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1

Evans, Arthur, and Arthur Evans. Critique of patriarchal reason. White Crane Press, 1997.

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2

J, Richards David A., ed. Patriarchal religion, sexuality, and gender: A critique of new natural law. Cambridge University Press, 2008.

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3

Moberly, R. W. L. The Old Testament of the Old Testament: Patriarchal narratives and Mosaic Yahwism. Fortress Press, 1992.

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4

Carlson, Brown Joanne, and Bohn Carole R, eds. Christianity, patriarchy, and abuse: A feminist critique. Pilgrim Press, 1989.

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5

Hearn, Jeff. The gender of oppression: Men, masculinity, and the critique of Marxism. St. Martin's Press, 1987.

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6

Hearn, Jeff. The gender of oppression: Men, masculinity and the critique of Marxism. Wheatsheaf, 1987.

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7

Pateman, Carole. El contrato sexual. Anthropos, 1995.

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8

Zając, Marta. The feminine of difference: Gilles Deleuze, Hélène Cixous, and contemporary critique of the Marquis de Sade. P. Lang, 2002.

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9

Jonge, Marinus de. Pseudepigrapha of the Old Testament as part of Christian literature: The case of the Testaments of the Twelve Patriarchs and the Greek Life of Adam and Eve. Brill, 2003.

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10

Grüneberg, Keith N. Abraham, blessing, and the nations: A philological and exegetical study of Genesis 12:3 in its narrative context. Walter de Gruyter, 2003.

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11

Jordan, Cynthia S. Second stories: The politics of language, form, and gender in early American fictions. University of North Carolina Press, 1989.

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12

Françoise, Petit, ed. Catenae graecae in Genesim et in Exodum. Brepols, 1986.

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13

van, Deun Peter, and Gysens Steven, eds. Maximi confessoris liber asceticus. Brepols, 2000.

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14

van, Deun Peter, Noret Jacques 1939-, and Alexandros monachos 6th cent, eds. Hagiographica Cypria: Sancti Barnabae laudatio auctore Alexandro monacho et Sanctorum Bartholomaei Barnabae vita e menologio imperiali deprompta. Brepols, 1993.

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15

Dionysius, of Alexandria, Saint, d. 265. and Labate Antonio, eds. Catena Hauniensis in Ecclesiasten: In qua saepe exegesis servatur Dionysii Alexandrini. Brepols, 1992.

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16

H, Declerck José, and John of Damascus Saint, eds. Anonymus dialogus cum Judaeis: Saeculi ut videtur sexti. Brepols, 1994.

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17

Akindynos, Gregorios. Gregorii Acindyni Refutationes duae: Operis Gregorii Palamae cui titulus dialogus inter orthodoxum et Barlaamitam. Brepols, 1995.

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18

X, Lequeux, ed. Gregorii presbyteri vita sancti Gregorii theologi. Brepols, 2001.

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19

Eudocia, consort of Theodosius II, Emperor of the East, d. 460., Patricius Bishop 5th cent, and Schembra Rocco, eds. Homerocentones. Brepols, 2007.

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20

Bart, Janssens, ed. Maximi Confessoris Ambigua ad Thomam una cum Epistula secunda ad eundem. Brepols, 2002.

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21

Bruder, Helen P. William Blake and the daughters of Albion. St. Martin's Press, 1997.

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22

Greenberg, Mitchell. Subjectivity and subjugation in seventeenth-century drama and prose: The family romance of French classicism. Cambridge University Press, 1992.

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23

P, Claridge Laura, and Langland Elizabeth, eds. Out of bounds: Male writers and gender(ed) criticism. University of Massachusetts Press, 1990.

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24

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2009.

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25

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2009.

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26

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2007.

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27

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2007.

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28

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2008.

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29

Richards, David A. J., and Nicholas Bamforth. Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2007.

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30

Patriarchal Religion, Sexuality, and Gender: A Critique of New Natural Law. Cambridge University Press, 2011.

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31

Masculinity and Patriarchal Villainy in the British Novel. Taylor & Francis Group, 2019.

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32

Motherhood and patriarchal masculinities in sixteenth-century Italian comedy. Ashgate, 2011.

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33

Manes, Yael. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy. Taylor & Francis Group, 2016.

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34

Manes, Yael. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy. Taylor & Francis Group, 2016.

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35

Manes, Yael. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy. Taylor & Francis Group, 2016.

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36

Lipton, Diana. Revisions of the Night: Politics and Promises in the Patriarchal Dreams of Genesis. Sheffield Academic Press, 2009.

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37

Moberly, R. W. L. The Old Testament of the Old Testament: Patriarchal Narratives and Mosaic Yahwism. Wipf & Stock Publishers, 2001.

