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Littérature scientifique sur le sujet « Poetry »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 26 avril 2025

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Articles de revues sur le sujet "Poetry"

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Raouf Ali, Luqman. « The concept of poetry in the poems of Sherko Bekas ». Journal of University of Raparin 10, no 4 (29 décembre 2023) : 278–301. http://dx.doi.org/10.26750/vol(10).no(4).paper13.

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This research works on the concept of poetry, so the concept and definition of poetry have been discussed in general according to different stages, but in particular the concept of poetry has been worked on and introduced by Sherko Bekas, and this introduction is the first text. Poems that talk about the concept and recognition of poetry in all the poet's divans have become the material of the study, in order to present the opinion and definition of poetry from the poet's point of view, along with bringing back the poet's view of poetry in the dialogues with him, later comparing them, for the purpose of uniting, or having differences in their opinions.
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Lim, Woo Young. « Writing poetry, poet's mindset, boldness, superiority, longing for heavenly blessings ». Hankuk University of Foreign Studies Literature Studies 92 (30 novembre 2023) : 131–58. http://dx.doi.org/10.22344/fls.2023.92.131.

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In Goethe's 『West-östlicher Divan』(1819), ｢Derb und Tüchtig｣ and ｢Dreistigkeit｣ tell the poet's attitude in writing poetry. In ｢Übermacht, ihr könnt es spüren｣, the poet's 'superiority' is compared to that of a monarch, and in ｢Selige Sehnsucht｣, the poet's attitude of writing poetry at the risk of death is emphasized. In these poem, “strength,” “boldness,” “excellence,” and the poet’s mindset of risking death are emphasized in the poet’s general artistic act of “poetry writing.” The poet's boldness, superiority and even “arrogance” that appear in the “West-Eastern Divan” seem to have arisen from the feeling of liberation and confidence that Goethe felt when he traveled to Frankfurt (in July 1814) after the Napoleonic Wars. He went through a dark period during the Wars and so read Hafis' poetry and wrote Eastern-style poetry to shake off all the pressure around him via his “confidence/boldness” and “arrogance” as a poet. His decision dicision to write poetry in the Eastern style for the first time in the history of Western literature can be said to be Goethe’s “warning and commandment” about “writing poetry.”
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Akbulatov, A., Z. Mutiyev et N. Tukeshova. « ARTISTIC IMAGES OF THE “EPOCH, SOCIETY, TIME” IN THE POETRY OF MAKSUT NETALIEV ». Bulletin of the Eurasian Humanities Institute, Philology Series, no 3 (15 septembre 2024) : 98–109. http://dx.doi.org/10.55808/1999-4214.2024-3.09.

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The article analyzes the characteristics of the concept of land of ancestors and native land, the peculiarities of nature picturesin the poetry of the poet Maksut Netaliyev. A review of literary critical materials and theoretical works related to the theoretical problems of poetry written about the place of the poet in Kazakh poetry is made, and the unique stylistic features of the poet's poetry are considered. Attention is paid to the poet's ability to describe natural phenomena and harmony of rhythm and melody. Philosophical thoughts of the poet in the description of nature and man, the unity of the concepts of longing, sadness and joy, hope related to the concepts of land of ancestors and native land with the world of poetryare analyzed. In the poet's poetry, the concepts of time, people, homeland are sung in close unity. Soviet censorship, the impact of ideology on the poet's poetry and the occurrence of images of independence, market relations in the poet's poetry, and the expression of the image of sovereignty in the language of poetry are discussed. ​The task of the article is to review the poetic heritage of M. Netaliev within the framework of the project of literary regional studies, to reveal the nature of the artistic-aesthetic worldview in the description of the poet's homeland, native land concepts and natural phenomena, to evaluate it from the point of view of modern literary studies. ​The scientific-practical meaning and value of the article can be said to be the analysis of M. Netialiev's poetry from the perspective of the past and present of Kazakh poetry within the framework of the literary regional studies project, and the conducting of new researches related to the issues of literary regional studies.
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John Taylor. « Poetry Today : "Poetic Ljubljana" ». Antioch Review 70, no 1 (2012) : 179. http://dx.doi.org/10.7723/antiochreview.70.1.0179.

