Bibliographies thématiques / Photography

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Littérature scientifique sur le sujet « Photography »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "Photography"

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Heriwanto, Heriwanto, Muhammad Faiz Bolkiah, and Oky Mauludya Sudradjat. "Photo Arts Concept as Alternative Photography Works." Jomantara: Indonesian Journal of Art and Culture, Vol. 4 No. 2 July 2024 (July 30, 2024): 136–43. http://dx.doi.org/10.23969/jijac.v4i2.13509.

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The development of photography so far has encouraged the birth of various forms of new concepts in the field of photography. The birth of digital photography technology has provided various conveniences and encouraged photographers to develop photography more widely. Currently, the concept of photo art has been widely used by photographers or photo artists through the development of new ideas and concepts in the form of photographic works. Fine art photography can be an assessment and representation for the photographer who created the photograph. Therefore, the time has come for photographers
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Wensing, Thomas. "LC Foto Le Corbusier Secret Photographer, Tim Benton." Architecture Image Studies 1, no. 1 (2020): 141–43. https://doi.org/10.62754/ais.v1i1.19.

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This is a review of Tim Benton's LC Foto Le Corbusier Secret Photographer (2013), an immaculately researched and well-written book which covers the development of Le Corbusier’s photographic output. Le Corbusier had an ambiguous relationship with photography throughout his career; on the one hand he relied heavily on professional photography to promote his built work and support his discourse, but on the other hand he ‘maintained that photography was a stultifying activity, good only for lazy people’. In managing this image, he never allowed himself to be photographed holding a camera, while f
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Noble, Anne, and Geoffrey Batchen. "Had We Lived ... Phantasms & Nieves Penitentes: Conversation between Anne Noble and Geoffrey Batchen." Grimace, Vol. 2, no. 1 (2017): 20–29. http://dx.doi.org/10.47659/m2.020.art.

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In the conversation, two of the most prominent New Zealand authors in the field of photography talk about the body of work of Anne Noble’s Antarctica photography projects. Had we lived is a re-photographic project reflecting on the tragedies of heroic age exploration (commemorating the centenary of the deaths of Robert Falcon Scott and his men on their return from the South Pole – Terra Nova Expedition or British Antarctic Expedition to the South Pole, 1912) and on the memory of Erebus tragedy of 1975, when a tourist plane flying over Antarctica crashed into Mt Erebus, killing all 257 people o
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Geurts, Merlijn. "The Atrocity of Representing Atrocity - Watching Kevin Carter's 'Struggling Girl'." Aesthetic Investigations 1, no. 1 (2015): 1–13. http://dx.doi.org/10.58519/aesthinv.v1i1.12001.

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Taking Kevin Carter's famous photograph of a Sudanese 'Struggling Girl' as an example, this article shows by criticizing the work of photography scholar Ariella Azoulay who argues for an ethic, reparative spectatorship that focuses on the social encounters behind the photograph, how discussions about atrocity photography often result in moral debates: discussions that center around the social relations behind photography and blame the photographer, but do not take into account and criticize the photographic representation of the atrocity. By giving an overview of the afterlife of Carter's phot
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Shamriz, Lior. "Photography of indenture." Journal of New Zealand & Pacific Studies 12, no. 1 (2024): 55–72. http://dx.doi.org/10.1386/nzps_00187_1.

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The 1882 photography book by British photographer Colonel Henry Stuart Wortley, Tahiti: A Series of Photographs, features an image of a family of service workers. Wortley, who only briefly passed through the island, refers to the couple in the photograph as his ‘servants’. This article traces the margins of the journey of Wortley, as well as that of Lady Annie Brassey, an ultra-wealthy traveller and photography enthusiast who visited Tahiti in 1876 and who contributed the letterpress to Wortley’s book. By analysing the text and images of the book and looking at the historical context of Tahiti
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Merlijn, Geurts. "The Atrocity of Representing Atrocity Watching Kevin Carter's Struggling Girl." Aesthetic Investigations 1, no. 1 (2015): 1–13. https://doi.org/10.5281/zenodo.4013367.

