Littérature scientifique sur le sujet « Patrick County »

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Articles de revues sur le sujet "Patrick County"

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Bellenger, Dom Aidan. « Patrick Fagan : Catholics in a Protestant County, Dublin 1998. » Recusant History 25, no 1 (mai 2000) : 167–69. http://dx.doi.org/10.1017/s003419320003209x.

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Lobban, Michael. « A History of the County Court, 1846–1971 Patrick Polden ». English Historical Review 115, no 464 (novembre 2000) : 1352–53. http://dx.doi.org/10.1093/enghis/115.464.1352.

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Lobban, M. « A History of the County Court, 1846-1971 Patrick Polden ». English Historical Review 115, no 464 (1 novembre 2000) : 1352–53. http://dx.doi.org/10.1093/ehr/115.464.1352.

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AMATI, MARCO, et ROBERT FREESTONE. « All of London's a stage : the 1943 County of London Plan Exhibition ». Urban History 43, no 4 (9 juillet 2015) : 539–56. http://dx.doi.org/10.1017/s0963926815000498.

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ABSTRACT:The post-war reconstruction era was marked by numerous planning exhibitions which provide a window on the contemporary nature of communication and consultation in planning practice. The 1943 Exhibition of the County of London Plan prepared by J.H. Forshaw and Patrick Abercrombie was a major event with the king and queen making a high-profile visit. This article describes the making of the exhibition, considers its content, design and historical significance and reflects on its importance as a high water mark in the culture of twentieth-century town planning promotion generally and exhibition culture specifically. Archival research reveals how the London County Council (LCC) negotiated for resources from the central government and the local boroughs in hosting and organizing the event and how crucial these negotiations were in its eventual staging, marketing and impact.
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Allen, Christopher. « BOOK REVIEW : Patrick Polden.A HISTORY OF THE COUNTY COURT, 1846-1971. Cambridge and New York : Cambridge University Press, 1999. » Victorian Studies 44, no 2 (janvier 2002) : 333–34. http://dx.doi.org/10.2979/vic.2002.44.2.333.

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Gomez, Gina M., Lisa D. Piehota et Rachael R. B. Dischner. « Providing a Program To Meet the Needs of Toddlers With Hearing Loss and Deafness ». Perspectives on Hearing and Hearing Disorders in Childhood 22, no 1 (mars 2012) : 4–10. http://dx.doi.org/10.1044/hhdc22.1.4.

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When they noticed an increase in the number of children identified with an educational label of hearing impairment or deafness in Arlington County, Virginia, Arlington Public Schools' (APS') special education department and staff at Patrick Henry Elementary School were determined to meet the needs of these children in an intensified manner. In APS, toddlers identified with hearing loss or deafness can now enter a full-day toddler total communication program for children ages 2 to 3. An interdisciplinary team collaborates to provide instruction that is developed and tailored to meet the unique needs of students with hearing loss. We anticipate that students with hearing impairment or deafness who have participated in Arlington's Toddler Deaf and Hard of Hearing Program will score higher on countywide assessments than their peers who did not attend the program.
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Penet, Jean-Christophe. « Amador Moreno, Carolina P. Hiberno-English in the Early Novels of Patrick MacGill. Bilingualism and Language Shift from Irish to English in County Donegal ». ABEI Journal 10 (17 juin 2008) : 147. http://dx.doi.org/10.37389/abei.v10i0.3680.

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McGuinness, Patrick, et James Corby. « The CounterText Interview : Patrick McGuinness ». CounterText 3, no 1 (avril 2017) : 1–12. http://dx.doi.org/10.3366/count.2017.0071.

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Cocks, Raymond. « A History of the County Court, 1846-1971, by Patrick Polden. Cambridge : Cambridge University Press, 1999, xxii + 358 + (bibliography + index) 45pp (£55.00 hardback) ISBN 0 521 62232 8 ». Legal Studies 20, no 3 (septembre 2000) : 445–47. http://dx.doi.org/10.1111/j.1748-121x.2000.tb00153.x.

