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Littérature scientifique sur le sujet « Pierrot (Fictitious character) in literature »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 29 juillet 2025

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Articles de revues sur le sujet "Pierrot (Fictitious character) in literature"

Nye, Edward. "Jean-Gaspard Deburau: Romantic Pierrot." New Theatre Quarterly 30, no. 2 (2014): 107–19. http://dx.doi.org/10.1017/s0266464x14000232.

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Jean-Gaspard Deburau was the nineteenth-century mime artist who created a new model for subsequent performers to either imitate or reject, but hardly to ignore. Silent cinema benefited from the nineteenth-century vogue for the mime in general – and the Pierrot character that he did so much to popularize in particular. The most famous mime of the twentieth century, Marcel Marceau, derived his character ‘Bip’ in part from Deburau's Pierrot. And while two of the most influential French mime artists of the twentieth century, Jean-Louis Barrault and Étienne Decroux, sought a radical departure from

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Maestro, Jesús G. "El sistema narrativo del Quijote: la construcción del personaje Cide Hamete Benengeli." Cervantes 15, no. 1 (1995): 111–41. http://dx.doi.org/10.3138/cervantes.15.1.111.

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This essay presents a semiological study of the character Cide Hamete and attempts to demonstrate that this character is simply a rhetorical procedure in the discursive construction of the novel. It includes a study of the system of fictitious authors in Don Quixote from the viewpoint of the semiology of literature. Examining the praxis in Don Quixote, it studies the construction and disposition of a) the real author in the text, b) the principal narrator, and c) the rhetorical system of the fictitious authors. The concluding summary attempts to justify, from the viewpoint of the principle of

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Monk, Ray. "This Fictitious Life: Virginia Woolf on Biography, Reality, and Character." Philosophy and Literature 31, no. 1 (2007): 1–40. http://dx.doi.org/10.1353/phl.2007.0015.

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Gull, Umia, Ashraf Iqbal, and Usman Idrees. "Innovative Life Style and Race of Social Perfection Over Social Media." Global Sociological Review VIII, no. II (2023): 273–81. http://dx.doi.org/10.31703/gsr.2023(viii-ii).28.

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Bellwethers of social media platforms introduced modern and innovative third-party boosters who work over tweets, vlogs, and blogs to set trends and shape society in new designs. As technology advances, so do consumer usage and behaviours after the emergence of social media tools. As additional influencers shift their centre of attention to catching followers for making up their character arc mix via social channels such as TikTok, Facebook, and others find key factors which influence attitude and social character. Hang on an assessment of the literature, this research pens down social identit

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Bošković, Dragan. "AVANGARDNI MANIFESTI I UBRZANjE KNjIŽEVNOSTI." Nasledje, Kragujevac XVIII, no. 50 (2021): 423–35. http://dx.doi.org/10.46793/naskg2150.423b.

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The paper explores the phenomenon of speed in literature as radically represented within the framework of avant-garde texts. The modernist acceleration of literature is immanent in the poetics of manifestos: their programmatic insistence on acceleration, their (meta)dis- cursive character, simultaneous production of narrative and poetic syntax, and questioning the possibility of writing. Such fourfold functioning of avant-garde discourse (producing the discourse and commenting on it, programmatic narration and pure narration), comparative to a four-stroke engine operation cycle, singularly dyn

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Crane, Susan. "Alison's Incapacity - Reply." Publications of the Modern Language Association of America 102, no. 5 (1987): 835–36. http://dx.doi.org/10.1632/s0030812900173754.

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Susan Crane's “Alison's Incapacity and Poetic Instability in the Wife of Bath's Tale” (102 [1987]: 20–28), though superior to many of the articles it cites, finally demonstrates not so much the Wife's “incapacity” as the inadequacy of an approach that Crane shares with many critics of the Wife of Bath. The approach is characterized by a failure to distinguish sufficiently between the prologue and the tale and by the related assumption (despite words to the contrary) that Alison is a real person, not a fictitious character.

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Herrero Ruiz, Javier. "At the crossroads between literature, culture, linguistics, and cognition: local character-based metaphors in fairy tales." Journal of English Studies 13 (December 15, 2015): 47. http://dx.doi.org/10.18172/jes.3060.

