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Articles de revues sur le sujet « Poetics – history – 16th century »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Phélippeau, Marie-Claire. "The Poetics of Water in 16th and 17th century Utopias: More, Bacon, Rabelais." Moreana 51 (Number 197-, no. 3-4 (2014): 67–82. http://dx.doi.org/10.3366/more.2014.51.3-4.6.

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This paper intends to study the poetics of water in various 16th and 17th utopias or imaginary tales: Thomas More’s Utopia (1516), Francis Bacon’s New Atlantis (1627) and François Rabelais’s Gargantua (1534), Pantagruel (1532) and Quart Livre (1552). Based on Gaston Bachelard and Gilbert Durand’s research, the analysis intends to highlight the function of the aquatic element in the writing of fantastic tales inspired notably by Lucian (A True Story). Water being the infinitely malleable substance, endowed with plural metaphors and in turn positively and negatively valued, it plays multiple rol

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Galasheva, Tatiana. "POETICS OF THE LIFE OF ST. EPHRAIM OF TORZHOK." Проблемы исторической поэтики 21, no. 2 (2023): 118–44. http://dx.doi.org/10.15393/j9.art.2023.12343.

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According to legend, the Venerable Ephraim of Torzhok was an 11th century ascetic, and the “ancient scripture” about him has been lost. The history of the saint was written anew: a Brief edition of his Life was created in the last quarter of the 16th century, an Extensive one — in the second quarter of the 17th century. The subject of research of this article is the poetics of the Life of St. Ephraim of Torzhok (mainly based on the material of the rhetorically adorned Extensive edition). The text’s highly complex structure is examined and attributed to the strong dependence of the Extensive ed

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Lavocat, Françoise. "Dido Meets Aeneas: Anachronism, Alternative History, Counterfactual Thinking and the Idea of Fiction." Journal of Literary Theory 14, no. 2 (2020): 194–214. http://dx.doi.org/10.1515/jlt-2020-2009.

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AbstractThe anachronistic character of the loving relationship between Dido and Aeneas was widely and commonly discussed among commentators, critics, and writers in the early modern period. From the 16th century onwards, when the word »anachronism« appeared in vernacular languages, its definition was even inseparable from the example borrowed from the Aeneid. The purpose of this article is to interrelate early modern debates on anachronism, reflections on the status of fiction and the history of fiction.Starting with the hypothesis that anachronism is a form of counterfactual, the questions po

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Verdonk, Peter. "Painting, poetry, parallelism: ekphrasis, stylistics and cognitive poetics." Language and Literature: International Journal of Stylistics 14, no. 3 (2005): 231–44. http://dx.doi.org/10.1177/0963947005054479.

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Ekphrasis is a sub-genre of poetry addressing existent or imaginary works of art. Though now a term in poetics, its cultural roots go back to classical rhetoric, which shows that the two have always been in an osmotic relationship. In a wider context, ekphrasis is also the natural outcome of the traditionally strong bond in Western art between poetry and the visual arts, which Aristotle regarded as imitative arts because both make use of mimetic representation. This close link found its fullest expression in Horace’s famous simile Ut pictura poesis. Different periods of Western art history had

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Esono, A. F. "Michael Peterle’s Prague Leaflet About the Russian Embassy of 1576." Art Studies Journal, no. 1 (March 2024): 154–81. https://doi.org/10.51678/2073-316x-2024-1-154-181.

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The article concerns the 16th century woodcut, depicting Russian ambassadors who arrived at the Regensburg Reichstag in 1576. The original engraving, well known to researchers since the second half of the 19th century, has been kept in the Russian National Library in St. Petersburg since 1891. In Russian art history, a stable tradition to consider this work as a pictorial source — as a kind of historical document — has been formed. However, this woodcut is an example of the synthesis of engraving and poetic text typical for leaflets of the early Modern period. The article attempts to revisit t

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Gao, Bo. "Sacred Orientalism: A Particular Mode of Missionary Ethnographic Thinking and Poetics on Juan González de Mendoza’s Chinese Ethnography." Religions 15, no. 12 (2024): 1462. https://doi.org/10.3390/rel15121462.

