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Articles de revues sur le sujet « Performative effect of acts »

Auteur : Grafiati

Publié le 2 juin 2025

Mis à jour le 31 juillet 2025

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1

H. Tisgam, Khalida, and Mehdi Falih alGhazalli. "Significance of Performative Speech Acts for the Translation of Nahjul Balagha from Arabic into English." Arab World English Journal For Translation and Literary Studies 6, no. 3 (2022): 170–99. http://dx.doi.org/10.24093/awejtls/vol6no3.13.

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The current study investigates the significance of performative speech acts for translating Nahjul Balagha. Attempting to accredit the claim that performatives are essential for understanding the intended meaning of a text is, speech act theory is employed to show that the different functions of performative acts must be considered in translation. For the elucidation of the potential of this theory, this study employs Searle’s taxonomy. The main question of this study is: How does Imam Ali (A.S.) employs performatives in his letters? In relation to this, the present study aims to see how Imam

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Corrêa, Murilo Duarte Costa. "O ENIGMA DA PRODUTIVIDADE DO DIREITO: < PERFORMATIVOS > < ALGORITMOS > < PALAVRAS DE ORDEM > / THE ENIGMA OF THE PRODUCTIVITY OF LAW:< PERFORMATIVES > < ALGORITHMS > < ORDER-WORDS >." RFD- Revista da Faculdade de Direito da UERJ, no. 41 (December 21, 2022): 1–27. http://dx.doi.org/10.12957/rfd.2022.71431.

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Resumo: Este ensaio investiga o enigma da produtividade do direito: a produção de efeitos reais atribuídos aos enunciados jurídicos, que não raro foi explicada pela teoria dos atos performativos. Explorando afinidades, analogias, impasses e paradoxos, o problema dos performativos é retomado a partir do entrelaçamento analítico de três campos: linguagem, técnicas computacionais e direito. Como resultado, o ensaio demonstra, por meio do conceito de palavra de ordem, de Deleuze e Guattari, que performativos, algoritmos e enunciados jurídicos têm seu funcionamento efetivo melhor explicado pelos ag

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o‘g‘li, Axmadjonov Nurbek Zokirjon, and Anvarova Ominaxon Sherzod qizi. "The Discursive Features ofSpeech Acts inUzbek Media." American Journal of Philological Sciences 5, no. 1 (2025): 163–71. https://doi.org/10.37547/ajps/volume05issue04-41.

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Understanding the discursive nature of these speech acts requires peeling back layers of intention, form, and effect. From a casual morning news report to a fiery political debate, from a government press release to a social media post—every utterance performs an act. This article delves into these performative structures, drawing from foundational theories and applying them to authentic Uzbek media texts to illuminate how speech acts operate discursively and powerfully in public discourse.

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Rice, Darryl B., Oscar Jerome Stewart, Tsedale Melaku, and Nicole C. J. Young. "Enough is enough: Identifying and overcoming acts of anti-Black performative allyship in the peer-review process." Organization 32, no. 2 (2025): 191–219. https://doi.org/10.1177/13505084241282236.

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The purpose of our article is to provide insights as to how anti-Black performative allyship in the peer-review process obstructs the advancement of Black scholarship in management and organization studies (MOS). To accomplish this, we rely on critical race theory (CRT) to (1) contextualize and conceptualize anti-Black performative allyship within the peer-review process and explain its harmful effects; (2) identify three specific acts of anti-Black performative allyship within the peer-review process; (3) use narrative accounts to demonstrate our experiences with these acts of anti-Black perf

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Rozmarynowska, Karolina. "Performatywna funkcja języka religijnego w ujęciu filozofii Johna L. Austina na przykładzie liturgii rzymskokatolickiej." Seminare. Poszukiwania naukowe 2022(43), no. 1 (2022): 11–21. http://dx.doi.org/10.21852/sem.2022.1.01.

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The subject of the reflection undertaken in the article is the performativity of religious language. The author explains its specificity, showing what is the performative function of language used in the religious space on the example of Roman Catholic liturgy. She explains what conditions must be met for religious speech acts to be valid and effective. She distinguishes and discusses two types of causative power of religious performatives: illocutionary and perlocutionary, pointing out that the effects they cause are related, on the one hand, to the linguistic action itself, and on the other

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Haekal, Muhamad, Hari Bakti Mardikantoro, and Ahmad Syaifudin. "SPEECH BEHAVIOR EXPRESSION ON TRUCK IN SISEMUT UNGARAN TERMINAL." Jurnal Sastra Indonesia 8, no. 1 (2019): 57–61. http://dx.doi.org/10.15294/jsi.v8i1.29950.