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This paper resumes the series devoted to metaphors in fairy tales (cf. Herrero 2005a, 2006, 2007, 2008, and 2010). We attempt to show how five conceptual metaphors (PEOPLE ARE ANIMALS, PEOPLE ARE PLANTS, IMPERFECT IS IRREGULAR, LOVE IS MAGIC, and REAL PEOPLE ARE FICTITIOUS CHARACTERS) and their variants may occur at a local level in the narration, allowing us to understand the magical depiction of characters and some of the relationships they may establish in the tales under analysis.The tales, which were compiled by the British author Andrew Lang (1844-1912), are representative of different c

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Skydsgaard, Niels Jørgen. "Literary Form and Cultural Norm ? Preliminary Investigations for a Study of Reader Experience of a Fictitious Character." Orbis Litterarum 47, no. 3 (1992): 338–57. http://dx.doi.org/10.1111/j.1600-0730.1992.tb01175.x.

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Polizzi, Gilles. "Fantômes et contrefaçons dans l’oeuvre de Béroalde de Verville : ouvrages virtuels, fictifs et fictionnels." Renaissance and Reformation 34, no. 3 (2012): 91–110. http://dx.doi.org/10.33137/rr.v34i3.17022.

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This article proposes to take inventory of and examine, in the abundant vervilienne production, the absent works, non-existent or “disguised.” Reflecting upon the relationship between title and identity, as well as our aptitude to deduce from a title the content and character of a work, the author of this article defines the process of “bibliographical illusion,” used frequently by Verville, who, in his bibliography, multiplies these ghosts. Hence, this article sorts the works while considering, in an approximately chronological order, virtual books (announced, but not published and perhaps no

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Matijašević, Željka. "Fragmentation vs. Integration in Dostoevsky’s Crime and Punishment." Dostoevsky Journal 21, no. 1 (2020): 64–84. http://dx.doi.org/10.1163/23752122-02101004.

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In this paper I analyse the internal splitting in Raskolnikov’s character, and the path which leads him from fragmentation to integration. The splitting of the character is explained as complemented by the split in the novel through the ‘surprising’ end of the novel, both in its style and brevity, i.e. the resolution of the internal conflict via Raskolnikov’s mystical turn to faith. The splitting comprises the fact that Raskolnikov must alienate himself in radical alterity in order to come to his authentic self; the split between the fictitious, false self of the extraordinary man and the real

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Thèses sur le sujet "Pierrot (Fictitious character) in literature"

Micklitz, Bill. "The censors' magic wand the disappearing children's literature /." Menomonie, WI : University of Wisconsin--Stout, 2006. http://www.uwstout.edu/lib/thesis/2006/2006micklitzw.pdf.

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Salus, Victoria Paula 1970. ""Her rare chastitee" : Belphoebe's representation in The faerie queene." Monash University, English Dept, 2001. http://arrow.monash.edu.au/hdl/1959.1/9100.

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Griswold, Amy Herring Simpkins Scott. "Detecting masculinity the positive masculine qualities of fictional detectives /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3971.

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Polasek, Ashley D. "The evolution of Sherlock Holmes : adapting character across time and text." Thesis, De Montfort University, 2014. http://hdl.handle.net/2086/11076.

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The aim of this thesis is to introduce, justify, and apply a better framework for analysing Sherlock Holmes, one of the most adapted characters of all time. The project works to resituate the focus of those involved in studying adaptations of Sherlock Holmes from an examination of the discrete transition of a text from page to screen, to the evolution of the character as it changes across various intertexts and through time. The purpose is to show that it is the character specifically, and not the literary text with its narrative, genric, and aesthetic qualifications, that is being adapted, an

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Gates, Kellynn. "Harry Potter and the evolving hero archetype." [Denver, Colo.] : Regis University, 2009. http://165.236.235.140/lib/KGates2009.pdf.

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Lecker, Michael. "Treacherous, Deviant, and Submissive: Female Sexuality Represented in the Character Catwoman." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1174668318.

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Driehuis, Raymond. "Man makes man : a study of uplifting and upbuilding in the novels of Joseph Furphy." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1226.

