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Articles de revues sur le sujet « Poets, american – 19th century »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic

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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze

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Fatah, Shokhan M. "Fall of Walt Whitman's I Hear America Singing Ideals in Allen Ginsberg's Howl." Koya University Journal of Humanities and Social Sciences 7, no. 1 (2024): 511–18. https://doi.org/10.14500/kujhss.v7n1y2024.pp511-518.

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Walt Whitman's poem I Hear America Singing celebrates the American ideals in the late 19th century such as democracy, freedom, and the common people of the working class. Contrary to Whitman's poem, Allen Ginsberg's Howl protests the fall of the values and ideals celebrated in Whitman’s poem because of the new values of the mid-20th century in America such as militarism, capitalism, materialism, and lack of self-expression. America and the Americans are represented in the works of these two poets contradictorily, therefore, this paper aims to depict the fall of the American ideals and values c

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Satorno, Marla Do Vale. "Urban scenarios in Walt Whitman’s poetry." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 7, no. 1 (2017): 28–35. http://dx.doi.org/10.69969/revistababel.v7i1.3626.

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One of the most striking features in 19th century poetry is the scenes of astonishing industrial progress, the development of the cities, the people who rush around, either working or just living their lives. Such urban scenarios are constant images in poems of this period. American poet Walt Whitman is also one of the poets who conveys urban movement through his poetry. With these characteristics as a starting point, the purpose of this article is to focus on the urban images in Whitman’s poetry, analyzing the poetry of the cities. Closely linked to Baudelaire’s flâneur, Whitman also observes

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Petrosyan, Gayane. "The Theme of Death and Eternity in Emily Dickenson’s Poetry." Armenian Folia Anglistika 4, no. 1-2 (5) (2008): 112–19. http://dx.doi.org/10.46991/afa/2008.4.1-2.112.

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The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to di

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Scheyer, Lauri, and Zanyar Kareem Abdul. "THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 6, no. 2 (2022): 245–50. http://dx.doi.org/10.30743/ll.v6i2.5226.

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Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition. We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally

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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside

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Sharma, Manisha. "COLOURIMAGERY IN THE HAIKU POEMS OF IMAGISTS POETS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3541.

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Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery and clear, sharp language. Imagists stressed on the direct treatment of the subject matter and strictly adhered to the rule that even a single word was not used unnecessarily. Imagists used the exact word instead of decorative words and rejected most 19th century poetry as cloudy verbosity. Imagist poets were influenced by Japanese Haiku, poems of 17 syllables which usually present only two juxtaposed images. Ezra Pound has made a conscious study of the Japanese Haiku. According to Pound, Japa

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Dr., Manisha Sharma (Pandey). "COLOURIMAGERY IN THE HAIKU POEMS OF IMAGISTS POETS." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.888059.

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Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery and clear, sharp language. Imagists stressed on the direct treatment of the subject matter and strictly adhered to the rule that even a single word was not used unnecessarily. Imagists used the exact word instead of decorative words and rejected most 19th century poetry as cloudy verbosity. Imagist poets were influenced by Japanese Haiku, poems of 17 syllables which usually present only two juxtaposed images. Ezra Pound has made a conscious study of the Japanese Haiku. According to Pound, Japa

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Tastemirova, A. Y., and Y. A. Kim. "THE CONCEPT OF MELANCHOLY IN AMERICAN LITERATURE OF 19TH CENTURY." Bulletin of Zhetysu University named after I.Zhansugurov, no. 3(100) (October 27, 2021): 122–29. https://doi.org/10.53355/zhu.2021.100.3.019.