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Turdybaev, K. « Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov ». Turkology 6, no 104 (12 janvier 2020) : 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

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The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.
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Turdybaev, K. « Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov ». Turkology 6, no 104 (12 janvier 2020) : 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

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The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.
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Ilma, Awla Akbar. « DARI PUISI MANTRA HINGGA PUISI ESAI SEBUAH LANSKAP PERPUISIAN INDONESIA ». Jurnal Penelitian Humaniora 17, no 2 (1 octobre 2016) : 194. http://dx.doi.org/10.23917/humaniora.v17i2.2511.

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This research specially addresses through a sociological perspective the existence of narrative poetry that lately rampant in Indonesia. Therefore, this research assumes that the existence of a literary work is closely link with the condition of the time. Thisresearch seeks to compare with the kinds of poetry before as traditional poerty, poetry of pujangga baru, mantera poetry, and Mbeling poetry both aesthetic characteristics and social conditions. Based on the research process, it is known that the narrativepoerty has unique characteristics that are different from other types of poetry. It is known that narrative poetry is a real respond to assessment of poems that are considered difficult to understand. Therefore, this poetry tries to synergize with readers, making certain platforms, giving easy access to the meaning of the poetry. Thus sociological characteristics known as the effect of the conditions which always demanding the ease and speed. Such condition if drawn further was the effect of industrialization and technological pace.
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Isakovna, Ernazrova Gulbahor. « Expression Of The Classical Poetic Tradition Modern Poetry ». American Journal of Social Science and Education Innovations 02, no 07 (30 juillet 2020) : 153–62. http://dx.doi.org/10.37547/tajssei/volume02issue07-18.

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Angela Sorby. « Poetry Is Poetry Is Poetry ». Children's Literature 36, no 1 (2008) : 235–37. http://dx.doi.org/10.1353/chl.0.0013.

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Sholihah, Husniatin, et Nensy Megawati Simanjuntak. « Existentialism in Extracurricular Poetry Creation : A Hermeneutic Analysis ». Journal of Language and Literature Studies 4, no 2 (20 juin 2024) : 432–44. http://dx.doi.org/10.36312/jolls.v4i2.1894.

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Poetry is a literary form that conveys the poet's emotions and thoughts through an imaginative and structured process. It is rich in emotion and distinct in its expression. Writing poetry involves channeling imagination into lines and stanzas, reflecting the poet's creative freedom and ownership. Within the framework of existentialism, poets exercise complete freedom in crafting their poetry without external influence. This study employs a qualitative approach using Hermeneutic analysis and data validation techniques, where data are validated through thorough reading to ascertain the meaning of each word and phrase. The data sources consist of seven poetry texts created by members of the extracurricular poetry group at MTs Miftahul Huda Palang Tuban. Data were collected in the form of words, phrases, and stanzas that depict existentialism, particularly individual freedom. The findings reveal five existential themes in the poetry: "me" (29%), "heart" (14%), "love" (14%), "friends" (29%), and "God" (14%). The terms "me" and "best friend" are the most prevalent, highlighting the themes of self-identity and interpersonal relationships as forms of existence. This study demonstrates that the poet's existence is manifested through the choice of words, with the dominant themes reflecting the poet's exploration of identity, relationships, and individual freedom.
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Thèses sur le sujet "Poetry"

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Lee, Christopher R. « Banaras, Urdu, poetry, poets (India) ». Related electronic resource : Current Research at SU : database of SU dissertations, recent titles available full text, 2002. http://wwwlib.umi.com/cr/syr/main.

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Litz, Kirsten Noelle. « The Poetic Process : A Poetry Collection ». Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/599.

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Williams, Todd Owen. « Poetic Renewal and Reparation in the Classroom : Poetry Therapy, Psychoanalysis, and Pedagogy with Three Victorian Poets ». [Kent, Ohio] : Kent State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1194103428.

