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Littérature scientifique sur le sujet « Pictorial Experience »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Pictorial Experience"

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Yang, Min Jeong. "Pictorial Experience and Imagining." Mihak - The Korean Journal of Aesthetics 87, no. 1 (2021): 107–34. http://dx.doi.org/10.52720/mihak.87.1.4.

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CHASID, ALON. "Pictorial Experience and Intentionalism." Journal of Aesthetics and Art Criticism 72, no. 4 (2014): 405–16. http://dx.doi.org/10.1111/jaac.12106.

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Newall, M. "Pictorial Experience and Seeing." British Journal of Aesthetics 49, no. 2 (2009): 129–41. http://dx.doi.org/10.1093/aesthj/ayp002.

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Tye, Michael. "Filling In and the Nature of Visual Experience." Harvard Review of Philosophy 27 (2020): 59–69. http://dx.doi.org/10.5840/harvardreview202092533.

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This essay begins with a discussion of the phenomenon of filling in. It is argued that filling in is naturally accounted for by taking visual experiences to be importantly like drawn pictures of the world outside. An alternative proposal is then considered, one that models visual experiences on incomplete descriptions. It is shown that introspection does not favor the pictorial view. It is also shown that the phenomenon of blurriness in visual experience does not provide a good reason for favoring the pictorial view either. Why, then, be a pictorialist? It is argued that visual experiences con

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Hyman, J. "Pictorial art and visual experience." British Journal of Aesthetics 40, no. 1 (2000): 21–45. http://dx.doi.org/10.1093/bjaesthetics/40.1.21.

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Scerri, Josianne, and Amy Bonnici. "Navigating the Storm to Recovery through the Pictorial Representations of Persons in the Recovery Phase from Unipolar Depression." International Journal of Environmental Research and Public Health 19, no. 20 (2022): 13426. http://dx.doi.org/10.3390/ijerph192013426.

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Depression is a highly complex mental illness that presents challenges, such as difficulties for persons with depression to communicate their experiences. This is compounded further by a paucity of in-depth and pictorial accounts on their experiences of the recovery process. The combination of pictorial representations and interviews with persons who are recovering from depression, may assist them in communicating these lived experiences. Five participants recovering from unipolar depression and who were in the late stages of recovery were recruited through purposive sampling. Data were collec

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Briscoe, Robert. "Depiction, Pictorial Experience, and Vision Science." Philosophical Topics 44, no. 2 (2016): 43–81. http://dx.doi.org/10.5840/philtopics201644217.

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Benbassat, Danny, Abigail Konopasky, and Ting Dong. "Ranking Pictorial Cues in Simulated Landing Flares." Aviation Psychology and Applied Human Factors 11, no. 1 (2021): 23–32. http://dx.doi.org/10.1027/2192-0923/a000205.

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Abstract. Two-dimensional pictorial cues provide depth perception information that help pilots initiate the landing flare 10–20 ft from the ground. Although prior studies established the importance of three specific cues, they failed to rank-order their importance. This exploratory paper presents two studies, with different methodologies, that examine the effect of these pictorial cues on depth perception. In both studies, participants experienced simulated scenarios and attempted to initiate the landing flare 10–20 ft above ground level. Study 1 included 121, and Study 2 included 141, naïve p

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Chasid, Alon. "Imaginatively-Colored Perception: Walton on Pictorial Experience." Southern Journal of Philosophy 54, no. 1 (2016): 27–47. http://dx.doi.org/10.1111/sjp.12159.

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Veldeman, Johan. "Reconsidering Pictorial Representation by Reconsidering Visual Experience." Leonardo 41, no. 5 (2008): 493–97. http://dx.doi.org/10.1162/leon.2008.41.5.493.

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In one sense, the visual experience of a thing in a depiction is similar to seeing the actual thing. In another sense, the experience is quite different, involving a “twofold” simultaneous awareness of the picture surface and what it depicts. The author argues that the standard ways of explaining depiction in terms of perception fail to properly accommodate the complex twofold nature of pictorial experience. He proposes an alternative account, based on an “enactive” approach to perception.

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Thèses sur le sujet "Pictorial Experience"

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Brady, Emily Suzanne. "The beholder's share : pictorial representation and imagination." Thesis, University of Glasgow, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319954.

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Hutchinson, Laura Anne. "Seeing as sensing : the structuring of bodily experience in modern pictorial art." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/34556/.