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Melancholy is a feeling that we all experience and which is difficult to describe in words, as it is intimate, internal and very personal. In this article, we wanted to speculate about how the period of Romanticism influenced American literature and caused a big boom in melancholic mood. We tried to emphasize the main stylistic features and reinforce our ideas with examples from American literature. Subject of the work: creative works of American poets and poetesses of the 19th century The purpose of the work: to establish the connection of melancholic mood and stylistic techniques. In our wor

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de Sousa Santos, Maria Irene Ramalho. "American Exceptionalism and the Naturalization of “America”." Prospects 19 (October 1994): 1–24. http://dx.doi.org/10.1017/s0361233300005044.

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American exceptionalism, Joyce Appleby has recently reminded us, is “America's peculiar form of Eurocentrism.” Now that the multicultural history of the United States is finally being written, nothing would justify another look at American exceptionalism, except perhaps the need to examine the intellectual ways that have hidden American historical and social diversity for so long. In this essay I basically argue that a certain appropriation of the 18th-Century conception of nature as “what is” played a role also in the development of American exceptionalism. The naturalist rhetoric in American

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Li, Na. "A Stylistic Analysis into the Art of Deviation as Stylistic Features of Dickinson’s Poem “I Heard a Fly Buzz -When I Died”." Journal of Education and Educational Research 5, no. 1 (2023): 28–32. http://dx.doi.org/10.54097/jeer.v5i1.11555.

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Emily Dickinson is one of the most outstanding and influential American poets of the 19th century. Her poem “I Heard a Fly Buzz -When I Died” is told from a perspective of narrator who is near her death. As a typical modernist poet, Dickinson’s poems have prominent modernist characteristics. Her poetry language deviates from the norm, not limited to the language norms, forming a unique foregrounding effect from different levels such as phonetic level (the repetition of diphthong, flow, nasal, and iambic tetrameter and iambic trimeter), graphological level (the frequent use of capital words and

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Fernández, Rocío. "Bazaar, merchandise and decadence: Antonio José Ponte and Julián del Casal." Anclajes 25, no. 1 (2021): 71–86. http://dx.doi.org/10.19137/anclajes-2021-2516.

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The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cos

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Dr., R. Shanthi, Rajasekaran Radhakrishnan, and Saranya R. "American Romantic Elements in Emily Dickinson's Selected Poems." Criterion: An International Journal in English 15, no. 1 (2024): 226–33. https://doi.org/10.5281/zenodo.10795627.

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This paper works on the intricate world of Emily Dickinson's poetry, aiming to unveil the unmistakable presence of American Romantic elements her literary contribution to American literature. Though Dickinson is frequently associated with the 19th- century American Romantic movement, her unique voice and unconventional style have urged scholars to assay the extent to which she coheres to or diverges from traditional Romantic ideals. This paper scrutinizes her works based on themes, language, and stylistic features that align with the broader American Romantic tradition.

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Ahmed, Mohammad Kaosar, and Sultana Jahan. "A Quest for Idyllic Beauty in the Land of Mystery: A Comparative Discussion of Rabindranath Tagores ÒAimless JourneyÓ (ÒNiruddesh YatraÓ) and Robert Frosts ÒStopping by Woods on a Snowy EveningÓ." IIUC Studies 12 (December 10, 2016): 27–40. http://dx.doi.org/10.3329/iiucs.v12i0.30579.

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A study in poetic affinities between Rabindranath Tagore and Robert Frost seems a bit strange to the reader as both the poets belong to two different nations. Apparently there is no connection between the two great poets one belongs to America and the other belongs to India with a poetic career spanning the last four decades of the 19th century and the first four decades of the 20th century. The affinities between Tagore and Frost are clearly seen in their works. In respect of their poetic vision, their attitude to nature, the world, sense of beauty and wonder, yearning for the ideal, both t

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Helbling, Mark. "The Response of African Americans to Lindbergh's Flight to Paris." Prospects 27 (October 2002): 375–98. http://dx.doi.org/10.1017/s0361233300001253.

