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Articles de revues sur le sujet « Poetic essence »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Kulnieks, Andrejs, and Kelly Young. "Ekphrastic Poetics: Fostering a Curriculum of Ecological Awareness Through Poetic Inquiry." in education 20, no. 2 (2014): 78–89. http://dx.doi.org/10.37119/ojs2014.v20i2.199.

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In this article we outline the role of ekphrastic poetics in an ecological practice of poetic inquiry. Ekphrastic poetics, as a rhetorical device, involves one medium of art relating to another medium by unfolding its form and essence. Ultimately, our work involves a poetic response to an aesthetic form and it is through our ongoing collaborations that we are able to outline the importance of the poetic benefits of dwelling in natural places. We offer specific examples of how we engage in interpretive response activities that help to foster ecological habits of mind in teacher education. Keywo

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Muhammatovna, Abdullayeva Rukia. "GENESIS OF NAZM UL-JAVAHIR, IDEATIC-MYSTICAL ESSENCE AND POETICS." European International Journal of Philological Sciences 4, no. 7 (2024): 5–8. http://dx.doi.org/10.55640/eijps-04-07-02.

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The study of the poetics of a particular work is carried out in connection with the artistic concept of the creator. After all, each work is a product of its author's worldview, ideological-aesthetic views, life ideal and creative position. That's why our greats said: "If you read my words, you will understand me." In particular, in "Nazm ul-Javahir" Alisher Navoi's opinions about the world and man found their poetic expression in harmony with Hazrat Ali's thinking. It reflects the deep thinking and spiritual world of the genius of words.

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Dharmendra Kumar Singh and Reshu Shukla. "Being and Beyonding: The Poetry of Kamala Das." Creative Saplings 3, no. 12 (2024): 83–111. https://doi.org/10.56062/gtrs.2024.3.12.824.

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This research paper comprises four sections. Each section explores the thematic pillars of “being” and “beyonding” that form the essence of Kamala Das' poetic oeuvres. Emphasizing these two terms, it aims to uncover how they uniquely shape her poetic identity. The initial section provides an in-depth exploration of “being” and “beyonding," dispelling ambiguities concerning them. The subsequent section probes the concept of "being" as manifested in her poetry, intimately annexed to her personal experiences and crucial life events, disclosing the intimacy between her art and her identity. The th

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Motikala, Subba Dewan. "AI In Poetry Translation: Can Machines Capture Poetic Essence?" INTERNATIONAL JOURNAL OF SOCIAL SCIENCE HUMANITY & MANAGEMENT RESEARCH 04, no. 05 (2025): 867–75. https://doi.org/10.5281/zenodo.15348662.

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Poetry translation is a challenging process that extends beyond literal meaning, requiring sensitivity to emotional depth, cultural context, and poetic structure (Venuti, 2017). While artificial intelligence (AI) has advanced in machine translation, its ability to preserve poetic essence remains debated (Toral & Way, 2018). The purpose of this study is to analyze AI’s role in poetry translation, assessing whether it can retain the artistic and emotional depth of poetry or merely provide word-for-word translations. AI’s strengths lie in efficiency and linguistic accuracy, yet it

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Fan, Yanzhu. "Poetic Metaphors and Embodied Cognition A Potential Pathway of Mind Development." Communications in Humanities Research 20, no. 1 (2023): 238–43. http://dx.doi.org/10.54254/2753-7064/20/20231378.

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Cognitive poetics theory regards metaphor as a significant mechanism in human unconscious cognitive processes for understanding abstract concepts and phenomena, which constitutes the essence of poetic expression. Poetic metaphors accentuate linguistic expression at the level of pure abstract concepts, transcending experiential and cultural limitations, and emerge as a significant wellspring for unconscious cognition and mind development. However, mind development cannot be exclusively reliant on metaphor, as abstract thinking arises from the interplay between rational agents and the objective

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Reysner, Marina. "Persian Court Poetry (10th — 12th Centuries) and Troubadour Lyrics (12th — 13th Centuries): a Comparative Analysis of Poetics." Проблемы исторической поэтики 23, no. 2 (2025): 29–50. https://doi.org/10.15393/j9.art.2025.15062.

