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Littérature scientifique sur le sujet « Poets, english – fiction »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Poets, english – fiction"

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Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration." Creative Saplings 1, no. 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legis
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Makarichev, F. V. "USING FILMS AT THE LESSONS OF ENGLISH TO EXPAND STUDENTS’ VOCABULARY (LIVING AND DEAD WORDS IN THE FILM “DEAD POETS SOCIETY”)." Bulletin of Udmurt University. Series History and Philology 31, no. 3 (2021): 514–20. http://dx.doi.org/10.35634/2412-9534-2021-31-3-514-520.

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The article discusses the use of the authentic film at the lessons of English to expand the vocabulary of students. Working with the vocabulary of the feature film "Dead Poets Society" allows to see the possibilities of using each of the three functional styles - official, scientific and poetic styles. Lexical analysis of the speech of the main characters of the film - the official and scientific language of the director and teachers of the school and the poetic language of the teacher of literature Keating - helps to reveal the character of each personage. Particular attention is paid to Lati
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Ziemann, Zofia. "It’s a writer’s book. Anglojęzyczni pisarze czytają Schulza (na potęgę)." Schulz/Forum, no. 11 (December 3, 2018): 153–66. http://dx.doi.org/10.26881/sf.2018.11.14.

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The long awaited publication of Madeline G. Levine’s retranslation of Schulz’s fiction has sparked new interest in the reception of Schulz in English-speaking countries. In Poland, the general view seems to be that the author has not received the attention he deserves. Based largely on a review non-specialized periodicals from 1963–2018, the paper presents a strong and lasting trend in the reception of the English Schulz, namely the admiration of hosts of fellow authors: writers of high-brow and popular fiction, poets and playwrights from the whole anglophone world, form Australia to Canada. E
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Dr. V.S. Bindhu, Rincy Philip,. "EXPLORING THE MYTHICAL INNER LIFE OF A BROKEN METROPOLIS: A COMPARISON OF GYAN PRAKASH’S MUMBAI FABLES AND JEET THAYIL’S NARCOPOLIS." Psychology and Education Journal 58, no. 1 (2021): 4476–78. http://dx.doi.org/10.17762/pae.v58i1.1537.

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Jeet Thayil is a versatile figure in Indian Literature whose contributions to world literature includes many poems, novels and music. His song collection include Gemini (1992), Apocalypso (1997), English (2004), These Errors Are Correct (2008). He also edited many books, which includes Divided Time: India and the End of Diaspora, The Bloodaxe Book of Contemporary Indian Poets and 60 Indian Poets. He is famous for his first novel Narcopolis, which is set in Mumbai. This work is shortlisted for Man Booker Prize for fiction in 2012.Gyan Prakash is another important figure in modern historic India
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Burcar, Lilijana. "Old Aesthetics, New Ethics." Acta Neophilologica 56, no. 1-2 (2023): 91–106. http://dx.doi.org/10.4312/an.56.1-2.91-106.

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The depiction of the class struggle features prominently in the American canon of the first half of the 20th century. However, the emphasis has been almost exclusively on prose fiction to the exclusion of the works of poets such as Claude McKay, one of the central figures of the early Harlem Renaissance and the leading figure among socially engaged English-speaking poets at the time. The article redresses this imbalance by drawing attention to McKay’s socially engaged sonnets, which helped to expand the horizons and culturally empower the exploited poor in America (and by extension the proleta
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Sardalova, Luisa Ramzanovna, Zarina Ismailovna Gadaborsheva, and Satsita Adamovna Aliyeva. "Aesthetic Education of Students in Foreign Language Lessons in Secondary School as a Component of Multicultural Education." SHS Web of Conferences 172 (2023): 01011. http://dx.doi.org/10.1051/shsconf/202317201011.

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The article discusses various ways and means of implementing aesthetic education in the classroom and during non-school hours. The authors note that a special place in the education of an aesthetic personality is occupied by art, which embodies the aesthetic category of beauty. For this purpose, excerpts from works of fiction (for example, poems) and other works of art (paintings, movies, etc.) are used to work on language material. The main goal is to form a taste for the beautiful, the ability to read aloud and listen attentively to the poems of English poets, and then express your impressio
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Leferman, Monika. "METALEPTIC LOVE IN THE ENGLISH-CANADIAN POSTMODERN NOVEL." Messages, Sages and Ages 9, no. 1 (2022): 17–25. https://doi.org/10.5281/zenodo.7033675.