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Thesis (Ph.D.)--Kent State University, 2007.
Title from author submission page (viewed Sept. 14, 2009 ) Advisor: Mark Bracher. Keywords: poetry therapy, psychoanalysis, Victorian poetry, pre-Raphaelite. Includes bibliographical references (p. )
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Leduc, Natalie. « Dissensus and Poetry : The Poet as Activist in Experimental English-Canadian Poetry ». Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/38773.

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Many of us believe that poetry, specifically activist and experimental poetry, is capable of intervening in our society, as though the right words will call people to action, give the voiceless a voice, and reorder the systems that perpetuate oppression, even if there are few examples of such instances. Nevertheless, my project looks at these very moments, when poetry alters the fabric of our real, to explore the ways these poetical interventions are, in effect, instances of what I have come to call “dissensual” poetry. Using Jacques Rancière’s concept of dissensus and the distribution of the sensible, my project investigates the ways in which dissensual poetry ruptures the distribution of the sensible—“our definite configurations of what is given as our real, as the object of our perceptions and the field of our interventions”—to look at the ways poetry actually does politics (Dissensus 156). I look at three different types of dissensual poetry: concrete poetry, sound poetry, and instapoetry. I argue that these poetic practices prompt a reordering of our society, of what is countable and unaccountable, and of how bodies, capacities, and systems operate. They allow for those whom Rancière calls the anonymous, and whom we might call the oppressed or marginalized, to become known. I argue that bpNichol’s, Judith Copithorne’s, and Steve McCaffery’s concrete poems; the Four Horsemen’s, Penn Kemp’s, and Christian Bök’s sound poems; and rupi kaur’s instapoems are examples of dissensual poetry.
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Bristow, J. E. « Browning's poetry of poetry, 1833-64 ». Thesis, University of Southampton, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303708.

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McLaughlin, Carly Rebecca. « Poetic Redemptions : A Study of Richard Dehmels Poetry ». Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499175.

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Vernon, Jenifer Rae. « Making community with the deep communication of popular live poetry in San Diego, California at the Millennium ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3330317.

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Thesis (Ph. D.)--University of California, San Diego, 2008.
Title from first page of PDF file (viewed November 19, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 233-241).
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Groom, Kelle. « Five Kingdoms ». Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2168.

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GROOM, KELLE . Five Kingdoms. (Under the direction of Don Stap.) Five Kingdoms is a collection of 55 poems in three sections. The title refers to the five kingdoms of life, encompassing every living thing. Section I explores political themes and addresses subjects that reach across a broad expanse of time--from the oldest bones of a child and the oldest map of the world to the bombing of Fallujah in the current Iraq war. Connections between physical and metaphysical worlds are examined. The focus narrows from the world to the city in section II. The theme of shelter is important to these poems, as is the act of being a flâneur. The search for shelter, physical and spiritual, is explored. The third section of Five Kingdoms narrows further to the individual. Political themes recur, as do ekphrastic elements, in the examination of individual lives and the search for physical and metaphysical shelter. The title poem "Five Kingdoms," was written on the 60th anniversary of the atomic bombing of Hiroshima on August 6, 1945. This non-narrative poem is composed of a series of questions for the reader regarding personal and national security. It is a political poem that uses a language of fear and superstition to question what we are willing to sacrifice to be safe and what "safety" means. The poem ends with a call to action: "Before you break in two, categorize/the five kingdoms, count all the living things." The poems in this manuscript are a kind of counting that pays attention to the things of the world through praise and elegy. The poems in Five Kingdoms are indebted to my reading of many poets, in particular Michael Burkard, Carolyn Forché, Brenda Hillman, Tony Hoagland, Kenneth Koch, Philip Levine, Denise Levertov, Jane Mead, W.S. Merwin, Pablo Neruda, Frank O'Hara, Mary Oliver, Adrienne Rich, and Mark Strand.
M.F.A.
Department of English
Arts and Humanities
Creative Writing MFA
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Pan, Lina. « Poetic Labor : Meaning and Matter in Robert Frost's Poetry ». Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1401.