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On May 21, 1927, at 10:24 p.m., Charles Lindbergh gently touched down on French soil, the first person to fly the Atlantic alone. Immediately, the world had a new hero — mobbed wherever he went, the recipient of thousands of letters and poems, the inspiration for popular as well as classical music. But what, exactly, Lindbergh meant to his generation and subsequent generations has remained a source of interest and controversy. In “The Meaning of Lindbergh's Flight” (1958), for example, John W. Ward argued that Lindbergh revealed a deep tension in the American public: “Was the flight the achiev

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Ibraheeh Dawood(Ph.D.), Lecturer: Imad, and Lecturer: Omran Musa Mohammed. "The Emphatic Imagery: A Study in Dickinson's Narrative of Time, Life and Death." Journal of Education College Wasit University 2, no. 11 (2021): 2136–64. http://dx.doi.org/10.31185/eduj.vol2.iss11.2646.

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Emily Dickinson is of those woman poets who in their time said something for few or no listeners till it was too late to rediscover what she actually meant. The early transcendentalists of 19th century America eclipsed her significance for a while. In this, she has to accept the lot of a woman trying to be an artist in the midst of a masculine-oriented mainstream culture. However, Dickinson is so prolific a writer that a reader cannot help stopping at her shelves to explore the meanings she had left in between the lines of her poems. Like other poets and thinkers of her time, Dickinson tried h

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Pastorková, Marieta. "A linguisitc picture of the world: conceptualization of the human body in the poetry of Emily Dickinson." NOVÁ FILOLOGICKÁ REVUE 15, no. 1 (2024): 15–24. http://dx.doi.org/10.24040/nfr.2023.15.1.15-24.

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The paper focuses on the linguistic picture of the body in the poetry of Emily Dickinson, a 19th-Century American poet. The aim is to provide a coherent linguistic picture of the body of Dickinson’s lyric subject and to reconstruct the way she conceptualized and portrayed its physical appearance with regard to the artist’s perception of the self. This research is focused on cognitive ethnolinguistics, the methodology utilizes analytic and interpretative techniques with emphasis on the cognitive definition reconstruction and facet parametrization. The research sample consists of the selected po

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Salloom, Aida Thamer, and Enas Jaafar Jawad. "THE EVOLUTIONARY DIALECTIC OF NATURE: A STUDY IN RALPH WALDO EMERSON'S THE SNOW-STORM." European Journal of Higher Education and Academic Advancement 1, no. 6 (2024): 52–59. http://dx.doi.org/10.61796/ejheaa.v1i6.612.

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The forefather of Transcendentalism or the American Romanticism that pervaded the political and literary scene of America in the mid-19th century, Ralph Waldo Emerson is a prolific and distinguished American essayist, lecturer, philosopher and poet. He strived to create a new American spirit, a new cultural basis and a heroic narrative that maintain an elevation of the American self. Though simple in their language and poetic diction, Emerson's essays and poems reflect his philosophical and thoughtful ideas in a dignified and melodious system. The study attempts to explore Emerson's appreciati

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Al-Dabbagh, Abdulla. "The anti-romantic reaction in modern(ist) literary criticism." Acta Neophilologica 47, no. 1-2 (2014): 55–67. http://dx.doi.org/10.4312/an.47.1-2.55-67.

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While the antagonism of modernism to realism has often been commented upon, its equally vehement rejection of romanticism has not been as widely discussed. Yet, if modernism compromised at times with realism or, at least, with a "naturalistic" version of realism, its total antipathy to the fundamentals of romanticism has been absolute. This was a modernist trend that covered both literature and criticism and a modernist characteristic that extended from German philosophers, French poets to British and American professors of literature. Names as diverse as Paul Valery, Charles Maurras and F.R.

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Arianto, Tomi. "NATIONAL ROMANTICISM IN WALT WHITMAN POEMS." Lire Journal (Journal of Linguistics and Literature) 2, no. 1 (2018): 14–20. http://dx.doi.org/10.33019/lire.v2i1.18.