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Two main arguments are developed in this thesis: first is the claim that our ability to make and understand representational pictures has a natural basis in our capacity to see. In this respect, I have drawn on the ideas of the visual scientist, David Marr and on the theory of representation expounded by John Willats. Second, I argue that the view articulated by these theorists forms a theoretical backdrop for, but does not satisfactorily explain, how pictures may heighten our sense of bodily presence. A central aim of this thesis is therefore to show how this mode of expression is also non-ar

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Gardner, Jason. "Experience and Pictorial Representation: Wollheim's Seeing-in and Merleau-Ponty's Perceptual Phenomenology." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/42794.

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Contemporary aesthetics includes a project directed at understanding the nature of pictorial representation. Three types of theories enjoy recent favor. One explains pictorial representation by way of resemblance or experienced resemblance between the picture and what it represents. A second employs interpretation: the spectator looks at a picture and interprets conventionally determined symbols found therein to mean what it represents. The third describes pictorial representation as a matter of experience. On this approach, when the spectator looks at a picture she has a visual experienc

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MARCHETTI, LUCA. "DEPICTING MOTION IN STATIC IMAGES. A PHILOSOPHICAL INQUIRY." Doctoral thesis, Università degli Studi di Milano, 2022. https://hdl.handle.net/2434/946903.

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In my thesis, I deal with the rarely discussed issue of whether motion can be depicted in static images and I provide a novel, and composite, view on the matter. Part I focuses on whether various pictures usually considered to be effective in representing motion are, actually, proper depictions of motion. Part II takes up two issues concerning distinctive aspects of depiction as a peculiar kind of representation – pictorial realism and inflection - and considers them in light of motion depiction and vice versa. In the first chapter, I focus on pictures that depict objects caught in the middle

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Taylor, Jeannine M. "A Hermeneutic Inquiry of Counselors' Experiences in the Use of Pictorial Narratives." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586875445042165.

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Stewart, Heather, and heather stewart@deakin edu au. "Beyond the analogon; the 'transfer of the referent' :bthe relationship between the external world experienced through culturally generated perceptual models constructed in the human mind, and the transfer of these images, via visual language, onto referents." Deakin University, 1994. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071120.120343.

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Within 20th. Century art, the concept of the normative image, as an attribute of things, has been challenged. As a consequence, paintings must now picture the real world in other ways, incorporating knowledge and meaning beyond the analogon. Such descriptive representations were revealed as paradigmatic, rather than incontrovertible fact. Dependent on pre-conceived notions of stereotypicality, these descriptive images relied on surface illumination. My thesis explores images of things in the world as culturally inspired and information based. I examine paintings and sculptures of other cu

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JOLLY, ANTOINE. "Spectres d'absorption de la molecule de co dans le vuv : experiences de laboratoire et observations du disque de -pictoris." Paris 11, 1999. http://www.theses.fr/1999PA112037.

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Grace aux observatoires spatiaux comme le telescope spatial hubble (hst), co peut etre detecte dans le milieu interstellaire par ses absorptions dans l'ultraviolet du vide (vuv). La densite colonne, la temperature et la vitesse de turbulence peuvent etre determines si les forces d'oscillateur des transitions observees sont connues. Le travail presente ici avait pour but initial de mesurer les forces d'oscillateur des bandes de la transition a(v)x(v) de co pour atteindre les niveaux vibrationnels plus eleves et reduire les contradictions entre les differentes valeurs disponibles. Une premiere e

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Hwang, Ju-Yeon. "Réalisme pictural : pour une étude anthropo-comparative transculturelle sur l'expérience esthétique." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH051.

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Le réalisme pictural peut être conçu, par-delà la pensée ontologique dualiste, comme expérience perceptive cognitive du spectateur d’avoir l’impression de voir le « réel » dans une configuration imagée picturale. Cette impression de réel n’est pas illusoire, mais subjectivement factuelle, sans être nécessairement consciente. Elle pourrait résulter de la facilité perceptive ou de la fluidité opérationnelle du processus perceptif cognitif. Lorsque l’activité perceptive cognitive opérante dans l’expérience du réalisme pictural est régulée par la valence hédonique immanente a

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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing

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Livres sur le sujet "Pictorial Experience"

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Marais, Anna Louise. Etosha experience. Gamsberg Publishers, 1995.