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The article is devoted to the identification of common poetic characteristics of the Persian court poets (10th — 12th centuries) and the Provencal troubadours (12th — 13th centuries). The concepts of ‘poet’ and ‘poetry’, which helped the representatives of two poetic traditions to formulate their views on the essence of literary work and to assert the novelty and originality of their writings were selected for comparison purposes. The article presents the examples of arguments about a poet’s skill as a professional craft, contained in medieval Arabic treatises on poetics, on which the Persian

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Muhammad, Suzana Haji, and Qian Zhu. "Green Writing and Elemental Poetic: A Postcolonial Ecocritical Reading of Tim Winton." World Journal of English Language 14, no. 4 (2024): 16. http://dx.doi.org/10.5430/wjel.v14n4p16.

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This article will draw a connection between postcolonial green writing and Winton’s poetic natural space, where the material world and imagination coexist, and emphasize the unity between elemental essence and the essence of the everyday lifeworld, through examining the manifestation of the four perennial elements in the works of Tim Winton. It finds that Winton’s works explore the depiction of four crucial elementary matters in his works, as well as a discourse initiated regarding the potential of literature to foster ecological awareness. Referring to postcolonial ecocriticism and Bachelard’

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BARYKIN, Alexey V. "PHENOMENOLOGICAL POETICS OF A LYRIC WORK: METHODOLOGICAL ASPECT." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 3 (2021): 73–86. http://dx.doi.org/10.21684/2411-197x-2021-7-3-73-86.

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The goal of this article is to present the methodological foundations of the phenomenological poetics of a literary work. The subject of the research is the principles of the phenomenological approach to poetological foundations, the object is the structural-semantic, textual-semiotic features of the lyric work. The author summarizes the experience of different concepts of the phenomenological approach to revealing the essence of the receptive strategy of both artistic consciousness and research practice. The main attention is paid to the structure of artistic consciousness, the peculiarities

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Wang, Siqi. "Language of Poetry and Poetic Discourse (on the Problem of the Relationship of Concepts)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 4–5 (2021): 119–28. http://dx.doi.org/10.26907/2541-7738.2021.4-5.119-128.

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The article examines the essential and logical-hierarchical relationships of such concepts as poetic discourse, poetic language, and the language of poetry. The relevance of the research is determined by fact that the understanding and interpretation of poetic discourse within the framework of the scientific theory is in a state of development, the methodology of literary criticism and linguistics is evolving, and many concepts are still confused. Opinions expressed by the researchers who have studied the essence of poetic language and language of poetry, as well as support the concept of poet

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Huttunen, Tomi. "Montage in Russian Imaginism: Poetry, theatre and theory." Sign Systems Studies 41, no. 2/3 (2013): 219–29. http://dx.doi.org/10.12697/sss.2013.41.2-3.05.

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The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof ’s main contribution to the montage poetics was his first fictional nov

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Bozorova, Nigora Hakimovna Saidova Mokhira Rasulovna. "MASTERU OF CREATING POETIC SYMBOLS IN LYRICS." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY ECHNOLOGY 3, no. 1 (2023): 41–45. https://doi.org/10.5281/zenodo.7523685.

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In world literature, modernism represents the system of non-classical views in the field of philosophy, art and literature, invites the reader to the creative process and activates his receptive-aesthetic ability, the main source of the poetics of the open work, many studies have been conducted on its essence.

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Tarasova, O. I. "Degradation of Understanding and Socio-Mental Essence of the Person." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 10, no. 1 (2010): 43–48. http://dx.doi.org/10.18500/1819-7671-2010-10-1-43-48.

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The Person thinking, feeling, understanding, creative, poetic did not took place. The person reasonable and spiritual becomes the person intellectual, functioning. A basis of anthropological crisis makes «to escaping from thinking»: an identification of thinking and the got skills, understanding and operating, reason and mind.

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Xiong, Qiang. "On Two Intractable English Poetic Elements." Theory and Practice in Language Studies 6, no. 8 (2016): 1698. http://dx.doi.org/10.17507/tpls.0608.26.

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Besides such readily acquired poetic techniques as meter, rhyme, syntactic inversion, imagery, tone etc., which are essential poetic features, a sound comprehension and appreciation of a large number of English poems also entails the proficient knowledge of screening of part of speech and semantic rejuvenation with regard to certain outwardly simple, actually capricious words residing in poems. While some flexibility is expected to exhibit in the process of deciding upon the correct part of speech of some elusive lexis shrouded in particular poetic milieu, an acquaintance with English etymolog

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14

Huang, Chiung-Ying. "The Flâneur in Baudelaire and Whitman." International Journal of Language and Literary Studies 6, no. 1 (2024): 143–60. http://dx.doi.org/10.36892/ijlls.v6i1.1527.

