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Articles de revues sur le sujet « Political-biographical genre »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Morozova, Irina Victorovna. "Phenomenon of Political Biopic in the English-Language Cinema." Journal of Flm Arts and Film Studies 6, no. 4 (2014): 98–109. http://dx.doi.org/10.17816/vgik6498-109.

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The English-language historical and biographical films are booming currently. Every year large number of biopics appears on the screen. Films devoted to political figures' biographies rank special place among them. The author treats American and British traditions of political biopic, examines their origins, singles out evolution stages of biographical genre in the English-language cinema as well as political biopic's characteristics. The article also contains the brief overview of Western scholarly literature devoted to historical and biographical genres in cinema. Main conclusions: Political

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Zaytseva, T. I., and O. M. Maksimova. "The genre of biographical essay in the works of Udmurt writers." Bulletin of Ugric studies 11, no. 3 (2021): 435–43. http://dx.doi.org/10.30624/2220-4156-2021-11-3-435-443.

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Introduction: genre transformation in the Udmurt journalism of the end of the XX century is most clearly manifested in the biographical essays, based on real-life facts from the lives of famous representatives of the intelligentsia, natives of Udmurtia. The biographical essay in the Udmurt literature of this period demonstrates the presence of the elements of memoir, biography, elements of portrayal, problematic, biographical, social, historical essays as well as document / fact and fiction within the same work; the mental, intellectual principle is strengthened in it. The relevance of the art

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Andrews, Hannah. "BBC4 Biopics: Lessons in Trashy Respectability." Journal of British Cinema and Television 13, no. 3 (2016): 409–29. http://dx.doi.org/10.3366/jbctv.2016.0327.

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Between its launch in March 2002 and 2013, BBC4, the BBC's niche arts and culture digital channel, broadcast a cycle of biographical dramas, largely about the unhappy personal lives of British cultural and political icons of the twentieth century. Alongside stylish continental European drama imports, world cinema and documentary programmes, biopics became a key marker of the BBC4 brand and its dominant home-grown dramatic output. In scholarly work on television biopics to date, the genre has been seen as akin to tabloid newspapers, conceived as a trashy cultural form that reduces the importanc

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Karpinski, Eva C. "Hélène Cixous’s „The Exile of James Joyce”: A Biographical Limit Case." Anglica Wratislaviensia 55 (October 18, 2017): 35–45. http://dx.doi.org/10.19195/0301-7966.55.3.

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This article examines Hélène Cixous’s biographical monograph The Exile of James Joyce as a limit case of biographical praxis. Joyce’s biography is read in the context of Cixous’s own evolving personal motif of exile, revealing her autobiographical investment in becoming a writer through reading Joyce. She pushes the boundaries of the biographical genre at the intersections of autobiography, literary criticism, and biography, defying simple generic classifications and exposing the limits of conventional demarcations between the artist, the work, the biographer, and the critic. As a result, the

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E.B., Saktaganova, Konkina G.S., and Mambetov R.E. "Methodological foundations for the study of personalistics in history (on the example of the personality of Seydazim Kadyrbaev)." Bulletin of the Karaganda university History.Philosophy series 109, no. 1 (2023): 155–62. http://dx.doi.org/10.31489/2023hph1/155-162.

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The methodological problems of the study of personality (personalistics) are one of the traditional and most fundamental problems in historical science. In the conditions of modern global civilization, it not only does not lose its significance, but, on the contrary, acquires special relevance and urgency. In this regard, the article highlights and characterizes the methodological approaches to the study of personality. The authors consider the methodological basis, specifics and scope of the biographical research method and characterize the main features of biographical research, their signif

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FIGUEROA, MELISSA. "Staging Muhammad: A Subversion of the Hagiographic Genre in Vida y muerte del falso Profeta Mahoma." Bulletin of Hispanic Studies 97, no. 8 (2020): 807–21. http://dx.doi.org/10.3828/bhs.2020.46.

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This article examines the subversion of the hagiographic genre in a biographical play from the seventeenth century about the Prophet of Islam, Muhammad, written in Spain. In this essay I argue that the contradiction of using a theatrical genre intended to emphasize the holiness of Christian characters in a play about Muhammad unveils the historical tensions and anxieties of Spain’s Muslim past. The disparity between form and content reveals the unconscious political aspect of the play and illustrates why it can be read from two opposite perspectives regarding the Islamic leader. Departing from

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Vasylenko, Vadym. "HISTORICAL AND BIOGRAPHICAL PROSE OF V. DOMONTOVYCH FROM THE 1940S. ARTICLE ONE: THE CONFLICT OF WORLDVIEWS." Слово і Час, no. 3 (June 29, 2025): 54–70. https://doi.org/10.33608/0236-1477.2025.03.54-70.