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Mendoza’s History of the Great Empire of China constitutes a notable contribution to the history of the literary relationship between China and Spain. First published in Rome in 1585, the work has exerted a profound influence on international scholarship over the past four centuries. From the perspective of the evolution of Western perceptions of China, contemporary scholars have primarily assessed this text on the basis of Mendoza’s elevation of Europe’s admiration of China from a material to a spiritual dimension. This paper introduces a new perspective on Mendoza’s significant contribution

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Titarenko, Svetlana D. "The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev." Studia Litterarum 8, no. 2 (2023): 182–99. http://dx.doi.org/10.22455/2500-4247-2023-8-2-182-199.

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This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry. The basis of this analysis is formed by ideas of Ernst Robert Curtius regarding mannerism as a constant theme in European literature and classic art history studies (Max Dvořák, Erwin Panofsky) and modern philological studies dedicated to this style of the 16th century. The article examines the poems from early poetry collections by Valery Bryusov, such as “Juvenilia” (1892–1894), “Chefs d’oeuvre” (1894–1896), “Mе eum esse

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Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century." Tempo, no. 198 (October 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.

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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism

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Polilova, Vera S. "The Poetics of the Carnation: The Word and the Image in Russian Poetry From Trediakovsky to Brodsky (In the Context of European Tradition). Part One." Imagologiya i komparativistika, no. 17 (2022): 7–36. http://dx.doi.org/10.17223/24099554/17/1.

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The research outlines the use of the word gvozdika (Eng. ‘carnation’, a species of Dianthus) in Russian poetry. The author takes the European tradition as a framework to describe and analyse diverse representations of the carnation in Russian, mainly poetic, texts of the 18th through 20th centuries, tracing the development and expansion of “carnation-driven” contexts and associations. Part One opens with a retrospective insight into the history of the carnation in European culture, debunking several popular misconceptions, related to the flower’s history and name, which had been uncritically r

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Kayumova, Mariya Maratovna. "Evolution of Italian Women's Lyric Poetry of the 16th Century: From Vittoria Colonna to Laura Terracina." Litera, no. 6 (June 2025): 311–21. https://doi.org/10.25136/2409-8698.2025.6.74964.

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The subject of the study is the work of Vittoria Colonna, Veronica Gambara, Tullia d'Aragona, Laura Terracina, and Veronica Franco. The analysis examines the motif of insecurity in one's own talent, characteristic of early women's lyric poetry, and its gradual overcoming in the works of Terracina and Franco, where women emerge as defenders of their intellectual and creative rights. A special focus is placed on the involvement of the poetesses in the querelle des femmes (the “debate about women”), their polemics with traditional views on female nature and societal roles. It is shown how women's

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Górska, Magdalena Kinga. "Status teoretyczny emblematu w polskiej dekoracji." Terminus 23, no. 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.

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The Theoretical Status of the Emblem in Polish Decorative Art This paper argues that the theoretical status of the emblem in decorative art has methodological significance in emblem studies and art history, comparable to its status in the so-called book’s editorial frame. This claim is justified in the historical and theoretical tradition of defining emblems in the sources. The departure point for the author’s considerations comes from the findings of applied emblematics, and its foundation is provided by the theoretical sources describing symbolic genres (scil. emblema, symbolum, hierogliphic

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Kolbuszewska, Zofia. "William Gibson’s Debt to the Culture of Curiosity: The Wunderkammer, or, Who Controls the World?" Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 291–306. http://dx.doi.org/10.7311/pjas.12/2/2018.03.

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The article discusses transformations in William Gibson’s employment of the theme and poetics of the Wunderkammer from his two early novels, Neuromancer (1984) and Count Zero (1987), to Zero History (2010), his last-but-one novel. The exploration of Gibson’s representations of various Wunderkammer collections and arrangements in these books reveals his ever more pronounced recourse, over time, to the culture of curiosity as a diagnostic instrument. By interrogating the changing function of the Wunderkammer in Gibsons’ oeuvre, along with all its early-modern and contemporary associations with c

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Makarenko, Oleksii. "Psalm Cycluses within the Choral Work by Heinrich Schütz." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 94–99. https://doi.org/10.31866/2410-1176.43.2020.220099.

