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Articles de revues sur le sujet « Poets, english – fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration." Creative Saplings 1, no. 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legis

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Makarichev, F. V. "USING FILMS AT THE LESSONS OF ENGLISH TO EXPAND STUDENTS’ VOCABULARY (LIVING AND DEAD WORDS IN THE FILM “DEAD POETS SOCIETY”)." Bulletin of Udmurt University. Series History and Philology 31, no. 3 (2021): 514–20. http://dx.doi.org/10.35634/2412-9534-2021-31-3-514-520.

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The article discusses the use of the authentic film at the lessons of English to expand the vocabulary of students. Working with the vocabulary of the feature film "Dead Poets Society" allows to see the possibilities of using each of the three functional styles - official, scientific and poetic styles. Lexical analysis of the speech of the main characters of the film - the official and scientific language of the director and teachers of the school and the poetic language of the teacher of literature Keating - helps to reveal the character of each personage. Particular attention is paid to Lati

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Ziemann, Zofia. "It’s a writer’s book. Anglojęzyczni pisarze czytają Schulza (na potęgę)." Schulz/Forum, no. 11 (December 3, 2018): 153–66. http://dx.doi.org/10.26881/sf.2018.11.14.

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The long awaited publication of Madeline G. Levine’s retranslation of Schulz’s fiction has sparked new interest in the reception of Schulz in English-speaking countries. In Poland, the general view seems to be that the author has not received the attention he deserves. Based largely on a review non-specialized periodicals from 1963–2018, the paper presents a strong and lasting trend in the reception of the English Schulz, namely the admiration of hosts of fellow authors: writers of high-brow and popular fiction, poets and playwrights from the whole anglophone world, form Australia to Canada. E

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Dr. V.S. Bindhu, Rincy Philip,. "EXPLORING THE MYTHICAL INNER LIFE OF A BROKEN METROPOLIS: A COMPARISON OF GYAN PRAKASH’S MUMBAI FABLES AND JEET THAYIL’S NARCOPOLIS." Psychology and Education Journal 58, no. 1 (2021): 4476–78. http://dx.doi.org/10.17762/pae.v58i1.1537.

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Jeet Thayil is a versatile figure in Indian Literature whose contributions to world literature includes many poems, novels and music. His song collection include Gemini (1992), Apocalypso (1997), English (2004), These Errors Are Correct (2008). He also edited many books, which includes Divided Time: India and the End of Diaspora, The Bloodaxe Book of Contemporary Indian Poets and 60 Indian Poets. He is famous for his first novel Narcopolis, which is set in Mumbai. This work is shortlisted for Man Booker Prize for fiction in 2012.Gyan Prakash is another important figure in modern historic India

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Burcar, Lilijana. "Old Aesthetics, New Ethics." Acta Neophilologica 56, no. 1-2 (2023): 91–106. http://dx.doi.org/10.4312/an.56.1-2.91-106.

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The depiction of the class struggle features prominently in the American canon of the first half of the 20th century. However, the emphasis has been almost exclusively on prose fiction to the exclusion of the works of poets such as Claude McKay, one of the central figures of the early Harlem Renaissance and the leading figure among socially engaged English-speaking poets at the time. The article redresses this imbalance by drawing attention to McKay’s socially engaged sonnets, which helped to expand the horizons and culturally empower the exploited poor in America (and by extension the proleta

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Sardalova, Luisa Ramzanovna, Zarina Ismailovna Gadaborsheva, and Satsita Adamovna Aliyeva. "Aesthetic Education of Students in Foreign Language Lessons in Secondary School as a Component of Multicultural Education." SHS Web of Conferences 172 (2023): 01011. http://dx.doi.org/10.1051/shsconf/202317201011.

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The article discusses various ways and means of implementing aesthetic education in the classroom and during non-school hours. The authors note that a special place in the education of an aesthetic personality is occupied by art, which embodies the aesthetic category of beauty. For this purpose, excerpts from works of fiction (for example, poems) and other works of art (paintings, movies, etc.) are used to work on language material. The main goal is to form a taste for the beautiful, the ability to read aloud and listen attentively to the poems of English poets, and then express your impressio

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Leferman, Monika. "METALEPTIC LOVE IN THE ENGLISH-CANADIAN POSTMODERN NOVEL." Messages, Sages and Ages 9, no. 1 (2022): 17–25. https://doi.org/10.5281/zenodo.7033675.

