Bibliographies thématiques / Paris (France) – Intellectual life – 19th century

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Littérature scientifique sur le sujet « Paris (France) – Intellectual life – 19th century »

Auteur : Grafiati
Publié le 10 mars 2023
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Paris (France) – Intellectual life – 19th century"

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Teive, Hélio, Matheus Gomes Ferreira, Carlos Henrique Ferreira Camargo, Renato Puppi Munhoz, and Olivier Walusinski. "The Duels of Pierre Marie and Jules Dejerine." European Neurology 83, no. 3 (2020): 345–50. http://dx.doi.org/10.1159/000507991.

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In no country has the duel prevailed to such a great extent as in France where the matter of dueling and affairs of honor were of frequent occurrence until the 20th century. The term duel has since been established for any contest between 2 persons or parties, be they sporting, intellectual, political, or in other matters. Despite their worldwide recognition and great scientific production, Pierre Marie and Jules Dejerine became rivals at the end of the 19th century. While Marie defended Charcot’s neurological school at Salpêtrière Hospital, Dejerine had his own neurology school to contend. Th
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Barria-Asenjo, Nicol A. "Alain Badiou a Life and a System of Thought:." Aitías, Revista de Estudios Filosóficos del Centro de Estudios Humanísticos de la UANL 3, no. 5 (2023): 119–38. http://dx.doi.org/10.29105/aitas3.5-56.

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"L'histoire des idees", has a nominal existence in the period of the Enlightenment, that is to say, it has its origins in the 19th century in France. From the moment of its appearance and establishment as an independent field, it maintained a close and complementary relationship with philosophy. At present, the History of Ideas is a field in dialogue with History, Historiography, Philosophy and even Psychoanalysis. It is necessary to return to the French intellectual terrain, to the living history and intellectual production of our time in order to analyze the contribution that French philosop
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Brennan, Thomas. "Taverns in the Public Sphere in 18th-Century Paris." Contemporary Drug Problems 32, no. 1 (2005): 29–43. http://dx.doi.org/10.1177/009145090503200104.

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The 18th-century Parisian tavern was public space that lay beyond the private spheres of home, family, or corporate identity. Taverns, like markets or roads, were without inherent order, so they required the ordering of public authority. For much of the old regime, taverns illustrate the public sphere in its subjection to public control. A second public sphere, found in the coffeehouses of Britain and the cafés of France, was a place of intellectual and social exchange that gradually challenged the royal monopoly on public issues. Yet taverns demonstrated the evolution of a third public sphere
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Loeser, Martin. "Zur Rezeption der Oratorien Haydns in Paris zwischen 1800 und 1850: Institutionelle und ästhetische aspekte." Studia Musicologica 51, no. 1-2 (2010): 201–13. http://dx.doi.org/10.1556/smus.51.2010.1-2.14.

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In German speaking countries Haydn’s oratorios, and particularly TheCreation , have played an important role in the repertoire of choral societies and music festivals since the 1810s. However, in France, and also in Paris — “the capital of the 19th century” —, Haydn’s oratorios were performed only on rare occasions, and then they were given mostly in parts. The reasons for these circumstances can be seen in the institutional and esthetical context of the Parisian concert life. With respect to professional concert societies, like the Société des Concerts du Conservatoire , rigid obstacles were
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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired
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Hillman, Jordan. "Steinlen, the Police, and the (In)Justice System in Fin-de-Siècle France." Visual Arts Research 48, no. 1 (2022): 83–101. http://dx.doi.org/10.5406/21518009.48.1.08.

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Abstract In writing about the police force in late 19th-century France, the anarchist Jean Grave decried that it was in fact necessary, if only to uphold the decisions of the unjust magistracy and to protect the interests of the bourgeoisie. This essay explores his claim through the graphic work of the Franco-Swiss artist Théophile-Alexandre Steinlen, a member of Grave's intellectual circle. Steinlen collaborated with radical leftist performers, authors, and publishers, including Grave, to produce a wealth of images that reveal his keen sensitivity to the social and political inequities of his
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Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.

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Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for R
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Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.

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Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for R
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Ueno, Hiroki. "Adam Smith between the Scottish and French Enlightenments." Dialogue and Universalism 32, no. 1 (2022): 127–46. http://dx.doi.org/10.5840/du20223218.

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This paper discusses Adam Smith’s intellectual relationship with the French Enlightenment, with a particular focus on his view of French culture as conveyed in The Theory of Moral Sentiments (1759). Compared to England at that time, eighteenth-century Scotland is considered as having a closer affiliation with France in terms of their intellectual and cultural life during what has been dubbed the Enlightenment. While David Hume was representative of the affinity between the French and Scottish literati, Smith also held an enduring interest in the French philosophy, literature, and other aspects
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Ortiz, Roberto José. "Aristocratic Rebellion: Ruben Darío and the Creation of Artistic Freedom in the World-System." Journal of World-Systems Research 21, no. 2 (2015): 339–61. http://dx.doi.org/10.5195/jwsr.2015.6.