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Romanticism is often misunderstood as something genuine love and merely about romance. In fact, romanticism is an understanding of great ideas that also be delivered great ideas. The development of Romanticism delivered a new orientation that called National Romanticism by maintaining the freedom of individual, sovereignty, and independent of human rights. This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. Researcher was using the concept of interpretation to explore the meaning of poetry and the influence of romanticism in Whitman poetry. Resear

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Kofman, Andrey F. "The Fate of Spanish Folk Genres in the New World." Studia Litterarum 9, no. 1 (2024): 206–45. http://dx.doi.org/10.22455/2500-4247-2024-9-1-206-245.

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The article shows what transformation three Spanish folklore genres, transferred to the New World by streams of conquistadors and emigrants (romance, copla, and décima), underwent. The traditional Spanish monorim romance is virtually extinct; strophic novelistic romance remained latent for almost three centuries until it gave rise to the growth of Creole romance in the 19th century. The article considers the features of this genre, which are generally determined by its lyrical-epic nature, in contrast to the Spanish romance. The most productive and viable in the New World was copla, the most w

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ÓRZHITSKIY, Ígor. "UKRAINIAN ALLUSIONS IN HISPANIC AMERICAN LITERATURE: FROM MAZEPA TO PUTIN." 8, no. 8 (December 28, 2023): 90–104. http://dx.doi.org/10.26565/2521-6481-2023-8-06.

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The article offers a brief overview of some works written in Latin American countries from the late 19th to the early 21st century, which contain references to Ukrainian realities, but have not hitherto become the object of literary criticism from this angle. This oversight is regrettably common to literary studies both on the Latin American and the Ukrainian side. Thus, three writers from Mexico, one from the Argentine and one from Nicaragua have never been examined from this point of view, wheras the literary presence of Ukraine in that area of the world lies outside the scope interest of La

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Wang, Ni. "Analysis of Unreliable Narration in Edgar Allan Poe’s The Tell-Tale Heart." Pacific International Journal 5, no. 1 (2022): 28–31. http://dx.doi.org/10.55014/pij.v5i1.147.

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Edgar Allan Poe was a 19th century American poet, novelist and literary critic. His novel is recognized as the pinnacle of short gothic fiction, a unique existence in any era. The Tell-Tale Heart is a typical Gothic mystery novel of Edgar Allan Poe. The novel tells the process of a crazy young man killing an old man and the psychological changes during the process from a first-person perspective. Much researches had done at home and abroad about The Tell-Tale Heart, mainly around the narrative aesthetics, narrative style and the gothic style, etc., however, few researches focus on reliable nar

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Zuo, Jiaxin. "A Gendered Analysis of Emily Dickinson’s Poetry and her Feminine Consciousness - Taking They shut me up in Prose - as an Example." Journal of Education, Humanities and Social Sciences 21 (November 15, 2023): 117–21. http://dx.doi.org/10.54097/ehss.v21i.13172.

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Emily Dickinson was one of the greatest female poets in the history of Western literature and a pioneer of modernist poetry. Her reclusive life was considered eccentric at her time. Her poetry is unique in style and expression, and she wrote about women’s desire for freedom and independence, as well as her ambition of breaking the restrictions for women in a patriarchal society. She believed that poetry was a superior literary form compared to prose and that women could also express themselves through poetry. This essay focuses on the feminine consciousness expressed in Emily Dickinson’s poetr

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Davidson, Ryan J. "A proposal for Revaluation: Points of Contact and Sides of Likeness between William Blake and Walt Whitman." Hawliyat 18 (July 11, 2018): 61–76. http://dx.doi.org/10.31377/haw.v18i0.78.

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This article proposes an approach to evaluating the relationship between William Blake and Walt Whitman. I begin by grounding my proposal in a critical framework. It is framed by a book history approach, but also an approach to 19th century American literature as a post-colonial literature. In regards to the book history element I trace an outline of Blake’s publication history and the poems of Blake’s that Whitman might have encountered. I then provide examples of the similarities between Blake and Whitman. This paper concludes with a discussion of the implications it may have on ideas of lit

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Taylor, Ellen. "Ornithological Passions of American Poet Celia Thaxter." Ecozon@: European Journal of Literature, Culture and Environment 12, no. 1 (2021): 138–52. http://dx.doi.org/10.37536/ecozona.2021.12.1.3831.