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Galvin, Kathryn E. A Québec experience. Arnold Pub., 1991.

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M, Jeffery Betty, MacRae Allan J, MacRae Allan J, and Alberton Millennium Committee (Alberton, P.E.I.), eds. Alberton and area: A pictorial experience through time. Alberton Historical Preservation Foundation, 2000.

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Carter, Smith C., ed. The Black experience. Facts on File, 1990.

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Ciordia, Elena. Guggenheim Bilbao experience. Fundación del Museo Guggenheim Bilbao, 2018.

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Reichman, Louis C. The Orange County experience. Edited by Cardinale Gary and LeRoque Roger C. Pacific Shoreline Press, 1987.

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Shahidan, Mohd Fairuz. Melaka sketching through experience. Universiti Putra Malaysia Press, 2016.

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Siers, James. The Fiji experience: A pictorial guide by James Siers. Millwood Press, 1985.

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Bruhn, Christian, Harald Burtwitz, and Karen Petzold. Putbus: Erlebte Geschichte-Kultur erleben : 200 Jahre = experienced history-culture experience : 200 years. Wissenschaftsverlag Putbus, 2010.

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Boss, David. The NFL experience. Courage Books, 1988.

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Chapitres de livres sur le sujet "Pictorial Experience"

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Zeimbekis, John. "Pictorial Experience and Perceptual Activity." In The Pleasure of Pictures. Routledge, 2018. http://dx.doi.org/10.4324/9781315112640-6.

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Bantinaki, Katerina. "Stylistic Deformity and Pictorial Experience." In The Pleasure of Pictures. Routledge, 2018. http://dx.doi.org/10.4324/9781315112640-8.

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Mion, Regina-Nino. "Threefold Pictorial Experience and Aesthetic Attitude." In The Pleasure of Pictures. Routledge, 2018. http://dx.doi.org/10.4324/9781315112640-7.

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Remond, Jaya. "The Pictorial Idioms of Nature." In Premodern Experience of the Natural World in Translation. Routledge, 2022. http://dx.doi.org/10.4324/9781003258704-22.

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Preston, D. F., S. J. Dwyer, W. H. Anderson, et al. "Experience with a Prototype PACS System in a Clinical Environment." In Pictorial Information Systems in Medicine. Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-82384-8_12.

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Voltolini, Alberto. "Pictorial Experience and Aesthetic Appreciation:Wollheim Reassessed and Vindicated." In The Pleasure of Pictures. Routledge, 2018. http://dx.doi.org/10.4324/9781315112640-5.

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Aßmann, K., R. Venema, and K. H. Höhne. "Software Tools for the Development of Pictorial Information Systems in Medicine - The ISQL Experience -." In Pictorial Information Systems in Medicine. Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-82384-8_11.

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Zhang, Yiyang, Xinyu Zhang, Yujie Liu, and Chengqi Xue. "Pictorial Usability Metric for User Experience LITE: Development and Psychological Measurement." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60405-8_13.

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Carrasco, Magdalena. "2. Sanctity and Experience in Pictorial Hagiography: Two Illustrated Lives of Saints from Romanesque France." In Images of Sainthood in Medieval Europe, edited by Timea Szell. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501745508-004.

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Kapoor, Vinay K. "Institutional Experiences in Gall Bladder Cancer." In A Pictorial Treatise on Gall Bladder Cancer. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-5289-2_18.

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Actes de conférences sur le sujet "Pictorial Experience"

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Shields, Kirk, and Ernst Toussaint. "A Simple and Effective Approach to Developing and Maintaining a Maintenance-Painting Program." In Paint and Coatings Expo (PACE) 2009. SSPC, 2009. https://doi.org/10.5006/s2009-00051.

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Abstract There are a number of petrochemical plants that experience equipment failure and production loss due to corrosion. Proper maintenance of their existing equipment greatly reduces a plant’s down time therefore allowing production to continue. For those facilities that do not have an existing maintenance-painting program, we have developed a beginners / non-technical program guide that is easy to understand and implement as it addresses many plant’s existing and future coating systems. This program will allow for a consistent approach throughout a plant, versus various systems that may b

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Kosmolinskaya, G. A. "The first experience of the reconstruction of F.V. Karzhavin’s library." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_304.