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Tujuan yang dicapai dalam penelitian ini adalah untuk mendeskripsikan bentuk tindak tutur dan efek dari tindak tutur pada bak truk di Terminal Sisemut Ungaran. Analisis data dilakukan dengan metode padan. Berdasarkan hasil analisis, diketahui bahwa pada penggalan wacana pada bak truk di Terminal Sisemut Ungaran terdiri dari jenis tindak tutur konstatif, performatif, lokusi, ilokusi, perlokusi, representatif, direktif, ekspresif, komisif, langsung harfiah, langsung tak harfiah, tak langsung harfiah, tak langsung tak harfiah. Selain itu, efek yang ditimbulkan dari tindak tutur dalam penggalan tu

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Moffat, Nicola. "Monstrous Promises: Performative Acts and Corporeality in Mary Shelley's Frankenstein." Somatechnics 8, no. 2 (2018): 232–47. http://dx.doi.org/10.3366/soma.2018.0253.

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Promises are an example of what linguist JL Austin described as performative acts, in that their very utterance allows the act of promising to take place. Austin formed his theory of performative speech acts as a way in which to make fully predictable the effects of certain speech acts, promises amongst them. Using Mary Shelley's Frankenstein, this article demonstrates the impossibility of predicting the effects of promises, explaining that Austin and Frankenstein both lack a consideration of the bearing different bodies have on the effects of promises. Taking a feminist deconstructive approac

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Hammad, Anas Abdulmageed. "Pragmatics in Iraqi University Communications and Official Announcements." Anbar University Journal of Languages and Literature 17, no. 1 (2025): 21–33. https://doi.org/10.37654/aujll.2025.157070.1110.

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This research aims to study the official discourse of Iraqi universities from a pragmatic perspective, represented by its four theories: speech acts, deixis, conversational implicature, and presupposition, and the impact these theories have on the communication process between the sender and the receiver. The study seeks to reveal this impact in announcements and speeches, contributing to the creation of a pragmatic approach in the university environment and fostering an academic and institutional communication environment to enhance institutional productivity and expedite its achievement. One

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AlAfnan, Mohammad Awad, and Tamara Oshchepkova. "A Speech Act Analysis of the United Nations Secretary-General's Opening Remarks to the General Assembly Emergency Special Session on Ukraine." Studies in Media and Communication 10, no. 2 (2022): 91. http://dx.doi.org/10.11114/smc.v10i2.5662.

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This study examines language use as social action. Using Austin’s (1962), Bach’s (2003), and Searle’s (1969) speech act theory and categorizations of constative utterances, performative utterances, illocutionary acts, and perlocutionary acts, this study examines the speech acts used by the UN’s Secretary-General in his opening remarks in the Emergency Special Session on Ukraine. The study likewise examines the intended social actions and the social effects they have on the audience. This study reveals that the UN’s Secretary-General made use of a balance between the usage of utterances that ex

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Hildebrandt, Mireille. "Text-Driven Jurisdiction in Cyberspace." Theoretical and Applied Law, no. 2 (June 7, 2021): 6–20. https://doi.org/10.5281/zenodo.15519880.

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In this paper I further develop a philosophy of technology for law and the rule of law, more specifi cally for the role of territorial jurisdiction in the protection against crime and against arbitrary use of the ius puniendi. In the face of the code- and data-driven nature of cyberspace I will discuss modern positive law as based on a text-driven jurisdiction and the main argument of the paper is that we cannot take for granted that the kind of legal protection that is offered by a text-driven criminal jurisdiction will hold in the context of cyberspatial challenges. In the fi rst section, I

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Kolinjivadi, Vijay, Gert Van Hecken, Diana Vela Almeida, Jérôme Dupras, and Nicolás Kosoy. "Neoliberal performatives and the ‘making’ of Payments for Ecosystem Services (PES)." Progress in Human Geography 43, no. 1 (2017): 3–25. http://dx.doi.org/10.1177/0309132517735707.

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This paper argues that Payments for Ecosystem Services (PES) serve as a neoliberal performative act, in which idealized conditions are re-constituted by well-resourced and networked epistemic communities with the objective of bringing a distinctly instrumental and utilitarian relationality between humans and nature into existence. We illustrate the performative agency of hegemonic epistemic communities advocating (P)ES imaginaries to differentiate between the cultural construction of an ideal reality, which can and always will fail, and an external reality of actually produced effects. In doin

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Amin, Dina. "Eighteen Days in Tahrir Protests: The Perfomatives of Civic Action in Egypt’s 2011 Revolution." Protest 2, no. 1 (2022): 55–77. http://dx.doi.org/10.1163/2667372x-bja10021.