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This paper discusses the trans-cultural affinities between Whitman and Baudelaire through the question of the flâneur, a figure whose emergence coincides with the booming development of economic industry in the nineteenth century. Although there is no historical evidence that Whitman had any real connection with Baudelaire in his life, both Baudelaire and Whitman are all poets of modern life and have mutual infatuation with modernity. Both poets also innovatively demonstrate their poetic strength by establishing a poetic world dominated by visual images, with their poetic visions deeply rooted

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Comes Casas, Rosa. "<i>Le Sacre du Printemps</i>: d'Stravinsky a Jaume Vidal Alcover. Anàlisi d'un transvasament alfabètic." Zeitschrift für Katalanistik 15 (July 1, 2002): 27–42. http://dx.doi.org/10.46586/zfk.2002.27-42.

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Stravinsky's music is the starting point of Jaume Vidal’s fourteen poems who try to capture the Russian composer’s rhythmic structures transforming them into lyrics. The Majorcan poet resorts to punctuation marks, to the connotation of words and the specific arrangement of rhythmic clauses to do so. The presence of the musical text in the poetic text does not determine its meaning which is increased by the poet’s new points of view. This essence of the intertextual relationship may be seen when Vidal dilutes the generic borders in favour of the dialogic coexistence between them. The poetic dis

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Mukhamejanova, G., and A. Mukhamejanova. "POETIC FEATURES OF THE LITERARY TEXT." BULLETIN Series of Philological Sciences 73, no. 3 (2020): 123–32. http://dx.doi.org/10.51889/2020-3.1728-7804.19.

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Currently, due to linguistic personalities associated with culture, language, national existence, especially with literature, various aspects and aspects of linguistics are revealed in the development of literature in linguistics and linguoculturology. From this point of view, linguistics, first of all, reveals the essence of linguistic poetics, determines the degree of its residence in the language, literature, reveals the subject of study, development, teaching, and connections with other branches of science. This article examines the phonetic micropoetics of the language of a work of art, a

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Rustamovna, Yunusova Ganjina. "THE POETIC FEATURES OF THE CHRONOTOPE PHENOMENON." American Journal of Philological Sciences 3, no. 10 (2023): 77–84. http://dx.doi.org/10.37547/ajps/volume03issue10-11.

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This article deals with the concept of the literary chronotope and its poetic features occurring in modern novels. The following article analyses topical problems of modern literary criticism, the essence, theoretical foundations of the forms of the chronotope, the influence and connection of genre evolution on the storyline, the architecture of a work of art, the basis for creating a plot, drawing up a composition based on the author’s creative intent and the ideological content of a work of art and the perception of reality in the work as a literary process.

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Kongyratbay, Т., and К. Kongyratbay. "Thinkers of the Past on the Cognitive Essence of the Heroic Epic." Iasaýı ýnıversıtetіnіń habarshysy 119, no. 1 (2021): 183–97. http://dx.doi.org/10.47526/habarshy.vil.392.

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The article analyzes the opinions of thinkers of the past about the forms of artistic and historical thinking. This problem is considered in close connection with the definition of the cognitive essence of the heroic epic. Folklore studies of the twentieth century, fascinated by the artistic and poetic structure of the epic, did not deal much with historical and ethnic features. The problem rested on the correlation between the scientific postulates of the former historical school and the methodological guidelines of the comparative typological method in folklore studies. Folklore researchers

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Al-Issawi, Ban Jassim Mohammed, and Muzaffar Hashim Abdul Majeed Al-Ani. "The Poetics of Contrast Between Western and Arab Thought." KnE Social Sciences 10, no. 6 (2025): 155–73. https://doi.org/10.18502/kss.v10i6.18285.

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Researchers in literary circles frequently use the term ”poeticism”due to the ambiguity that often surrounds literary texts. This term clarifies the obscurities by offering explanation and reveals the underlying elements through the application of theory, analysis, and commentary. This paper presented to your academic conference aims to investigate the use of poetic contradiction on poetry, examining the impact of oppositions on poetry and identifying its effects through practical application. Early scholars paid significant attention to the poetry that dominated the scene at the time, startin

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Nurgali, Kadisha, and Aman Zhumsakbayev. "THE BIRTH OF THE KAZAKH THEATER AND THE PROBLEMS OF DEVELOPMENT OF NATIONAL DRAMATURGY." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 24, 2022): 61–72. http://dx.doi.org/10.55808/1999-4214.2022-1.07.