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Taking Kevin Carter's famous photograph of a Sudanese 'Struggling Girl' as an example, this article shows by criticizing the work of photography scholar Ariella Azoulay who argues for an ethic, reparative spectatorship that focuses on the social encounters behind the photograph, how discussions about atrocity photography often result in moral debates: discussions that center around the social relations behind photography and blame the photographer, but do not take into account and criticize the photographic representation of the atrocity. By giving an overview of the afterlife of C
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Tomaszczuk, Zbigniew. "Fotografia jako przedłużenie ciała." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, no. 26 (2019): 134–49. http://dx.doi.org/10.5604/01.3001.0012.9869.

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The text concerns the performativeness of the process of making photographs. It discusses examples of experiencing photography through such medium as the photographer’s body. The relations between the photographer and the technological changes of photography have been analysed. The main subject is the process of making photographs concluded with a reflection on the relation between the viewer and the large format photographic artwork.
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Tomaszczuk, Zbigniew. "PHOTOGRAPHY AS THE EXTENSION OF A BODY." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, no. 26 (2019): 134–47. http://dx.doi.org/10.5604/01.3001.0012.9927.

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The text concerns the performativeness of the process of making photographs. It discusses examples of experiencing photography through such medium as the photographer’s body. The relations between the photographer and the technological changes of photography have been analysed. The main subject is the process of making photographs concluded with a reflection on the relation between the viewer and the large format photographic artwork.
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Cha, Sang-Yook. "A Study on Domestic and Foreign Cases on the Copyrightability and Protection Scope of Photographic Works." Korea Copyright Commission 149 (March 31, 2025): 221–90. https://doi.org/10.30582/kdps.2025.38.1.221.

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Based on the criteria for judging the originality of photographic works presented in the Supreme Court ruling on the “Nambu Ham Case,” this article analyzed the attitudes of domestic and foreign precedents surrounding subjects of photography from the perspective of copyrightability and scope of protection, and examined the significance of individual precedents. As with the attitude of the so-called “Nambu Ham Case” Supreme Court ruling, it is interpreted that copyright protection can be obtained as a photographic work only when individuality and creativity are present after comprehensively jud
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Yusuf, Tan Sri Zulfikar, and Dea Rifia Bella. "Menangkap Photographic Moments di Pelelangan Ikan Muara Baru melalui Pendekatan Komposisi dan Etnografi Fotografi." JURNALISTIK DAN MEDIA 2, no. 2 (2024): 40–55. http://dx.doi.org/10.32722/jjm.v2i2.7141.

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In photography studies, composition is essential in capturing images to arrange visual elements within the photo frame. These compositions are important for communicating the message the photographer wants to convey to the audience, thus creating a dialogic communication effort. This paper uses traders at the Fish Auction in Muara Baru, Jakarta, as the subject of photography, and the resulting photos become photographic moments in photographic ethnography. By capturing photographic moments through the correct composition, this paper demonstrates that photographs can produce meaning from the mo
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Thèses sur le sujet "Photography"

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De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th
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Oscar, Sara. "Into this wild abyss learning through fabricated photographs /." Connect to full text, 2007. http://hdl.handle.net/2123/3965.

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Thesis (Ph. D.)--University of Sydney, 2007.<br>"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.
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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Teichmann, Esther. "Falling into photography : on loss, desire and the photographic." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1173/.

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Falling into Photography examines the relationship between loss, desire and the imaginary. Across writing, photographic works and film pieces, we move from real to imagined spaces, exploring the boundaries between autobiography and fiction within the alternate orphic worlds evoked. Within staged fantastical images, the subjects are turned-away figures of loss, desired but always already beyond reach. The photographic medium is worked upon with painting, collage and montage, narrative voice over juxtaposed with moving image. Here, the photographic is loosened from its referent, slipping in and
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Kanar, Ege. "Photography as artificial memory: Construction of the Photographic Self." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78095.