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Abstract On January 25, 2011, a spontaneous mobilization of masses of Egyptian folks congregated in Tahrir Square calling for change in Egypt. ‘Bread, freedom and social justice’ is what Egyptian demonstrators chanted throughout their encampment in the Midan. Shortly after Tahrir Square had turned into a community of protestors congregating and setting up camp day and night in the large plaza, random protestors and performers started devising means of entertainment imbued with political satire with which to engage and incite the crowds. Songs and dances as well as lengthy dramatic monologues,

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Moser, Aloisia. "Kant and Performative Schematizations." Studies in Transcendental Philosophy 2, no. 2 (2021): 0. http://dx.doi.org/10.18254/s271326680016982-0.

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In this paper I discuss two recent readings of Kant’s schematism that are productive for my take on performativity. The first stems from Sibylle Krämer’s Figuration, Anschauung, Erkenntnis from 2016, in which Krämer examines Kant’s writings on schematism, while taking a special look at the notion of figurality. Krämer is keen on describing that intuitions and concepts are dissimilar, and the schema is required to make them similar. The transcendental schema or schematization, Krämer underlines, is a method or act. It is not an image but figurality, and in Kant it is temporal figurality, which

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Kakoliris, Gerasimos. "Judith Butler on Gender Performavity." dianoesis 17, no. 1 (2025): 57–74. https://doi.org/10.12681/dia.41735.

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This article examines Judith Butler’s theory of gender performativity, a pivotal concept in contemporary feminist and queer theory. Originating from Butler’s Gender Trouble (1990) and further developed in Bodies That Matter (1993), the theory challenges traditional distinctions between sex and gender by arguing that both are socially constructed through performative acts. Butler critiques the binary notion that biological sex predetermines gender identity, instead proposing that gender is continually constituted through repeated social performances within a regulatory framework Butler calls th

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Kramsch, Claire. "“I hope you can let this go”/ “Ich hoffe, Sie können das fallen lassen”—Focus on the Perlocutionary in Contrastive Pragmatics." Contrastive Pragmatics 1, no. 1 (2020): 58–81. http://dx.doi.org/10.1163/26660393-12340003.

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Abstract Pragmatics has focused predominantly on the locutionary form and illocutionary force of utterances but largely ignored their perlocutionary effects. A shift toward the perlocutionary would require much greater attention being given to the historical and political context in the production and reception of utterances, as well as to interpretation as a performative process. This paper takes as empirical data a press report on the performance of a particular speech act by Donald Trump and its perlocutionary effect both on his addressee and on the readers of the incident as reported in th

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Singler, Samuel. "Biometric statehood, transnational solutionism and security devices: The performative dimensions of the IOM’s MIDAS." Theoretical Criminology 25, no. 3 (2021): 454–73. http://dx.doi.org/10.1177/13624806211031245.

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This article contributes to border criminology and transnational criminal justice research into the role of transnational actors in shaping practices of global justice, punishment and control, as well as to the criminological analysis of penal technologies. I examine the performative effects of the Migration Information and Data Analysis System (MIDAS) developed by the International Organization for Migration (IOM), and I argue that these effects are multidimensional. For beneficiary states, the deployment of MIDAS constitutes a performance of sovereign territorial power, affirming membership

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Kaufmann, David. "A Plea for Perlocutions." Conversations: The Journal of Cavellian Studies, no. 4 (May 1, 2016): 41–60. http://dx.doi.org/10.18192/cjcs.v0i4.1612.

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After staging the shipwreck of the constative-performative distinction halfway through How To Do Things With Words, J.L. Austin goes on famously to “make a fresh start on the problem.” He relinquishes the original opposition between making statements and doing things and then introduces a ternary account of speech acts. He distinguishes between locutionary acts (in which we produce sounds with “a certain sense and a certain reference”[95]), illocutionary acts (in which we perform acts such as “asking or answering a question, giving some information… announcing a verdict...and the numerous like

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Fesmire, Alice Ann. "Transitions as Speech Acts." Journal of Technical Writing and Communication 23, no. 2 (1993): 115–28. http://dx.doi.org/10.2190/fguf-ky0u-98ef-jupm.