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The paper examines the genre and stylistic innovations, as well as ideological, aesthetic, and symbolic dimensions of V. Domontovych’s historical-biographical prose created during the Ukrainian Artistic Movement (MUR) period. Antithesis serves as a key structural principle of narration, shaping the plot and composition of V. Domontovych’s fictionalized biographies and works with distinct biographical elements, as well as contributing to the originality of his imagery and characters. Particular emphasis is placed on the conflict of worldviews, which functions not only as a driving force of plot

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Brigidi, Serena. "Las Narraciones Diferentes del Parto: Las Geometrías Relacionales." Triangle, no. 17 (August 5, 2020): 111. http://dx.doi.org/10.17345/triangle17.111-134.

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Childbirth is no literary genre. As usual, in the story narrated childbirth is a process completed at the entrance or exit of some new characters. In most cases, also maternity is a purely descriptive element. Based on the analysis of selected fragments of literary and artistic works, it is proposed to rethink childbirth as a biographical-relational event. In it, in terms of aesthetic, ethical, social and political, entangle geometric gures that assume vulnerability as a human condition, as a category to build a relationship with the Alterity.

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Ivanova, L. A. "Parody as a way of comprehension of Benjamin Disraeli’s creative search." Memoirs of NovSU, no. 5 (2023): 520–26. http://dx.doi.org/10.34680/2411-7951.2023.5(50).520-526.

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The article is devoted to the study of the experience of parodic comprehension of the artistic discoveries of Benjamin Disraeli (1804–1881), an outstanding British statesman and talented writer, one of the founders of the socio-political novel genre in world literature. In the context of intensive study of the political activity and creative heritage of Disraeli, the parodic interpretation of the artistic reality of his novels in the work of the American writer Francis Bret Harte (1836–1902) is of particular interest. The critical and cognitive potential of Bret Harte's parody “Lothaw” from th

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Rozhdestvenskaya, Elena, and Victoria Semenova. "“The Polish Peasant in Europe and America”: Socio-Political, Biographical and Scientific Contexts." Sotsiologicheskoe Obozrenie / Russian Sociological Review 22, no. 2 (2023): 261–84. http://dx.doi.org/10.17323/1728-192x-2023-2-261-284.

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The authors focus on the history of the famous sociological work The Polish Peasant in Europe and America, as well as on the biographies of both authors, William Thomas and Florian Znaniecki. The combination of biographical analysis with socio-political context and the work in the genre of scientific biography makes it possible to understand not only the background of the creation of this major sociological project, but also to clarify the role of the sociologist-intellectual in social life. The appeal to the nonlinear fate of this work was stimulated by the drama of its realization and percep

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Zhukova, Olga. "Philosophical Travelogy as a Cultural and Political Research Method." Sotsiologicheskoe Obozrenie / Russian Sociological Review 20, no. 2 (2021): 300–321. http://dx.doi.org/10.17323/1728-192x-2021-2-300-321.

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This article is devoted to new books written by Alexey Kara-Murza, a Russian philosopher and political scientist. Kara-Murza is the author of numerous works on the philosophy of Russian history and culture and Russian social thought, successfully working in the original genres of philosophical travelogy and philosophical local history. Russian-European and Russian-Italian cultural interactions have been the subject of Alexey Kara-Murza’s scientific interest for many years. The new monographs explore the political circumstances as well as the key biographical voyage plots to Italy of the outsta

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Carver, Terrell. "“Mere Auxiliaries to the Movement”1: How Intellectual Biography Obscures Marx's and Engels's Gendered Political Partnerships." Hypatia 33, no. 4 (2018): 593–609. http://dx.doi.org/10.1111/hypa.12439.

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Four women have been conventionally framed as wives and/or mistresses and/or sexual partners in the biographical reception of Karl Marx (1818–1883) and Friedrich Engels (1820–1895) as heterosexual men. These women were Jenny Marx (née von Westphalen) (1814–1881), Helene Demuth (“Lenchen”) (1820–1890), Mary Burns (1821–1863), and Lydia Burns (1827–1878). How exactly they appear in the few contemporary texts and rare images that survive is less interesting than the determination of subsequent biographers of the two “great men” to make these women fit a familiar genre, namely intellectual biograp

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Wojdyło, Witold. "Biografie intelektualne twórców i kreatorów endeckiej myśli politycznej w Drugiej Rzeczypospolitej. Rekonesans bibliograficzny." Polish Biographical Studies 2, no. 1 (2014): 63–75. http://dx.doi.org/10.15804/pbs.2014.04.