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Love has been a staple and chameleonic trope in literature that inspired poets and novelists alike since times immemorial, becoming one of the most pervasive themes in literary texts over the centuries. The traditional understanding of the concept ranged from abstract to more scientific and it has been theorized in fields of study as diverse as philosophy, theology, and psychology. In literature, love mostly appears intertwined with romantic and erotic feelings, but postmodern fiction expands its semantic field by experimenting with a new typology, namely metaleptic love. In Canadian literatur

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Rogacheva, Natalia A., and Anastasiia O. Drozdova. "NABOKOV’S REFLECTION ON HIS OWN AND OTHERS’ WORKS IN THE SHORT NOVEL “VASILIY SHISHKOV” AND POEM “THE POETS”." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 2 (2020): 64–78. http://dx.doi.org/10.21684/2411-197x-2020-6-2-64-78.

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The problem of Nabokov’s artistic identity is relevant for contemporary literature studies. The researchers interpret writer’s estimation of his Russian works differently: in his American years, Nabokov (1) created a new artistic identity (A. Dolinin) and started a new career (N. Cornwell) or (2) developed his general themes (B. Boyd), targeted at English readers. The unique status of the texts written in French is defined by their “phantom” nature (M. Malikova) and the “final work with the literature legacy” (A. Babikov). In our research, the problem of Nabokov’s identity is analyzed for the

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Carder, Austin. "L’état Naissant: On Celan's Microliths They Are, Little Stones: Posthumous Prose." boundary 2 50, no. 4 (2023): 117–29. http://dx.doi.org/10.1215/01903659-10694211.

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Abstract Microliths They Are, Little Stones: Posthumous Prose (2020) represents the culmination of Pierre Joris's fifty-year effort of translating the work of Paul Celan into English. The book contains a small library: aphorisms, fiction, dialogues and notes for dramatic works, theoretical prose, interviews, as well as illustrations. This review essay primarily focuses on notes and drafts toward an unfinished essay called “On the Darkness of Poetry.” It is a major statement of Celan's poetics and still stands as an unmet challenge to poets writing today. Its unfinished state should not be cons

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Balaji, K., and M. Narmadhaa. "Recrimination of Shikandi in Devdutt Pattanaik’s Shikhandi and Other Tales They Don't Tell You." Shanlax International Journal of English 11, no. 3 (2023): 22–25. http://dx.doi.org/10.34293/english.v11i3.6211.

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Indian Writing has turned out to be a new form of Indian culture and voice in which idea converses regularly. Indian writers-poets, novelists, essayists, and dramatists have been making momentous and considerable contribution to world Literature since pre-Independence era, the past few years have witnessed a gigantic prospecting and thinking of Indian English writing in the global market. Sri Aurobindo stands like a huge oak spreading its branches over these two centuries. He is the first poet in Indian writing English who was given the re-interpretation of Myths. Tagore is the most eminent wr

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Zipfel, Frank. "The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction." Journal of Literary Theory 14, no. 2 (2020): 260–86. http://dx.doi.org/10.1515/jlt-2020-2007.

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AbstractInvestigations into the history of the modern practice of fiction encounter a wide range of obstacles. One of the major impediments lies in the fact that former centuries have used different concepts and terms to designate or describe phenomena or ideas that we, during the last 50 years, have been dealing with under the label of fiction/ality. Therefore, it is not easy to establish whether scholars and poets of other centuries actually do talk about what we today call fiction or fictionality and, if they do, what they say about it. Moreover, even when we detect discourses or propositio

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Muhadri, Besim. "Adnan Mehmeti - The poet of the Albanian diaspora in the United States of America." Technium Social Sciences Journal 43 (May 9, 2023): 551–56. http://dx.doi.org/10.47577/tssj.v43i1.8827.

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Most of the Albanian literary creators who live and work in the United States of America have experienced their affirmation in their homeland, however, in the case of their exile in the United States of America, they have continued their passion for literary art here. creating important works for the Albanian community, but also for the American one. Adnan Mehmeti is one of those Albanian poets, who will reach his affirmation in the field of letters in the United States of America. He has published several books of poetry, but also non-fiction books. His poetry has been translated into several

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Zarei, Rouhollah. "The Persian Face of Edgar Allan Poe." Edgar Allan Poe Review 23, no. 1 (2022): 23–36. http://dx.doi.org/10.5325/edgallpoerev.23.1.0023.