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In a letter to Kate Baker, circa November 1910, Furphy wrote, '[b]ut ain't it anomalous that the erratic G.H [Grant Hervey], the saintly Dr. Strong, and the perverse T.C. [Tom Collins] should be working strenuously toward the same goal, namely, the uplifting and upbuildlng of Australia' (In Barnes and Hoffmann, eds, 1995:259. My Italics). This thesis is an Investigation of the ideas of uplifting and upbuildlng, and their relevance to Tom Collins and his concerns. The reason for Furphy waiting so long to lay bare his designs can only be speculated. Rather than accepting the general critical sta

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Coldebella, Melania <1991&gt. "The Reader: a research on the fictitious character in the text and on the study of literature in a foreign language." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6903.

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A conclusione di un percorso di studi letterari, questo elaborato cerca di analizzare l'atto della lettura e il ruolo del lettore; inoltre si studiano i processi di apprendimento della seconda lingua così da capire cosa significhi per uno studente entrare nel mondo della letteratura in lingua straniera. In particolare, la prima parte pone l’attenzione sulle teorie della lettura: l’interpretazione, i tipi di lettore, ovvero il lettore reale e fittizio; la comunicazione e l’interazione con il testo. La seconda parte si basa sulla concezione che studiare letteratura può essere un modo per imparar

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McGrath, Cole P. "Fighting tradition : Hemingway's Nick Adams and shell shock /." Connect to this title online, 2007. http://hdl.handle.net/1957/5525.

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Reading, Jill. "Critical literacy in a global context reading Harry Potter /." Connect to thesis, 2006. http://portal.ecu.edu.au/adt-public/adt-ECU2007.0018.html.

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Livres sur le sujet "Pierrot (Fictitious character) in literature"

Palacio, Jean de. Pierrot fin₋de₋siècle, ou, Les métamorphoses d'un masque. Libr. Séguier, 1990.

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Editions, Anthology, ed. Pierrot alterations. Anthology Editions, 2019.

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Kellein, Thomas. Pierrot: Melancholie und Maske. Prestel, 1995.

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Pentecost, Hugh. Remember to kill me: A Pierre Chambran mystery novel. Hale, 1985.

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London, John. Contextos de Joan Brossa: L'acció, la imatge i la paraula. Publicacions i Edicions, Universitat de Barcelona, 2010.

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Rostand, Edmond. The two Pierrots, or, The supper in white: Les deux Pierrots, ou, Le souper blanc : a curtain-raiser in verse. Genge Press, 2007.

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Guarino, Gabriele. Pedrolino: La storia di una maschera... e non solo! Rubbettino, 2016.

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Lobel, Anita. Pierrot's ABC garden. Artists & Writers Guild, 1993.

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Lobel, Anita. Pierrot's ABC garden. Golden Book, 1992.

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Kovycheva, E. I. Kukla v dialoge kulʹtur. Udmurtskiĭ gosudarstvennyĭ universitet, 2002.

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Chapitres de livres sur le sujet "Pierrot (Fictitious character) in literature"

Van Den Broeck Evert, Poels Karolien, Vandebosch Heidi, and Van Royen Kathleen. "Online Perspective-Taking as an Intervention Tool Against Cyberbullying." In Studies in Health Technology and Informatics. IOS Press, 2014. https://doi.org/10.3233/978-1-61499-401-5-113.

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This study will examine the use of an online role-playing experiment as a cyberbullying intervention tool. The study will be carried out among 14 &ndash; to 18-year old adolescents (N = 200). Respondents will be assigned a fictitious character and a role (perpetrator, victim or bystander) in a cyberbullying situation. They will be asked to identify with this character and act accordingly in an initiated mock, but realistic online bullying situation. We expect, based on role playing literature and bullying prevention programs, a positive change in the adolescents' behavioral intentions (e.g

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Zielińska-Elliott, Anna. "Problemy tłumaczeniowe w przekładzie prozy Harukiego Murakamiego." In Beyond Language. Æ Academic, 2018. http://dx.doi.org/10.52769/bl1.0014.azie.

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Haruki Murakami’s texts stand out when it comes to their linguistic aspects. Despite writing in Japanese, Haruki Murakami often uses English loanwords, quotes, and intertextual references. By using such stylistic devices, the author gives rise to the feeling of estrangement. This is, however, often lost when his literature is translated into other languages. To set some of the characters apart, to show that they are different, lonely or eccentric, Murakami makes them speak in dialects. The most popular methods of translating such utterances include creating a fictitious dialect, using colloqui

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