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Biographical research is alive and present continuously for many years in our socio-political literature. To a large extent it is determined by the fact that issues of individual stories and the formation of the outstanding personalities of people that deserve a factual description of their lives constantly intrigue the researchers. What also seems to be important is the continuous popularity of this literary genre to a wide range of readers. Tracking and recording subsequent stages of individuals’ intellectual development, observation of their actions and the consequences of their public acti

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Turysbek, R. S., and U. Samenkyzy. "THE REVERSE IMPACT OF THE «SOCIALIST REALISM» METHOD IN CREATING A HERO'S PERSONALITY AND MODERN KAZAKH NOVEL." Bulletin of Dulaty University 1, no. 13 (2024): 39–46. http://dx.doi.org/10.55956/bjzh5861.

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The era of the Soviet Union proved that real national literature cannot be created under colonialism. The "socialist realism" method created by the authorities had a reverse impact on the nature of the artistic image. The characters in the work are politicized. Special attention was paid to the class division (rich and poor), and the images were depicted one-sidedly. The collapse of the USSR allowed the development of a new type of literature in the post-Soviet countries. In the research paper, we made comparisons, and the damage caused by the method of "socialist realism" to fiction is mentio

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Fedakar, S. "THE REVERSE IMPACT OF THE «SOCIALIST REALISM» METHOD IN CREATING A HERO'S PERSONALITY AND MODERN KAZAKH NOVEL." Bulletin of Dulaty University 14, no. 2 (2024): 54–61. http://dx.doi.org/10.55956/efyh1176.

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The era of the Soviet Union proved that real national literature cannot be created under colonialism. The "Socialist realism" method created by the authorities had a reverse impact on the nature of the artistic image. The characters in the work are politicized. Special attention was paid to the class division (rich and poor), and the images were depicted one-sidedly. The collapse of the USSR allowed the development of a new type of literature in the post-Soviet countries. In the research paper, we made comparisons, and the damage caused by the method of "socialist realism" to fiction is mentio

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Yevdokymenko, Irina. "Essays of Sofia Rusova: Factors Influencing the Choice of Genre Form of Publications." Obraz 40, no. 3 (2022): 29–38. http://dx.doi.org/10.21272/obraz.2022.3(40)-29-38.

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Introduction. During the entire period of her creative activity, S. Rusova published about 500 publications, which are quite diverse in their genre embodiment – from scientific monographs, educational and methodological textbooks and manuals to literary and critical reviews, reviews, notes, articles, biographical, historicalethnographic and travel essays, etc. Relevance of research. Analyzing the life and creative path of the educator, it can be seen that the author’s choice of genre form for her own publications often depended on several important factors that significantly influenced this ch

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Surikov, Igor E. "THE BIRTH OF ANCIENT POLITICAL PAMPHLET. STESIMBROTUS OF THASOS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 2 (2023): 70–87. http://dx.doi.org/10.28995/2686-7249-2023-2-70-87.

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The genre of political pamphlet, which reached a high flourishing in Greece in the 4th century B.C. (Isocrates and others), appeared in the previous century. Usually scholars begin its history from the “Athenian Constitution” of Pseudo-Xenophon (420s B.C.). However, the article deals with an earlier (evidently, simply the earliest) pamphleteer, Stesimbrotus of Thasos, who wrote in the time of Pericles. His fragmentarily preserved treatise “On Themistocles, Thucydides and Pericles” represented a very lively written tendentious pamphlet (of mainly invective a tone) with some features of memoirs.

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DALMAS, FRANCK. "Archéologie de la biographie chez Jean-Paul Sartre." Australian Journal of French Studies: Volume 59, Issue 3 59, no. 3 (2022): 322–37. http://dx.doi.org/10.3828/ajfs.2022.25.

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This article explores the early conditions and motivations for biographical writing and reasoning in Jean-Paul Sartre’s literary project. When the Second World War broke out and called into question his initial prospects for becoming a renowned writer, his awakening to historical and political involvement justified a revision of his ontological premises. Carnets de la drôle de guerre (1940/1983), along with other sources and prior texts of his, operate like an archaeology of the biographical method, prepare a conversion to concrete realities in prelude to his Marxist existentialism, and herald

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Halych, Valentyna, and Artem Halych. "IMMERSIVE INTERVIEW OF MYKOLA TYMOSHYK AS A RESPONSE TO MODERN CHALLENGES." Presoznavstvo. Press Studies, no. 4 (2024): 217–37. http://dx.doi.org/10.37222/2786-7552-2024-4-10.

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The need to study the genre of the modern interview is motivated by such factors as the active transformation of the system of journalistic genres under the influence of world trends of the era of globalization and the latest information technologies and socio-political changes in the young Ukrainian state, marked by the cultivation of the principles of democracy; the weak development of the theory of the interview genre due to its active penetration into the content and structure of informational and analytical genres and the generation of numerous modification and diffusion forms; the activi

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Wojdyło, Witold. "Profesora Romana Wapińskiego reflfleksje odnośnie roli i zadań biografifistyki historycznej." Polish Biographical Studies 10, no. 1 (2022): 7–25. http://dx.doi.org/10.15804/pbs.2022.01.