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38

The maternal voice in Victorian fiction: Rewriting the patriarchal family. Garland Pub., 1997.

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39

The forsaken first-born: A study of a recurrent motif in the patriarchal narratives. JSOT Press, 1993.

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40

Fliegelman, Jay. Prodigals and Pilgrims: The American Revolution against Patriarchal Authority 1750-1800 (Cambridge Paperback Library). Cambridge University Press, 1985.

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41

Boyle, Deborah. Gender Roles and the Role of Nature. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190234805.003.0008.

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Some scholars have argued that Cavendish was a feminist or proto-feminist. This chapter argues that Cavendish’s views on gender were actually quite conservative. Cavendish thought natural norms should guide people’s choices, and she believed women were naturally inferior to men. While Cavendish’s natural philosophy entails that natures are not fixed and that women are free to act differently than Nature prescribes, this chapter argues that Cavendish thought that violating gender norms would be irregular, unnatural, and a source of social instability. She believed women should conform to tradit
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42

Williamson, Paul R. Abraham, Israel and the Nations: The Patriarchal Promise and Its Covenantal Development in Genesis (Journal for the Study of the Old Testament. Supplement Series, 315). Sheffield Academic Press, 2001.

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43

Oksala, Johanna. Microphysics of Power. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.24.

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The chapter discusses Foucault’s account of power and introduces some of its most influential feminist appropriations. It explicates the key aspects of Foucault’s conception of productive power—disciplinary power, biopower, governmentality, and resistance—and examines the ways they have been taken up and disputed by feminist scholars. Although Foucault had little interest in the feminist politics of his time, his theorization of the various rationalities and technologies of power has both opened up new resources for feminist critique and been controversial among feminists. It has deepened our
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44

Grafius, Brandon. The Witch. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348356.001.0001.

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The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the individual characters which argues for the film as a critique of patriarchal family structures. The religious background of the film’s Puritan context is explored, including a discussion of some of the documents which Eggers used for his screenplay. The film is placed in the context of 21<sup>st</sup> century horror cinema, with an argument for its place in the context of the current wave of folk h
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45

Newell, Bridget Marie. A feminist critique of eliminative materialism. 1986.

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46

Bergoffen, Debra. Simone de Beauvoir. Edited by Dan Zahavi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198755340.013.21.

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Identifying herself as a philosopher, author, and feminist, Simone de Beauvoir took the phenomenological ideas of the lived body, situated freedom, intentionality, intersubjective vulnerability, and the existential ethical-political concepts of critique, responsibility, and justice, in new directions. She distinguished two moments in an ongoing dialogue of intentionality: the joys of disclosure and the desires of mastery. She disrupted the phenomenological account of perception, revealing its hidden ideological dimensions. Attending to the embodied experience of sex, gender, and age, she chall
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47

Shailor, Jonathan. Kings, Warriors, Magicians, and Lovers. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037702.003.0002.

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This chapter illustrates how theater helps imprisoned men explore new modes of self-actualization. Recognizing that “bad masculinity” drives much of the violence in the American prison culture, it argues that imprisoned performers can draw upon Jungian archetypes, Buddhist meditation techniques, and collaborative theater to help craft new selves free from the habitual violence that lingers within typical male roles. The chapter also examines the Theater of Empowerment, a performance-based course emphasizing personal and social development. The perspective offered in the course incorporates bot
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48

Bateman, Benjamin. James’s Animal Encounters. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676537.003.0002.

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Henry James’s story “The Beast in the Jungle” is read as a response to the “nature fakers” controversy of the Progressive era. As Teddy Roosevelt and others insisted that nature is a war zone in which animals clash violently, James’s tale probes less aggressive animal behaviors and suggests that social Darwinist ideologies encourage the competitive practices they claim to merely describe. Instructing John Marcher in the pleasures to be found in making himself available to a beast he has been trained to fear, May Bartram functions as an early feminist ecologist who deploys a critique of species
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49

Brown, Joanne Carlson. Christianity, Patriarchy and Abuse: A Feminist Critique. Pilgrim Press, 1989.

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50

Beeston, Alix. Frozen in the Glassy, Bluestreaked Air. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.003.0004.

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This chapter interprets the serialized narration and characterization of John Dos Passos’s Manhattan Transfer (1925) in line with the figuring of female bodies through the photographic apparatus of advertisement and celebrity that was ancillary to popular Broadway entertainments in the early twentieth century. Unpacking the image of Ellen Thatcher, Dos Passos’s central character, as a photograph at the end of the multilinear novel, it accounts for Dos Passos’s critique of the patriarchal, white-centric specular economy of the modern city. The photographic freezing of the wealthy, white Ellen r
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