Bibliographies thématiques / Pantãeo Nacional (Lisbon, Portugal)

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Littérature scientifique sur le sujet « Pantãeo Nacional (Lisbon, Portugal) »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Pantãeo Nacional (Lisbon, Portugal) ».

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Articles de revues sur le sujet "Pantãeo Nacional (Lisbon, Portugal)"

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de Meneses, Filipe Ribeiro. "The Origins and Nature of Authoritarian Rule in Portugal, 1919–1945." Contemporary European History 11, no. 1 (2002): 153–63. http://dx.doi.org/10.1017/s096077730200108x.

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Aniceto Afonso, História de uma conspiração: Sinel de Cordes e o 28 de Maio (Lisbon: Editorial Notícias, 2000), 222 pp., [euro]12.97, ISBN 972-46-1175-2. Manuel Baiôa, Elites políticas em Évora: Da I República à ditadura militar (1925–1926) (Lisbon: Edições Cosmos, 2000), preface by António Costa Pinto, xvi +344 pp., [euro]21.45, ISBN 972-762-199-6. Telmo Faria, Debaixo de fogo! Salazar e as forças armadas (1935–41) (Lisbon: Edições Cosmos & Instituto de Defesa Nacional, 2000), 286 pp., [euro]26.44, ISBN 972-762-220-8. João Medina, Salazar, Hitler e Franco: Estudos sobre a ditadura (Lisbon
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Gamito-Marques, Daniel. "The golden age (1862–1910) of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), Portugal." Archives of Natural History 49, no. 1 (2022): 160–74. http://dx.doi.org/10.3366/anh.2022.0765.

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This paper provides an overview of the organization and first decades of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), under the leadership of José Vicente Barbosa du Bocage (1823–1907), a Portuguese zoologist who attained international recognition. The article discusses the contributions made by a small community of zoologists, who joined transnational networks and gave projection to the institution by founding and disseminating the first Portuguese journal exclusively devoted to scientific research, the Jornal de sciencias mathematicas, physicas e natura
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Pizarro, Jeronimo. "Pequenas marcas em livros da desrazão: Fernando Pessoa, leitor da Biblioteca Nacional de Lisboa (hoje de Portugal)." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 25 (December 7, 2020): 29–44. http://dx.doi.org/10.23925/1983-4373.2020i25p29-44.

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RESUMO: Sabemos que há autores que Pessoa leu e que influenciaram a sua obra, mas nem todos os livros lidos estavam na sua Biblioteca particular. Alguns foram lidos na Biblioteca Nacional de Lisboa (hoje de Portugal), outros na biblioteca de Henrique Rosa, irmão do seu padrasto; e ainda outros na Biblioteca da Academia das Ciências de Lisboa. Tendo por base a edição crítica dos Escritos sobre Génio e Loucura (2006), procura-se aqui referir leituras relacionadas com a desrazão e dar continuidade a uma metodologia referida neste artigo, lançando, assim, uma série de reptos para futuras investiga
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Meneses, José Carlos. "A Contrarreforma e a Restauração na identidade do Barroco nacional. Um caso de estudo em Penafiel." Cem, no. 19 (2025): 143–54. https://doi.org/10.21747/2182-9748/cem19a9.

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The national Baroque is a Portuguese originality, following the guidelines of the Counter­Refor­mation and also in the path of cultural independence concerning Spain, following the Restoration of Portugal (1640­1668). Wood carving, sculpture, painting and gilding were developed in the artistic schools of Lisbon, Porto and Braga, with ornamentation based on 17th­century prints from the Italian and German schools and also on French printed resources. The methodology focuses on the author's productions and specific bibliography of wood carving. We highlight two objectives: the originality of the
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Brysch, Thomas P. "When the universe became infinite (Workshop “Universum Infinitum”, 17th-18th June 2016, Biblioteca Nacional de Portugal, Lisbon)." Mediaevalia Textos e estudos 35 (2016): 141–47. http://dx.doi.org/10.21747/21836884/med35a7.

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Quinaz Romana, Guilherme, Irina Kislaya, Mário Rui Salvador, Susana Cunha Gonçalves, Baltazar Nunes, and Carlos Dias. "Multimorbilidade em Portugal: Dados do Primeiro Inquérito Nacional de Saúde com Exame Físico." Acta Médica Portuguesa 32, no. 1 (2019): 30. http://dx.doi.org/10.20344/amp.11227.

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Introduction: The simultaneous presence of multiple chronic diseases in the same individual is recognized as an important public health problem. Patients with multimorbidity have greater healthcare needs, which represents a higher burden on health services. Although there is no consensual definition of this concept, multimorbidity is usually defined as the presence of two or more chronic diseases in the same patient. The existence of evidence regarding multimorbidity will lead to more efficient management and treatment of these patients.Material and Methods: In order to estimate the prevalence
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Santos, Luciana Guimarães Teixeira, Ana Kláudia Perdigão, and Filipa Roseta. "Parameters for Evolutive Social Housing Projects in Brazil: Contributions from Experiences in Portugal." Buildings 15, no. 5 (2025): 718. https://doi.org/10.3390/buildings15050718.