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American poet Celia Leighton Thaxter (1835 – 1894) was shaped by both environmental beauty and destruction she witnessed in her New England community. As a woman who spent much of her life on a small wind-swept island, she was educated by seasons and migrations that later informed her work. A brief education among Boston’s literary elite launched her creative career, where she focused on her local ecology. At that time, over-hunting and newly fashionable plumed hats and accessories had created a serious possibility of avian decimation. By creating awareness of humans’ culpability for birds’ en

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Budrewicz, Aleksandra. "„Poezje polsko-amerykańskie” Pawła Gawrzyjelskiego (1882)." Prace Literackie 61 (February 15, 2023): 67–82. http://dx.doi.org/10.19195/0079-4767.61.5.

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The article is devoted to the literary achievement of Paweł Gawrzyjelski (1844?–1889), the author of a volume of poetry Odgłos z za morza. Poezye polsko-amerykańskie [Sounds from overseas. Polish-American poems] (Chicago 1882). This collection discusses some questions related to psychological and ethical problems of the Polish people in the USA in the 19th century. The content of the volume is presented in the context of other poetry published in “Gazeta Polska w Chicago” [Polish Daily in Chicago] between 1870 and 1890 (this is where Gawrzyjelski’s work was published for the ﬁrst time). “Gazet

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Wright, Emily. "Cavaliers and Crackers, Tara and Tobacco Road: The Myth of a Two-Class White South." Prospects 30 (October 2005): 505–17. http://dx.doi.org/10.1017/s0361233300002155.

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In Tell About the South: The Southern Rage to Explain, eminent southernist Y(stet)Fred Hobson argues that since the early 19th century, southern discourse has been dominated by a desire to explain the South to a nation critical of its practices. This “rage to explain” was particularly apparent in the era known as the Southern Renaissance — the period roughly between World War I and World War II that saw a flowering of southern letters and intellectual life. During this period, southern poets, novelists, essayists, historians, and sociologists participated in a comprehensive enactment of the so

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Yusni H., Yusni H., Jumino Suhadi, and Purwarno Purwarno. "SUFFERING IN EMILY DICKINSON’S SELECTED POEMS." JOURNAL OF LANGUAGE 6, no. 2 (2024): 247–58. http://dx.doi.org/10.30743/jol.v6i2.9327.

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This research examines the theme of suffering in Emily Dickinson’s selected poems, focusing on her unique poetic approach and the profound emotional resonance her work evokes. Emily Dickinson, a pivotal figure in 19th-century American literature, frequently explored themes of death, pain, and existential questions. Despite her reclusive life, her poetry is rich with personal imagery and symbols, reflecting her deep preoccupation with mortality and the human condition. The study utilizes a structural analytical approach, combining library research with descriptive qualitative analysis. This met

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Bonilla Navarro, José Francisco. "Tendencias temáticas y discursivas de la poesía centroamericana del siglo XIX (Trends in Topics and Discourse in 19th-Century Central American Poetry)." LETRAS 2, no. 60 (2017): 45. http://dx.doi.org/10.15359/rl.2-60.2.

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El estudio es una exploración histórica sobre algunos aspectos del desarrollo de la poesía centroamericana a lo largo del siglo XIX, como parte de un proyecto más amplio para la recuperación documental y comentada, de una importante manifestación del género lírico, escasamente tratado por la crítica. Se describe la recopilación El Parnaso centroamericano (1882), del que se hacen observaciones sobre sus criterios de selección, la temática predominante, y las tendencias estético-discursivas de los poemas recogidos: poesía panegírica, poesía patriótica, poesía amorosa, metapoesía.The study is a h

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Jang, Ki Yoon. "The Empire Strikes Back: Poe’s Critique of US Vampiric Imperialism in “Ligeia”." Institute of British and American Studies 60 (February 29, 2024): 61–87. http://dx.doi.org/10.25093/ibas.2024.60.61.