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Current treatment of teaching transitions relies on an approach which presents students with lists of transitions to insert at unspecified places in the text. In addition, some textbooks and composition handbooks advise students to be “subtle” and warn against explicitly stating their purpose. This advice exists in spite of the fact that many professional writers are often explicit about the effect they intend in writing their transitions. Since handbook authors have failed to offer a general theory of how to write effective transitions, I propose that speech act theory can explain the functio

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Fulkerson, Laurel. "Staging a Mutiny: Competitive Roleplaying on the Rhine (Annals 1.31-51)." Ramus 35, no. 2 (2006): 169–92. http://dx.doi.org/10.1017/s0048671x00000862.

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Discussions of Tacitus' use of theatricality or dramatic episodes are nothing new, but these studies have primarily focused on the Neronian books, where they are seen as particularly appropriate. The notions of performativity and pageantry, however, pervade all of Tacitus' historical writing, even in places where they have not previously been sought. I focus in this article on how Germanicus' conduct while quelling the Rhine mutiny of 14 CE dangerously assimilates him to the German soldiers insofar as both treat the uprising as an opportunity to display their most flamboyant behaviours in an a

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Fujii, Lee Ann. "The Puzzle of Extra-Lethal Violence." Perspectives on Politics 11, no. 2 (2013): 410–26. http://dx.doi.org/10.1017/s1537592713001060.

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This article proposes the concept “extra-lethal violence” to focus analytic attention on the acts of physical, face-to-face violence that transgress shared norms about the proper treatment of persons and bodies. Examples of extra-lethal violence include forcing victims to dance and sing before killing them, souvenir-taking and mutilation. The main puzzle of extra-lethal violence is why it occurs at all given the time and effort it takes to enact such brutalities and the potential repercussions perpetrators risk by doing so. Current approaches cannot account for this puzzle because extra-lethal

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Wojtyna, Miłosz. "Violence on Demand: Commodification of Digital Violence in Trash Streaming." Storyworlds: A Journal of Narrative Studies 13, no. 1 (2021): 49–78. http://dx.doi.org/10.1353/stw.2021.a908968.

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Abstract: This article examines how representations of violence in a range of transgressive autobiographical narratives streamed online have become objects of (financial, social, communicative) transactions in which the aesthetic and moral status of acts of violence (understood as radical instances of norm-breaking) contributes to audience engagement and results in a voluntary servitude relationship between creators and their viewers. The argumentation I offer here analyzes the connection of audience engagement with gratification mechanisms based on high eventfulness of the violations presente

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Bashri, Maha, and Youmna Deiri. "Introduction Special Issue: Tectonic Intimacies of Transformation Knowledges of Emancipation and Narratives of Resistance and the Amplification of Global Majority Voices." Journal of Ethnic and Cultural Studies 11, no. 5 (2024): 1–15. https://doi.org/10.29333/ejecs/2390.

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Tectonic intimacies address the relationship between violence, resistance, and hope in academia with a specific focus on Global Majority scholars. It analyses colonial power dynamics in knowledge production and the effect of such dynamics on the emotions of people and communities using the concept of tectonic shifts. The contributions highlight how intimate acts of survival, cultural assertion, and collective care serve as forms of resistance, creating ruptures within colonial epistemologies and facilitating the emergence of postcolonial knowledges. These acts, which are regarded as the strate

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Ellefsen, Live. "Genre and “Genring” in Music Education." Action, Criticism, and Theory for Music Education 21, no. 1 (2022): 55–79. http://dx.doi.org/10.22176/act21.1.56.

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In this article, I explore the theoretical and analytical potential of the concept of genring, which here refers to productive acts of temporary interpretation and signification, wherein existing classification systems and genre categories in the social are operationalized and (re)negotiated. Foucault and Butler’s theories of discursive subjection serve as a theoretical framework to consider how genring works as a performative mode of action: a discursive, reiterative, and citational practice that establishes ontological effects of truth, reality, and naturalness. This performative mode of act

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Kasmani, Mohd Faizal, Sofia Hayati Yusoff та Osama Kanaker. "Muḥammad’s Conversations with the Bedouin: a Speech-Act Analysis of Prophetic Discourse in Hadith". Al-Bayān – Journal of Qurʾān and Ḥadīth Studies 17, № 1 (2019): 1–23. http://dx.doi.org/10.1163/22321969-12340067.

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Abstract Speech-act theory allows us to study how words have an impact in real life and the performative nature of words. At the same time, it can also contribute to an understanding of communication style and communication strategy. In this article, speech-act theory is applied to the conversations of Prophet Muḥammad with the Bedouin in two ways. First, the speech acts of the Prophet are analyzed using the categories put forward by John Searle to see how they function within the conversation. Second, the illocutionary force of an utterance and its perlocutionary effect – based on words and e

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Alidmat, Ali Odeh Hammoud, and Mohamed Ayed Ayassrah. "The Use of Offer and Acceptance and their Commissive Implication in the Sulha Tribunal." International Journal of English Linguistics 9, no. 6 (2019): 347. http://dx.doi.org/10.5539/ijel.v9n6p347.