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In the scientific work of Professor Roman Wapiński (1931–2008), a prominent place was occupied by historical biography. This stream of his writing includes among others biographies of three important figures of the Polish political scene in the first half of the twentieth century: Władysław Eugeniusz Sikorski, Roman Dmowski, Ignacy Jan Paderewski, numerous biographical notes published in the Polish Biographical Dictionary, monographs devoted to political awareness and generational groups in the Second Polish Republic, politicians of the Polish political scene in the twentieth century. The anal

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Hren, Zoriana. "JOURNALISM OF EDWARD LUCAS IN UKRAINIAN MEDIA." Proceedings of Research and Scientific Institute for Periodicals, no. 11(29) (2021): 211–24. http://dx.doi.org/10.37222/2524-0331-2021-11(29)-10.

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The article emphasizes the role of prominent British journalist and writer, expert on Central and Eastern Europe and energy and cyber security Edward Lucas for the formation of the Ukrainian media space and the implementation of world standards of quality journalism. In particular, special attention is paid to the study of his author’s texts published in Ukrainian publications during the 1990s – 2021, in particular in the magazine The Ukrainian Week and the The Day newspaper. The main genre forms of E. Lucas’s journalism are singled out, in particular the article and the author’s column embodi

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Baccolini, Raffaella. "The Persistence of Hope in Dystopian Science Fiction." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 518–21. http://dx.doi.org/10.1632/003081204x20587.

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It is widely accepted todaythat, whenever we receive or produce culture, we do so from a certain position and that such location influences how we theorize about and read the world. Because I am an Italian trained in the United States (specializing in American modernism) in the 1980s, my reading of science fiction has been shaped by my cultural and biographical circumstances as well as by my geography. It is a hybrid approach, combining these circumstances primarily with an interest in feminist theory and in writing by women. From the very beginning I have foregrounded issues of genre writing

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Al-Douri, Hamdi. "الشعر الوثائقي: دراسة لقصيدة امريكية “احدهم فجر امريكة”". Al-Kitab Journal for Human Sciences 1 (3 жовтня 2020): 94–112. http://dx.doi.org/10.32441/kjhs.01.00.6.

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The modern age is prolific of literary movements and literary genres. Documentary poetry, which can be considered a new genre, combines both primary source material, such as war, political events, terrorism, people in detention and many other events with poetry. Amiri Baraka is a contemporary American poet whose poem "Somebody Blew up America" belongs to this genre. It records the September 11 blowing up of the Trade Centre from a perspective different from what the American propaganda and mass media tell the world. The recent paper attempts to shed light on Amiri Baraka's attitude towards thi

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Abreu-Aoki, Raquel Lima de. "Narrativa biográfica e a construção discursiva da história: um estudo do caso Coluna Prestes, pelo olhar da biógrafa Anita Leocádia Prestes." REDIS: REVISTA DE ESTUDOS DO DISCURSO, no. 15 (2024): 15–39. https://doi.org/10.21747/21833958/red15a1.

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The life trajectory of emblematic political figures in Brazilian history can be (re)constructed and (re)signified through a discursive reconstruction of the past. Historiographical biography provides a unique space for expressing new perspectives on reported events, functioning as a locus of counter-argumentation against previously established discourses about the biographed figure. In this sense, this genre fosters reflections on the relationships between history, memory, and identity, contributing to the production of (new) meanings through a memorialistic narrative. From this perspective, t

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Wood, Harry. "Radical Reactionary." Critical Survey 32, no. 1-2 (2020): 139–58. http://dx.doi.org/10.3167/cs.2020.32010207.

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This article provides a detailed examination of the politics of William Le Queux. It argues that he is best understood as a product of the Edwardian radical right. Firstly, through exploring the politics of pre-1914 invasion anxieties and invasion-scare fiction, the article will question the idea that such literature was fundamentally Tory in quality. Instead, this emerging genre of popular fiction will be placed to the right of Edwardian Conservatism. Approaching Le Queux through his position as the most prominent author of British invasion literature at this time, the article will re-examine

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NIU, Luyao. "On Inoue Hisashi’s Kobayashi Issa：The Humor of “Edo is Hedo”." Border Crossings: The Journal of Japanese-Language Literature Studies 20, no. 1 (2025): 101–13. https://doi.org/10.22628/bcjjl.2025.20.1.101.