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Love has been a staple and chameleonic trope in literature that inspired poets and novelists alike since times immemorial, becoming one of the most pervasive themes in literary texts over the centuries. The traditional understanding of the concept ranged from abstract to more scientific and it has been theorized in fields of study as diverse as philosophy, theology, and psychology. In literature, love mostly appears intertwined with romantic and erotic feelings, but postmodern fiction expands its semantic field by experimenting with a new typology, namely metaleptic love. In Canadian literatur
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Rogacheva, Natalia A., and Anastasiia O. Drozdova. "NABOKOV’S REFLECTION ON HIS OWN AND OTHERS’ WORKS IN THE SHORT NOVEL “VASILIY SHISHKOV” AND POEM “THE POETS”." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 2 (2020): 64–78. http://dx.doi.org/10.21684/2411-197x-2020-6-2-64-78.

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The problem of Nabokov’s artistic identity is relevant for contemporary literature studies. The researchers interpret writer’s estimation of his Russian works differently: in his American years, Nabokov (1) created a new artistic identity (A. Dolinin) and started a new career (N. Cornwell) or (2) developed his general themes (B. Boyd), targeted at English readers. The unique status of the texts written in French is defined by their “phantom” nature (M. Malikova) and the “final work with the literature legacy” (A. Babikov). In our research, the problem of Nabokov’s identity is analyzed for the
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Carder, Austin. "L’état Naissant: On Celan's Microliths They Are, Little Stones: Posthumous Prose." boundary 2 50, no. 4 (2023): 117–29. http://dx.doi.org/10.1215/01903659-10694211.

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Abstract Microliths They Are, Little Stones: Posthumous Prose (2020) represents the culmination of Pierre Joris's fifty-year effort of translating the work of Paul Celan into English. The book contains a small library: aphorisms, fiction, dialogues and notes for dramatic works, theoretical prose, interviews, as well as illustrations. This review essay primarily focuses on notes and drafts toward an unfinished essay called “On the Darkness of Poetry.” It is a major statement of Celan's poetics and still stands as an unmet challenge to poets writing today. Its unfinished state should not be cons
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Balaji, K., and M. Narmadhaa. "Recrimination of Shikandi in Devdutt Pattanaik’s Shikhandi and Other Tales They Don't Tell You." Shanlax International Journal of English 11, no. 3 (2023): 22–25. http://dx.doi.org/10.34293/english.v11i3.6211.

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Indian Writing has turned out to be a new form of Indian culture and voice in which idea converses regularly. Indian writers-poets, novelists, essayists, and dramatists have been making momentous and considerable contribution to world Literature since pre-Independence era, the past few years have witnessed a gigantic prospecting and thinking of Indian English writing in the global market. Sri Aurobindo stands like a huge oak spreading its branches over these two centuries. He is the first poet in Indian writing English who was given the re-interpretation of Myths. Tagore is the most eminent wr
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Thèses sur le sujet "Poets, english – fiction"

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Wirkus, Timothy Paul. "The Ingenious Narrator of Poe's Dupin Mysteries." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3018.

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Scholarship on Edgar Allan Poe's Dupin stories consistently focuses on the stories' influence on the genre of detective fiction. One of the foundational genre elements pioneered by Poe in these tales is the sidekick/narrator. Throughout detective fiction, the less-intelligent sidekick has become a standard fixture, a convenient trope in foregrounding the brilliant machinations of the detective's mind. The attention the literature gives to the narrator of the Dupin tales is almost universally in terms of the sidekick/narrator figure as a trope of detective fiction; in this way, it seems that Du
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Lehan, James Philip. "A rhetorical aspect of Edgar Allan Poe's short fiction: A reader response approach." CSUSB ScholarWorks, 1995. https://scholarworks.lib.csusb.edu/etd-project/1217.

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Little, Jean A. "Poe's Entangled Fiction: Quantum Field Theory in "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt"." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6009.

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When seen among the constellation of Edgar Allan Poe's works culminating in Eureka, "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt," take on an important role as vehicles for scientific contemplation. Similar to early quantum physicists, such as Einstein and Schrödinger, Poe uses macro-level analogies to explore the unity of individual entities, which becomes an important tenet of his explanation of the universe. His thought experiments also resemble those of modern physics in their approach to reality as probabilistic, an idea that finds its echo in quantum field theory, whic
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Rawlins, Isabel Bethan. "Counting planes." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.