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In Brazil, social housing is standardized into two-bedroom units, even when the beneficiary families have been previously identified. In Portugal, despite standardization, housing projects have adopted the concept of evolutionary housing. These are flexible proposals with typological diversity, allowing for a variety of family arrangements. While numerous studies analyze the quality of Brazilian housing projects, few of these studies have directly influenced the reality of the projects implemented. Thus, this study seeks to identify clear and objective parameters that can be applied to the des
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Santos, José Nuno Dias Crespo Martins dos, Carmen de Jesus Geraldo Carvalheira, Luís Guilherme de Picado Santos, and Radmila Magušić. "Evaluation of the Speed Control Cameras in the City of Lisbon." Safety 5, no. 1 (2019): 4. http://dx.doi.org/10.3390/safety5010004.

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In Portugal, urban areas still have a high number of fatalities as a result of road crashes. In 2016, 78% of road crashes with victims, 62% with serious injuries and 54% with fatalities occurred in urban areas. Knowing where crashes occur and what circumstances contributed to these occurrences is the key to finding solutions that minimize injuries and deaths. At the end of 2016, as a safety measure, speed control cameras from SINCRO (Sistema Nacional de Controlo de Velocidade, the national speed control system), began to be installed in different parts of the country. The first application was
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Muller, Caroline, Helena Barbosa, and Ronaldo De Oliveira Corrêa. "A comunicação visual de roupas brancas: uma pesquisa exploratória no Museu Nacional do Traje, Lisboa – Portugal (1900-1930) | Visual communication of undergarment: an exploratory research at the Museu Nacional do Traje, Lisbon – Portugal (1900-1930)." InfoDesign - Revista Brasileira de Design da Informação 16, no. 2 (2019): 278–95. http://dx.doi.org/10.51358/id.v16i2.718.

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Monogramas, inscrições, ornamentos e representações de elementos gráficos eram características recorrentes e constituintes das roupas brancas do início do século XX. Este trabalho tem como objetivo apresentar considerações sobre a comunicação visual presente neste tipo de artefato entre os anos 1900 e 1930. Para isso, foram analisadas peças tridimensionais, catálogos e periódicos pertencentes ao arquivo do Museu Nacional do Traje, em Lisboa – Portugal. Busca-se, a partir das fontes tridimensionais, associado a fontes textuais e iconográficas, apresentar as múltiplas formas e usos da comunicaçã
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WEIWEI (China), Ai, and Augusto SARMENTO-PANTOJA (UFPA). "AI WEIWEI: RESISTÊNCIA DAS ARTE E O MATERIAL CULTURAL." Margens 16, no. 27 (2022): 307. http://dx.doi.org/10.18542/rmi.v16i27.13625.

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The photo essay I present below was carried out in 2021 at the exhibition “Rapture”, by the Chinese activist and artist Ai Weiwei, held at Cordoaria Nacional, in Lisbon. Living in Portugal, this was the artist's first and largest exhibition with 85 pieces produced in various formats, materials and sizes, including cork, straw, paper, marble, clay, cloth, metal, ceramics and tiles. His versatility turns everything into art and activism, as human rights are a constant in his work, which seeks to reveal a particular way of questioning the world. Whether in the face of tragedies, war, political pe
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Livres sur le sujet "Pantãeo Nacional (Lisbon, Portugal)"

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Portugal), Panteão Nacional (Lisbon, ed. A igreja de S.ta Engrácia no Campo de S.ta Clara: Os tempos do lugar. Caleidoscópio, 2019.

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Melo, Isabel, and Maria João Neto. Obras de Santa Engrácia: O Panteão na República. Ministério de Cultura, 2010.

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Arquitectura, Congresso Nacional de. 1. Congresso Nacional de Arquitectura. Ordem dos Arquitectos, Conselho Directivo Nacional, 2008.

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D'Orey, Leonor. Five centuries of jewellery: National Museum of Ancient Art, Lisbon. Zwemmer, 1995.

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Abecasis, Maria Isabel Braga. A real Barraca: A residência na Ajuda dos Reis de Portugal após o terramoto (1756-1794). Tribuna, 2009.

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Frank, Herreman, and Bruyninx Elze, eds. In the presence of spirits: African art from the National Museum of Ethnology, Lisbon. Museum for African Art, 2000.

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Fernandes, Lídia. Museu de Lisboa, Teatro Romano: Guia = guide. Museu de Lisboa - Teatro Romano/EGEAC, 2021.

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D'Orey, Leonor, and Michèle Bimbenet-Privat. A custódia de Belém: 500 anos. Instituto dos Museus e da Conservação, 2010.

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Barbosa, Luís. Palácio dos Condes d'Óbidos: Sede nacional da Cruz Vermelha Portuguesa : história e património = National headquarters of the Portuguese Red Cross : history and heritage. By the Book, 2015.

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Oriente, Fundação. Presença portuguesa na Ásia: Testemunhos, memórias, coleccionismo. 2nd ed. Fundação Oriente, 2008.

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Chapitres de livres sur le sujet "Pantãeo Nacional (Lisbon, Portugal)"

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MASSING, JEAN MICHEL. "From Marco Polo to Manuel I of Portugal: The Image of the East African Coast in the Early Sixteenth Century." In Racism and Ethnic Relations in the Portuguese-Speaking World. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265246.003.0015.

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Less than twenty years after Vasco da Gama joined the commercial perimeter of the Indian Ocean (1497–8), European artists had developed a view of the newly discovered lands, ranging from highly exotic and sometimes quite fanciful renderings based on medieval sources (the ‘Tapestries of the Indies’) to careful ethnographic illustrations based on written and visual sources (Hans Burgkmair's large woodcut frieze, People of Africa and India, of 1508). These few years, in which the monstrance of Belém of 1506 (Museu Nacional de Arte Antiga, Lisbon) was produced with the gold of Kilwa, also saw an i
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