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Stotzer, Talhy. "Photography and the medium : a photographic dialogue in China." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/598.

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Using documentary photography with an ethnographic approach, this practice-ledbresearch project focuses on a case study of a Han-Chinese woman called Zai yu who practices mediumship in urban China. It aims to explore the relationships between herbmediumship practice and the medium of photography. During a mediumship session, a spirit is represented as temporarily displacing the agency of the medium by entering his/her body and causing a change of identity. For the duration of the episode, the spirit can potentially provide access to divine powers and knowledge in order to counsel and to heal.
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Napier, Ellen Bethany. "Thomas Struth's Museum Photographs and the Textual Experience of Photography." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1364223682.

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Abdullah, Ismail Bin. "Documentary photography : a study of nineteenth century documentary photography with special reference to West Malaysian historical photographs 1874-1910." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344016.

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Ashworth, Brad. "Architecture Lucida : photography and design--a center for photographic studies." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23780.

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Livres sur le sujet "Photography"

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Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses
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Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2004.

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Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2002.

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Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2003.

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Bennett, Terry. Early Photography in Vietnam. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781912961047.

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Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845–1954), an index of more than 240 photographers and studios in the same per
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F, Ray Sidney, ed. Photographic imaging and electronic photography. Focal Press, 1994.

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Sieff, Jeanloup. Jeanloup Sieff: Erotishe photographie = erotic photography = photographie érotique. Benedikt Taschen, 1991.

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Shaw, Bernard. Bernard Shaw on photography: Essays and photographs. Equation, 1989.

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Eddie, Ephraums, ed. AG plus Photographic: Darkroom practice & photography. AG plus Photographic, 1992.

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Sin, Hye-yŏng. Changch'i e matsŏda: Han'guk tongsidae sajin pip'yŏng. IANN, 2021.

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Chapitres de livres sur le sujet "Photography"

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Druker, Elina. "Chapter 8. In and out of focus." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.08dru.

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Anna Riwkin was a Russian-Swedish photographer who contributed significantly to the growing use of photographs in children’s picturebooks during the second half of the twentieth century. This chapter investigates the photographic techniques and genres in Riwkin’s works for children. Using a selection of reportage portraits and photo books by her as a starting point, the chapter discusses the relationship between words and images in photo narratives for children. During the early part of her career, Riwkin specialized in portraits and dance photography and during the 1930s, she added journalist
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Cottenceau, Geoffrey, and Romain Rousset. "Photographie Fotografie Photography." In Bourses fédérales de design Eidgenössische Förderpreise für Design Swiss Federal Design Grants 2007. Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8450-0_5.

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Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

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AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ide
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Griffiths, Martin. "Photography and Photographic Equipment." In The Patrick Moore Practical Astronomy Series. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32884-3_5.

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Campagnaro, Marnie. "Chapter 6. “A successful photograph is worth as much as a story”." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.06cam.

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Bruno Munari was an Italian artist, graphic designer, and illustrator who combined art and design to great effect in his visual art and books. During his long, interdisciplinary career, Munari experimented with many artistic possibilities: painting, illustration, sculpture, design, graphics, teaching, poetry, and writing. He also cultivated a peculiar relationship with photography. This chapter investigates photography’s influence on Munari’s poetics, from Futurism and other Avant-garde movements to the Bauhaus and László Moholy-Nagy’s work, graphic design experimentation, and collaborations w
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Reynolds, Kimberley. "Chapter 9. Politics, art, and pedagogy in Edith Tudor-Hart’s photographs of children." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.09rey.