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This collection of prose-poems and flash fiction, together with a few short stories, shows how romantic relationships colour our perspectives on the world. The collection has echoes throughout of speakers' voices, theme, imagery and tone. There is a narrative logic too, but working on a subtle level of echo and resonance
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Steyn, Herco Jacobus. "Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion." Diss., 2011. http://hdl.handle.net/10500/4908.

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This dissertation concurs with the Jungian postulation that certain psychological archetypes are inclined to be reproduced by the collective unconscious. In turn, these psychological archetypes are revealed to emerge in literature as literary archetypes. It is consequently argued that science fiction has come to form a new mythology because the archetypal images are displaced in a modern, scientific guise. This signifies a shift in the collective world view of humanity, or a shift in its collective consciousness. It is consequently argued that humanity’s collective consciousness has evolved fr
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Livres sur le sujet "Poets, english – fiction"

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Sebastian, A. J. Critical essays on Naga poets & fiction writers in English. Don Bosco College, 2016.

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Lithgow, John. The Poets' Corner. Grand Central Publishing, 2007.

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1930-, Pinter Harold, Godbert Geoffrey, and Astbury Anthony, eds. 100 poems by 100 poets: An anthology. Grove Press, 1987.

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Ackroyd, Peter. Chatterton. Agraf, 2000.

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Bojarska, Anna. Biedny Oskar, czyli, Dwa razy o miłości. TCHU, 2003.

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Parris, P. B. His arms are full of broken things. Penguin, 1998.

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Anthony, Burgess. Abba Abba. Faber, 1987.

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Stephen, Spender. The temple. Harper & Row, 1989.

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Mukherjee, Bharati. The holder of the world. HarperCollinsPublishersLtd, 1993.

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Susan, Hill. Bird of night. Isis, 1995.

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Chapitres de livres sur le sujet "Poets, english – fiction"

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Göttsche, Dirk. "1.4.4. Kleine Prosa." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.22got.

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This chapter explores the poetics of the draft in the transgeneric field of modern small prose forms from the aphoristic “fragments” of the Romantic period, through the prose sketches and prose poems of the nineteenth century, to microfiction (flash fiction), emblematic short prose, literary notes (Aufzeichnungen) and digital formats in the twentieth and twenty-first centuries. The German notion of Kleine Prosa, which moves beyond the narrow focus on narrative forms in the English term “short prose”, provides the conceptual framework. The chapter foregrounds German literature but also consider
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Göttsche, Dirk. "1.4.4. Kleine Prosa." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.22got.

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This chapter explores the poetics of the draft in the transgeneric field of modern small prose forms from the aphoristic “fragments” of the Romantic period, through the prose sketches and prose poems of the nineteenth century, to microfiction (flash fiction), emblematic short prose, literary notes (Aufzeichnungen) and digital formats in the twentieth and twenty-first centuries. The German notion of Kleine Prosa, which moves beyond the narrow focus on narrative forms in the English term “short prose”, provides the conceptual framework. The chapter foregrounds German literature but also consider
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Sloistova, Maria S. "Edmund Gosse and the History of English Classical Poetry:Science or Art?" In “The History of Literature”: Non-scientific sources of a scientific genre. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-487-498.

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The present paper focuses on the history of the rise of classical poetry in the17th century England by Edmund Gosse, the outstanding British 19th century critic, writer and poet. The author aims at analyzing Gosse’s work as a scientific monograph, on the one hand, and fiction, on the other hand. In his history of the rise of English classical poetry Gosse sheds light upon the life and work of twelve poets: E. Waller, J. Denham, W. Davenant, A. Cowley, S. Godolphin, J. Cleveland, R. Wild, W. Chamberlayne, T. Stanley, H. Vaughan, A. Marvell, J. Dryden. The paper deals with the scientific methods
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Haltrin-Khalturina, Elena V. "From the English Renaissance Literary History: Sherry, Puttenham, Spenser, and Shakespeare on Fictions." In “The History of Literature”: Non-scientific sources of a scientific genre. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-132-158.

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A survey of academic histories of literature published in the 19th and 20th centuries in different countries reveals that, while thoroughly covering the English Renaissance poetics, the scholarship allows for a variety of views on Tudor literary theory and on what constitutes literary canon. Considering this variety of views, we also have to be aware of two different perspectives on the large body of literary art of the 16th-century: the present-day and the Elizabethan. Drawing on a substantial number of sources, we offer a general account of influential theoretical (poetological and rhetorica
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Wilkinson, Ben. "Coda: 40 Sonnets (2015) and Zonal (2020)." In Don Paterson. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855373.003.0008.