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This article is devoted to the problems of the development of Kazakh drama. The subject of research in the article is the history of the formation of theatrical art on the territory of Kazakhstan. In the study, the dramatic works of Kazakh literature are considered, which have reached a qualitative breakthrough in the development of topics and genre. The main goal is to determine the artistic features of Kazakh drama, its poetics, as well as to analyze the essence of the traditions of the genre-poetic process, stylistic features and general themes of dramatic works. To achieve this goal, the f

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Doszhan, R. "SPIRITUAL UNITY OF ABAY KUNANBAYEV AND SHAKARIM KUDAYBERDIEV." ARTS ACADEMY 4, no. 4 (2022): 172–83. http://dx.doi.org/10.56032/2523-4684.2022.4.4.172.

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The article deals with the features of poetics of Abay and Shakarim, the contribution of poets to development of the Kazakh poetry, poetic features of their verses, poems and prosaic works. The beauty of their words and verses are connected with deep reflections about an essence of god, human and life. Both poets bring a huge contribution in creation of philosophical poetry. Shakarim’s outlook and his views are the logical continuation of Abay’s poetry. At the same time Kazakh poetical art is enriched with new forms, word combinations and song patterns. The versatile beauty of Kazakh poetry is

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Kelgembayeva, B. B., and А. М. Kartayeva. "The Tradition of Zhyrau in the Lyrics of Nurlan Maukenuly." Iasaýı ýnıversıtetіnіń habarshysy 136, no. 2 (2025): 18–29. https://doi.org/10.47526/2025-2/2664-0686.190.

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The article examines the problem of tradition and innovation in the poetry of the outstanding representative of 1980s and 1990s poetry, the talented poet Nurlan Maukenuly. The authors highlight the vivid connection between the poetic thinking of this modern poet and the worldview of the zhyrau, the poetic tradition of the XV–XVIII centuries. Using examples from Nurlan Maukenuly's lyrics, the article assesses the beneficial influence of the zhyrau tradition on the artistic and ideological achievements of modern Kazakh poetry. The authors identify the deep philosophical and ideological continuit

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Muhammatovna, Abdullayeva Rukia. "THE GENESIS, THE IDEALOGICAL AND MYSTICAL ESSENCE AND POETIC OF ALISHER NAVOY'S NAZMUL-JAVAHIR WORK." American Journal of Philological Sciences 4, no. 7 (2024): 48–54. http://dx.doi.org/10.37547/ajps/volume04issue07-09.

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Currently, significant work is being carried out in our country to study the rich literary and historical heritage left by our ancestors, as well as manuscript sources. A collection of four poems by Alisher Navoi entitled “Nazmul-Javahir” can be called “Poetic Masterpieces” or “Poetic Masterpieces”. These quatrains are dedicated to hadiths - the wise words of the Prophet (peace and blessings of Allah be upon him), transmitted by Hazrat Ali and expressed in verse. Alisher Navoi highly appreciated the linguistic and literary abilities of Hazrat Ali. In his work Mahbubul-Kulub (Beloved of Hearts)

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Bozorova, Nigora, and Mokhira Saidova. "THE ESSENCE OF SYMBOLIC IMAGES IN THE WORK OF THE UNIQUE POET, SKILLED TRANSLATOR RAUF PARFI." Scientific Reports of Bukhara State University 5, no. 5 (2021): 109–18. http://dx.doi.org/10.52297/2181-1466/2021/5/5/10.

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Introduction. The twentieth century is known to have been a period of great change and renewal in world literature. The social, political, and cultural reasons for this have been shown in many scientific works. It should be noted that in the last century, especially in poetry, there have been created rare works that speak of the fate of humanity, human suffering, deep content, deep philosophy. In particular, during this period, philosophical and intellectual lyricism about the eternal problems of the universe and man, life and death, war and peace, the fate of mankind, the essence of life was

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Kharchuk, Roxana. "ZHADAN’S EVOLUTION AS A POET: REASONS AND ESSENCE." Слово і Час, no. 4 (August 31, 2024): 54–68. http://dx.doi.org/10.33608/0236-1477.2024.04.54-68.

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Professional Ukrainian critics have traditionally focused more on Zhadan’s prose, with his poetry receiving thorough analysis mainly from Ivan Dziuba, a critic from an older generation. Given Zhadan’s prolific output — 16 collections with over 700 texts — a systematic approach to his work is essential. Currently, Zhadan’s work is either identified with the stages of the formation of Ukrainian society (Babenko), or his poetry is considered as the history of Ukrainian society after 1991 and the process of growing up (Boichenko). The paper’s author identifies two distinct periods in Zhadan’s poet

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ANTIPOVA, Svetlana S. "Metaphorical interpretation of sociocultural processes in Russia in the 20th – 21st centuries." Service plus 18, no. 2 (2024): 3–11. https://doi.org/10.5281/zenodo.12176718.