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The purpose of the article is to consider options for the embodiment of The Psalms’ texts in the choral work by Heinrich Schutz. The research methodology consists of the application of comparative, historical-logical, and semantic methods. This approach allows us to reveal the peculiarities of the composer’s work with the texts of The Psalms in the context of the main tendencies of the era, to examine the degree of spreading into the original source, identify the primary means of reading verbal text via music. Scientific novelty. Heinrich Schutz’s work is considered for the f

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Bogdanova, Olga. "RUSSIAN LITERARY ESTATE: A LOOK INTO THE FUTURE." Проблемы исторической поэтики 22, no. 3 (2024): 309–28. http://dx.doi.org/10.15393/j9.art.2024.14063.

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The purpose of the article is to identify and characterize promising vectors of development of the Russian literary estate in the first quarter of the 21st century, in connection with which the works on the “estate” theme of T. N. Tolstaya, Yu. V. Mamleev, V. G. Sorokin, A. P. Potemkin, E. G. Vodolazkin, G. Sh. Yakhina, A. I. Slapovsky, M. L. Stepnova, V. O. Pelevin, etc. are examined in a wide cultural context. The article demonstrates that the new quality of the estate text, in comparison with the classics of the 19th — early 20th century, arises in Soviet literature and continues in the pos

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Reinhold, Natalya Igorevna. "Dr. Johnson in the history of translation reasoning." Philology. Theory & Practice 18, no. 4 (2025): 1703–8. https://doi.org/10.30853/phil20250242.

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The article focuses on Dr. Johnson’s views on the 16th- and 18th-century translation in England. The aim is to draw a blueprint of his reasoning about the history and criticism of verse translation. His “Lives of the English Poets” (1781) serves as the central source of study. Johnson’s idea about the translation of classical poetry as the test of the poets’ achievement is under consideration. Special attention is paid to his analysis of the impact the classical verse translations made on the English language. Johnson’s critical comments on the home versions of Homer, Pindar and Virgil are inv

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Lutsenko, E. M. "The image of Romeo as interpreted by Ivan Roskovshenko. From the history of Russian Petrarchism." Voprosy literatury, no. 5 (December 19, 2018): 242–70. http://dx.doi.org/10.31425/0042-8795-2018-5-242-270.

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This study of the translation strategies for Romeo and Juliet heavily relies on two aspects concerning the play’s genre complexity: the lyrical plot (drawing on the poetic fashions of the 1590s), and the comical carnival element, imbued with a Shakespearean London idiom. The process of the Russian adaptation of Shakespearian imagery was lengthy and fraught with difficulties, not only due to the play’s linguistic complexity, but because of differences in treatment of higher matters (here, poetry) and social and everyday realities. The paper discusses the first Russian translation of Romeo and J

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Popovich, Alexey. "«ИЗОБРАЖАЯ ЖЕРТВУ»: ПАФОС ОБЛИЧЕНИЯ И МУЧЕНИЧЕСТВА В СОЧИНЕНИЯХ ИВАНА ГРОЗНОГО И АНДРЕЯ КУРБСКОГО". Проблемы исторической поэтики 18, № 4 (2020): 67–98. http://dx.doi.org/10.15393/j9.art.2020.8743.

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The article explores changes in the use of the categories of victim and sacrifice in political literary artefacts in the second half of the 16th century: namely, the correspondence between Ivan the Terrible and Andrey Kurbsky and Kurbsky’s History of the Grand Prince of Moscow. The study shows that the writers of this time used the literary topoi of victim in a fundamentally different way to earlier authors in medieval Russia. The article defines the main means of poetics and rhetoric in the works of Ivan the Terrible and Andrey Kurbsky. The methods for updating the topos of victim for both au

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Gangui, Alejandro. "A palace for astronomy in Buenos Aires." Proceedings of the International Astronomical Union 5, S260 (2009): 346–53. http://dx.doi.org/10.1017/s1743921311002511.