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This article focuses on the analysis of enactment of speech acts of offer and acceptance and their commissive effects in carrying out Sulha informal legal processes. Sulha is a method of resolving disputes used in the Middle East. These processes of Sulha are understood to operate within traditions set by communities that use the process in solving disputes. Just as formal legal processes, the success of a Sulha process is dependent on legal performative of a language used to carry out Sulha tribunals. This is based on the fact that it is through language that informal legal acts are enacted.

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Golestani, Narjes Tashakor. "A Study of the Construction of Female Identity: John Fowles’ The French Lieutenant’s Woman." Ciência e Natura 37 (December 21, 2015): 321. http://dx.doi.org/10.5902/2179460x20863.

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The issue of identity and female consciousness as one of the major concerns of feminists has always been polemical, for there are different attitudes in formulating gender identity and consequently defining what a woman is. As its theoretical framework, this study relies on Judith Butler’s theory of gender and sexuality and studies the construction of identity in the female characters of John Fowles’ The French Lieutenant’s Woman. Judith Butler, a feminist constructivist, stresses the effect of socially constructed gender roles on creating gender identity and proposes her performative theory o

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Bonaventure M., Sala. "The Performative Aspect of Spontaneous Prayers in Cameroon: A Study in Evasive Media in Interactions." British Journal of English Language Linguistics 10, no. 2 (2022): 1–15. http://dx.doi.org/10.37745/bjel.2013/vol10n2pp115.

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Studies on prayers have focussed mainly on their vertical interactive dimension between the faithful and the deity. As a result, notably with spontaneous prayers, prayers have hardly been seen as a form of horizontal communication, or as ‘evasively’ having a communicative value with the faithful, who constitute their immediate audience. This study therefore considers the horizontal effect spontaneous prayers have on the audience that listens to, or overhears, them. Our analyses show that spontaneous prayers, which turn out to be a medium of communication in its own right, can facilitate comple

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Santiago, Amitha. "NURTURING ABSTRACTIONS OF THE NATION IN RELIGIO-CULTURAL IDENTITY ASSERTIONS AND SPACES OF GENEROSITY IN SUFI DARGHAS OF KARNATAKA." International Journal of Interreligious and Intercultural Studies 1, no. 1 (2018): 85–94. http://dx.doi.org/10.32795/ijiis.vol1.iss1.2018.33.

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Socio-political reality is often brought into being through performative acts. To say that religio-cultural identity stakes its claim on the socio-political through performative utterances is to also state that socio-political realities appear as effects of articulated ideology. It has been well acknowledged that socio-political ideology presents itself as if it were offering some ‘deeper, extra political truths’ of being and becoming that are constant. This brings forth a believing community, which functions as a stabilizing occurrence for these ‘deeper, extra political truths’ of being and b

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Muntag, Vince. "Az előadói státusz dramaturgiája Molnár Ferenc Játék a kastélyban című drámájában." Theatron 18, no. 1 (2024): 184–91. http://dx.doi.org/10.55502/the.2024.1.184.

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In Ferenc Molnár’s oeuvre, the representation of the body, the expression of bodily experiences and the relationship between language and physicality in general are of decisive importance. This is also true of the play The Game in the Castle, since the text expresses the physical in a rather direct way within the period. In its historicity, the cultural register represented by Ferenc Molnár is often surrounded by a kind of strange prudery of posterity, which will probably take some time to dissolve. The relationship between the speech acts and the body, and the effect of the former on the latt

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Tripp, Charles. "The State as an Always-Unfinished Performance: Improvisation and Performativity in the Face of Crisis." International Journal of Middle East Studies 50, no. 2 (2018): 337–42. http://dx.doi.org/10.1017/s0020743818000247.

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The apparent fixity of the state has been produced by state-building projects, but also by the logic of state analysis that needs an object for its study. Encouraging critical reflection on the essentialism often associated with these processes, Pierre Bourdieu argued that these two aspects of “state formation” are contingently and epistemologically intertwined: “to endeavor to think the state is to take the risk of taking over (or being taken over by) the thought of the state.” Others, including Ellen Lust in her essay, have focused on state-making practices, and their symbolic and material e

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A.P., Zizinska. "DIRECTIVE SPEECH ACTS IN OLD ENGLISH LANGUAGE." Scientific Bulletin of Kherson State University. Series Germanic Studies and Intercultural Communication, no. 1 (August 2, 2021): 66–71. http://dx.doi.org/10.32999/ksu2663-3426/2021-1-10.