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Edgar Allan Poe’s “Ligeia” has been an object of scholarly attention ever since D. H. Lawrence’s ground-breaking reading of it as a ‘vampire story’ in Studies in Classic American Literature. That attention has one critical blind spot to it, which is the lack of consideration on one of the story’s three main characters: Rowena. This paper proposes giving her a chance to be examined as yet another vampiric figure along with the narrator and Ligeia, on account of the symbiotically interdependent relationship between the vampire and the victim. The paper parallels this relationship with the comple

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Xinyu, ZHU, and CUI Dan. "Fitzgerald’s Inheritance of Keats and His Writing on the Reality of America." Studies in Linguistics and Literature 8, no. 4 (2024): p165. http://dx.doi.org/10.22158/sll.v8n4p165.

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This paper probes into F. Scott Fitzgerald’s inheritance and transcendence of the artistic heritage of 19th century British romantic poet John Keats in his literary creation, especially focusing on Fitzgerald’s absorption and innovation of Keats’s literary elements in Tender is the Night and The Great Gatsby. By comparing and analyzing the similarities and differences between the two literary giants in nature depiction, aesthetic pursuit, chivalry reproduction and social reality criticism, this paper reveals how Fitzgerald inherited Keats’s romantic feelings and artistic expression techniques,

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Nuo Xu. "Application of Foreignization Strategy in Chinese Translation of Emily Dickinson's Poetry: Taking Zhou Jianxin's Translation Selected Poems of Emily Dickinson: 601-900 as an Example." International Journal of Linguistics, Literature and Translation 5, no. 5 (2022): 142–48. http://dx.doi.org/10.32996/ijllt.2022.5.5.18.

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Poetry is the perfect combination of form and content. Therefore, poetry translation should faithfully translate the original form and content. In other words, foreignization could be the best translation strategy for poetry translation, especially for those poems with distinctive formal characteristics, such as the poems of Emily Dickinson, a 19th-century American poetess. Currently, there have been 17 Chinese translations of Dickinson's poetry published in China, with few of them using a foreignization strategy; most of these translations fail to faithfully reproduce the original flavor of D

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Tetenova, Mariia A. "A REVIEW OF THE HISTORY OF THE TRANSLATION OF EDGAR ALLAN POE’S WORKS INTO THE FRENCH LANGUAGE IN THE XIX CENTURY." Lomonosov Translation Studies Journal, no. 2, 2024 (October 14, 2024): 26–40. http://dx.doi.org/10.55959/msu2074-6636-22-2024-17-2-26-40.

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The literary legacy of Edgar Allan Poe transcends borders, captivating readers worldwide with his haunting tales of mystery, macabre, and psychological depth. Among the numerous languages into which Poe’s works have been translated, the French language occupies a prominent place, reflecting the enduring fascination of French readers with his oeuvre. This paper undertakes a comprehensive examination of the history of French translations of Poe’s works made in the 19th century and the special passion French artists had for the American writer. Through a meticulous overview of archival materials,

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Abatbaevna, Tokimbetova Gulbahor. "TRADITIONAL THEMES AND IMAGES IN CLASSICAL LITERATURE." American Journal of Philological Sciences 4, no. 9 (2024): 27–35. http://dx.doi.org/10.37547/ajps/volume04issue09-05.