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Finn, Margot C. « A History of the County Court, 1846–1971. By Patrick Polden. Cambridge Studies in English Legal History. Edited by, J. H. Baker. Cambridge : Cambridge University Press, 1999. Pp. xxii+403. » Journal of Modern History 73, no 2 (juin 2001) : 408–9. http://dx.doi.org/10.1086/321039.

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Thèses sur le sujet "Patrick County"

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Becker, Gertrude Harrington. « Patrick County, Virginia and the Civil War, 1860-1880 ». Thesis, This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-03032009-040323/.

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Wood, Karen M. « Characteristics identified by a rural population as necessary for a good elementary school ». Diss., Virginia Tech, 1993. http://hdl.handle.net/10919/37758.

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This study was conducted to obtain information from a rural population regarding what makes a good elementary school. A random telephone sample of 100 participants was selected with a total of 83 participants responding to the telephone interview. The interview requested participants to respond to an open-ended question as to the qualities necessary for a good elementary school grades K-7. The interview also was designed to gain information regarding demographic variables of participants in an effort to identify patterns of responses. In addition, a comparison of participants' responses to the research of Ron Edmonds was conducted. Participants identified qualities related to teachers, principals, curriculum, and environmental conditions -as properties of a good elementary school. An overwhelming number of participants indicated teachers who demonstrated care, concern, understanding, patience, and who provided learning experiences that promote success as necessary to a good school. A comparison of participants' responses to the research of Edmonds revealed little consistency between the perceptions of lay people in and the findings of researchers regarding qualities of a good elementary school. Finally, participant demographic variables were examined as they related to the characteristics of teachers, principals, curriculum, and environmental conditions. None of the demographic variables were found to be significantly related to the qualities of a good elementary school.
Ed. D.
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Ó, Baoill Pádraig. « Patrick Cardinal O'Donnell, his role and influence in Irish society, with particular reference to County Donegal, 1888-1927 ». Thesis, University of Ulster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273044.

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Campbell, Patrick Jude. « Fall and Redemption : The Essence of Country Music ». The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-07172007-180612/.

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My initial focus as a final project in the Creative Pulse was to begin to sing again. Singing fulfilled the three requirements of choice in a project: risk, rigor, and the requirement of having to do it. I had sung as a young man, and stopped as the result of listening to an adult tell me that I could not sing. During the following 23 years, I used percussion and became a dancer in order to express myself. The art forms of percussion and dance I was drawn to like a man is drawn to a woman that he must have. What about being drawn to an art form in order to continue existing? An artistic pursuit whose means of expression are a salvation? One can read about many artists who came into an art form out of necessity. Their life outside of expressing themselves was bleak and the art form became their cry. I by no means wish to place myself at the level of expertise of such artists that came to their art to survive, or to imply that I paid my dues to the extent that certain artists have (artists such as Hank Williams, or the Blues artist Robert Johnson, for example). I do mean to express through this paper my experience of the catharsis in singing country music and the Blues. My beginning singing came at a time when I really needed it; the music helped me through a difficult time. The title of the paper is Fall and Redemption: the Essence of Country Music for this reason. It is in Narrative form, foot printing my process and discovery of the music. I attempted to combine lifes experiences with the discovery of the music. The experiences were the inspiration behind playing the music. The essence of country music and the Blues is its sincerity, and I hope that I have combined my lifes narrative with the artistic process effectively, as the time period (December 2005 to June 2007) was a time in which art was defined by life, and life was defined by art.
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Costa, Luana Antunes. « Traços do chão, tramas do mundo. Representações do político na escrita de Mia Couto e Patrick Chamoiseau ». Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-27042015-111512/.