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The article is aimed to investigate speech acts in the Old English language (7–11 centuries). Our study focuses on one of the types of speech acts – directives. Literary monuments of the Old English language, the oldest of which date back to the 7th century, served as illustrative material.We have studied and identified the main types of directives that were most manifested in the language of the above mantioned period. Based on previous researches, and analyzing the sources of illustrative material, we were able to trace back the peculiarities of the directives usage in the Old English langua

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Krajewska, Anna. "Humanistyka performatywna." Przestrzenie Teorii, no. 29 (January 31, 2019): 31–51. http://dx.doi.org/10.14746/pt.2018.29.2.

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This article foregrounds the collapse of the binary opposition between drama and theatre that in literary and theatre discourses are traditionally recognized as wholly separate art forms, with the former based on words and the latter based on live performances. The present author argues that by applying a performative perspective on art in its varied forms and introducing the category of the entanglement of matter and meaning, derived from quantum physics, a non-antagonistic approach to drama and theatre is still possible. The argument that sees literature as a performative art, adopted by the

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Atuk, Sumru. "Femicide and the Speaking State." Journal of Middle East Women's Studies 16, no. 3 (2020): 283–306. http://dx.doi.org/10.1215/15525864-8637409.

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Abstract High rates of gender-based violence and sexist political rhetoric are central features of contemporary Turkey. This article explores the complex relationship between the two by drawing on the literature that investigates the (re)making of the category of “woman” in the Middle East and the scholarship on femicide/feminicide. The article employs critical discourse analysis of ruling politicians’ gender-normative statements and shows how they reconstruct the category of “proper woman” as one with institutional and social consequences that compromise women’s safety. Using John L. Austin’s

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Aruan, Abel Kristofel. "Surat Jerami di Meja Austin." Indonesian Journal of Theology 4, no. 2 (2017): 257–79. http://dx.doi.org/10.46567/ijt.v4i2.43.

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Many hermeneutical approaches have been developed in response to interpretive difficulties arising from the reading of text, especially sacred writings. The linguistic ontology developed by John Langshaw Austin (1911-1960) might offer a novel perspective for “reading” such an utterance. For Austin, there are multiple kinds of speech effected in the instance of human uttering. A given action therefore results out of a person’s given speech. Austin terms “performative utterance” that action performed by way of speech. Further explicating his speech-act theory, Austin outlines that the action exe

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Abdullatif Alhulaybi, Abdulaziz, and Belgacem Hemame. "Saudi Minister of Health's Speeches Regarding to Covid-19 Pandemic, a Study in Light of Speech Acts." Dirasat: Human and Social Sciences 49, no. 6 (2022): 538–50. http://dx.doi.org/10.35516/hum.v49i6.3790.

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The idea of the research proceeds from the fact that the linguistic discourse adopted by the Saudi Ministry of Health contributed - along with other factors - to overcoming the large and dangerous effects that left behind Covid-19. This success was witnessed internationally in multiple official reports, which made this Saudi experience pioneer and even deserved to study and analyze. In fact, the linguistic discourse adopted by the Saudi Ministry of Health had an important role in the interaction of Saudi society members and organizations, and their full commitment to the instructions and direc

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Semedo, Alice, and Fabiana Dicuonzo. "Cultivating Slow Curating in Times of Acceleration." Land 14, no. 1 (2025): 101. https://doi.org/10.3390/land14010101.

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This paper introduces key ideas and issues in the changing debates on heritage practices and sustainability. It draws attention to the capacities of heritage to activate and unfold new meanings and increase the resilience of territories and landscapes—namely depopulated ones—through slow curating processes. We will argue that slow curating processes cultivate ‘slower’ ways of knowing, act as seedbeds of emergence and as catalysts to transformation that recuperate the pieces of a fragmented territory while also helping to re-locate its existence—its past, its present and its future—in balance w

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Raun, Tobias, and Michael Nebeling Petersen. "The mediatization of self-tracking." MedieKultur: Journal of media and communication research 37, no. 71 (2022): 161–86. http://dx.doi.org/10.7146/mediekultur.v37i71.125250.