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Edith Tudor-Hart, a photographer working in Britain from the 1930s to the 1950s, became exceptionally good at photographing children. Her final series of images, published in a classroom text called Moving and Growing (1952), were created through a collaborative method she developed by combining her teaching experience and her training as an artist with her political conviction that photography is a democratic medium. The results are dynamic photographs that capture children moving, risking and creating. Shortly after Moving and Growing was published, Tudor-Hart abandoned photography and destr
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Weasner, Mike. "Photography." In Using the Meade ETX. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0195-6_5.

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Gordon, Alan G., and B. Victor Lewis. "Photography." In Gynaecological Endoscopy. Springer US, 1988. http://dx.doi.org/10.1007/978-1-4899-3240-2_15.

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Gupta, Ravi Prakash. "Photography." In Remote Sensing Geology. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-662-12914-2_4.

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"Something Very Extraordinary." In Carnalities. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478060246-007.

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Chapter 6 moves from a discussion of photography about crossings of the Mexico-US border to a reading of photography through the lens of the Nicaraguan Revolution. The chapter analyzes the photograph Cuesta del Plomo, one of photographer Susan Meiselas's most famous photographs, taken at a time of turmoil in Nicaragua, by way of Barthes's notions of fulguration and Julia Kristeva's understanding of abjection, the corpse, and corporeal excess. The chapter foregrounds the ability of the photograph's carnality to take the self to a point of undoing, of self-loss, what is introduced as photographi
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Actes de conférences sur le sujet "Photography"

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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Zhan, Tian, and Austin Amakye Ansah. "Enhancing Amateur Photography: A Deep Learning Mobile Application for Real-Time Aesthetic feedback." In 12th International Conference on Computational Science and Engineering. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.141602.

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Capturing aesthetically pleasing photographs can be challenging for amateur photographers due to the complexity of factors such as lighting, composition, and contrast. To address this issue, we propose a mobile application powered by deep learning models and regression analysis. This application analyzes real-time image frames using a pre-trained MobileNet backbone and a custom classification layer [8]. By leveraging the Aesthetics and Attributes database, the app calculates an aesthetic score for each photograph, providing instant feedback to users. Challenges encountered during development,
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Hill, Rodrigo. "Memories and Reveries: photography, memory and diaspora." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.200.

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This presentation aims to explore the intersection of photography with notions of memory and diaspora as catalysers for the development of a lens-based model of representation connected to affect, cultural perception and nostalgia. I will discuss and present my recent creative practice research project titled Desacoplado: Memórias e Devaneios (Displacement: Memories and Reveries) exhibited at the Auckland Museum as part of Toró: é tudo tanto group exhibition from March to October 2023. The project compiles personal archival imagery produced throughout the last twenty years, marking temporal po
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Mohd Muslim Tan, Ellyana, Mastura Mohd Jarit, Azlina Wati Nikmat, Ruslan Rahim, and Mohd Nagib Mohd Padil. "Therapeutic Photography: Photograph Preferences in Stress Reduction." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315271.

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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both r
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Niu, Xue. "Discussion on Pictorial Photography and Pure Photography in the Development of Photographic Art." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.131.

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RYABTSEVA, E. S., and Z. CHZHAN. "MANIFESTATION OF NATIONAL SPECIFICITY IN THE FIGURATIVE NOMINATION (BASED ON EXPERIMENTAL RESEARCH)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_343.

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The article presents the results of an experimental study on the nomination of photographs by native speakers of Russian and Chinese. The question is raised about the possibility of the existence of figurative nomination strategies determined by the culture and language of the nominator. The nominations of photographs with images of a person (representatives of Russian and Chinese cultures) included in the situation are considered. The classification of the received figurative nominations is given: nominations assigned for the object depicted in the photograph; nominations based on the designa
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Perciun, Andrei. "The Nonhuman Character of Technology And Nature Revealed Through Photography." In 11th International Conference on “Electronics, Communications and Computing". Technical University of Moldova, 2022. http://dx.doi.org/10.52326/ic-ecco.2021/ks.05.