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Abstract This article examines the reception of Edgar Allan Poe in modern Persian literature with regard to his fiction and theory of writing. There have been scattered pieces written on Poe’s influence on Iranian poets and writers in Persian or English, but this article aims to offer a fairly comprehensive picture of Poe in Iran in general with a focus on his influence or affinities with two leading Iranian authors, Sadeq Hedayat and Sadeq Chubak, as far as female characters are concerned. The article at first surveys how Poe was introduced into Persian literature and then it studies personal

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Mozammel Haque, Mohammad. "Sunil Gangopaddhaya’s ‘An Unsent Letter’: A Harrowing Outburst of Long Smothered Wail of a Lacerated Psyche." International Journal of Applied Linguistics and English Literature 9, no. 1 (2020): 24. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.24.

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The statement that the poets are born after their death is universally known. There is hardly any writer who writes the criticism of his writings. They are the critics who criticize their works. It can be said that the writer himself may have only a single idea or message when he produces his piece of writings, but the critics have different views on the same work. Even one critic sometimes innovates miscellaneous ideas and messages from the same poetry, play, novel, short story, fiction, non-fiction etc. Furthermore, a post- colonial critic always tries to find the message of his area of stud

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Sharma Kandel, Bhanu Bhakta. "Novel: The Best Representation of Life." Janapriya Journal of Interdisciplinary Studies 9, no. 1 (2020): 1–10. http://dx.doi.org/10.3126/jjis.v9i1.46348.

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The debate, whether literature (art) can represent reality and life well has not been concluded, coming to no universal validity, since the time of Plato. The critics and the connoisseurs of art vary in their arguments for and against, some argue that literature represents reality and life and others deny it. They value and judge literature according to their own taste and subjective impression, it is claimed not only to be realistic but also fantastic, the frenzy of human imagination. Despite all the assertions against it, most of the literary critics have accepted that literature is a repres

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Verovkina, Olena, Nataliia Kvasnetska, and Olena Kasatkina-Kubyshkina. "TEACHING CREATIVE WRITING AS MEANS OF PRODUCTIVE SKILLS DEVELOPMENT FOR HIGH SCHOOL STUDENTS." Інноватика у вихованні 1, no. 19 (2024): 87–94. http://dx.doi.org/10.35619/iiu.v1i19.618.

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The article is devoted to the topical issue of teaching creative writing to high school students in Ukrainian schools. Based on the analysis of foreign and Ukrainian studies, the authors of the paper clarified the concept of «creative writing», outlined its fundamental difference from academic writing as a component of a foreign language curriculum and its importance in the process of teaching English. The article provides a definition of creative writing and outlines its fundamental separate status in relation to academic writing. It is emphasized that, according to many scholars, creative wr

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Parmar, Rajesh, and Suresh Kumar. "A study of individuality of diaspora chitra banerjee divakaruni's identity and nationality." Journal of Advances and Scholarly Researches in Allied Education 20, no. 3 (2023): 626–34. https://doi.org/10.29070/yk9acg27.

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Diaspora experiences are accurately portrayed through their representation and expression, which place an emphasis on culture, custom, history, heritage, and other related topics. It's also worth noting that women from the Diaspora have contributed to a wide range of literary genres, from fiction and poetry to memoir and nonfiction. The writers of the Diaspora have established themselves as masters of the genre of fiction. Though excellent poets and short story writers from the Indian diaspora have emerged in recent years. The scope of this theory, however, is limited to novels. There are two

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Markova, Ekaterina A. "W.B. Yeats's play Where There is Nothing and its Tolstoyan dimension." Vestnik Tomskogo gosudarstvennogo universiteta, no. 474 (2022): 73–87. http://dx.doi.org/10.17223/15617793/474/9.

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The article discusses the issue of the influence of Leo Tolstoy, his fiction and non-fiction, on William Butler Yeats's drama in the broader context of Tolstoy's reception in the late 19th - early 20th century in both Russia and the United Kingdom. Tolstoy's image as a writer in the correspondence and non-fiction of the Irish playwright is analysed. The author shows that Yeats's attitude towards the Russian writer, though initially favourable, was gradually becoming more and more irreverent and complex. Similar attitudes towards Tolstoy are detected in Russian writers of the period. Yeats crit

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Dr. O. P. Arora. "Aju Mukhopadhyay’s Short Stories: A Multicoloured World." Creative Launcher 5, no. 2 (2020): 43–47. http://dx.doi.org/10.53032/tcl.2020.5.2.04.