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This thesis examines Frost’s conception of poetry as the labor of human value. It investigates how Frost consciously shaped his notions of “sound of sense” and metaphor, which he deemed fundamental elements of poetic labor, in contradistinction to the Modernist poetics of Eliot and Pound. The author closely examines a representative sample of Frost’s poetry and prose as critiques of Modernist poetic theory and its implications for what Frost deemed the essential human function of poetry. The thesis will interest scholars studying strains of English poetic thought that developed concurrently with and against Modernist poetic thought. More broadly, it will interest those who seek a serious and thoughtful challenge to Modernist literary trends that prevail even today.
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Jamil, Nadia. « Ethical values & ; poetic expression in early Arabic poetry ». Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670213.

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Livres sur le sujet "Poetry"

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Sibani, Raychaudhuri, et Read Ruth, dir. Bengali poetry English poetry. London : Kavita, 1988.

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Bradford, Richard. Poetry. London : Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-26791-7.

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translator, Glavinova Sofija, dir. Poetry. Skopje : St. Clement of Ohrid, National and University Library, 2011.

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J, Epstein Leonard, dir. Poetry. Pacific Grove, Calif : Park Place Publications, 1992.

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Raum, Elizabeth. Poetry. Chicago, IL : Raintree, 2009.

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Hetherington, Paul, et Cassandra Atherton. Prose Poetry. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.001.0001.

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This is the first book of its kind — an introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. The book introduces prose poetry's key characteristics, charts its evolution from the nineteenth-century to the present, and discusses many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. The book explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry' s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women's essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
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Davis, Peter. Poetry ! Poetry ! Poetry ! Bloof Books, 2010.

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Foster, Roy. The Poetry Question. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199574797.003.0017.

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Oxford University Press, with a long tradition of publishing scholarly books on English literature, canonical authors, and anthologies of poetry, did not introduce a contemporary poetry list until the 1960s. Under the direction of Jon Stallworthy, himself a noted poet, and with the support of the Delegates, the Press developed a vibrant list that included the work of poets from Britain, Ireland, America, Australia, and New Zealand, as well as English poetic translations of European titles. Despite its critical success the poetry list was not profitable, and, facing serious financial constraints across the business, the Finance Committee decided to discontinue the list in 1998. The chapter discusses the financial considerations behind the decision, the heated debate it provoked both within the University and in the media, and the lasting impact of the controversy on the Press.
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Goldberg, Brian. Poetry and Social Class. Sous la direction de David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.11.

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During the Romantic period, poetry and social class were intimately connected. Many of the period’s political arguments were about the social hierarchy, and poetic writing often reflected these debates. A poet’s social origin also had much to do with what he or she wrote and how that writing might be received. Fundamentally, audiences assumed that a legitimate poet would have a classical education unavailable to writers below a certain rank. Poets regularly attempted to challenge perceived class distinctions, sometimes by experimenting with the voices and viewpoints of other ranks, sometimes by seeking social mobility in the literary marketplace. Attempts at class transit could be treated as dangerous insofar as they raised the prospect of social levelling, or as welcome if they were taken to indicate that British society rewarded merit or that that the nation’s ranks were closely linked rather than antagonistic and divided.
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Lunn-Rockliffe, Katherine. French Romantic Poetry. Sous la direction de Paul Hamilton. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.013.7.

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French Romantic poetry marked a dramatic break with a national tradition of verse which had been inherited almost unaltered from the seventeenth century. During the eighteenth century, the neo-classical conception of poetry as a rule-governed and highly stylized art had continued to prevail; verse was characterized by a solemn tone and narrow lexis, and there was a rigid distinction between poetic genres. Whereas Romantic poetry in England and Germany seemed already to allow the imagination free reign, in France poets needed first to reject these neo-classical conventions. Victor Hugo declared in the preface to hisOdes et balladesof 1822 that ‘La poésie n’est pas dans la forme des idées, mais dans les idées elles-mêmes’ (poetry lies not in the form of ideas but in the ideas themselves), and the French Romantic poets were all in different ways engaged in reshaping the forms of poetry to suit their individual purposes.
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Chapitres de livres sur le sujet "Poetry"

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Gonçalo Oliveira, Hugo, et Amílcar Cardoso. « Poetry Generation with PoeTryMe ». Dans Atlantis Thinking Machines, 243–66. Paris : Atlantis Press, 2014. http://dx.doi.org/10.2991/978-94-6239-085-0_12.