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Central to Inoue Hisashi’s literary oeuvre is his unique biographical drama series, which has contributed to the development of a new genre in modern Japanese theatre. This study examines “Kobayashi Issa”, the first play in the “Haikai Master Pentology”, the play-within-a-play structure, and the strategic absence of the character Issa. The study specifically analyzes the wordplay in the line “Edo is Hedo” (“Edo is Vomit”) in order to explore the play’s critique of central authority and power dynamics. Additionally, it examines the reimagined figure of Issa, who challenges the dominant cultural

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Bochkareva, Nina S. "GENRE POETICS OF A. S. BYATT’S BOOK ‘PEACOCK & VINE’." Вестник Пермского университета. Российская и зарубежная филология 13, no. 3 (2021): 70–78. http://dx.doi.org/10.17072/2073-6681-2021-3-70-78.

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The article deals with the last book of the well-known English writer A. S. Byatt Peacock & Vine (2016) in the context of her oeuvre (novels, stories, essays). It is proved that the controversial reviews by British critics are caused by the character of the genre and the author’s mythology. The book combines biographies of two artists and an essay on design of the turn of the 19th–20th centuries. It is concluded that A. S. Byatt uses her particular method of analogy at different levels of poetics. She juxtaposes biographies and oeuvres of William Morris and Mariano Fortuny with the help of

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Petin, Dmitriy. "Omsk Industrialist Georgy Yakovlevich Serebryakov in the Conditions of a Civil War." Journal of Economic History and History of Economics 21, no. 2 (2020): 177–99. http://dx.doi.org/10.17150/2308-2588.2020.21(2).177-199.

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The publication is a biographical study dedicated to a prominent representative of the pre-revolutionary Siberian industrial and commercial bourgeoisie, tobacco manufacturer George Yakovlevich Serebryakov. The work illustrates the social adaptation of a person to the conditions of state and political disasters caused by the events of the Revolution and the Civil War in the east of Russia, using the example of the personality of this figure, very famous in the circles of commerce and power. Based on the specifics of the study the theory of social adaptation, as well as the historical and biogra

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Petin, Dmitriy. "Omsk Industrialist Georgy Yakovlevich Serebryakov in the Conditions of a Civil War." Journal of Economic History and History of Economics 21, no. 2 (2020): 177–99. http://dx.doi.org/10.17150/2308-2588.2020.21(2).177-199.

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The publication is a biographical study dedicated to a prominent representative of the pre-revolutionary Siberian industrial and commercial bourgeoisie, tobacco manufacturer George Yakovlevich Serebryakov. The work illustrates the social adaptation of a person to the conditions of state and political disasters caused by the events of the Revolution and the Civil War in the east of Russia, using the example of the personality of this figure, very famous in the circles of commerce and power. Based on the specifics of the study the theory of social adaptation, as well as the historical and biogra

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MAKEIEV, SERHII. "The concept of classes in early work of F. Engels." Sociology: Theory, Methods, Marketing, Stmm. 2021 (4) (December 2021): 73–86. http://dx.doi.org/10.15407/sociology2021.04.073.

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In 2020 the scientific community celebrated the 200th anniversary of the birth of Friedrich Engels with numerous publications, conferences, and meetings. But as if by tradition representatives of various social and humanitarian disciplines, including sociologists, were and remain to this day, surprisingly inattentive (or indifferent) to the concepts of classes and class analysis presented by the founder of Marxism in his first book «The Condition of the Working Class in England», published in 1845. Modern life writers of F. Engels usually rank the work as a genre of high-quality journalistic i

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Mrozik, Agnieszka. "Growing Up as a Girl in Late Socialist Poland: The Personal, the Political and Class in Feminist Quasi-Autobiographical Novels by Izabela Filipiak and Joanna Bator." European Journal of Life Writing 10 (July 9, 2021): RLS15—RLS40. http://dx.doi.org/10.21827/ejlw.10.37603.

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The article examines how representations of late socialism, seen through the eyes of adolescent girls, function in ‘quasi-autobiographical novels’ by Izabela Filipiak (Absolutna amnezja [Absolutne Amnesia], 1995) and Joanna Bator (Piaskowa Góra [The Sandy Hill], 2008). The authors, born in the 1960s and self-identified feminists, became voices of the women’s movement in post-1989 Poland. From their novels, the picture of late socialism emerges as either nightmarish (Filipiak) or grotesque (Bator). Examining family relations, but also intimate relations (understood as political), the author arg

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Leonte, Florin. "The Chronicle of Michael of Carynthia (Early Sixteenth Century)." Medieval Chronicle 17, no. 1 (2025): 37–71. https://doi.org/10.1163/18795927-01701005.