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The article proves that metaphorical constructions occur in various linguistic and cultural phenomena. We have analyzed the works of several authors, who have made a deciding contribution to the investigation of the essence of metaphor theory and its understanding. The specialties of the methodologies have been characterized. The poetic texts are especially rich in metaphors. The special attention is given to the poetic texts, written at the end of the 20th century and at the beginning of the 21st century. The Russian poetic texts are being analyzed: in these texts we are revealing metaphors,

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Kostova-Panayotova, Magdalena. "The Russian Futuristic Experiment: the Language of the Poetic Resistance." Scientific knowledge - autonomy, dependence, resistance 29, no. 2 (2020): 261–72. http://dx.doi.org/10.37708/bf.swu.v29i2.18.

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The main Avant-garde trend in the first third of the 20th century, Futurism, through its various groups and creative personalities, upholds its own conception of art and creator, strives to give a contemporary image of the world, to reveal the hidden essence of things, the inner relation of the elements. According to Futurism, art is meant to change lives, but not as it seems in the writings of nineteenth-century realists: by influencing the rational and changing the mind of the reader. The development of a new artistic expression, in a new poetic language, the use of contemporary forms of art

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Oralova, G. "YERIMBET KOLDEYBEKULY'S ROLE IN AITYS." BULLETIN Series of Philological Sciences 75, no. 1 (2020): 261–68. http://dx.doi.org/10.51889/2021-1.1728-7804.45.

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The article analyzes the role of Yerimbet Kuldeybekuly in aitys. The individual character of the poet, the essence and art of execution in the written aitys of Yerimbet Akyn were determined. The genre and cognitive nature of Yerimbet Kuldeibekuly's works in the field of letters is studied. Yerimbet Kuldeibekuly's contribution to the literature, culture and spirituality of the nation is determined through written aitys.The worldview of Yerimbet's creativity, performing aitys according to the system of riddles and answers, is analyzed. The peculiarities of Yerimbet Kuldeibekuly's enigmatic aitys

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Dacko, D. "Semiotic Essence of Linguistic Ambiguity in the German Poetic Discourse of the XXI Century." Scientific Research and Development. Modern Communication Studies 10, no. 6 (2021): 27–32. http://dx.doi.org/10.12737/2587-9103-2021-10-6-27-32.

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The article deals with the problem of the phenomenon of linguistic ambiguity and methods of its resolution in the context of modern German poetic texts, as well as possible communication failures associated with differences in the sociocultural characteristics of the author and recipient. In particular, there are illustrations of ambiguity of the entire poem, when the analyzed concept has a dualistic origin and certain linguo-stylistic means; lexical ambiguity, which main mechanisms are a language game, polysemantic words, chains of key lexical items, allusions; syntactic ambiguity, that is re

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Martínez García, Patricia. "Allegories of Poetic Translation in Yves Bonnefoy's 'Dream Stories'." Thélème. Revista Complutense de Estudios Franceses 34, no. 2 (2019): 393–410. http://dx.doi.org/10.5209/thel.65041.

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Translation is an essential part of Yves Bonnefoy's work. But his originality in this field lies in the critical studies that have regularly accompanied his translations and in his reflection on the act of translation, developed in various essays and interviews. Departing from his conception of translation as a poetic activity, based on the distinction between the ‘translation of meanings’ and the ‘translation of the essence’, we approach the analysis of two poetic short stories, ‘Première ébauche d’une mise en scène d’Hamlet’, and ‘Hamlet en montagne’ included in L’heure présente (2011), whic

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Bychkov, Victor V. "The Way to the Aesthetics of Romanticism: Jean Paul." Voprosy Filosofii, no. 5 (2023): 86–96. http://dx.doi.org/10.21146/0042-8744-2023-5-86-96.

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In his Preschool of Aesthetics the German writer Jean Paul (Johann Friedrich Richter) in some sense has laid the foundation of the aesthetics of German Romanticism through an analysis of the main principles of poetry, which is understood as artistic word at large. Proceeding from Aristotle’s Poetics, he claims that poetry is a beautiful (as well as spiritual) imitation of nature, both external (the one we perceive by the senses) and internal (the one we become spiritually aware of). As a result, this “imitation” essentially becomes a transformation of reality. Therefore the imagination and f

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Dorozhkin, Egor Leonidovich. "To the definition of poetic ontologies." Философская мысль, no. 1 (January 2020): 13–21. http://dx.doi.org/10.25136/2409-8728.2020.1.32088.