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The library of the Russian bibliophile Theodore Karzhavin (1745– 1812), like many other Russian book collections of the 18th and 19th centuries, was not preserved in its entirety, having been dispersed and partially lost immediately after the death of its owner. The search for this unique collection of Enlightenment books lasted almost a century. Today, thanks to the efforts of specialists, the manuscripts and printed books that belonged to Karzhavin have been registered in more than twenty Russian and foreign book depositories, which has finally made it possible to begin the reconstruction of

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Frasca, Roberto, Antonio Mazzeo, Davide Pantile, Matteo Ventrella, and Giovanni Verreschi. "Innovative systems for the enjoyment of pictorial works the experience of Gallerie dell'Accademia Museum in Venice." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413899.

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D’Agostino, V., N. Brandi, R. Sassi, M. P. P. Aparisi Gomez, and A. Bazzocchi. "Pictorial Review of Magnetic Resonance Imaging Features in Hand and Finger Masses: Experience from a Musculoskeletal Reference Center." In 31st Annual Scientific Meeting of the European Society of Musculoskeletal Radiology (ESSR). Thieme Medical Publishers, Inc., 2024. http://dx.doi.org/10.1055/s-0044-1787467.

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Veljković Mekić, Jelena P. "POEZIJA ZA DECU KAO PODSTICAJ ZA GOVORNO STVARALAČKO IZRAŽAVANJE PREDŠKOLACA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.417vm.

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Children between the ages of two and seven are in the intuitive intelligence stage and their intellectual and emotional development depend to a great extent on their use of speech, which is a part of almost all their activities in different ways. Various games with literary texts facilitate the acquisition of language and enable a spontaneous development of children’s creativity. Poetic language is unconventional, picturesque and enigmatic and, as such, stimulates children’s speech and helps them preserve their imaginative, unmolded, egoistic experience of the world, which in its essence is ve

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Li, Qiainyin. "Dreams of a Solo Traveller." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.222.

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Dreams of a Solo Traveller constitutes a positive rethinking of the Chinese derogatory concept of 剩女(the Leftover Woman). Leftover Women is used to define unmarried, urban, professional single women over the age of 27. In this study, the term is used to describe women who, forsaking conventional expectations of marriage, consciously make alternative choices about their future. The research draws on personal experience and existing literature relating to familial and cultural expectations that many young, contemporary Chinese women must navigate. The discursive relationship between poetry and p

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Cai, Yang. "Symbolism in Extended Reality." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004608.

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For centuries, humans used symbols to describe scenes, objects, and events. Some of the symbols have evolved into pictorial languages such as petroglyphs and Chinese. The rapidly growing Extended Reality (XR) technologies enable users to experience immersive photorealistic views with head-mounted displays, 3D projection screens, or holographic display panels. The purpose of Extended Reality (XR) is to make invisible to be visible to the user. In this study, we explore how to superimpose symbolic feedback to the user in forms of geometric shapes, trajectory traces, spectra image, semantic netwo

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Pérez Igualada, Javier. "Gordon Cullen in Valencia: four urban landscapes." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15310.

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The Concise Townscape, by Gordon Cullen, was originally published in English in 1971, and it is a key work in the field of urban design. The Spanish edition was published some years later, in 1974, with the title El paisaje urbano. Tratado de estética urbanística. Gordon Cullen introduced in The Concise Townscape different concepts to describe the visual experience of townscape, showing through drawing and photographs how urban environments could be experienced as a pictorial and temporal sequence. In this communication we will analyze the presence in The Concise Townscape of four images of ur

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Mitrović, Aleksandar. "VIRTUAL ART MUSEUM AS EDUCATIONAL CONTENT ICT IN TEACHING FINE ARTS (THEORETICAL ASPECT)." In SCIENCE AND TEACHING IN EDUCATIONAL CONTEXT. FACULTY OF EDUCATION IN UŽICE, UNIVERSITY OF KRAGUJEVAC, 2020. http://dx.doi.org/10.46793/stec20.417m.

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The educational goal of teaching fine arts is to adopt visual literacy and visual expressiveness. Learning by means of information and communication technologies (ICT) involves the use of digital devices for the effective and creative extension of knowledge. The production of electronic educational materials is increasing daily, and thanks to the Internet, it is available on almost all ICT devices. In this paper virtual museums are presented as educational contents of ICT in the teaching of fine arts, as well as their method of application in teaching. The contents presented by virtual museums

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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia

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