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Abstract This article discusses the Chronicle of Michael of Carynthia, an early sixteenth-century text that tells the story of the origins and development of the Franciscan Order in Central Europe. The author, Michael of Carynthia, acted as a secretary and provincial custodian in Moravia. The chronicle, written around 1510, is a typical example of a miscellaneous historical genre and reflects the order’s roots, identity, and desire to provide moral edification to its readership. The study shows how the chronicle uses biographical typology, normative exposition, and regional focus to highlight

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Fisiak, Tomasz. "Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s Bell Jar and Janet Frame’s Faces in the Water." Text Matters, no. 1 (November 23, 2011): 183–97. http://dx.doi.org/10.2478/v10231-011-0014-7.

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Feminism, as a political, social and cultural movement, pays much attention to the importance of text. Text is the carrier of important thoughts, truths, ideas. It becomes a means of empowering women, a support in their fight for free expression, equality, intellectual emancipation. By "text" one should understand not only official documents, manifestos or articles. The term also refers to a wide range of literary products—poetry, novels, diaries. The language of literature enables female authors to omit obstacles and constraints imposed by the phallogocentric world, a world dominated by mascu

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Gaidis, Ryšard. "Piotr Stolypin and the National question in the Russian Empire in 1906-1911: new trends in Russian historiography." Lietuvos istorijos studijos 27 (August 28, 2024): 39–53. http://dx.doi.org/10.15388/lis.2011.36597.

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The article covers the research on the contribution of Russian historiography of the last two decades into studying the life, political ideas, and activities of Piotr Stolypin. Attention is focused on the biographical genre and on the issue how the national policy of P. Stolypin and the government under his leadership in the "national outskirts" of the Russian Empire in 1906–1911 is revealed in such type of works. A formal analysis of the Russian historiography of the last two decades, aimed at P. Stolypin and his national policy in 1906–1911, enables to draw a conclusion that the research of

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Petin, D. I. "Soviet Financier and Diplomat Oswald Pliche." Modern History of Russia 14, no. 2 (2024): 417–32. http://dx.doi.org/10.21638/spbu24.2024.210.

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The publication is a historical and biographical study dedicated to Oswald Yuryevich Pliche, a revolutionary figure, a Bolshevik with pre-revolutionary experience, a high-ranking Soviet functionary and author of memoirs. Being an ideological, responsible and purposeful manager, this person devoted about 40 years of continuous financial, economic, diplomatic and banking apparatus work, interacting, among other things, with the first persons of the country. The professional and personal formation of the hero of the publication took place in Omsk in the conditions of the Russian Revolution. The a

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Halych, Valentyna. "Oksana Zabuzhko's Self-forewords in the Paradigm of Journalism." Ukrainian Information Space, no. 2(10) (December 1, 2022): 191–213. https://doi.org/10.31866/2616-7948.10.2022.269968.

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The purpose of the article is to reveal the genre and style features of Oksana Zabuzhko’s self-forewords in the paradigm of literary journalism. The appeal to such methods as biographical, historical, comparative, axiological, and discursive gave an opportunity to multifacetedly reveal the subject of research, in particular, to prove the affiliation of literary criticism to journalism, to point out the processes of modification in the modern genre of self-preface and its involvement in non-fiction literature, to comment socially communicative and spiritual potential of the works of the w

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Ishchenko, Olena, Larysa Horbolis, Olena Bondarenko, Iryna Zhylenko, and Inna Havryliuk. "Features of the poetics of contemporary antiutopia (based on the of the trilogy “The Time” by Yuri Shcherbak)." Revista Amazonia Investiga 13, no. 80 (2024): 122–30. http://dx.doi.org/10.34069/ai/2024.80.08.11.

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The article is devoted to the study of genre specificity, means of artistic modeling of the image of the main character, and the problem-thematic section of Yu. Shcherbak’s “The Time” trilogy as important poetic features of the contemporary antiutopia. The analysis was carried out using general scientific (analysis, synthesis, description) and special literary methods (biographical, genetic, imagological and hermeneutic). The research emphasizes the antiutopian dominant of “The Time” trilogy, which is combined with certain features of a political novel, cautionary novel, fiction (elements of s

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Khaninova, Rimma M. "Антиколыбельная песня Егора Буджалова в аспекте пародии Морхаджи Нармаева: «Ɵдгǝ цага саатулин дун» — «Буджала Егор залуд»". Oriental studies 14, № 4 (2021): 868–78. http://dx.doi.org/10.22162/2619-0990-2021-56-4-868-878.

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Introduction. So far, the genres of lullaby and poetic parody in the Kalmyk poetry of the twentieth century have not attracted much attention. Born in the late 1920s — early 1930s, the tradition was short-lived. While their genres were explicitly or implicitly marked, the works of Kalmyk poets in question were primarily oriented towards the Russian literary tradition. However, they expanded the genre paradigm of Kalmyk poetry in the intercultural dialogue. The relevance and novelty of the article is apparent, granted its focus on the two innovative works by Egor Budzhalov and Morkhadzhi Narmae

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Hicks, Philip. "Catharine Macaulay's Civil War: Gender, History, and Republicanism in Georgian Britain." Journal of British Studies 41, no. 2 (2002): 170–98. http://dx.doi.org/10.1086/386259.