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Aju Mukhopadhyay is one of the brightest stars in the firmament of contemporary Indian English Literature. He is a magnificent literary artist, in fact a versatile genius. As a visionary poet he has enraptured the hearts and minds of millions of poetry lovers, both in India and abroad. He is a profound critic, and his insightful critical studies are highly valued in the literary world. His essays on various subjects have made a mark in every field. He is a great storyteller too, both in English and Bangla, and the range of his short stories has baffled the fiction lovers. Like his previous vol

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Giorcelli, Cristina. "Botteghe Oscure (1948–1960) and the U.S. Reception of Its Italian Writers." MLN 140, no. 1 (2025): 79–96. https://doi.org/10.1353/mln.2025.a963656.

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Abstract: After briefly sketching the personal and, from a literary point of view, the public story of U.S.-born Marguerite Gibert Chapin (Princess Caetani by marriage), the essay summarizes the characteristics of the multilingual, biannual literary journal she founded and edited: Botteghe Oscure (1948–1960). Even if Caetani was not a writer, nor had she been trained to be a literary editor, the journal's 25 issues became a literary landmark in the 1950's, as it published, alongside established authors, many young and promising writers from all over the world, mostly in their original language

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Tomas Reed, Conor. "The Early Developments of Black Women’s Studies in the Lives of Toni Cade Bambara, June Jordan, and Audre Lorde." Anuario de la Escuela de Historia, no. 30 (November 10, 2018): 45. http://dx.doi.org/10.35305/aeh.v0i30.249.

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<p>This article explores the pedagogical foundations of three U.S. Black women writers—Toni Cade Bambara, June Jordan, and Audre Lorde—widely recognized as among the most influential and prolific writers of 20th century cultures of emancipation. Their distinct yet entwined legacies—as socialist feminists, people’s poets and novelists, community organizers, and innovative educators—altered the landscapes of multiple liberation movements from the late 1960s to the present, and offer a striking example of the possibilities of radical women’s intellectual friendships. The internationalist re

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Zabotin, Daniil V. "In Search of Lost Realities: Alan Bennett’s “The Uncommon Reader’’ through Russian Reader’s Eyes." Literary Fact, no. 4 (30) (2023): 279–302. http://dx.doi.org/10.22455/2541-8297-2023-30-279-302.

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The article is dedicated to the critical reflection of the original and translated version of Alan Bennett’s “The Uncommon Reader,” whose main character is unnamed, but easily recognizable Queen Elizabeth II. Consequently, the entire different cultural context of this pseudo-biographical narrative creates certain difficulties for the translator, because she has to understand and reproduce with maximum accuracy what English speakers read without any hindrance. So, the main approach of the translation of “The Uncommon Reader” into Russian is considered to be a domesticating strategy, which means

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HAMIMED, Nadia. "A Review on Instructing English through Literary Genre." Arab World English Journal 12, no. 3 (2021): 278–93. http://dx.doi.org/10.24093/awej/vol12no3.19.

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This study aims to highlight the utilization of literary genre as a well-liked method for instructing both language skills (that is to say, writing, reading, speaking, and listening) and language fields (that are grammar, pronunciation, and vocabulary). Why employing literary textbooks in foreign language classrooms and the main motives for choosing appropriate fictional texts in these classrooms are emphasized to make the reader acquainted with the motivating incentives and standards for foreign language teachers’ employing and picking erudite textbooks. Additionally, the teaching of language

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Kobayashi, Masaomi. "Poe's Prehistoric Fiction and Pre/Post-Humanity: Speculation via "Silence"." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 4 (2024): 81–104. https://doi.org/10.1353/arq.2024.a947166.

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Abstract: The word "prehistoric" came into general use in the 1860s, and it was not until around the turn of the twentieth century that saw the emergence of prehistoric fiction in English. In his 1838 tale, "Silence," however, Edgar Allan Poe had presented a form of prehistoric narrative by creating a fictional setting of West Central Africa. While casting new light on prehistoric fiction by discovering the tale's unexplored potential, this study finds itself associated with philosophy with special reference to the French-Continental philosophers Jacques Derrida and Quentin Meillassoux. Their

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Heffernan, Megan. "Inventories and Invention: Material Exchange and Literary Value in Englands Helicon." Huntington Library Quarterly 85, no. 4 (2022): 621–42. http://dx.doi.org/10.1353/hlq.2022.a920283.