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Wynne-Davies, Marion. « Poetry ». Dans Sidney to Milton, 1580-1660, 26–83. London : Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-4039-3792-6_2.

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Alexander, Michael. « Poetry ». Dans A History of English Literature, 273–84. London : Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_10.

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Barry, Peter. « Poetry ». Dans Issues in Contemporary Critical Theory, 168–77. London : Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-89244-0_13.

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Warwick Slinn, E. « Poetry ». Dans A New Companion to Victorian Literature and Culture, 331–48. Oxford, UK : John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch22.

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Sullivan, Clare. « Poetry ». Dans The Routledge Handbook of Literary Translation, 268–81. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series : Routledge handbooks in translation and interpreting studies : Routledge, 2018. http://dx.doi.org/10.4324/9781315517131-18.

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Jahanbegloo, Ramin. « Poetry and Mediocrity ». Dans Talking Poetry, 68–70. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869180.003.0017.

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Abstract Poets use, what one may call, some kind of an emotional intelligence. But it is intelligence. It is not as if they leave their intellect aside. In good poetry, everything would be put into action. But the poetic mind is not a rational mind only. It would not be putting things in specific categories, to view them. A poet’s job is to put it all together. Not so much by analysis but by an intuitive synthesis in which each thing finds a place. Each poet could be different.
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Murat, Michel. « Poet’s Poetry ». Dans The Made and the Found, 176–82. Modern Humanities Research Association, 2017. http://dx.doi.org/10.2307/j.ctv16km18k.27.

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Burrows, Hannah. « The Mead of Poetry : Old Norse Poetry as a Mind-Altering Substance ». Dans Distributed Cognition in Medieval and Renaissance Culture, 99–119. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438131.003.0006.

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This chapter examines the Old Norse myth of the mead of poetry in light of the distributed cognition hypothesis. It explains how Norse skaldic poetry scaffolds various cognitive processes, and then argues that the myth of the poetic mead, which sees poetry as an alcoholic substance, is exploited by Old Norse poets to understand and describe poetry’s effect on the mind. Examples are given that suggest poets saw poetry as ‘mind altering’ in ways that resonate with certain aspects of the distributed cognition hypothesis: in particular, that poetry is cognition-enabling through feedback-loop processes; that the mind can be extended into the world and over time in poetry; that cognition can be shared and/or furthered by engaging with other minds; that the body plays a non-trivial role; and that poetry performs mental and affective work in the world.
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Dawabsheh, Mohammed Ahmad, Tarek Khaled Fawakhriya et Kittisak Jermsittparsert. « Palestinian Poetry Trends in the Israeli-Palestinian Conflict ». Dans Practice, Progress, and Proficiency in Sustainability, 415–34. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-7989-9.ch020.

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Conflict in literature is not new, but rather very old, the conflict becomes stronger when political conflicts increase between peoples, which creates a state of literary chaos that goes with the state of conflict and is expressed in the manner that the poet deems appropriate. The political conflict in Palestine extended for decades, and during these decades' poetry accompanied this conflict, and poetry began to move with the events, accompanying them and supporting them with words. The Palestinian poet Abdel Nasser Saleh is one of the poets who were loyal to the Palestinian issue and defended it, and what distinguishes his poetry is that it follows the events and political conflicts from their beginnings, this is what encouraged me to write about him. The poet's keeping up with the Palestinian issue and the political conflicts that accompanied it resulted in several poetic trends, including revolution, challenge, resistance, homeland, freedom, and rebellion.
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Actes de conférences sur le sujet "Poetry"

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Tariq, Fatima, Ragini Gopchandani, Raza Hashim Nizamani, Abdul Samad et Muhammad Munawwar Anwar. « Deep Learning based Poet Attribution model for Punjabi Poetry ». Dans 2024 International Conference on Emerging Trends in Smart Technologies (ICETST), 1–6. IEEE, 2024. http://dx.doi.org/10.1109/icetst62952.2024.10737982.