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Tools, like photography, are helping the man fighting nature. However, inside the essential structures of photography there is no signification function. Therefore, the objects represented in the photograph appear as they are in nature, meaningless and without human presence. The photograph, like other technical devices, does not retain the meaning of things. And so, photography is equivalent to nature, which equivantly has nothing to do with human meanings and values. Only in the field of subjectivity and human intersubjectivity the meanings given to world objects are able to survive. In addi
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Li, Zinuo, Xuhang Chen, Shuqiang Wang, and Chi-Man Pun. "A Large-Scale Film Style Dataset for Learning Multi-frequency Driven Film Enhancement." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/129.

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Film, a classic image style, is culturally significant to the whole photographic industry since it marks the birth of photography. However, film photography is time-consuming and expensive, necessitating a more efficient method for collecting film-style photographs. Numerous datasets that have emerged in the field of image enhancement so far are not film-specific. In order to facilitate film-based image stylization research, we construct FilmSet, a large-scale and high-quality film style dataset. Our dataset includes three different film types and more than 5000 in-the-wild high resolution ima
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Frey, Aline. "Waving Spaces Together: The use of photography to produce narratives of proximity." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2023.v4i1.206.

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This presentation aims to explore the intersection between migration and photography, tackling two essential questions: How do migrants grapple with their emotions of displacement and settlement through photography? And, how are these coping strategies visually constructed in contemporary photographic projects? Through an analysis of diverse photographic projects, including "Belonging" (Frey, 2022) and "Traces of Brazil" (Frey, 2023), this presentation unravels the intricate ways in which migrant photography weaves together spaces and people across the globe. By closely examining these project
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Rapports d'organisations sur le sujet "Photography"

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Paul, Sierrah. Ghosts of the Landscapes. Montana State University, 2025. https://doi.org/10.15788/1751923121.

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Having recently inherited a set of cameras and film from a great uncle, Ray Wilmot (1923–1993), this work, Ghosts of the Landscapes, works to explore more about the life of a family member that I was unable to meet, having been born 11 years after his death. Ray Wilmot was an avid photographer, who pursued photography throughout his adult life until he was diagnosed with Multiple sclerosis (MS) about 10 years before his death. This led him to leave his cameras and film sitting for the rest of his life, along with them sitting for 30 years beyond his death. I embarked on the journey of developi
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Greene, G. J., G. Cutsogeorge, and M. Ono. Boxcar photography. Office of Scientific and Technical Information (OSTI), 1987. http://dx.doi.org/10.2172/6169434.

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Mende, Stephen B. Auroral Photography Experiment. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada203623.

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Ardévol Abreu, Alberto. Immigration in Canarian Press Photography. Revista Latina de Comunicación Social, 2008. http://dx.doi.org/10.4185/rlcs-63-2008-791-409-417-en.

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Editors, Intersections. On Religion: Photography in Collaboration. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4061.d.2024.

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This article showcases photographic essays produced by collaborations between visual artists, journalists, and religious scholars through a partnership between New York University and the Magnum Foundation.
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Mallik, Vishnuu, Mark Flage, and Connor Chapman. Infrared Photography, Atmospheric Spectroscopy, and Solar Corona Photography using a High-Altitude Ballooning Platform. Iowa State University. Library. Digital Press, 2011. http://dx.doi.org/10.31274/ahac.8140.

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Amos, C. L. Bottom photography and sediment analyses on CESAR. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/120323.

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Robertson, C. Oscilloscope photography at NTS (Nevada Test Site). Office of Scientific and Technical Information (OSTI), 1990. http://dx.doi.org/10.2172/6731423.

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Kinney, John W., and Warren P. Clary. Time-lapse photography to monitor riparian meadow use. U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 1998. http://dx.doi.org/10.2737/rmrs-rn-5.

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LEBARON, G. J. Using 360 degree photography as a decommissioning tool. Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/815069.

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