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AbstractIn no other epoch of Western history like in the Middle Ages, cosmology was so key an element of culture and, one way or another, the motion of the heavens ended up impregnating the literature of that time. Among the most noteworthy poets we find Dante Alighieri, who became famous for his Commedia, a monumental poem written roughly between 1307 and his death in 1321, and which the critics from 16th century onwards dubbed Divina. In this and other works, Dante pictures the cosmic image for the world, summing up the current trends of Neoplatonic and Islamic traditions. The Barolo Palace

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Petrov, Alexander. "SPIRITUAL VERSES ABOUT TSAREVICH JOASAPH: PLOTS AND METRICAL MODELS." Antropologicheskij forum 17, no. 49 (2021): 88–131. http://dx.doi.org/10.31250/1815-8870-2021-17-49-88-131.

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The article considers the problem of the development of metrical forms of the cycle of folklore spiritual verses about Tsarevich Joasaph. Spiritual verses related to the literary tradition are used as supplementary material. The aim of the research is to trace the evolution of the metrics of folklore spiritual verses about Tsarevich Joasaph in the context of the history of Russian versification. The tasks of the research are the formation of a database of texts, differentiation of the texts into thematic groups, selection of method of work, and the analysis of folk and literary variants. The r

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Grimm-Stadelmann, Isabel. "Οἱ ἰατροὶ λέγουσι … – Erläuterungen zur anatomischen Terminologie in Περὶ τῆς τοῦ ἀνθρώπου κατασκευῆς". Byzantinische Zeitschrift 112, № 3 (2019): 843–60. http://dx.doi.org/10.1515/bz-2019-0034.

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Abstract The anatomical and physiological treatise Περὶ τῆς τοῦ ἀνθρώπου ἀνθρώπου κατασκευῆς is characterized by a peculiarity of medical terminology which is largely unknown from comparable texts: on the one hand, anatomical terms are put into relation with corresponding terms from poetic language, on the other hand they are precisely defined by descriptions of objects of everyday use. The considerable discrepancy between the Greek original and its Latin translation is of particular interest against the background of the renaissance of Περὶ τῆς τοῦ ἀνθρώπου κατασκευῆς in the 16th century AD.

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Gamage, Swarnananda. "Shakespeare Tragedy, Comedy and Historical Play." European Modern Studies Journal 8, no. 2 (2024): 91–95. http://dx.doi.org/10.59573/emsj.8(2).2024.10.

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This particular research paper sheds light on common recognizable characteristics of Shakespeare tragedy, comedy and historical play. Shakespeare, the dramatist of all time, brought tragedy and comedy developed by classic Greek dramatists: Aeschylus, Sophocles, Euripides and Aristophanes to a new level in the Elizabeth period. Within his theatre life which expands for 22 years, he produced ten tragedies, seventeen comedies and ten historic plays, which are staged with diverse modification all over the world, being translated to almost all the languages that are spoken in very nook and corner i

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Goldfrank, David. "Nil’s and Iosif’s Rhetoric of Starchestvo." Russian History 39, no. 1-2 (2012): 42–76. http://dx.doi.org/10.1163/187633112x627139.

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The ideal master-disciple relationship or starchestvo associated with Paisii Velichkovskii (1722-92) and his epigones rests on a complex monastic legacy stretching back to Christian Antiquity and includes early Russia’s two greatest native writing elders, Nil Sorskii (1433/4-1508) and Iosif Volotskii (1439/40-1515). Pedagogical networks, circulation of texts, structural continuities, and workings of the hierarchy’s nomenklatura system in the 16th century contributed to the solidification of Nil’s and Iosif’s literary and institutional legacy in which this rhetoric was embedded and expressed. T

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Салтыкова, Арина Михайловна, and Сергей Николаевич Лебедев. "Sethus Calvisius. Melopoeia." Научный вестник Московской консерватории, no. 1(48) (March 31, 2022): 8–93. http://dx.doi.org/10.26176/mosconsv.2022.48.1.01.