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The eighteenth century marked a watershed in the relationship between women and historical writing in Britain. Previous to this period, D. R. Woolf has demonstrated, women had certainly purchased, read, and discussed works of history, contributing to “the ‘social circulation’ of historical knowledge.” A few, perhaps most notably Lucy Hutchinson, had composed Civil War memoirs. Some women had written genealogical, antiquarian, and biographical works, as well as local and family history, a “feminine past,” according to Woolf, that men often judged unworthy of real history. Only in the eighteenth

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Kolesnikov, Alexander G. "Franz Lehár's vocal cycle “Aus eiserner Zeit” and the Facets of Austrian Patriotism 1914–1918." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 2 (2023): 83–103. http://dx.doi.org/10.35852/2588-0144-2023-2-83-103.

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For the first time in Russian science, the article examines in detail the vocal cycle of Franz Lehár “From the Iron Age” (“Aus eiserner Zeit”, 1915), which reflected the realities of the First World War. The classic of the new Vienna operetta appears in this work as a tragic artist. His traumatic, personal experience causes a radical experiment. It is peculiarly inscribed in the broad German and Austrian tradition of the Lied genre. The author of the article analyzes five songs included into the series, as well as the context of their creation. Lehár's composition correlates with the concept o

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Bodrova, L. A., and D. I. Petin. "Two Russia in One Destiny: to the Biography of Ivan G. Galkin (1896-1937)." Herald of Omsk University. Series: Historical studies 9, no. 1 (33) (2022): 55–66. http://dx.doi.org/10.24147/2312-1300.2022.9(1).55-66.

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The transformation of Russian society, caused by the Revolution of 1917 and the Civil War, led to the emergence of categories and strata of the population that became alien to the Soviet society, as a result, were subjected to various kinds of restrictions and discrimination. The officers were in a special position in this respect. On the one hand, they attracted the attention of the Soviet government, since they were “potentially inclined” to counterrevolution. But on the other hand, their experience, both military and civilian, was, at times, relevant for the institutions of the new regime.

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Turaev, Halim H. "Badr ad-Din Kashmiri and His Treatise Rawzat ar-Rizvan." Vestnik of Saint Petersburg University. Asian and African Studies 16, no. 1 (2024): 59–71. http://dx.doi.org/10.21638/spbu13.2024.104.

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The essay of Rawzat ar-Rizvan by the Indian author of Muslim origin Badr al-Din Kashmiri is subject-ed to a source analysis. Based on the biographical information about the author contained in the work, an attempt is made to highlight his respectful attitude to the Juybar khodges, devotion to this family. A com-plete list of the historiography of the Juybarids is also provided, which will make it possible to imagine how attentive medieval authors were to the legacy of the Juybar Khojas. Rawzat ar-Rizvan is perhaps the only list that has reached us in good condition. Unlike other works devoted

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Astaptseva, Khrystyna. "Fashion Referentiality of Stefaniia Martyniuk on the Pages of the Daily Newspaper “Novyi Chas”/”New Time” (1935-1939)." Scientific notes of the Institute of Journalism, no. 2 (75) (2019): 95–109. http://dx.doi.org/10.17721/2522-1272.2019.75.7.

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The objective of this paper is to introduce into scientific discourse the factual material about journalistic and editorial heritage of Stefaniia Martyniuk who is an unknown person up to the present day in world of fashion, turning to one more page in the forgotten history of the Ukrainian fashion-journalism. For reconstruction of social experience of Stefaniia Martyniuk it was used the biographical method. Analysis of documents, namely all issues of the newspaper “Novyi Chas”/”New Time” from 1926 till 1939, helped us to identify those numbers of the paper in which the thematic column “Nashym

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Stelmak, M. M., and A. V. Sushko. "SOCIAL-DEMOCRAT, CADET, WHITE OFFICER: ABOUT BIOGRAPHY OF THE SOVIET SERVICEMAN IVAN IVANOVICH ALIFANOV." Northern Archives and Expeditions 6, no. 3 (2022): 130–42. http://dx.doi.org/10.31806/2542-1158-2022-6-3-130-142.

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This publication is an analytical review of the controversial and complex fate of Ivan Ivanovich Alifanov - a provincial Russian intellectual, social democrat, cadet, Bolshevik, officer of the Russian Imperial Army, White Guard, Soviet employee, victim of mass political repressions in the USSR. The purpose of study is to represent in the context of the military- anthropological vision of the scenario of adaptation of the "ordinary intellectual" to the conditions of social cataclysms of the first half of the 20th century. The methodological concept of the study, based on the characteristics of

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Sikorska, Iryna. "The vocabulary of the comіс in the operatic works of Vitaliy Hubarenko and Maryna Cherkashyna". Scientific herald of Tchaikovsky National Music Academy of Ukraine, № 142 (13 березня 2025): 35–48. https://doi.org/10.31318/2522-4190.2025.142.327896.