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Dipper, Stefanie, et Ronja Laarmann-Quante. « UD for German Poetry ». Dans Proceedings of the 4th International Conference on Natural Language Processing for Digital Humanities, 177–88. Stroudsburg, PA, USA : Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.nlp4dh-1.17.

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MEHMETALI, Bekir. « THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY ». Dans III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.

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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a nice linguistic way out because the poet's statement is not inconsistent with the made linguistic rule. There was a lot of disagreement between the grammarians on this subject. The problem of the research is manifested in the permissibility of using the poetic necessities of the contemporary poet who lives in our time, or the impermissibility of that, and he wonders: Is it permissible for the contemporary poet to use the poetic necessities that the ancients used? And how much is permissible to use it? Does he use it consciously and intentionally, compared to the ancients, or are they linguistic errors that he falls into without being aware of them? The research is theoretical and applied on two collections of poetry by two contemporary Arab poets who live in a nonArab spatial and linguistic environment (Turkey), namely Ayman al-Jabali and Khaled alMuhaimid. The study relied on the descriptive approach, which describes some of the poetic necessities used by the ancients, and which were mentioned by specialized sources and references. The importance of the research lies in its problem and topic, and the conclusions drawn from the research are presented at the end
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Ahmed SALIH, Sura. « TIME IN THE POETRY OF JAMIL BUTHAINA ». Dans III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-3.

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Then Believing in the need of our Arab heritage for a second reading that shows its creativity and originality, we chose Jamil Buthaina, who is considered one of the most important poets of virgin Spinning in the Umayyad era, where his name was associated with the name of his beloved. The Arab in general and beautiful poetry in particular. We notice the dominance of time over Arab poetry and the poets’ gaze. The research is divided into several axes:. - Time in Arabic poetry: which we talked about about the element of time in poetry as it is one of the elements of forming the dramatic structure of the poetic text, and that time is associated with poets even in the poetry industry itself in time. - Time in the virginal spinning poetry We talked about the poets’ view of time and considering it responsible for everything that befalls the poet and for the separation of the beloved and the sadness. Time in jamil poetry Buthaina: In this axis we studied time in beautiful poetry, which he highlighted through dialogue. Beautiful poetry is based on dialogue that shows the life of poetry with its lover, its previous and current status, and its complaint about time. In conclusion, we hope that we have succeeded in presenting an adequate summary of our subject, and that it will be in the service of our Arabic literature and the service of scholars
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Dicusar, Cristina. « The promise of pure poetry. A rereading of Bessarabian poetry of the 70s ». Dans Conferință științifică internațională "FILOLOGIA MODERNĂ : REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.08.

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This article discusses expressions of authenticity in the Bessarabian poetry of the 70s. On the one hand, some Bessarabian 70s poets discovered a new poetic style by reviving the "romantic cult of the soul". The poet, lacking the power of directness, but also of allusion or irony, decides to expel the real and retire, as a sign of peaceful "protest", in an ivory tower. There, he becomes the prophet of an imaginary, dreamlike, ever-revealing (uni)verse. On the other hand, another type of discourse is discreetly established, intimate, confessional, concerned with rehabilitating and cleaning the poetic language from the ballast of old formulas.
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Xu, Liu. « POETRY BY N.A. KLYUEV AND OLD BELIEVER ICONOGRAPHY ». Dans VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3694.rus_lit_20-21/59-63.

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Poetry of N.A. Klyuev has a special system of images and a deep religious sense. The origins of Klyuev’s poetic world are closely connected with culture and tradition of Old Believers, and with culture of Ancient Russia in general. Klyuev knew well and highly valued ancient Russian icons, his poems contain a lot of information about the meaning and existence of icons in the life of the people; historical memories and realities are also perceived and consecrated by the poet through the prism of the icons. In this article we will try to give some information about Old Believer icons in the life and work of the poet, compare the figurative world of the poet’s work with the iconographic and theme features of Old Believer icons, analyze the possible connections of the poet’s poetic worldview, his religious and historiosophical ideas with the tradition of Old Believer icons.
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MEHMETALİ, Bekir. « THE POSITION OF ARABIC POETRY FROM HIGH PRICES ». Dans I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-12.