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Труд Зета Кальвизия «Мелопея» (1592) скромно подан автором как краткий учебник музыкальной - главным образом многоголосной - композиции. В действительности «Мелопея», состоящая из 21 главы с обширным Прологом, представляет собой памятник немецкой культуры XVI века, воздвигнутый гуманистом ренессансного толка, для которого история, классическая филология, математика, риторика и другие науки - составные части musica poetica в той же мере, что и практические наставления к сочинению музыки. Эта публикация включает издание полного оригинального текста «Мелопеи» и его перевод на русский язык, в том

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Korzo, Margarita. "On the Erudition of a (non)Orthodox Author from the first third of the 17th C.: The Case of Kasijan Sakovyč." Slovene 11, no. 1 (2022): 166–91. http://dx.doi.org/10.31168/2305-6754.2022.11.1.7.

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Kasijan Sakovyč (сa. 1578–1647) can rightfully be attributed to one of the most educated representatives of both Orthodox and Uniate monasticism in Polish-Lithuanian Commonwealth of the first third of the 17th century. Kasijan’s diversity in terms of literary genres reflects his wide knowledge. Thus, his polemical treatises against the Orthodox Church and, partly, against the Uniates, echoed the events of his personal biography: after 1625, Sakovyč converted from Orthodox Christianity to the Uniate Church; in 1640, he became a Catholic. Two textbooks (compilations from Pseudo-Aristoteles) were

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Landsbergytė Becher, Jūratė. "THE VISIONARIES OF VILNIUS AND THE LITHUANIAN VERSION OF METAMODERNISM." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 95–102. http://dx.doi.org/10.32589/2411-3883.20.2023.293582.

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Contemporary Lithuanian culture uses a unique source of creative spirit, which gives birth to visions of Lithuanian Statehood and sacred architecture. It is Vilnius, and authors related to Vilnius focused on its visual, poetic, and historical meanings. Such creators periodically appeared in the 19th and 20th centuries (M. K. Čiurlionis, A. Mickewicz, O. Miłosz, Cz. Miłosz, M. Kulbak), and when Poland occupied Vilnius, the spiritual connection between the city and Lithuania painfully and vividly intensified. Furthermore, Vilnius’ significance highly increased during the Soviet occupation (1940,

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Krzywy, Roman. "Polska epika bohaterska przed i po „Gofredzie”." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 20 (December 20, 2020): 97–122. http://dx.doi.org/10.24917/20811853.20.6.

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The article is a review of the most important trends in the development of the Polish epic in the 16th and 17th centuries. In the absence of significant traditions of knightly works, the creation of Polish heroic poetry should be associated primarily with the humanistic movement, whose representatives set a heroic epic at the top of the hierarchy of genres and recognized 'Eneid' as its primary model. The postulate proposed first by the Renaissance and later by the Baroque authors did not lead to the creation of a ‘real’ epic in Poland. The translations of: the Virgil’s epic poem (1590) by Andr

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Bjørnerud Mo, Gro. "Collecting uncollectables: Joachim Du Bellay." Culture Unbound 9, no. 1 (2017): 23–37. http://dx.doi.org/10.3384/cu.2000.1525.179123.

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Lists of wonders have circulated for millennia. Over and over, such inventories of spectacular man made constructions have been rewritten, re-edited and reimagi-ned. Both the wonders and the lists of wonders, preferably of the seven, have had a profound and long-lasting effect, and have been abundantly imitated, copied and reworked. Renaissance creative thinking was obsessed with the seven wonders of the ancient world, and early-modern Europe experienced a surge of visual and verbal depictions of wonders. This article is about a remarkable list of seven wonders, included in one of Joachim Du B

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Козырева, А. А. "Sacred Topography in Chants to the Uncovering of the Relics of St. Euthymius of Suzdal." OPERA MUSICOLOGICA, no. 2023 (May 11, 2023): 176–95. http://dx.doi.org/10.26156/om.2023.15.2.008.