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This article investigates a community of men who use the pharmaceuticals Minoxidil and Finasteride to enable and restore beard and hair growth, and who track and trace the effects on YouTube. It argues that the traditional positions of expert and patient are deterritorialized by the digitalization of health discourses and practices, and that the camera in these YouTube videos acts as a mediating/performative factor. The article seeks to answer the question of community formation among the male self-trackers. It offers a generic, analytical model where knowledge production is outlined as either

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Porter, James I. "The Seductions of Gorgias." Classical Antiquity 12, no. 2 (1993): 267–99. http://dx.doi.org/10.2307/25010996.

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From the older handbooks to the more recent scholarly literature, Gorgias's professions about his art (not to say about reality) are taken literally at their word: conjured up in all of these accounts is the image of a hearer irresistibly overwhelmed by Gorgias's apagogic and psychagogic persuasions. Gorgias's own description of his art, in effect, replaces our description of it. "His proofs... give the impression of ineluctability" (Schmid-Stählin). "Thus logos is almost an independent external power which forces the hearer to do its will" (Segal). "Incurably deceptive," logos has an "enormou

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de Groote, Brecht. "On Not Being an Author: De Quincey's ‘Confessions’ and the Performance of Romantic Translatorship." Romanticism 27, no. 3 (2021): 262–71. http://dx.doi.org/10.3366/rom.2021.0520.

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Through his ‘Confessions of an English Opium-Eater’, Thomas De Quincey effects a meticulously crafted entrance onto the literary scene: less a series of confidential notes than a stage-managed performance, the ‘Confessions’ serve as a stage on which he announces his literary ambitions. One such set of performative acts has received little attention: it pertains less to establishing a ground from which to authoritatively create, than it does to laying down a structure through which to mediate. Acting on recent developments within literary criticism and translation studies, this article examines

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Disch, Lisa. "Democratic Representation and the Constituency Paradox." Perspectives on Politics 10, no. 3 (2012): 599–616. http://dx.doi.org/10.1017/s1537592712001636.

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That acts of democratic representation participate in creating the interests for which legislators and other officials purport merely to stand gives rise to the “constituency paradox.” I elucidate this paradox through a critical reading of Hanna Pitkin's The Concept of Representation, together with her classic study of the philosopher Ludwig Wittgenstein, Wittgenstein and Justice. Pitkin's core insight into democratic representation is that democratic representation is “quasi-performative”: an activity that mobilizes constituencies by the interests it claims in their name. I develop this insig

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Prof. Ignatius Chukwumah. "Decolonizing Western Phonics." Ahyu: A Journal of Language and Literature 6 (December 4, 2023): 26–43. http://dx.doi.org/10.56666/ahyu.v6i.158.

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Studies have focused on written children’s literature, and only recently, those on performances for children have concentrated on social effects. However, a novel strand of children's performance, Uncle Wowo (a Facebook/YouTube performance page) whose anchor, Uncle Wowo, resorts to a performative mode that draws on the Idoma (an indigenous Nigerian language) alphabet to spell-read English words. First, he spells each alphabet. This study draws on Idoma spelling and articulatory system, English pronouncing conventions and sundry concepts of decolonization to unveil how Uncle Wowo guides his hum

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Cudak, Bartosz. "From language to social practices: the discriminatory rhetoric of “good change” policy via the example of stigmatizing non-heteronormative people." Dziennikarstwo i Media 14 (March 10, 2021): 33–45. http://dx.doi.org/10.19195/2082-8322.14.3.

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The article looks at the phenomenon of discriminatory rhetoric, which today has become the main tool that excludes homosexuals. The new language of public debate, whose examples come from the public space and media or journalism, are identified with the policy of “good change” implemented since 2015 by the political party of Law and Justice. Analyzing the language of “good change”, I used the diagnoses from Katarzyna Kłosińska and Michał Rusinek. The examples described in the work additionally illustrate the causative and performative nature of discriminatory rhetoric, which contributes to the

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Beloufa, Chahra. "The Speech Act of Thanking in Shakespeare: The Case of Romeo and Juliet and All’s Well that Ends Well." NOTION: Journal of Linguistics, Literature, and Culture 4, no. 1 (2022): 9–22. http://dx.doi.org/10.12928/notion.v4i1.5750.

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Shakespeare’s written words are not innocent. Many individual words from his dramatic texts can be “obscure or impenetrable”. They are not only meant to embellish the scene and the context, yet their elaboration is aimed to set up meaning and effect. In this part, we will analyze and look at how this utterance operates in characters’ dialogues. We will try to highlight Shakespeare conventionalized thank you, which can be not only a sign of gratitude but a complex emotion that adds to the dramatic situation. In the construction of Shakespeare's dialogues in the plays, many linguistic features a

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Malyutina, Nataliya P. "Method of visualization (perception) in the plays of Alexander Stroganov." Sibirskiy filologicheskiy zhurnal, no. 3 (2021): 113–24. http://dx.doi.org/10.17223/18137083/76/9.