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abstract: It is well known that collections like Richard Tottel's Songes and Sonettes (1557) were retrospectively classified as miscellanies, as both the lexicon and the conceptual categories for multiauthor books were still being developed in sixteenth-century England. "Miscellany" and "anthology" are bibliographic back-formations, impositions of modern ideals of authorship and coherence on to collections that mix the labors of compilers and poets. This essay asks what histories of production and reception have been hidden by continuing to read Elizabethan poetry books as miscellanies. In par

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Pidopryhora, Svitlana, and Victoria Kysil. "POETRY AND FICTION BY MYKOLA VINGRANOVSKYJ IN ENGLISH TRANSLATIONS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 32 (2022): 58–62. http://dx.doi.org/10.17721/1728-2659.2022.32.11.

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The article examines the poetry and fiction by Mykola Vingranovskyj in English translations. Attention is paid to the chronological sequence of translations, the figures of translators and the works selected for translation, their equivalence to the original. The first translation of M. Vingranovskyj's fiction (the short story "White Flowers") appeared with the assistance of Yu. Lutsky in Canada and aimed at popularizing Ukrainian literature among students. The short story opens the extremely lyrical world of Mykola Vingranovskyj, where the story revolves not around the event, but around the f

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Tetenova, Mariia Aleksandrovna. "Edgar Allan Poe's journey to Russia: fiction and reality." Litera, no. 6 (June 2024): 28–36. http://dx.doi.org/10.25136/2409-8698.2024.6.70956.

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This study highlights the history of E.A. Poe's work on the Russian literary scene, shedding light on the cultural, historical and editorial factors that determined its existence in Russia in the nineteenth century. In analysing the translations, we have resorted to the study of existing studies on the subject, archival materials of the Russian press, literary criticism etc. The aim of the study was to reconstruct the specific context and the specific conditions under which the work of Poe penetrated into Russia, which would also allow us to illustrate the key role of translators in the presen

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Furnish, Shearle. "Thematic Structure and Symbolic Motif in the Middle English Breton Lays." Traditio 62 (2007): 83–118. http://dx.doi.org/10.1017/s0362152900000544.

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The Breton Lays in Middle English is an enigmatic label customarily used to designate eight or nine brief narratives: Sir Orfeo, Sir Degaré, Lay le Freine, “The Franklin's Tale,” Sir Launfal, The Earl of Toulouse, Emaré, and Sir Gowther. The label is awkward because it may seem to suggest that the poems are consistently derived from or inspired by Breton or Old French sources and thus are a sort of stepchildren, little more than translations or, worse, misunderstandings of a multi-media heritage. Most scholars have seen the grouping as traditional and artificial, passed along in uncritical rec

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Murphy, Patrick Joseph. "Old English Enigmatic Poems and Their Reception in Early Scholarship and Supernatural Fiction." Humanities 11, no. 2 (2022): 34. http://dx.doi.org/10.3390/h11020034.

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The scholarly reception history of the Old English riddles and adjacent “enigmatic poems” of the Exeter Book reveals a long process of creating intelligibility and order out of a complicated and obscure manuscript context. Understanding this history of reception allows us to see the influence of Old English poetry on modern creative medievalism, including the unexpected influence of medieval “enigmatic” poetry on the modern genre of supernatural fiction. Specifically, it is argued that the scholarly reception of folios 122v–123v of the Exeter Anthology was instrumental in inspiring one of the

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Banu, Jainab Tabassum. "Power Shifts in the English Language in Postcolonial African Poetry." Crossings: A Journal of English Studies 10 (August 1, 2019): 17–24. http://dx.doi.org/10.59817/cjes.v10i.75.

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Colonialism has been used as a negative term for its brutal, cruel, and merciless history of oppression. In the process of colonization, the English language has been used as a tool of subjugation. However, postcolonial writers have formed a resistance against European superpowers by writing their own stories in the colonizer’s language. Although critics like Ngũgĩ wa Thiong’o and Chinua Achebe have given contradictory views on using the English language to write African fiction, most of the postcolonial African writers have remarkably written about their own African experiences in English. By

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Mussabekova, Saule, Zhanat Aimukhambet, Gulnar Abylova, Aslan Alimbayev, and Moldir Amangazykyzy. "Mystical motifs in literature as a reflection of the world of the human soul." Scientific Herald of Uzhhorod University Series Physics 2024, no. 55 (2024): 1306–13. http://dx.doi.org/10.54919/physics/55.2024.130mr6.