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Como gesto de resistência ao colonialismo e em relação às assimetrias impostas pelos centros homogênicos, em face do poder político das metrópoles europeias, escritores de margens periféricas assumiram um papel protagonista na luta pela libertação de seus países. Os sistemas literários que floresceram ao longo desse período de luta anticolonialista também estreitaram relações entre esses escritores, cujas ideias circularam pelas metrópoles e pelos territórios colonizados. No caso dos territórios africanos colonizados por Portugal, se em 1975 alcançaram a independência após mais de uma década de conflito armado, o mesmo não ocorreu com as ilhas antilhanas sob a dominação francesa exceto o Haiti, cuja independência se deu no século XIX. Desse modo, considerando essa diferença histórica, convocamos neste trabalho textos de reflexão do escritor martinicano Patrick Chamoiseau e o do moçambicano Mia Couto, cujos desempenhos como intelectuais, na cena global da informação, os colocam em destaque na busca por respostas capazes de discutir as tensões político-culturais próprias da contemporaneidade. Assim, propomos, pelo método comparativo e por critérios metodológicos dialéticos, analisar os ensaios Lintraitable beauté du monde adresse à Barack Obama (2009), uma coautoria de Patrick Chamoiseau e Édouard Glissant, e E se Obama fosse africano? (2009c), de Mia Couto, procurando destacar as estratégias de revisão epistemológica de conceitos eurocêntricos, bem como as de inserção do pensamento de margem na cena política global. Em um segundo movimento analítico, propomos confrontar três linhas de força que se apresentam nos romances Texaco (1993b), de Patrick Chamoiseau, e Jesusalém (2009b), de Mia Couto, quais sejam, as representações da memória, do feminino e do espaço. Entendemos tais representações como importantes elementos do campo de articulação de forças políticas direcionado à construção de projetos identitários na Martinica e em Moçambique, em relação com o sistema planetário.
As a gesture of resistance to colonialism and in relation to the asymmetries imposed by hegemonic power centers, facing the political power of the European metropolis peripheral writers played a significant role in the struggle for the liberation of their countries. Throughout this period of anti-colonialist struggle, booming literary systems also resulted in strengthening the relations between their authors whose ideas circulated in the European metropolis as well as in the colonized territories. Concerning the African territories colonized by Portugal, if they conquered their independence in 1975 after more than a decade of armed struggle, the same did not happen to the Antillean islands under French domination- with the exception of Haiti, which conquered its independence in the nineteenth century. Thus, considering this historical difference, we highlight in this work written reflections of the writer Patrick Chamoiseau from Martinique and Mia Couto from Mozambique whose performances as intellectuals in the global arena information stands out in searching answers that could be able to discuss the political and cultural tensions that are characteristic of our contemporary world . Thereby, through comparative analysis and dialectical approach, our aim in this work is to analyze two essays: Lintraitable beauté du monde adresse à Barack Obama (2009), co-authored by Patrick Chamoiseau and Édouard Glissant; and E se Obama fosse africano (2009a), by Mia Couto. At doing so, we also make an effort to foreground strategies to review Eurocentric epistemology and the marginal thoughts in the political global scene. In a second analytical deployment, this work attempts to identify and confront three guiding principles in the novels of the two writers Texaco (1993) by Patrick Chamoiseau and Jesusalém (2009b) by Mia Couto: the representations of memory, of the feminine and the space. We regard those representations as important elements of the field of the forces of political articulations aiming the construction of identity projects in Martinique and Mozambique in relation to the planetary system.
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Kroker, Patrick [Verfasser]. « Zivilparteien in Völkerstrafverfahren. : Eine Analyse der Opferbeteiligung an den ›Extraordinary Chambers in the Courts of Cambodia‹. / Patrick Kroker ». Berlin : Duncker & ; Humblot, 2012. http://d-nb.info/123842855X/34.

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Nenov, Svetoslav. « Biopolitics, counter-terrorism and law after 9/11 ». Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/biopolitics-counterterrorism-and-law-after-911(02e0d8bc-3c81-4731-bf06-e178de99a594).html.