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Статья посвящена исследованию отражения священной топографии города Суздаля в песнопениях уникальной службы прп. Евфимию Суздальскому на 4 июля, тексты которой были созданы в 40-х гг. XVI века гимнографом, агиографом, иноком мужского суздальского Спасо-Евфимиева монастыря Григорием. Песнопения чинопоследования, обнаруженные в Стихираре типа «Дьячье Око» из собрания Д. В. Разумовского, рассматриваются в статье как специфический феномен локальной певческой культуры середины XVII века. Неоднократное упоминание Суздаля в музыкально-поэтических текстах службы позволяет рассмотреть их с точки зрения

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f, f. "A Study on the Image of the Korean Poet Kim In-hoo's Chinese Poet Do Yeon-myeong." Society for Chinese Humanities in Korea 85 (December 31, 2023): 335–53. http://dx.doi.org/10.35955/jch.2023.12.85.335.

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If you look at the writings of writers of the Goryeo Dynasty and Joseon Dynasty, you can easily find a cool Hwadoshi in the poem of Do Yeon-myeong. Kim In-hoo, a 16th-century Joseon writer, did not create such a Hwadoshi, but read Doyeon Myung's poems and assimilated them to create poems by borrowing poetry or images from Doyeon Myung's literary works. First, Kim In-hoo expressed his desire to gain freedom and satisfaction while living a life united with nature using the image of “Gwitaek” among Do Yeon-myeong's literary works in poetry. Next, Kim In-hoo cited the image of the “historical biog

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Niebelska-Rajca, Barbara. "Convention as the Source of the Avant-Garde. Remarks on the Inventiveness of Poetics of the Past." Roczniki Humanistyczne 66, no. 1 SELECTED PAPERS IN ENGLISH (2019): 19–31. http://dx.doi.org/10.18290/rh.2018.66.1-2e.

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The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. Modern theoretical-literary treatises, defined as normative poetics, are usually connected with the dominance of the convention and normativism, with obligatory rules, canonical concepts and restrictive directives hampering originality. The present text tries to revise the conviction that convention is a dominant tendency in the development of the old theoretical thought; it tends to show the avant-garde aspects of modern poetics and to present the relations between what is conventional

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Aitbayeva, B. M., and B. S. Rakhimov. "Poetics of historical and heroic epics." Bulletin of the Karaganda university Philology series 104, no. 4 (2021): 104–9. http://dx.doi.org/10.31489/2021ph4/104-109.

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The article deals with the problems of studying the poetics of the Kazakh historical epic. A systematic study of the poetics of the historical epic devoted to the national liberation movement of the Kazakh people in the 16th–19th centuries and the beginning of the XX century has been considered. The objective reasons for the process of cyclization of historical songs, legends, epos, associated with the events of the socio-political reality of a nomadic society, have been clarified. The connection of typology and poetics of the Kazakh historical epic has been examined. The factor contributing t

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Medugno, Marco. "Postcolonial Poetics: 21st-Century Critical Readings." Interventions 22, no. 2 (2019): 296–99. http://dx.doi.org/10.1080/1369801x.2019.1660204.

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Joost-Gaugier, Christiane L., Colin Rowe, and Leon Satkowski. "Italian Architecture of the 16th Century." Sixteenth Century Journal 35, no. 2 (2004): 605. http://dx.doi.org/10.2307/20477014.

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Kulbaka, Jacek. "From the history of disabilities (16th-19th century)." Biuletyn Historii Wychowania, no. 38 (October 11, 2019): 19–37. http://dx.doi.org/10.14746/bhw.2018.38.2.

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The article presents various circumstances (social, legal, philosophical and scientific) connected with the care, upbringing and education of people with disabilities from the early modern era to the beginning of the 20th century. Particular attention was to the history of people with disabilities in the Polish lands. The author tried to recall the activity of leading educational activists, pedagogues and scientists – animators of special education in Poland, Europe and the world. The text also contains information related to the activities of educational and upbringing institutions (instituti

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Konstam, R. A. "16th century naval tactics and gunnery." International Journal of Nautical Archaeology 17, no. 1 (1988): 17–23. http://dx.doi.org/10.1111/j.1095-9270.1988.tb00619.x.

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Śnieżko, Dariusz. "Pismo i głos jako kategorie poetyki historycznej (liryka XVI wieku) / Writing and Orality as Categories of Historical Poetics (16th Century Verse )." Ruch Literacki 53, no. 6 (2012): 653–62. http://dx.doi.org/10.2478/v10273-012-0040-0.