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In this article, it is said that most of the folklore plots, motifs, characters and images in the classic Karakalpak poetry of the 19th century were transformed into written literature through creative methods. In the work of the Karakalpak poets of the 19th century, the tradition of creating mythological plots and images characteristic of folklore was successfully used in the works of the Karakalpak poets Kunkhoja, Ajiniyaz and Berdak. The features of mythological interpretation present in the works of Karakalpak poets of this period are divided into two groups as religious mythology that ent

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Memmedhuseynova, Zulfiyye. "A Literature Review on Karabakh Women Poets of the 19th Century." Edeb Erkan, no. 5 (May 20, 2024): 107–24. http://dx.doi.org/10.59402/ee005202406.

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The 19th century was the beginning of a period in the history of Azerbaijan in which new views, different approaches, and judgments emerged. The upheavals in social life as a matter, of course, led to the awakening of literary and artistic thoughts, and enlightenment, and elucidated the development of public, ethnic, and national identity. In the 19th century, the poetic assemblies functioning in Karabakh contributed to the development of literature, especially poetry, and the inclusion of poetry in social life and its impact on it. Thanks to the "Meclis-i Uns" and "Meclis-i Feramushan" litera

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Maver, Igor. "Slovenian 19TH Century literary responses to the Poetry of Lord Byron Byronism on the the Slovene Territory in the 19th century." Futhark. Revista de Investigación y Cultura, no. 6 (2011): 193–203. http://dx.doi.org/10.12795/futhark.2011.i06.09.

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The article examines the influence of lord Byron's poetry through the translations into the Slovenian language in the 19th century. Byron is analyzed through the translations and cultural mediation of the poets dr. France Prešeren, Jovan Vesel Koseski and Josip Stritar, who all, particularly Prešeren, contributed to the development of the Slovenian Romantic Revival movement and Slovenian literature in its own right within the Habsburg and later the Austro-Hungarian monarchy. Lord Byron's poetry enabled Slovenian poets and translators to articulate their own national/political identification wi

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Tatham, David, Albert Boime, Elizabeth Johns, and John Wilmerding. "19th-Century American Painting." Art Journal 51, no. 4 (1992): 95. http://dx.doi.org/10.2307/777290.

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Abirqulova, Laziza. "ENGLISH LITERARY OF THE XIX CENTURY." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 1, no. 1 (2021): 35–40. https://doi.org/10.5281/zenodo.5517716.

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Aim of the course work analyze this period and teach with  full  information.  How  many  has  it  include  periods?  What  has  in  periods?  XIX  century  best  novels,  poetrs,  novels.  This  century’s  famous writers and their life and work.

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Akram, Habeeb. "Nineteenth century American metaphysical women poets." International Journal of English and Literature 7, no. 1 (2016): 1–7. http://dx.doi.org/10.5897/ijel2015.0853.

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Kurbanova, Madina Rakhmat kizi. "CONCEPTUALIZING «MOTHERLAND» IN 19TH CENTURY RUSSIAN POETRY." American Journal of Interdisciplinary Innovations and Research 6, no. 2 (2024): 15–20. http://dx.doi.org/10.37547/tajiir/volume06issue02-03.

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The article explores the multifaceted concept of «Motherland» in 19th century Russian poetry. It delves into how this concept is interwoven with the era’s socio-political, cultural discourses, and national identity, through a comprehensive literature review, theoretical framework, and mixed-methods approach. The study examines poets like Pushkin, Lermontov, Tyutchev, and Nekrasov, highlighting their diverse thematic representations of Motherland, from reverence to critique. It underscores poetry’s role in shaping Russian national consciousness and cultural memory, offering new insights into th

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Sommer, Tim. "Wordsworth’s 19th Century American Critics." Wordsworth Circle 48, no. 3 (2017): 178–83. http://dx.doi.org/10.1086/twc48030178.

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NIKČEVIĆ, Milorad. "LATE 19TH AND EARLY 20TH CENTURY POETRY." Lingua Montenegrina 5, no. 1 (2010): 175–224. https://doi.org/10.46584/lm.v5i1.143.