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Biopolitics is a concept that, much like the apparatus it refers to, has kept evolving ever since Foucault coined its modern meaning in 1976. Its usage and interpretation have especially changed with the recent publication of The Birth of Biopolitics and Society, Territory, Population, books that helped expand its perceived field of application, specifically vis-à-vis the modern governmental rationales of neo-liberalism and, by association, neo-conservatism. In a separate development, the Western dispositif (apparatus) of biopolitics has undergone a dramatic transformation as a result of the terrorist attacks of 9/11, attacks after which, to quote Donald Rumsfeld, ‘everything changed’. My thesis takes both of these developments into account and provides a critical exploration of contemporary biopolitical US counter-terrorist measures. Emphasis is placed on a contextual juridico-political analysis that sheds more light on the complex interrelations between the relatively novel biopolitical dispositif and the classical legal dispositif of sovereignty. This is accomplished by a two-part empirical genealogical study that traces some of the pivotal judicial changes that have resulted from the counter-terrorist measures introduced in the wake of 9/11. It proposes that the PATRIOT Act, one of the primary legislative tools introduced after 9/11, is a distinctively ‘bio-legal’ document that allows for the integration of the biopolitical discourses of pre-emption, exception and contingency within the existing legal framework. I argue that this is a genuinely novel development that significantly alters the intersection of biopolitics, geopolitics and law. The second part of the empirical analysis presents a detailed interrogation of the legal disputes that involve the detention facility at Guantanamo Bay and, over the course of three key legal cases, shows that, even though the logic of biopolitics has now established a foothold within the US juridical system, the classical apparatus of Sovereignty still plays a decisive role in US governance. My key arguments are preceded and supported by an extensive overview of the notion of biopolitics, both as it was first introduced and developed by Foucault over the course of five publications, and as it is currently being used by key contemporary social theorists, especially insofar as this usage relates to the changes in Western politics after 9/11. Overall, the thesis provides a profound interrogation of the epistemic status of biopolitics, and it supplements this purely theoretical analysis with a detailed overview of how biopolitics and sovereignty interact in practice through the mechanism of the law, in the context of US counter-terrorist policies after 9/11.
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Crawford, David Brian. « Counter-revolution in Virginia : patriot response to Dunmore's emancipation proclamation of November 7, 1775 ». Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864903.

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In mid-November, 1775, Lord Dunmore last Royal Governor of Virginia attempted to enlist the support of rebel owned slaves to crush Patriot resistance to Great Britain. This study examines the slaveholders' response to Dunmore's actions. Virginia's slaveholders fought a counter-revolution in order to maintain traditional race relations in the colony. Patriot propaganda portrayed Dunmore as a race traitor, who became symbolically more "black" than white. Slaveholders characterized Dunmore as a rebel, a madman, and a sexual deviant - stereotypes normally given to slaves by their "masters." Since Dunmore threatened to destroy the defining institution of slavery, planters sought to salvage their identities by defending the paternalistic philosophy and racist assumptions upon which slave society was based. Planters overwhelmingly became Patriots to protect slavery.
Department of History
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Burlage, G. Rachel. « The Undue Burden Standard : The Effects of Planned Parenthood v. Casey (1992) on State Abortion Laws ». Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5326/.

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This thesis examines the effects of the change from strict scrutiny to the undue burden standard in Planned Parenthood v. Casey (1992). A history of abortion in the United States and the various ways in which government regulates it is explored. Particular attention is focused on the role of the federal judiciary in abortion regulation. Theories of judicial decision making are discussed as means to understand the outcome of cases. Several models are tested to determine which, if any, model explains judicial decision making. The effect of the change in standard, as well as an alternate precedent, are examined.
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Tapscott, Elizabeth L. « Propaganda and persuasion in the early Scottish Reformation, c.1527-1557 ». Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4115.

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The decades before the Scottish Reformation Parliament of 1560 witnessed the unprecedented use of a range of different media to disseminate the Protestant message and to shape beliefs and attitudes. By placing these works within their historical context, this thesis explores the ways in which various media – academic discourse, courtly entertainments, printed poetry, public performances, preaching and pedagogical tools – were employed by evangelical and Protestant reformers to persuade and/or educate different audiences within sixteenth-century Scottish society. The thematic approach examines not only how the reformist message was packaged, but how the movement itself and its persuasive agenda developed, revealing the ways in which it appealed to ever broader circles of Scottish society. In their efforts to bring about religious change, the reformers capitalised on a number of traditional media, while using different media to address different audiences. Hoping to initiate reform from within Church institutions, the reformers first addressed their appeals to the kingdom's educated elite. When their attempts at reasoned academic discourse met with resistance, they turned their attention to the monarch, James V, and the royal court. Reformers within the court utilised courtly entertainments intended to amuse the royal circle and to influence the young king to oversee the reformation of religion within his realm. When, following James's untimely death in 1542, the throne passed to his infant daughter, the reformers took advantage of the period of uncertainty that accompanied the minority. Through the relatively new technology of print, David Lindsay's poetry and English propaganda presented the reformist message to audiences beyond the kingdom's elite. Lindsay and other reformers also exploited the oral media of religious theatre in public spaces, while preaching was one of the most theologically significant, though under-researched, means of disseminating the reformist message. In addition to works intended to convert, the reformers also recognised the need for literature to edify the already converted. To this end, they produced pedagogical tools for use in individual and group devotions. Through the examination of these various media of persuasion, this study contributes to our understanding of the means by which reformed ideas were disseminated in Scotland, as well as the development of the reformist movement before 1560.
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Livres sur le sujet "Patrick County"