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Arabic literature, especially poetry, was not static literature, isolated from the issues of the society in which the poet grew up, and he grew up in it, drawing inspiration from it for its themes, purposes, images, and language, and pouring it into a poetic form that is a literary image of the poet’s thoughts, views, and feelings, The subject he dealt with was rather literature that lives the concerns of society, and he still does so. The poet's concern with the concerns of his society has produced a new color in modern Arabic poetry, which is social poetry. Since the price hike and the rise in prices have become a heavy social concern that Arab societies, and others, suffer from at the present time, this matter prompted me to research this topic, to clarify the position of modern Arab poetry on the issue of high prices, and the way it depicts them, and I found sufficient and relevant poems A value in which its organizers dealt with this issue that recurs at all times and places, and becomes a terrifying nightmare that worries and frightens society, threatens the collapse of governments, corrupts consciences, and enters human moral, social, economic, and political relations under the shade. In this lies the importance of the research, and the motive for it. The researcher will approach the investigative method by examining the poems that were mentioned for this purpose. He will provide from them what he deems appropriate, and follow that with the analytical method, analyzing the meanings, thought, and attitudes contained in these poems. To get as clearly as possible the position of modern Arabic poetry on the high prices and the high prices, trying to answer some of the questions that revolve in the researcher’s mind towards: Is modern Arabic poetry a real interaction with this social problem? Did his reaction rise to the extent of the problem? Was it on the side of society or on the side of those who caused it?
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MEHMETALI, bekir. « VIII. International Congress of Humanities and Educational Research ». Dans VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis.
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Mehmetali, Bekir. « Examples of the wonderful poetic image in ancient Arabic poetry ». Dans VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis. And I wrote a research on the wonderful poetic image in ancient Arabic poetry, so I wanted this research to be a continuation of that research, and a complement to it. To provide a clear picture of the art of beautiful photography in ancient and modern Arabic poetry. And since this research follows the pattern of that research, and completes it, I adopted the same approach to avoid fallacy, affectation, and concavity
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Liu, Chongxi. « “POETRY CARVED IN STONE” : DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION ». Dans 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the historical context of poetry creation and transmitting as a “linguistic landscape”. Such humanistic connotation determines the significance of Bai’s poetry inscription in the history of Chinese literature and culture.
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Rapports d'organisations sur le sujet "Poetry"

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D'Aguiar, Fred. Made in Guyana. Inter-American Development Bank, novembre 1998. http://dx.doi.org/10.18235/0007934.

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Murray, Michael. A Collection of Poetry. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.5594.

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Ferrer de Arréllaga, Renée. Contemporary Paraguayan Narrative : Two Currents. Inter-American Development Bank, mars 1994. http://dx.doi.org/10.18235/0007909.

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Aridjis, Homero. Approaching the End of the Millennium. Inter-American Development Bank, septembre 1995. http://dx.doi.org/10.18235/0007916.

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Гладка, О. В. Using Poetry in the English Classroom as a Means of Developing Students’ Creative Skills. Рибест, 2013. http://dx.doi.org/10.31812/0564/2012.

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The article deals with teaching poetry as the means of developing students' creative skills. Stages of forming creative skills through poetry in the English classroom are distinguished. Sample tasks and activities characteristic to each stage are suggested.
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Hardi, Choman. “We will not be bystanders”- a Poetry Manifesto. The Poetry Review, 108:1, mars 2018. http://dx.doi.org/10.26598/auis_ug_eng_2018_03_01.

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Subianto, Benny. Prabowo’s economic policies need less poetry and more prose. East Asia Forum, août 2024. http://dx.doi.org/10.59425/eabc.1723845600.

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Chapman, Wayne. The Influence of Ben Jonson on the Poetry of Yeats. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.2609.

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Bierma, Tineke. Concrete poetry : the influence of design and marketing on aesthetics. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.5321.

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Sosa, Roberto. Society and Poetry : Those Who Come Wrapped in a Blanket. Inter-American Development Bank, mai 1997. http://dx.doi.org/10.18235/0007924.

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