Bibliographies thématiques / Popular literature – Italy – History and criticism

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Littérature scientifique sur le sujet « Popular literature – Italy – History and criticism »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Popular literature – Italy – History and criticism"

VanWagenen, Julianne. "Masters vs. Lee Masters: The legacy of the Spoon River author between Illinois and Italy." Forum Italicum: A Journal of Italian Studies 53, no. 3 (2019): 679–98. http://dx.doi.org/10.1177/0014585819854046.

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Edgar Lee Masters’ 1915 Spoon River Anthology has been one of the most popular books of foreign poetry in Italy since it was first translated and published there by Fernanda Pivano and Cesare Pavese in 1943. Yet, in the US, Masters is virtually unknown to the public; American scholars find him a problematic figure and his Spoon River only viable in piecemeal form. This article considers the translation and reception history of Spoon River in Italy as well as Masters’ publication and reception history in the US until his death in 1950, to bring to light the reasons for the poet’s differing lega

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (February 14, 2019): 35–73. https://doi.org/10.21827/5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora t

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Jianqiang, Li. "Chinese Popular Film Criticism." Journal of Popular Culture 27, no. 2 (1993): 39–50. http://dx.doi.org/10.1111/j.0022-3840.1993.00039.x.

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Liboriussen, Bjarke, and Paul Martin. "Honour of Kings as Chinese popular heritage: Contesting authorized history in a mobile game." China Information 34, no. 3 (2020): 319–41. http://dx.doi.org/10.1177/0920203x20908120.

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This article examines how users on social media responded to state criticism of the representation of Chinese historical characters in the popular Tencent mobile game Honour of Kings. The game’s usage of historical characters and the ensuing debate and criticism are analysed as ‘popular heritage’. A qualitative content analysis identifies several categories in the discussion of this game on the Q & A website Zhihu (知乎). The article discusses these categories in relation to existing literature on popular heritage. The analysis contributes to this literature by identifying a new feature of p

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Do Van, Hieu. "Literature review by Nguyen Van Trung – a course rich in praticality." Journal of Science Social Science 66, no. 1 (2021): 63–71. http://dx.doi.org/10.18173/2354-1067.2021-0008.

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Literature review by Nguyen Van Trung is a popular literature course in the South in the 60s and 70s of the twentieth century. Born in a particular historical situation, this course met many ups and downs, but the more later, its value is confirmed. Literature review is a course rich in practicality, which is expressed in the compilation with combination of Literary Theory, Literary History and Literary Criticism; expressed in absorption modern Western academic thought in order to solve difficulties of domestic literary criticism research; expressed in the application of foreign literary theor

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CORNER, PAUL. "The Party and the People: Totalitarian States and Popular Opinion." Contemporary European History 24, no. 2 (2015): 303–8. http://dx.doi.org/10.1017/s0960777315000107.

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In reply to Patrick Bernhard's critical review of my recent book I will make some brief general observations about the study of totalitarian and would-be totalitarian regimes.Some preliminary remarks are necessary. Bernhard locates his review within the context of the debate over Italians' consensus for Fascism – a debate continuing in Italy, with highs and lows, since the mid-1970s. His own approach is clearly very much influenced by the methodologies of cultural history; he looks for emotions, sentiments, practices and experiences in order to form a picture of how Italians lived under the re

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Gordon, Robert S. C. "Pasolini contro Calvino: culture, the canon and the millennium." Modern Italy 3, no. 01 (1998): 87–99. http://dx.doi.org/10.1080/13532949808454793.

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Summary This article offers an account of a recent debate in the cultural pages of the Italian press on a polemical work of literary criticism entitled Pasolini contro Calvino, in which the two authors are shown to represent emblematically different attitudes towards literature, cultural institutions and the culture industry in post-war Italy. The debate surrounding this claim is examined in substance, but also as an illustration of the workings of culture in 1990s Italy.

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Malinina, Alina Alexandrovna. "The history of Chuvash painting in art history literature: Narrative discourse." Pan-Art 4, no. 4 (2024): 385–93. https://doi.org/10.30853/pa20240053.

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The purpose of the study is to obtain a complete historical picture of the development of Chuvash painting based on the publications of Chuvash art historians. The scientific novelty is due to the fact that for the first time the study covers the entire volume of publications on the topic, including modern ones. The article will consider scientific and popular scientific publications, which include monographs and articles published in scientific collections and special journals. The review of publications by researchers of the fine arts of the republic is based on the principle of historicism,

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Chiesa, Paolo. "La Filologia mediolatina: una disciplina di frontiera." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, no. 1 (2020): 109–27. http://dx.doi.org/10.1163/17246172-40010033.