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The late 19th struggle for artistic freedom in the capitalist world-system put the artist in a contradictory position. This contradiction is particularly relevant for writers of the periphery. Freedom or autonomy to pursue purely intellectual projects required a certain aristocratic defense of the value of art. At the same time, however, artists and intellectuals did confront structural subordination: they belonged, as Pierre Bourdieu explained, to the dominated fractions of the dominant class, subordinated both to the state and the bourgeoisie. The life of Nicaraguan Ruben Darío (1867–1916),
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Thèses sur le sujet "Paris (France) – Intellectual life – 19th century"

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LOMBARDO, Davide. "Humour, spectacle and every-day life : pictorial comedy in London and Paris, 1830-1850." Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/10427.

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Defence date: 24 October 2007<br>Examining Board: Prof. John Brewer, (California Institute of Technology) ; Prof. Laurence Fontaine, (EHESS-CNRS) ; Prof. Mark Hallett, (University of York) ; Prof. Eckhart Hellmuth, (Ludwig-Maximilians-Universität München)<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>no abstract available
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Kenny, Nicolas. "'Je cherche fortune' : identity, counterculture and profit in fin-de-siècle Montmartre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79780.

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This thesis examines the countercultural community in the Parisian neighbourhood of Montmartre during the 1880s and 1890s. This period stands out for its unique cultural atmosphere, heavily influenced by the turbulent advent of modernity. Traditionally accepted norms that dictated individuals' sense of identity were being questioned as new understandings of class, gender, sexuality and nationality gained acceptance. Aspiring artists and writers who sought to express these new identities were excluded from the world of official culture. Many congregated in the traditionally bohemian Mont
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Bronfman, Beverly. "Gavarni and the Opéra Masked Ball." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55817.

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The theme of the parisian Carnival masked balls at the Opéra became synonymous with the nineteenth-century French graphic artist Guillaume Sulpice Chevalier, known as Gavarni (1804-1866). Between 1830 and 1853, he produced more than two hundred lithographs of the subject, which usually appeared in the contemporary popular press. These depictions and their telling captions--snippets of actual conversations--evoke the essential esprit of the occasion. A compelling visual chronicle emerges from Gavarni's imagery of the Opéra masked halls, which uniquely captures the contemporary manners and mores
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Viel, Guillaume. "Sociabilité et érudition locale : les sociétés savantes du département de la Manche, du milieu du XVIIIe siècle au début du XXe siècle." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMC023/document.

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Faisant leur apparition au cours du XVIIIème siècle dans les provinces françaises, les sociétés savantes se sont développées et multipliées tout au long du XIXème siècle.Cette thèse a pour but d’identifier quelles sociétés savantes ont été créées en Normandie, dans le département de la Manche, entre 1755 et la Première Guerre Mondiale. Ce travail a consisté dans un premier point à déterminer comment elles ont été fondées, organisées, dirigées et financées. Dans un deuxième point, nous avons cherché à identifier quels types de personnes ont été impliquées, où elles vivaient et quelles étaient l
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Bundu, Malela Buata. "L'Homme pareil aux autres: stratégies et postures identitaires de l'écrivain afro-antillais à Paris, 1920-1960." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210803.

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Cette étude porte sur le fait littéraire afro-antillais de l’ère coloniale (1920-1960). Il s’agit d’examiner les stratégies des agents à partir des cas de René Maran, Léopold Sédar Senghor, Aimé Césaire, Édouard Glissant et Mongo Beti et de percevoir comment ils se définissent leur identité littéraire et sociale.<p>Pour ce faire, notre démarche s’articule en deux temps :(1) examiner les conditions de possibilité d’un champ littéraire afro-antillais à Paris (colonisation française et ses effets, configuration d’un champ littéraire pré-institutionnalisé, etc.) ;(2) analyser les processus de cons
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BARBUSCIA, Aurélie. "Rossini et la "Restauration" de la grandeur musicale dans la France des années 1820." Doctoral thesis, 2013. http://hdl.handle.net/1814/28028.

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Defence date: 5 June 2013<br>Examining Board: Professor Antonella Romano, EUI (Directeur de thèse) Professor Esteban Buch, EHESS Professor Danièle Pistone, Université Paris Sorbonne-Paris IV Professor Lucy Riall, EUI Professor Sophie-Anne Leterrier, Université d'Artois<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis investigates the changing conditions in the European art market after the Congress of Vienna (1815). It focuses mainly on the socio-professional development of the Italian composer Gioachino Rossini and analyses his first visit to Par
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ZANTEDESCHI, Francesca. "Une langue en quête d'une nation : le débat sur la langue d'oc au XIXe siècle." Doctoral thesis, 2009. http://hdl.handle.net/1814/12014.