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Relevance. The basis of this research is a comparative study of mystical literature written by Kazakh and English-speaking writers.Purpose. In this article, the artistic works of famous authors are considered from the point of view of analyzing the features of the image of mystical motifs in them.Methodology. In this research paper, comparative analysis of mystical motifs in Kazakh literature and artistic works published in English-speaking countries were conducted. It is obvious that a new trend that began in the second half of the XVIII century in England led to the widespread use of mystica

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ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin

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Mr., Jose Joseph, and Kiran Jose Ms. "INTRODUCTION TO CLI-FI: A NEW TYPE OF FICTION TO ADDRESS A NEW TYPE OF REALITY." INTERNATIONAL EDUCATION AND RESEARCH JOURNAL - IERJ 10, no. 11 (2024): 102–5. https://doi.org/10.5281/zenodo.15607997.

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<em>Over the past couple of decades, literature focusing on climate change has emerged as a significant trend in English-language publishing and readership. This genre is now commonly referred to as climate fiction, or Cli-fi. By the end of the twentieth century, environmentalists and cultural critics were rightly questioning why authors—and artists more broadly—weren't more engaged with this pressing issue. A decade later, a substantial number of works addressing both natural and human-caused climate change were being published across the globe. This surge in artistic and academic

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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang

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Waterman, Rory. "‘The Nation Rejoices or Mourns’: Literary and Cultural Ambivalences in Wendy Cope’s Making Cocoa for Kingsley Amis (1986)." English: Journal of the English Association 68, no. 263 (2019): 325–43. http://dx.doi.org/10.1093/english/efz016.

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Abstract The poet Wendy Cope gained a huge reputation in the early 1980s mainly for a series of witty and incisive parodies, often under the name of her desperate fictional poète maudit Jake Strugnell, and these poems were collected, along with others, in her hugely successful and influential debut collection, Making Cocoa for Kingsley Amis, which appeared in 1986. This book sold almost 200,000 copies, but has been the subject of a very small body of criticism. Many of her contemporary poet-critics were dismissive: in one contemporary review, Peter Riley epitomized a not uncommon reaction when

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R, Bhuvaneswari, Cynthiya Rose J S, and Maria Baptist S. "Editorial: Indian Literature: Past, Present and Future." Studies in Media and Communication 11, no. 2 (2023): 1. http://dx.doi.org/10.11114/smc.v11i2.5932.

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IntroductionIndian Literature with its multiplicity of languages and the plurality of cultures dates back to 3000 years ago, comprising Vedas, Upanishads, Puranas and Epics like Ramayana and Mahabharata. India has a strong literary tradition in various Indian regional languages like Sanskrit, Prakrit, Pali, Hindi, Marathi, Bengali, Oriya, Tamil, Kannada, Telugu, Malayalam and so on. Indian writers share oral tradition, indigenous experiences and reflect on the history, culture and society in regional languages as well as in English. The first Indian novel in English is Bankim Chandra Chatterje

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Flint, James. "English Catholics and the Proposed Soviet Alliance, 1939." Journal of Ecclesiastical History 48, no. 3 (1997): 468–84. http://dx.doi.org/10.1017/s0022046900014883.

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By and large, the western world received the news of the Nazi-Soviet Pact (23 August 1939) with horror and a sick apprehension of what would come next. Quite different was the response of Guy Crouchback, the fictional hero of Evelyn Waugh's Sword of honour trilogy on the Second World War:News that shook the politicians and young poets of a dozen capitals brought deep peace to one English heart [He had] expected his country to go to war in a panic, for the wrong reasons or for no reason at all, with the wrong allies, in pitiful weakness. But now, splendidly, everything had become clear. The ene

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Chakraborty, Milan. "Exploring the Fictional Miss Shakespeare in Woolf’s “Shakespeare’s sister”." International Journal of English Literature and Social Sciences 8, no. 6 (2023): 100–101. http://dx.doi.org/10.22161/ijels.86.14.