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Abstract This article sketches a short history of Latin literature of the Middle Ages (as academic discipline) in Italy; defines its possible boundaries and relationships with other disciplines; lists the peculiarities of textual criticism when applied in the specific field of Latin medieval texts; highlights the methodological contribution brought by the scholars of this discipline, in order to build a ‘global philology’.

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Quick, Laura. "Dream Accounts in the Hebrew Bible and Ancient Jewish Literature." Currents in Biblical Research 17, no. 1 (2018): 8–32. http://dx.doi.org/10.1177/1476993x17743116.

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The study of dreams and their interpretation in the literary remains from antiquity have become increasingly popular access points to the phenomenological study of religious experience in the ancient world, as well as of the literary forms in which this experience was couched. This article considers the phenomenon of dreaming in the Hebrew Bible and ancient Jewish literature. I consider treatments of these dream accounts, noting the development in the methodological means by which this material has been approached, moving from source criticism, to tradition history, and finally to form-critica

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Thèses sur le sujet "Popular literature – Italy – History and criticism"

Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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McAleer, Joseph. "Popular literature and reading habits in Britain, 1914-1950." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:7cf39377-41a1-4a44-bb62-0786b297fc37.

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This thesis is an examination of the mass-market publishing industry in Britain after the First World War and of the 'literature' read by the lower-middle and working classes: novels and weekly magazines. We chronicle the development of the industry both generally and through the experiences of three publishers, examine the activity and motivations of the reading public and consider the treatment of contemporary issues and attitudes within popular fiction as a useful barometer for the historian. There are seven chapters. Chapter 1 considers the period before 1914 in order to provide the necess

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Linekin, Kim. "The modern popular song as a literary art form." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37216.pdf.

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El-Mouelhy, Mossino Lauretta. "Tra magia, incantesimo e immaginario : (an tra masche, mascheugn e mistà) : la figura della masca dall'antichità celtica alla letteratura piemontese odierna." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85159.

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Questa dissertazione e imperniata sulla parola masca, che denota un personaggio popolare e antichissimo di genere femminile, riscontrabile esclusivamente nel folclore e nella letterature della regione italiana del Piemonte. Si attribuisce a questo personaggio la facolta rarissima di esercitare tanto il bene che il mate, a seconda de¡ casi. La tesi si basa su ricerche storiche e linguistiche che traggono i loro dati dai recessi piu remoti della civilta celtica in territorio piemontese, dove essa e prosperata dall'inizio del 4° secolo a.C. fino al 1° secolo della nostra era, epoca alta

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Bedon, Elettra. "Il filo di Arianna : letteratura in lingua veneta nel XX secolo." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29888.pdf.

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Zachik-Smith, Susie. "Romance by the book: A morphological analysis of the popular romance." CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/810.

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白雲開 and Wan-hoi Anthony Pak. "Literature and the masses in China at the time of the MayFourth Movement." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B3120885X.

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Trani, Maria. "La poesia di E.A. Mario /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68141.

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The present work examines the poetry in neapolitan language and particularly the works of E. A. Mario, fin de siecle poet and melody writer, who contributed considerably to the song history. The first part introduces us to the neapolitan regional poetry as well as to its language to finally conclude with the poetry set to music: the song. The ideal atmosphere is the cafe-chantant. The poets of the time including Salvatore Di Giacomo and the generation after are surveyed. The second part deals with the author. It describes his life, his art and his works, rich of popular and especially cl

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Balletti-Thomas, Joanne. "Women's writing and the "anxiety of authorship" in nineteenth-century Italy : Bruno Sperani and others." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26718.

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As women's literature emerged in late nineteenth-century Italy, female authors encountered many obstacles. Foremost among them was the near-total absence of Italian female literary role models. Female writers often expressed ambivalence towards the writing of other women, which was considered inferior to male writing. However, their reverence for male writers revealed how conflictive their identities as writers were, and it was an impediment to the establishment of a serious women's literary tradition. In addition to such personal conflicts, these writers also faced the challenge of gaining ac

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Bedon, Elettra. "La poesia in lingua veneta dalla fine della Prima Guerra Mondiale a oggi." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26252.

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Writers and poets who wrote in the "language of Venice" are far more numerous than is commonly reported in the history of Italian literature. It is the purpose of this dissertation to present and highlight their works. Since here we mainly deal with writers and poets of the second half of the twentieth century, for which there is no roll call, we deemed it appropriate to research and introduce them, supplying for each of them detailed biobibliographical data. In the course of our work we tried to sketch a subdivision of the matter which keeps in mind what has been previously done, but wh

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Livres sur le sujet "Popular literature – Italy – History and criticism"

Nocera, Gemma. Le parole di Francesco Guccini: Romanzi, poesie, storie e ballate nelle canzoni di un poeta cantautore. G. Zedde, 2009.