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The relevance of the study. The creative partnership of V. Hubarenko and M. Cherkashyna holds anoutstanding place in Ukrainian musical theatre. Among their 13 operas, only The Matchmaker by Chance (1982) has undergone several «reincarnations» during Ukraine’s independence. The relevance of it has grown up because of heated debates around the «historically conditioned» Russian-Ukrainian bilingualism. The opera In the Steppes of Ukraine (1987) was never staged, but it consolidated previous techniques, expressive means, musical portraits, and narrative developments, so we can speak about V. Hubar

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Fătu-Tutoveanu, Andrada. "“A Star Is Born”: Gender, Soft Power and Biopics in the Cold War Romanian Cinema Darclée (1961)." Studia Universitatis Babeș-Bolyai Philologia 66, no. 1 (2021): 249–63. http://dx.doi.org/10.24193/subbphilo.2021.1.18.

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"“A Star Is Born”: Gender, Soft Power and Biopics in Cold-War Romanian Cinema (Darclée, 1961) Obsessively interested in life writing from the periods of 20th-century dictatorships, Romanian post-communist culture has been dominated, with very few exceptions, by male authors. However, shyly, yet steadily, in this large-scale attempt to retrace and understand the traumatic past, there has been an opening in recent years towards women authors. Although few by comparison, these personal narratives are memorable. In terms of biographical novels and biopics, the most striking feature is the absence

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Kovalov, Yevhen. "Mental Map of Hryhoriy Galagan: Territorial and Ethnonational Structuring in Ukrainian Nobleman’s World View (mid-1830s — mid-1860s)." Kyiv Historical Studies 13, no. 2 (2021): 102–10. http://dx.doi.org/10.28925/2524-0757.2021.213.

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The article examines the spatial structures and related images of ethno-national communities in the world view of Hryhoriy Pavlovych Galagan (1819–1888), a representative of the Ukrainian local nobility and a prominent public figure. The research methodology includes the achievements of modern humanitarian geography, first of all the method of mental mapping, which allows to study the spatial structures in the world view of the individual, taking into account his socio-cultural environment. The research is based on ego-documents — diaries and correspondence from the Galagan family archive. Spe

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Valentová, Kateřina, and Marc Macià Farré. "Giving a Voice to the Silenced Women of Francoist Spain." AUC STUDIA TERRITORIALIA 23, no. 1 (2023): 11–29. http://dx.doi.org/10.14712/23363231.2023.8.

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During the Spanish Civil War and the Francoist dictatorship that followed, women were shielded from the public eye. Their predetermined social role was that of submissive and devoted wives to their husbands as well as homemakers and childcare providers. There are few artistic works that suggest otherwise. However, during the Civil War and after, many women were in fact politically active. They occupied important positions in the resistance and were present along with the men in the trenches. Spanish graphic novels have managed to create many works of fiction based on the Civil War, mainly draw

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Komarytsia, Mariana. "ANNIVERSARY FRANKIANA IN GALICIAN INTERWAR PERIODICALS." Presoznavstvo. Press Studies, no. 2 (2023): 134–62. http://dx.doi.org/10.37222/2786-7552-2023-2-8.

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The article examines the rise of the cult of Ivan Franko in Galicia in the context of interwar social and political realities. The analysis focuses on the interpretive models designed based on the anniversary pieces of different genres published to commemorate the tenth and twentieth anniversaries of Franko’s death in 1926 and 1936. The genre- and matter-specific features are exposed on the basis of editorials and opinion pieces, memoirs, informational materials, and special anniversary issues. The ethnocentric and sociocentric vectors of the cult of the poet and their correlation with the ima

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Postnikova, Yekaterina G., and Tatiana B. Zaitseva. "Author’s strategies of the transformation of a genre: From a wartime diary to fiction and documentary prose." Tekst. Kniga. Knigoizdanie, no. 34 (2024): 116–31. http://dx.doi.org/10.17223/23062061/34/9.

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This article aims to discuss the history of the text of the front-line diaries and military stories of Georgiy Sennikov, a submariner of the Northern Fleet, as the history of a single “monotext” in the aspect of the transformation of the genre of a wartime diary into fiction and documentary prose. The research aims to single out the stages of the author's work on the text from the draft of the front-line diary to the almost uncensored story Malyutka Goes to Sea, written during perestroika and not published during the author's lifetime; to determine the author's strategies for the transformatio

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