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The concerned paper tries as much as it can to sketch a feministic preview of “Shakespeare’s sister”, included in the famous essay “A Room of Ones Own” by Virginia Woolf, one of the most dominant female writers of English literature by virtue of exploring the fundamental problems of women, familial as well as social, regarding the various means whereby they can thrive like greatest male poets, dramatists as well as novelists of the era. Throughout the essay, Wolf endeavours to singe root and branch the man-made form of the patriarchal society, which hinders the women to have a specific space f

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Bailey, Pamela, and Jane L. Newman. "Making 20% Matter Most: Meeting the Needs of Gifted and High Ability Students Through Type III 20Time (T4) Projects." Gifted Child Today 45, no. 1 (2021): 24–37. http://dx.doi.org/10.1177/10762175211050702.

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A 9th grade Honors English class creates and publishes original poems, art, fiction, and nonfiction products through an activity called “Type Three – Twenty Time = T4.” The instructional method merges elements from Renzulli’s Type III process with elements from Brookhouser’s 20Time Project-based learning model. Each student researches an interest passion topic and creates a related original product or service for a real audience. Upon reflection on the experience, the author identifies evidence-based practices including compacting ELA course content to create time for the T4 process; enhanced

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ZHELEZOVSKI, Ines, and Svitlana KRYVORUCHKO. "CREASES IN A RELATIONSHIP. CREASED PANTS." Astraea 4, no. 2 (2023): 136–45. http://dx.doi.org/10.34142/astraea.2023.4.2.08.

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Ines Zhelezovski is a Ukrainian writer whose hometown boasts a rich lit[1]erary tradition. Born on April 2, 1990, in Myrhorod, she shares her birthplace with the outstanding writer Mykola Hohol, who was one of the first in world literature to use the principles of magical realism in his works as early as the 19th century. The author began writing poems during her school years and lat[1]er, at the university, delved into prose. Ines is a philologist by profession. She graduated from the Faculty Foreign Languages at Karazin Kharkiv University, where she studied English, French and foreign litera

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Joshi, Manu, and Sharmila Saxena. "Ethos of Orissa Landscape and Indian Sensibility In The Poems of Jayanta Mahapatra." Dialogue: A Journal Devoted to Literary Appreciation 19, no. 02 (2024): 40–42. http://dx.doi.org/10.30949/10.30949/dajdtla.v19i2.8.

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Jayanta Mahapatra is one of the rising stars on the firmament of this species of Indian poetry. His works is of such intrinsic worth that he has already come to be regarded as the forth great poet in India. His ironic treatment with superb use of imagery with reference- to some of the more representative poems in the perspective of his commitment to a personal vision embedded in the materials practices, values of Oriya culture and rituals to some people of India. This paper attempts at the study of socio-political ethos of his native place, the images of locale, the social injustices that embo

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Yu., Munkh-Amgalan. "Монгол хэлээр орчуулагдсан италийн уран зохиолын товч тойм". Mongolian Journal of Foreign Languages and Culture 25, № 547 (2023): 9–25. http://dx.doi.org/10.22353/mjflc.v25i547.1833.

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Mongols have a long and rich tradition of translating literary works from many different countries into Mongolian. Specifically, thousands of literary works from over 100 different countries written in dozens of different languages have been translated into Mongolian. Among these, a large number of Italian literary works have been translated into Mongolian from Russian, English, and Romanian. As for the literary genres of these works, they primarily consist of poetry, prose, and plays (including screenplays). Specifically: 1) Poetry: poems (58 works), songs (1), long poems (3); 2) Prose: folkt

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Srika, M. "A Critical Analysis on “Revolution 2020” - An Amalgam of Socio- Political Commercialization World Combined with Love Triangle." SMART MOVES JOURNAL IJELLH 7, no. 10 (2019): 6. http://dx.doi.org/10.24113/ijellh.v7i10.10255.

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Literature is considered to be an art form or writing that have Artistic or Intellectual value. Literature is a group of works produced by oral and written form. Literature shows the style of Human Expression. The word literature was derived from the Latin root word ‘Litertura / Litteratura’ which means “Letter or Handwriting”. Literature is culturally relative defined. Literature can be grouped through their Languages, Historical Period, Origin, Genre and Subject. The kinds of literature are Poems, Novels, Drama, Short Story and Prose. Fiction and Non-Fiction are their major classification. S

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Jocelyn, M. Gonzaga, and C. Tantiado Rosalinda. "Pupils' Reading Habits and Performance in English." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 08, no. 03 (2025): 1298–306. https://doi.org/10.5281/zenodo.15068177.