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Cox, Virginia. Women's writing in Italy, 1400-1650. Johns Hopkins University Press, 2008.

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Cox, Virginia. Women's writing in Italy, 1400-1650. Johns Hopkins University Press, 2008.

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Peter, Hainsworth, ed. The Languages of literature in Renaissance Italy. Clarendon Press, 1988.

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Bonsaver, Guido. Censorship and literature in fascist Italy. University of Toronto Press, 2007.

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McCracken, Scott. Pulp: Reading popular fiction. Manchester University Press, 1998.

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Foster, John E. Popular literature for children and adolescents. Charles Sturt University, Centre for Information Studies, 2003.

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Maria de Fátima Barbosa de Mesquita Batista. Estudos em literatura popular. Editora Universitária, 2004.

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Fraser, Hilary. The Victorians and Renaissance Italy. Blackwell, 1992.

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1968-, Newell Stephanie, and International African Institute, eds. Readings in African popular fiction. International African Institute in association with Indiana University Press, 2002.

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Chapitres de livres sur le sujet "Popular literature – Italy – History and criticism"

Marazzi, Elisa. "Chapter 2. Almanacs for children." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.15.02mar.

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Almanacs are one of the most characteristic subgenres of early modern and modern popular print. One of the keys of their persistence was their ability to evolve over time, which led, among other things, to the publication of almanacs for children. The latter, randomly preserved in libraries and archives, are still largely unexplored by both book historians and scholars of children’s literature. After a brief introduction on the history of almanacs, the chapter describes the contents and materiality of selected examples of almanacs for children from a range of European countries (Britain, Franc

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France, Peter, and Kenneth Haynes. "Philosophy, History, and Travel Writing." In The Oxford History Of Literary Translation In English. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0011.

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Abstract The translation of non-fiction (a category invented in the nineteenth century and developed for the use of libraries) is represented in this chapter by philosophy, history, biography, political and social criticism, and the literature of travel and exploration, the last being a capacious genre, combining science with historical and philosophical reflections. Such works accounted for more than a third of the published translations in the years examined in Chapter 4, above, and they include several popular and critical successes, such as the several histories by Guizot or Humboldt’s Cos

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Saldivar, José David. "The Limits of Cultural Studies." In The American Literary History Reader. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195095043.003.0009.

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Abstract Cultural studies analyses of Chicano literature appeared on the scene just four years ago when Michael M. J. Fischer published his ambitious essay, “Ethnicity and the Post-Modem Arts of Memory,” in James Clifford and George E. Marcus’s influential anthology, Writing Culture: The Poetics and Politics of Ethnography (1986). Since then, the cultural studies movement has enlisted other well-known critics who, in a growing body of work, have begun to examine Chicano cultural practices. In addition to Fischer’s study of ethnic American autobiographies and Chicano literature, George Lipsitz,

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Malvestio, Marco, and Stefano Serafini. "Introduction: ‘A systemic disorder, an extravagant research, and an abjuration of common sense’: Defining the Italian Gothic." In Italian Gothic, edited by Marco Malvestio and Stefano Serafini. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474490160.003.0001.

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The introduction discusses the (lack of) reception of the Gothic in Italy, exploring the historical and cultural circumstances that led to its marginalisation. While the Gothic has a long, if hidden, history in Italian literature and culture, it is undeniable that it has never been properly investigated in a scholarly perspective. This erasure can be explained by a general disregard of Italian scholars for the irrational and for popular forms of expression. Specifically, a rich and lively debate concerning supernatural fiction at large did actually develop in Italy in the 1980s, following Todo

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Enterline, Lynn. "Psychoanalytic criticisms." In Shakespeare. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199245222.003.0031.

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Abstract The history of the relationship between psychoanalysis and criticism of Shakespeare as of Renaissance literature and culture more generally-is rich and complex. The reasons for this are several. First, as the considerable distance between popular and academic versions of ‘Freud’ testifies, the significance of Freud’s legacy is still hotly contested between various psychoanalytic, philosophical, and political schools of thought. His work has been both influential and divisive across a number of disciplines.

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Malcolm, William K. "Legacy." In Lewis Grassic Gibbon. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620627.003.0008.

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The final chapter reviews the development of Mitchell’s literary legacy following his death up to the present. Translations of his best work to different genres, including radio, drama and film dramatisations, have had variable success while generically reflecting the growing popular esteem with which the Gibbon fiction is held. Critical appreciation has found a prominent place for A Scots Quair within the history of campaigning working-class writing and within the Scottish tradition in literature. Gibbon’s achievement with narrative focalisation and stream of consciousness combined with the e

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