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This article examines the main vector of development of ontologies in European philosophy of the XX century. The subject of this research is the concept of &ldquo;poetic ontologies&rdquo;, proposed by Alan Badiou applicable to fundamental in their essence projects of Martin Heidegger and Gilles Deleuze, An attempt is made to explicate the specific conceptual meaning of the poetic in the referred projects by revealing its differences from poetry in a narrow sense of versification, and its correspondence with the fact that in Deleuze&rsquo;s texts it received a name of schizophrenic

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Mukhammadiev, Dadakhon. "RELATIONSHIP BETWEEN PERIOD AND METAPHORICAL THINKING." American Journal of Philological Sciences 4, no. 6 (2024): 63–67. http://dx.doi.org/10.37547/ajps/volume04issue06-14.

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In this article, the influence of the period on poetry in Uzbek literature, as a result of which, the renewal of metaphorical thinking is researched. The essence of metaphor and metaphorical thinking is revealed. With the help of his analysis, its difference from other poetic phenomena is shown.

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Kapoor, Dr Sheetal. "The Poetic Vision of Patrick Kavanagh." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 163–68. http://dx.doi.org/10.22161/ijels.93.20.

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Patrick Kavanagh, a prominent 20th-century Irish poet from Inniskeen Parish, County Monaghan, profoundly impacted global audiences with his poetry, transcending national boundaries. Despite limited formal education, Kavanagh's passion for literature led him to become a self-taught poet, capturing the essence of rural Irish life. His early works, such as "The Green Fool," reflect his struggle and detachment from peasant life, while his poetry often combines simplicity with profound insights, celebrating childhood wonder and the beauty of nature. Kavanagh's criticism of the Irish Literary Reviva

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Laxman, Majhi. "The Rasa and its Literary Criticism." National Journal of Hindi and Sanskrit Research, New Delhi 47, March-April (2023): 45–49. https://doi.org/10.5281/zenodo.10775392.

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<strong>Abstract: </strong> <em>Rasa</em> -theory is the climax of Indian literature criticism where ‘art’ for ‘art-sake’ and ‘art means preaching’ both the principles are accomplished and the concepts of sub-wittedness and purposefulness relating to poetic expression are also meet with. <em>Rasa</em> is the only concept which is supposed to be present in almost all the poetic elements, like, <em>Guṅa</em>, <em>Alaṁkāra, Dhvani, Vakrokti, Anumiti,</em>and even poetic blemishes (<em>Kāvyadoṣa)</em>. It is in this sense that <em>Rasa</em> is the fundamental (S

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Burns, Niamh. "A MODERNIST MYSTIC: PHILOSOPHICAL ESSENCE AND POETIC METHOD IN GERDA WALTHER (1897–1977) *." German Life and Letters 73, no. 2 (2020): 246–69. http://dx.doi.org/10.1111/glal.12262.

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Starčević, Mirko. "Gerard Manley Hopkins and Walter Pater : the labyrinths of transience." Acta Neophilologica 49, no. 1-2 (2016): 85–108. http://dx.doi.org/10.4312/an.49.1-2.85-108.

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Transience forming life's very essence left an indelible mark on the creative explorations of Gerard Manley Hopkins and Walter Pater. The permanently indeterminable presence of mutability made both of them face the umbrous and unknowable aspect of death, thus revealing unto them the task of determining the role of art in life ruled by ceaseless corrosion. Pater accepts the flux of mutability as the primary particle in the revelatory act of the authentic creative experience. The power of that which is frolicsome in art augments the constitution of life's essence submerged in the unsettled condi

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Ahmad Hama Amin, Bakhan. "The Practice of Feminist Criticism on Sherko Bekas’s book (Bracelet)." Journal of University of Raparin 12, no. 1 (2025): 140–58. https://doi.org/10.26750/vol(12).no(1).paper8.

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Research on poetic subjects and its content is an important part of the critical process, and it is an attempt to present the concepts and main messages of any literary text based on some feminist perspectives the study tried to analyze the essence and content of Sherko Bekas's (Bracelet). The narrator and the main characters in the poetic story are women Therefore, by choosing this theme for analysis, we can get into the content of the text and the poet's mind, as well as by introducing feminist criticism and practicing this criticism, which is somewhat moral and social criticism, we get the

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Sydiachenko, Natalia. "CZESŁAW MIŁOSZ’S «DOLINA ISSY» AS A POETIC STORY OF THE FORMATION OF HUMAN IDENTITY." Polish Studies of Kyiv, no. 35 (2019): 38–44. http://dx.doi.org/10.17721/psk.2019.35.38-44.

