke the reader to watch and “sense” instead of to watch and “imagine

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Pei-yi, Chen, and 陳珮怡. "Painting˙Adornment˙TechniqueEssays on Chen pei-yi Painting Work." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78927811797185998929.

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碩士<br>東海大學<br>美術學系<br>99<br>This discourse would be started with the works completed in 2009, during this period of time I focus on the “unisex teens,” with portraits and creates a series of works centered on the topic “pets.” And these are the scope I would like to discuss about. I couldn’t help myself to collect those handsome boys whose faces were as fine as porcelain dolls with tender temperament. In the beginning of creating this series, I once desired to capture those teasing and ambiguity expressions occasionally as well as the gestures filled with laziness and lust. Besides, I also wa

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WU, CHIH-PO, and 吳志伯. "Optimization Process of Accomplishing Painting by Automatic Painting System." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/5w5sju.

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碩士<br>中華科技大學<br>機電光工程研究所在職專班<br>107<br>The painting organization includes a spray gun fixed organization、translation organization、elevating mechanism and rotary mechanism . The painting organization operates in coordination PLC and the man-machine interface by the sequential control way，may provide the functionality spray coating work service. The system uses PLC programs，carries on a series of movements including the distance of a spray gun to the painting thing、the quantity of painting、the distance of the X axis and Y axis displacement parameters，and then the rotary mechanism may rotat by th

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王苾芬. "Perceivable Ink Painting, Affective Books—Exposition of Wang Pi-Fen’s Ink Paintings." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/knj3v9.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>This study aims to present human thinking, perceive the underlying sound of humanity, retrace the understanding orginated from reality, and explore the relationship between human mind and ink paintings. By means of association with different patterns and images of books, inspiration to achieve a free artistic conception for painting is aroused. Life, the origin of creation, requires its accumulation for creation. In the pattern of books, art symbols are applied to express feelings, discover social problems and various phenomena in daily lives, and we he

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