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Defence Date: 24/04/2009<br>Examining Board: Professor Heinz-Gerhard Haupt, European University Institute (Supervisor); Professor Enrique Ucelay-Da Cal, Universitat Pompeu Fabra (Second Supervisor); Professor Michael Keating, European University Institute; Professor Anne-Marie Thiesse, EHESS<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>Dans le premier chapitre je définirai mon approche de la question nationale en m’appuyant sur certaines théories classiques du nationalisme. Je m’attacherai longuement sur le lien entre langue et nation, que je mettrai en persp
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Burkhart, Claire Lovell. "Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.

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This dissertation explores the numerous literary representations of the femme de lettres during the first half of the nineteenth century in order to illustrate the complexities of women’s entrance into the male-dominated domain of literature and also to suggest the impact these fictional characters might have had on the reception of actual women writers as well as their omission from the century’s literary canon. The works that will be included in this analysis include: Mme de Staël’s Corinne, ou l’Italie, Stendhal’s Le Rouge et le noir, Honoré de Balzac’s Béatrix, La Muse du département and
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Livres sur le sujet "Paris (France) – Intellectual life – 19th century"

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Frankfurt, Schirn Kunsthalle, ed. Esprit Montmartre: Bohemian life in Paris around 1900. Schirn Kunsthalle, 2014.

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Flanner, Janet. Paris journal. Harcourt Brace Jovanovich, 1988.

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W, Simpson Fronia, and Portland Museum of Art, eds. Paris and the countryside: Modern life in late-19th-century France. Portland Museum of Art, 2006.

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Allen, James Smith. In the Public Eye: A History of Reading in Modern France, 1800-1940. Princeton University Press, 1991.

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Santa Barbara Museum of Art., ed. Le Chat noir: A Montmartre cabaret and its artists in turn-of-the century Paris. Santa Barbara Museum of Art, 1993.

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Jordan, David P. Transforming Paris: The life and labors of Baron Haussmann. University of Chicago Press, 1996.

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John, Baxter. We'll Always Have Paris. HarperCollins, 2008.

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Samuel, Abt, ed. The Paris edition, 1927-1934. North Point Press, 1989.

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Winfried, Engler, and Wehinger Brunhilde, eds. Konkurrierende Diskurse: Studien zur französischen Literatur des 19. Jahrhunderts : zu Ehren von Winfried Engler. F. Steiner, 1997.

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Balayé, Simone. Madame de Staël et les Français. Clarendon Press, 1996.

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Chapitres de livres sur le sujet "Paris (France) – Intellectual life – 19th century"

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Grubov, Volodimur, and Igor Khraban. "PRESIDENT E. MACRON'S "EIGHTEENTH BRUMAIRE" IN THE SOUTH CAUCASUS: THE SYMBOLISM OF THE PAST IN THE REALITIES OF THE PRESENT." In Modern science: prospects, innovations and technologies. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-473-3-18.

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“The Eighteenth Brumaire of Louis Bonaparte” [“Brummer”] by K. Marx is a work not only about the class struggle in France at the turn of the XVIII-XIX centuries, it is also a work about “symbolic action”. Its content [symbolic action] J. P. Riquelme (French researcher) saw in the inability of the class struggle to materialize into social justice as desired by the majority. The roots of this problem should be sought in the “diseases of the spirit” of humanity (K. Noika). In a person, they [“diseases of the spirit”] are present a priori due to differences in the understanding of the world, oppor
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Actes de conférences sur le sujet "Paris (France) – Intellectual life – 19th century"

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Fouache, Eric. "THE INFLUENCE OF PROF. JOVAN CVIJIĆ’S RESEARCH IN GEOMORPHOLOGY IN FRANCE AND THE BALKANS: WHICH LEGACY?" In International Scientific Conference. Geographical Institute "Jovan Cvijić" SASA, 2024. http://dx.doi.org/10.46793/csge5.02ef.

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Jovan Cvijić (1865–1927) was a physical geographer, which is only one aspect of his field of endeavor but the one I will focus on in this presentation. As such, he played a role in the development of this discipline at national and international levels. His personal qualities were crucial to this recognition, but the intellectual background of the second half of the 19th century and the transnational context of the Austro-Hungarian Empire facilitated this threefold development. With his thesis entitled Das “Karstphänomen” (“The Karst phenomena”), defended in Vienna in 1883, he succeeded in pro
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