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In the paper – taking into account general understanding of poetry (poetry is something that is beautiful, sublime, unusual) – the textual structures of the novella that perform a poetic function have been analyzed; besides, the factors that determine the formation of the identity of the protagonist have been spotlighted. The poetic expression of the text, which introduces the developing of the plot into the natural and historical background, has been highlighted. From the poetics point of view, various portraits of heroes have been analyzed: external, psychological, and metaphysical; descript

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Jummaevna, Gulandom Togaeva. "MYSTIC WISDOMS IN POETRY." European Journal of Higher Education and Academic Advancement 1, no. 6 (2024): 100–103. http://dx.doi.org/10.61796/ejheaa.v1i6.632.

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Taking advantage of Islamic enlightenment, Sufi poetry is filled with the wisdom of the Quran and Hadith, the essence of Islam, and encourages the transformation of hearts with the passion of the world of love. This article talks about the mystical aspects of Mirzo Kenjabek’s poetry, his quest to create a poetic image.

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Matyakupov, Sadulla. "The history and theoretical interpretations of dialogue in literary studies." American Journal of Philological Sciences 5, no. 1 (2025): 8–12. https://doi.org/10.37547/ajps/volume05issue01-03.

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The article examines the history of dialogue in literary studies and its theoretical interpretations. On the example of world and Uzbek literary studies, theoretical views on the issues of dialogue and its artistic function, its significance in poetic speech are summarized. Scientific conclusions are drawn about the function and essence of artistic dialogue.

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Müller, Ingo. ",,Alles Verschüttete aufspüren, mit beiden Händen vor dem Gesicht.“ : Zur poetisch-dramaturgischen Verknüpfung von Traum und Trauma in Marcel Beyers Opernlibretto ,,Erdbeben. Träume“ nach Heinrich von Kleists Novelle ,,Das Erdbeben in Chili“." Zeitschrift für Germanistik 35, no. 1 (2025): 73–93. https://doi.org/10.3726/92175_73.

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Abstract Um Kleists sprachmächtige ,,Erdbeben“-Erzählung für die Opernbühne zu gewinnen, verdichtet Marcel Beyer sie zu einer (Alp-)Traumsequenz, in der die äußere Handlung überwiegend fragmentarisch und im Lichte innerer Zustände vergegenwärtigt wird. Ausgehend von Kleists Darstellung des Erdbebens als gewaltsamen Verschiebungsphänomens vollzieht Beyers Libretto (2018) eine perspektivische Verschiebung der Handlung ins Lyrisch-Assoziative und alogisch Traumhafte, um die traumatischen Erfahrungen der Figuren, die in deren Bewusstsein lediglich als Spuren zurückgeblieben sind, aufzuspüren und f

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Chen, Huiling. "Evolution of Poetic Composition Theories from Shilin Shihua to Chengzhai Shihua." SHS Web of Conferences 185 (2024): 01013. http://dx.doi.org/10.1051/shsconf/202418501013.

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Ye Mengde, a well-known Chinese poet and poetry critic in the Song Dynasty, advocated the concept of implicit naturalness in his work, Shilin Shihua (Shilin’s Remarks on Poetry). He emphasized that the use of allusions in poetic composition should not be far-fetched and demanded that words and sentences be refined and hammered. Based on Ye’s insights, Yang Wanli, another famous Chinese poet in the Southern Song Dynasty, further developed the theory. In Chengzhai Shihua (Chengzhai’s Remarks on Poetry), he proposed that the essence of poetry lies in “poems being concluded while the taste remains

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Novozhilova, Elena V. "Individualization in poetic book review." Neophilology, no. 19 (2019): 357–63. http://dx.doi.org/10.20310/2587-6953-2019-5-19-357-363.

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We present the individual results of a qualitative, comprehensive reviews analysis of collections of poems published in Russian literary periodicals of recent years. We formulate the goal of the reviewer – to attract the reader to his text and through it to the poetic work; the task of the reviewer is to detect and convey to the reader such signs of the author’s style and poetic work (book) as the essence of this style, which make it possible to speak of the author and book as unique, different from all others (“Pushkin is Pushkin”). We emphasize that a literary critic works primarily on the i

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Ye, Yingying, and Wei Zhang. "The Functionality of Montage as a Means of Facilitating Poetic Expression in Dance in the Movie A Tapestry of A Legendary Land." International Theory and Practice in Humanities and Social Sciences 2, no. 7 (2025): 63–72. https://doi.org/10.70693/itphss.v2i7.506.