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Reading is not just a pastime but a pathway to personal growth and success. This study focused on examining the reading habits and performance of pupils, as well as identifying any significant differences between these habits and their reading achievements. A descriptive correlational and causal design with content analysis were employed. The respondents of the study were Grade 5 and Grade 6 pupils of three (3) selected schools in Lagonglong District who were selected through stratified random sampling using Slovin’s Formula. The statistical tools utilized were, the frequency and percent

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Khvostenko, Y., and I. Redka. "EMOTIVES OF SURPRISE IN MODERN ENGLISH POETRY." Studia Philologica 1, no. 16 (2021): 29–34. http://dx.doi.org/10.28925/2311-2425.2021.164.

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The paper focuses on linguistic manifestation of emotion of surprise in modern English poetic texts. The study is guided by the statement that emotions – psychosomatic processes – can be fixed in fictional texts (including the poetic ones) in the form of emotives – the linguistic units that manifest emotions and/or feelings of the addresser. The emotion of surprise differs from other basic emotions of a person due to its ambivalence and specific prerequisites to emergence. As surprise comes forth unexpectedly, the study looks for basic situations in the context of poetic texts when emotives of

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He, Wenjia. "An Investigation of Explicit translation in the True Story of Ah Q Based on SFL Theory." BCP Education & Psychology 8 (February 27, 2023): 14–18. http://dx.doi.org/10.54691/bcpep.v8i.4265.

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More and more combined studies of translation and linguistics have been conducted. Many papers analyzed Chinese to English translation based on Systematic functional theory (SFL), targeting ancient poems and fiction and a few types of research aimed at poses. Inspired by Halliday’s SFL theory, Hu and Zhu in 2008 further developed the metafunctions in SFL into ideational metafunctional explication, interpersonal metafunctional explication, and textual metafunctional explication. To enrich research into the Chinese prose, this paper explores the explicit translation phenomena in the true story o

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Riem, Philine, and Axel Karenberg. "MS in prose, poems and drama." Multiple Sclerosis Journal 21, no. 10 (2015): 1298–311. http://dx.doi.org/10.1177/1352458514560929.

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Background and objective: Presentations of MS in fictional literature have not been previously researched. This paper surveys and analyses these portrayals of the disease for the first time. Material and methods: Relevant works in English and German were identified by means of keyword searches in online public access catalogues and search engines as well as old-fashioned research. The neurological and literary evaluation of these 7000 pages of text combines qualitative and quantitative methods. Results: Between 1954 and 2012 at least 55 literary works appeared with an MS motif (35 novels, 18 p

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Ichim-Radu, Mihaela Nicoleta. "Vasile Alecsandri: Unique Aspects of the Biographical Itinerary vs. Recovery of the Writer's Memory." Intertext, no. 1/2 (57/58) (October 2021): 76–81. http://dx.doi.org/10.54481/intertext.2021.1.08.

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Among the writers of his generation, Alecsandri is the most comprehensive one, expressing not only the patriotic aspirations and desires, but also the discoveries from the universe of the private life and trying to make himself noticed in almost all the main literary genres and species. By different circumstances, Alecsandri gets to travel through Moldavia, Wallachia, Bucovina and Transylvania, to the European part of Turkey, to Italy, Austria, Germany, France, Spain, Great Britain, North of Africa, either for personal pleasure, to accompany Elena Negri, who was trying to find a more favourabl

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Bamunusinghe, S., and C. D. Senaratne. "Sri Lankan Anglophone Literature as a Mode for Dialogue and Reconciliation in the Portrayal of War in Sri Lanka (1983-2009)." Journal of Social Sciences and Humanities Review 8, no. 1 (2023): 1–7. http://dx.doi.org/10.4038/jsshr.v8i1.114.

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From ancient times, war has played a main role in the lives of people and has been a major theme for literature, history, and as well as for political discourses. The period between 1983-2009 marks the war that took place in Sri Lankan history, which impacted the country politically, culturally, and economically. The realms of Sri Lankan English, Sinhala, and Tamil literature also went through change during this period, and many fiction, poems, dramas, and films were composed in response to the war both during and in its aftermath. The Sri Lankan Anglophone writers: residential authors as well

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