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The Coda summarises the book’s findings by reiterating the stylistic developments of Paterson’s poetry to date, alongside its increasingly sophisticated realisation of poetry as a unique mode of knowledge. It argues that Paterson’s achievement in Rain is to have produced poems that clearly distinguish poetry from other modes of intellectual enquiry, infusing both thought and feeling in a more openly intuitive means of improvising truth. The Coda then turns to examine Paterson’s further experimentation with the sonnet form in his seventh collection, 40 Sonnets, arguing that the book cements Pat
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Kopley, Emily. "A Room of One’s Own, Woolf’s “little book on poetry”." In Virginia Woolf and Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.003.0004.

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In several essays concurrent with her major experimental works of the 1920s, Woolf proclaims that the novel will usurp the tools and the place of poetry. Most important among these essays is the book-length A Room of One’s Own (1929). Here Woolf identifies the lack of poet foremothers available as models to women writers. She urges young women to fill this gap by writing not poetry per se, but rather prose whose greatness qualifies it as “poetry.” Woolf wants to gain for prose, and by extension women writers, the prestige historically accorded to verse. This chapter sketches the historic link
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West, John. "‘A great Romance feigned to raise wonder’." In Stuart Succession Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778172.003.0007.

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Historians have recently explored afresh the conflict and uncertainty surrounding the succession of William and Mary of Orange to the English throne. But literary criticism has offered relatively little analysis of its poetry. This chapter sets examples of verse panegyric on the succession alongside pamphlet literature, particularly focusing on a neglected succession poem by Elkanah Settle. The chapter argues that imagery of literature—poetry, fiction, and romance—in pamphlet polemic registered an understanding of the succession as an event that was either a remarkable true fiction or an illeg
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Wright, Julia M. "‘How Mute their Tongues’: Irish Gothic Poetry in the Nineteenth Century." In Irish Gothic. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0003.

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This chapter begins by considering the lack of a canon of Irish Gothic verse as an effect of two scholarly occlusions—a focus on the nation in nineteenth-century Irish poetry, and an emphasis on prose fiction in discussions of nineteenth-century Gothic literature. Both reinforce the elite status of poetry, as in the British canon where Gothic poetry is typically only allowed to slide in on the coat-tails of canonical poets. This chapter proposes a body of Irish Gothic poetry, that, like the English Gothic, begins with Thomas Gray’s “Elegy Written in a Country Churchyard” (1751), but launches a
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Tang, Yan. "Ye Si (也斯) (1949–2013)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2039-1.

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Leung Ping-kwan, MH (pen name: Ye Si) was an influential writer, essayist, and scholar in Hong Kong. He became a freelancer in the 1960s, and later obtained his Bachelor’s degree in English at Hong Kong Baptist University. In 1978, he was admitted to the Department of Comparative Literature at the University of California, San Diego. He completed the doctoral degree in 1984. His dissertation is entitled ‘Aesthetics of Opposition: A Study of the Modernist Generation of Chinese Poets, 1936–1949’. After returning to Hong Kong, he taught in the Department of English Studies and Comparative Literat
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Clark, Heather. "Icon and iconoclast." In Sylvia Plath: A Very Short Introduction. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/actrade/9780198841470.003.0001.

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Abstract This chapter introduces Sylvia Plath, who is the best-known American woman poet of the 20th century. It explains that her poems and fiction, such as her 1963 novel The Bell Jar, Journal, and Letters, are widely taught in high schools and universities across the English-speaking world. Thus, her name is regularly invoked in popular culture as a reference for rebellion, feminism, and depression. The chapter highlights Plath’s representations of gender and power before considering the notion of confessionalism, politics, and madness within her works. It discusses how biographers often mi
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Actes de conférences sur le sujet "Poets, english – fiction"

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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Dolidze, Nino. "Imposters by al-Hariri and its Translations." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9009.

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In 2020 the Imposters by prominent Arab author al-Hariri (1054-1122) was issued by the NYU press. The masterpiece of Arabic Literature has alrea­dy been translated into several languages, but Michael Cooperson presented absolutely different version. In the paper I try to analyze the attitude of the translators to the origi­nal text in a diachrony. How Maqamat of al-Hariri were perceived in diffe­rent cultures? What was / is the priority while translating them? What has been changed from the Middle Ages to the globalization era? Persian, Hebrew, German and Russian translations of the Maqamat ar
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