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Summary In an attempt to validate the role of orality and writing as categories of historical poetics, the article takes a close look at five aspects or criteria of this key distinction. They are the intended use of the text, genre, sensory perception, the morphological criterion, and the criterion of reception and performance. It is hoped that the use of those markers will help us to establish the connections between the macrocosm of the 16th-century communication strategies (and the dynamic inter-relationships between them) and the microcosm of genres, conventions and individual literary wor

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Dehqan, Mustafa, and Vural Genç. "The Kurdish Emirate of Brādōst, 1510-1609." Oriente Moderno 99, no. 3 (2019): 306–20. http://dx.doi.org/10.1163/22138617-12340222.

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Abstract The Brādōst Kurdish emirate, ruling over Rawāndiz and adjoining areas including parts of Urmīya, is one of the numerous Kurdish ruling families of Kurdistan, which succumbed to the conquering Ottoman and Safavid arms in the 16th-century. While Ardalān, Ḥakkārī, Chamīšgazak, and many other Kurdish emirates were yielded to the several recent studies, Brādōst remained a neglected Kurdish emirate. By analyzing written documents produced during the 16th-century — from both Ottoman and Safavid sources — a better understanding can be had of what political interactions were possible at this e

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Ignatieva (Oganissian), Maria Yu. "Spanish Mystic of the 16th Century and the “Spiritual Canticle” of Saint John of the Cross." Studia Litterarum 8, no. 2 (2023): 86–107. http://dx.doi.org/10.22455/2500-4247-2023-8-2-86-107.

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The article analyzes the poetics of the “Spiritual Canticle” of St. John of the Cross as a single two-part work, consisting of a poetic text and its prosaic commentary. The “Spiritual Canticle” is one of the masterpieces of Spanish mystical literature of the 16th century. The author of the article describes this literary context, showing the reasons for its emergence and flourishing, the main directions and features, and then proceeds to analyze the poetics of the texts under consideration. The relationship between poetry and prose in the literary legacy of St. John of the Cross is one of the

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Truong, Anh Thuan, and Thi Vinh Linh Nguyen. "Trade Activities and the Spread of Christianity by Portugal: Port of Faifo (Vietnam)." Vestnik of Saint Petersburg University. History 67, no. 1 (2022): 128–43. http://dx.doi.org/10.21638/11701/spbu02.2022.109.

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In the 16th and 17th centuries, Faifo (Hoi An, Quang Nam province) emerged as one of the busiest international trading ports in Southeast Asia in general and in Vietnam in particular. At the same time, in Europe, Portugal and its formidable navy discovered a new maritime route to Asia. Using this knowledge, the Portuguese became one of the first Western states to explore this part of the world and laid the foundation for trade and missionary activities in a number of different countries and locations there. Among them, Faifo (in Vietnam) was a notable example. In fact, for almost a century (fr

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Maxwell-Irving, Alastair M. T. "Hoddom Castle: a reappraisal of its architecture and place in history." Proceedings of the Society of Antiquaries of Scotland 117 (November 30, 1988): 183–217. http://dx.doi.org/10.9750/psas.117.183.217.

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Waddell, Peter J. A. "The disassembly of a 16th century galleon." International Journal of Nautical Archaeology 15, no. 2 (1986): 137–48. http://dx.doi.org/10.1111/j.1095-9270.1986.tb00562.x.

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Stundžienė, Bronė. "The Folksong Narrative of the Family: Ritual Exposures and the Meaning of Shifting Contexts." Tautosakos darbai 51 (June 27, 2016): 137–60. http://dx.doi.org/10.51554/td.2016.28888.

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The article aims at outlining the framework of the family narrative based on folksongs perceived as profound texts of the ritual culture. The interpretation supported by hermeneutic assumptions seeks to reveal the aspects of the family life that are important to the poetic folksong discourse, as well as to establish the grounds for the reconstruction of the family narrative. The interest for the historical family patterns and the search for their possible reflections in folksongs was encouraged by the contemporary crisis experienced by the family institution. The “reading” of the songs was not

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Noonkester, Myron C., and Boris Ford. "The Cambridge Cultural History, Volume 3: 16th Century Britain." Sixteenth Century Journal 24, no. 3 (1993): 752. http://dx.doi.org/10.2307/2542161.