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Perry, Thomas David. Patrick County. Charleston, SC : Arcadia Pub., 2008.

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Patrick County. Charleston, SC : Arcadia Pub., 2008.

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Steele, Jimmie Martin. Patrick County, Virginia 1820 census. [Roanoke, Va.] (1830 Carter Rd., S.W., Roanoke, 24015) : J.M. Steele, 1989.

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Pilson, Betty A. Patrick County, Virginia birth records. [Stuart, Va.] (P.O. Box 742, Stuart 24171) : [B & B Books], 1997.

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Kirkman, Eunice B. Patrick County, Virginia marriages, 1875-1900. Stuart, VA (P.O. Box 568, Stuart 24171) : E.B. Kirkman, 1993.

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Baughan, Barbara C. Patrick County, Virginia will book, no. 2. Bowie, Md : Willow Bend Books, 2004.

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Baughan, Barbara C. Patrick County, Virginia deed index abstracts, 1791-1850. [Stuart, VA] (216 Glenwood Ter., Stuart 24171) : B.C. Baughan, 1997.

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Carter, Sharon S. The descendants of Field Trent, Patrick County, Virginia. San Francisco, Calif : Creative Commons, 2005.

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Baughan, Barbara C. Patrick County, Virginia death records, 1868, 1869, & 1871-1896. [Stuart, VA : B & B Books], 1997.

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Maisel, Rosemary Virginia. The Patrick Kirwan family of Carrickmacross, County Monahan, Ireland. Catonsville, Md : R.V. Maisel, 1991.

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Chapitres de livres sur le sujet "Patrick County"

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Vieira, Miriam. « Building Bridges : The Modes of Architecture ». Dans Beyond Media Borders, Volume 2, 59–77. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49683-8_3.

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Abstract The crossing of borders between architecture and literature has been scrutinized under various scopes. However, the two media types are rarely studied together in terms of “architectural ekphrasis”. The aim of this chapter is to elaborate on this notion by investigating the modes of architecture. To achieve that goal, the author counts on architecture as a medium, as suggested by Patrick Schumacher. Since the limited amount of architectural media traits that are likely to be satisfactorily transmediated by literature are not fully identified by the parameters of already consolidated pictorial models, the author also uses Elleström’s model for analyzing media transformations. The four modalities of media, along with their qualifying aspects, are the backbone of an interpretative framework proposed to explore the presence of architecture in literature. The chapter also leans on the notions of embodiment and perspective.
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Rees, Catherine. « “An Interlude” : Adaptation Without Nation : Ivan Turgenev and Brian Friel’s a Month in the Country and Patrick Marber’s Three Days in the Country ». Dans Adaptation and Nation, 139–45. London : Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-42587-4_6.

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Gaskell, Elizabeth. « Chapter III ». Dans The Life of Charlotte Brontë. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199554768.003.0005.

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The Rev. Patrick Brontë is a native of the County Down in Ireland.* His father Hugh Brontë, was left an orphan at an early age. He came from the south to the north of the island, and settled in the parish of...
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Gerard, Philip. « Occupying Army ». Dans The Last Battleground, 191–97. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469649566.003.0028.