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The purpose of the paper is to analyze how the thematization of the perception of the world is implemented in the plays by A. Stroganov: ‘Halo,’ ‘Halo and the Night,’ ‘The Greatness of the Swing,’ ‘Black, White, Accents of the Red, Orange. Control Prints in two acts.’ The analysis of poetics proves that the visualization of metaphors creates the effect of optical illusions, resulting in the action acquiring a symbolic-magical character. The metatheatrical way of multiplying action plans (conditional-substantial and projective-illusory) allows presenting the technique of switching one’s attenti

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Barrowman, Kyle. "Morals of Encounter in Steve Jobs." Film and Philosophy 24 (2020): 134–55. http://dx.doi.org/10.5840/filmphil2020249.

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In this article, the author argues for the probative value of ordinary language philosophy for the discipline of film studies by way of an analysis of the conversational protocols discernible in the film Steve Jobs (2015). In particular, the author focuses on the work of J.L. Austin, specifically his theory of speech acts and his formulation of the performative utterance, and Stanley Cavell, specifically his extension of Austinian speech act theory and his formulation of the passionate utterance, and analyzes the interactions between the titular character and his daughter through this unique A

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Solanki, Tanvi. "Aural philology: Herder hears Homer singing." Classical Receptions Journal 12, no. 4 (2020): 401–24. http://dx.doi.org/10.1093/crj/claa007.

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Abstract In 1769, Johann Gottfried Herder describes a private reading experience of a remarkably paradoxical nature. He tells us that he can only read ‘his’ Homer properly when he hears Homer singing Greek, while silently reading and translating by means of his German thoughts and mother tongue. Herder’s performative reading is anchored in what I call aural philology, a method innovative in its emphasis on the aural dimension in reconstructively imagining historical epochs. It is one which demarcates cultural difference through practices of listening and their remediation into reading. The pro

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Beloshitskaya, Nataliya N. "Specific Features of the Dramaturgic Tonality of Discourse (the Case of Corporate News Discourse)." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 5 (November 15, 2023): 76–84. http://dx.doi.org/10.37482/2687-1505-v288.

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This article analyses the particular type of the discourse category of tonality, namely, dramaturgic tonality. Being a pragmatic parameter of discourse, dramaturgic tonality has a cognitive nature and is culturally and socially significant. This allows us to resort to the analytical tools of different branches of the humanities. Dramaturgic tonality is characterized as being performative, evaluative and targeted. It is based on the linguosemiotic category of theatricality and permeates the structure of the text. The paper identifies the prototypical function of dramaturgic tonality: achieving

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Maclure, Jocelyn. "The Regulation of Hateful and Hurtful Speech: Liberalism’s Uncomfortable Predicament." McGill Law Journal 63, no. 1 (2018): 133–54. http://dx.doi.org/10.7202/1054353ar.

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The regulation of speech is a highly sensitive and always evolving ethical, political, and legal issue. On the one hand, hateful and hurtful speech is on the rise, especially, but not exclusively, with regard to the relationship between Islam and the West. We can also think of the radicalization of discourse brought about by the interactive phase of the Internet. On the other hand, demands for the suppression of certain forms of speech proliferate. After reviewing the argument for freedom of expression, I argue that while the notion of harm defended by Millian liberals is too narrow, an “offen

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Shevchenko, Viktoriia. "HISTORICAL VARIATION OF THE EXPRESSIVE PERFORMATIVE SPEECH ACT OF APOLOGY IN THE GERMAN-LANGUAGE DIALOGIC DISCOURSE OF THE XVXXI CENTURIES." Bulletin of the National Technical University "KhPI". Series: Actual problems of Ukrainian society development, no. 1 (July 2, 2024): 101–5. http://dx.doi.org/10.20998/2227-6890.2024.1.15.

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The article is devoted to the study of the historical dynamics of expressive speech acts of performative forms in the German dialogical discourse and defining diachronically permanent and variable characteristics of expressive performative acts. Historical changes in expressive performative speech acts include performative verbs and their pragmatic markers. In the discourse of the XX-XXI centuries, the number of explicit performative verbs and markers with the semantics of apology decreases, while the frequency of implicit expressive performatives and expressive performative speech acts of apo

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Lester, Jessica N., and Trena M. Paulus. "Performative acts of autism." Discourse & Society 23, no. 3 (2012): 259–73. http://dx.doi.org/10.1177/0957926511433457.

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