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Bach-Szczawińska, Cecylia. "On the history of Krynki in the 16th century." Studia Podlaskie, no. 20 (2012): 9–25. http://dx.doi.org/10.15290/sp.2012.20.01.

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Metan, Saskia. "Editorische Verflechtungen." Zeitschrift für Slawistik 64, no. 4 (2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.

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Summary Among the various descriptions of „Sarmatia“ which have been printed in the 16th century, the works of Maciej z Miechowa, Marcin Kromer and Alessandro Guagnini possessed the largest distribution: Published between 1517 and 1578, their works – containing information about the geography, history and population of the eastern part of the European continent – were reprinted and translated several times at several places until the middle of the 17th century. With a focus on paratexts and metatextual comments, the present article considers the entangled history of their editions in the 16th

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Dehqan, Mustafa, and Vural Genç. "Kurdish Emirs in the 16th-Century Ruus Registers." Der Islam 96, no. 1 (2019): 87–120. http://dx.doi.org/10.1515/islam-2019-0003.

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Abstract Sharaf Khān, author of the Sharaf-nāma, is the most energetic early modern champion of Kurdish history. One problem with the standard account of Sharaf Khān is that it organizes Kurdish history according to the author’s own classifications, rather than according to the administrative entities of the overlord empires, the Ottomans and Safavids; and that Sharaf Khān had access only to certain sources which are specific to the principalities. This indicates that one must be careful to use all claims of Sharaf Khān about particular Kurdish emirs, because not all that pertains to the under

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Kadir, Hatib Abdul. "History of the Moluccan's Cloves as a Global Commodity." Kawalu: Journal of Local Culture 5, no. 1 (2018): 63. http://dx.doi.org/10.32678/kawalu.v5i1.1871.

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Abstract  This paper focuses on the history of spice trade in Moluccas. Using two main approaches of firstly, Braudel, I intend to examine the histoty of spice trade in Moluccas in the 16th century in relation with the changing of the structure of economy that affected the social and political relations of the Moluccans. Secondly, applying Wallerstein approaches, I find out that trading activities from the 16th century until today have created a wide gap between post-colonial Moluccas and the Europeans. To conclude, I argue that economic activities have always been accompanied by forcing

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Butel, Paul, and François Crouzet. "Empire and Economic Growth: the Case of 18th Century France." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (1998): 177–93. http://dx.doi.org/10.1017/s0212610900007096.

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Among the colonial powers of the early modern period, France was the last to emerge. Although, the French had not abstained from the exploration of fhe New World in the 16th century: G. de Verrazano discovered the site of New York (1524), during a voyage sponsored by King Francis I; Jacques Cartier sailed up the St. Lawrence to Quebec and Montreal (1535). From the early 16th century, many ships from ports such as Dieppe, St. Malo, La Rochelle, went on privateering and or trading expeditions to the Guinea coast, to Brazil, to the Caribbean, to the Spanish Main. Many French boats did fish off Ne

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Essary, Kirk. "Passions, Affections, or Emotions? On the Ambiguity of 16th-Century Terminology." Emotion Review 9, no. 4 (2017): 367–74. http://dx.doi.org/10.1177/1754073916679007.

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The history of emotions is notably fraught with semantic anxiety, and a great deal of ink has been spilt in attempts to clarify emotion terminology, with respect to both historical and contemporary usage. Because the 16th century is both a momentous time of linguistic change for European languages (including Latin), and often for some reason neglected by historians of emotion trying to tell a longer story about emotion terminology, this article provides an overview of how 16th-century lexicons and prominent humanist authors handle the basic Latin emotion terms affectus and passio. It suggests

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Galtsin, Dmitrii D. "Froben Prints and Polemics on Religion in Early Modern Eastern Europe." Vestnik of Saint Petersburg University. History 67, no. 2 (2022): 578–98. http://dx.doi.org/10.21638/11701/spbu02.2022.216.

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The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religio

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