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A prosperous landowner in Indian Town, Currituck County, Joseph B. Morgan, experiences the strange and unpredictable regimen of living under military occupation. Meanwhile his son, Patrick, is at Virginia Military Institute-safe, as far as Morgan knows. But when Gen. Franz Sigel’s troops in the Shenandoah Valley are threatened with attack, he sends for the VMI cadets. They march eighty miles, then are thrust into battle at New Market, charging across the muddy “field of lost shoes” with horrific casualties. Patrick survives, even as his father endures the cruelties of guerrilla attacks and reprisals.
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« 85 Macdermott : Patrick Macdermott, Bordeaux, to Mr Daniel Macdermott, Irishtown, County of Meath, Near Navan, 28 February 1757 ». Dans Records of Social and Economic History : New Series, Vol. 53 : The Bordeaux–Dublin Letters, 1757 : Correspondence of an Irish Community Abroad, sous la direction de L. M. Cullen, John Shovlin et Thomas M. Truxes. British Academy, 2013. http://dx.doi.org/10.1093/oseo/instance.00173707.

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« Patrick Washington ». Dans Voices from the Mississippi Hill Country, 172–76. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctv128fptj.43.

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Kraus, Joe. « Syndicate Hammer ». Dans The Kosher Capones, 113–22. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501747311.003.0009.

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This chapter traces Lenny Patrick’s history of violence, particularly during his time with the Syndicate. It begins with a background on his childhood and his rise to power in the criminal underworld. The chapter then takes a look at his criminal career and his growing reputation as a violent and dangerous gangster, one the FBI at the time frequently described as having “dangerous propensities.” Throughout, Patrick displays a pathological loyalty to a larger, corporate interest. In such a role, Patrick spent perhaps as long as two decades traveling across the city and maybe even the country, killing people who somehow got in the Syndicate’s way. Though Patrick did make mistakes throughout his criminal career, this chapter shows that he still managed to establish himself as a clear and permanent part of the Syndicate.
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Raitz, Karl. « Making and Selling Whiskey at the Henry McKenna Distillery ». Dans Making Bourbon, 297–341. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178752.003.0015.

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Irish immigrant Henry McKenna established a mill and distillery at Fairfield in Nelson County in the early 1850s. In 1860 McKenna’s household included three Irish boarders, one of whom, Patrick Sweeney, became the distiller. McKenna began acquiring farmland in the 1850s and accumulated more than 1,000 acres, becoming a “strong farmer,” in the idiom of Ireland. McKenna milled grain and sold flour to local patrons as well as retailers in Bardstown and Louisville. His low-production distillery served a similar clientele. He maintained more than 350 customer accounts, selling flour, meal, and whiskey on credit. He bought farmers’ grains, wood, wool, and garden produce, crediting their accounts. Although his first still was handmade of poplar logs, McKenna improved and expanded his works, which by 1878 was mashing 200 bushels of grain per day. Some of his Irish employees, earning only a modest wage, supported the Fenian Brotherhood and sent donations to the “poor of Ireland.”
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Guerin, Dava, et Terry Bivens. « Prison or the Canadian Wilderness ». Dans The Eagle on My Arm, 14–18. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813180021.003.0003.

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In this chapter Patrick struggles with his rage and PTSD. While a patient at Walter Reed he breaks his doctor’s jaw after punching him twice. He would have been in military prison if not for the intervention of his father and his psychiatrist. The doctor finds a research grant that would allow Patrick to count bald eagles in the wild for three years. Patrick receives a discharge from the Army, though he will never be able to receive VA benefits except for college under the GI Bill.
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Guerin, Dava, et Terry Bivens. « Go West, Young Man ». Dans The Eagle on My Arm, 56–67. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813180021.003.0009.

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In this chapter Patrick decides to move to Oregon with his wife, Janeas. He was working with Dave Siddon at the time with Dave’s company called, “Wildlife Images.” Patrick is hired to go around the country doing school programs as well as training wild animals for movies and television. He trains bears, mountain lions and other wildlife. This is the time that his son, Skyler was born. He moves with his wife to Oregon to continue doing the wildlife shows from there.
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Rapports d'organisations sur le sujet "Patrick County"

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Rawn-Schatzinger, V., et R. A. Schatzinger. Annotated bibliography of selected references on shoreline barrier island deposits with emphasis on Patrick Draw Field, Sweetwater County, Wyoming. Office of Scientific and Technical Information (OSTI), juillet 1993. http://dx.doi.org/10.2172/10172979.

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