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This work gives an overview of Montenegrin poetry from the second half of 19th and early 20th century. The Author stresses key poetic, typological, and genre characteristics of an epoch that followed Petar II Petrović Njegoš. The period is characterized by a strong influence of people's literature, and dominated by poems of patriotic and didactic character, as well as epic heroic poems, verse drama and, at the end of the epoch, first indications of modernist trends. The most significant and influential poet of this period is Montenegrin king Nikola I Petrović, while other interesting poets inc

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Dedovic-Atilla, Elma. "Byron’s and Shelley’s Revolutionary Ideas in Literature." English Studies at NBU 3, no. 1 (2017): 27–48. http://dx.doi.org/10.33919/esnbu.17.1.2.

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The paper explores the revolutionary spirit of literary works of two Romantic poets: George Gordon Byron and Percy Bysshe Shelley. In the period of conservative early 19th century English society that held high regard for propriety, tradition, decorum, conventions and institutionalized religion, the two poets’ multi-layered rebellious and subversive writing and thinking instigated public uproar and elitist outrage, threatening to undermine traditional concepts and practices. Acting as precursors to new era notions and liberties, their opuses present literary voices of protest against 19th cent

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Cai, Xintong. "Comparison Between Natural Poems in China and England." Communications in Humanities Research 63, no. 1 (2024): 141–46. https://doi.org/10.54254/2753-7064/2024.17972.

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This article mainly compares the works of Chinese landscape and pastoral poets with those of early British Romantic poets, with the foremost comparison poets being Wang Wei, Meng Haoran, Wordsworth, and Coleridge. The similarity of their works lies in their shared theme of nature. However, they use different images and have dissimilar attitudes towards nature, which stem from the era and cultural background in which they live. In the Tang Dynasty of the ninth century, Chinese poets enjoyed describing birds, forests, and musical instruments in their poetry. They are first and foremost politicia

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SUGINO, Yuri. "On the Representation of the Terek River in Russian and Georgian Literary Works of the 19th Century." Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (December 20, 2024): 162–66. https://doi.org/10.62119/cils.17.2024.8709.

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This study provides a comparative analysis of the representation of the Terek River in Russian and Georgian literary works of the 19th century, focusing on the parable of water flow depicted as a beast, particularly a lion. The analysis reveals that the lion symbolizes the power of anti-Russian emperor. The study suggests that this symbolic meaning, representing rebellion, may have originated from Georgian cultural and political contexts of the 19th century, and later spread among Russian and Georgian poets and writers.

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Jackson, Virginia, and Yopie Prins. "LYRICAL STUDIES." Victorian Literature and Culture 27, no. 2 (1999): 521–30. http://dx.doi.org/10.1017/s1060150399272178.

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THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed,

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Romanova, Alyona N. "Anna Gotovtseva, the interlocutor of poets." Literature at School, no. 2, 2020 (2020): 62–75. http://dx.doi.org/10.31862/0130-3414-2020-2-62-75.

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The article examines the history of the publication of some works by the little-known poetess of the first third of the 19th century Anna Gotovtseva, including her poem addressed to A.S. Pushkin, and poems by A.S. Pushkin and P.A. Vyazemsky, appealed to Gotovtseva. The author reveals some features of the historical and literary process, which influenced the poetic dialogue of writers, published in the “Northern Flowers” almanac, which marked the emergence of female professional poetry in the literature of the first third of the 19th century. A.I. Gotovtseva’s poems are analyzed in the context

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Sinitsyna, Mariya V. "I. A. Kovanko’s Odes: Poetics in the Literary Context." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 4 (2020): 429–33. http://dx.doi.org/10.18500/1817-7115-2020-20-4-429-433.

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The paper considers the peculiarities of I. A. Kovanko’s odes written at the end of the 18th century and the beginning of the 19th century. The reminiscences from G. R. Derzhavin’s and M. V. Lomonosov’s poetry are revealed. The article focuses on the influence of classicism and sentimentalism on Kovanko’s work and the synthesis of heterogeneous elements that trace back to the 18th century poets.

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