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Through the film carrier to enhance the essence of the dance “Emotion”, the beauty and value of poetry in the film version of the A Tapestry of A Legendary Land in the manifestation of the art form of the film on the dance aesthetic of the different presentations to enhance the audience's sensory experience at the same time, to stimulate the feelings of empathy to produce a unique flavor. If the dance drama A Tapestry of A Legendary Land “cross-border”, “break the circle” behind the review is the painting, dance and a high degree of mutual cultural identity, is the ultimate embodiment of the p

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ِAbdul Ellah Farooq Badshah. "الشاعر الصوفي عمر بن الفارض حياته وشعره". Al-Turath Al-Adabi 1, № 01 (2023): 23–36. http://dx.doi.org/10.52015/al-turathal-adabi.v1i01.7.

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This study delves into the life and legacy of Ibn-ul-Faridh, a distinguished Egyptian poet known for his refined sensibility, tender heart, and profound thoughts. Though recognized primarily as a Sufi poet, Ibn-ul-Faridh's journey was a remarkable testament to his dedication and perseverance in this realm. Despite his pursuits in Sufism, his heart overflowed with deep feelings of love, and his spiritual life became a canvas of magnificent emotions and enchanting sentiments, earning him the illustrious title of Sultan-ul-Aasheqeen, the king of lovers. The article presents a detailed historical

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Subramony, Ramaswami. "The Poetic Splendor of Andal: Devotion and Mysticism in Tamil Bhakti Literature." Creative Launcher 10, no. 1 (2025): 134–38. https://doi.org/10.53032/tcl.2025.10.1.14.

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This research article explores the rich poetic legacy of Andal, a revered figure in Tamil Śaivite and Vaiṣṇavite Bhakti traditions. Andal, known for her profound spiritual compositions such as Tiruppavai and Nācciyār Tirumoḻi, occupies a central position in early Tamil Bhakti literature. Her poetry resonates with themes of intense devotion and mystical union with the divine, encapsulating the essence of Bhakti philosophy. Through a comprehensive analysis of Andal’s verses, this study explores the intricate interplay of devotion, femininity, and mysticism within her literary corpus. Thematicall

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Horin, Olha, and Marta Haiduk. "COLOR VOCABULARY IN THE CREATION OF EMOTIONAL AND AESTHETIC EFFECT IN SYLVIA PLATH'S POETRY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 24–27. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-24-27.

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Sylvia Plath's poetry has become an indisputable fact of the literary life of the English-speaking world, and thanks to numerous translations, including into Ukrainian, it has exerted an influence on other literatures. Sylvia Plath belongs to those original authors whose works never cease to amaze readers and critics. Sylvia Plath published little during her life, after her death thousands of pages of not only poetry and novels, but also diaries and epistolary heritage remained – an inexhaustible source for searching for the deep essence of the poetess. It is noteworthy that the collection of

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Pataky, Adrienn. "The Resonance of Bios and Zoe in Several of Ágnes Nemes Nagy’s Poems Written around 1960." Pázmány Papers – Journal of Languages and Cultures 2, no. 1 (2024): 104–23. https://doi.org/10.69706/pp.2024.2.1.7.

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After a brief explanation of Agamben's concepts of bios and zoe, and a discussion of the specific tonality of (lyric) poetry, the text analyses some of Nemes Nagy's poems, which are related to the genesis of the 1967 volume Napforduló [Solstice]. The poems attempt to give voice to the voiceless in a worldview constructed from a human perspective. The melopoetics is the essence of these poems, and these are ars poetic, performative texts, and in the most lyrical, phonetic-rhythmic way of the poem, they also give an account of their own genesis. The study seeks to answer how these features contr

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Nikonenko, Sergei V. "Philosophy of literature and the methodology of studying of poetic texts: In honor of the 80th anniversary of professor V. S.Nikonenko." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 38, no. 3 (2022): 410–22. http://dx.doi.org/10.21638/spbu17.2022.312.

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The article deals with the anniversary of an eminent historian of Russian philosophy V. S.Nikonenko (1942–2013), who is the author of well-known works, a member of St Petersburg State University. The author of the article presents the theory of analysis of philosophical content of poetic texts, created in late Nikonenko’s works. Studying Pushkin’s and Zhukovsky’s poetry, Nikonenko asserts that Russian literature reached the new stage of self-consciousness in the beginning of the 19th century. It was not only a literature, but it has become a worldviewing paradigm of Russian thought. A poet thi

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