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Articles de revues sur le sujet « Postmodernism – Greece »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Jusdanis, Gregory. "Is Postmodernism Possible Outside the ‘West’? The Case of Greece." Byzantine and Modern Greek Studies 11, no. 1 (1987): 69–92. http://dx.doi.org/10.1179/030701387790203109.

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Bordons, Iñigo. "The empire never ended: Hegel, postmodernism and comedy." Filozofija i drustvo 35, no. 2 (2024): 317–43. http://dx.doi.org/10.2298/fid2402317b.

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This paper argues that Hegel?s account of modernity is already an account of postmodernity, according to Fredric Jameson?s definition of the cultural logic of globalized capitalism. First, Hegel?s account of the problematic of modernity will be sought in the Phenomenology of Spirit by considering the constellation of Athens, Rome and Christianity along with Hegel?s contrast between tragedy and comedy in the ?Religion? chapter, in order to present a philosophical account of a concrete problem connecting social, political and economic structures with their own self-representations. The core prob

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Liu, Cong Ru, Ming Sen Lin, and Qing Li. "Soul of Classicality in Western Architectural Design." Applied Mechanics and Materials 638-640 (September 2014): 2253–56. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2253.

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The classicality of the western architecture establishes its foundation at the beginning of the ancient Greece, is flourished in the ancient Rome and revitalized in the renaissance period, extends to the classicism and the classical revival, and finally is overthrown by the postmodernism. By going through development and prosperity in the past thousands of years, the classical spirit has always played a greatly significant role in the field of western architecture design.

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Bagina, Elena. "On undying classicism and subverters of foundations." проект байкал, no. 79 (April 6, 2024): 96–103. http://dx.doi.org/10.51461/issn.2309-3072/77.2294.

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Directions (styles) in culture have different reserves of strength and different inertia. Among them there is a unique one capable of revival. It is classicism, which is characterized by a timeless understanding of the laws of harmony and beauty based on the forms and images of ancient art of Greece and Rome. Classicist thinking and classicism did not leave European culture in the 20th and 21st centuries, but its forms changed. The grafting of art nouveau, avant-garde and postmodernism into classical art and architecture did not pass without a trace. Antagonists shook the established norms and

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Christopoulou, Valia. "A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music." Muzikologija, no. 26 (2019): 107–13. http://dx.doi.org/10.2298/muz1926107c.

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The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works presented during the Week, as well as their reception by the musical community are indicative of this transition. This paper aims at exploring those two perspectives and places the emphasis on the second, through an analytical comment on Le Tricot Rouge by Giorgos Kouroupos and the critiques in the press.

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Ester, H. "Het labyrint in de letterkunde: Van de Barok tot het Postmodernisme." Literator 22, no. 1 (2001): 9–26. http://dx.doi.org/10.4102/lit.v22i1.358.

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The labyrinth in literature: From Baroque to Postmodernism The labyrinth has proved to be an essential symbol of postmodernist literature and the philosophy of our time. This symbol has apparently had the power to bridge the centuries between Ancient Greece and the year 2000. In reality the labyrinth as a geometrical figure has acquired various meanings in the course of time. The history of the labyrinth as symbol shows that the constant elements are as essential as the changes in meaning from the Middle Ages until the present day. Two of the new symbolic elements that accompany the labyrinth

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Kirillova, Anna Nikolaevna, and Arsenii Anatolevich Belomytsev. "Semantic oscillations of supporting music of the ancient cult as the foundation of metamodernism elements in the works of contemporary opera directors." Культура и искусство, no. 8 (August 2021): 11–19. http://dx.doi.org/10.7256/2454-0625.2021.8.36335.

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In recent decade, modernism as one of the varieties of post-postmodernism, draws interest of the researchers. It is suggested that modern culture has transgressed the situation of postmodernism, gravitating towards conceptual and semantic sustainability. As a language of self-description of the new era, the foundations of metamodernism are reflected in various forms of art. The opera house, overcoming the inertia of conservatism, perceives these trends, refracting them in a characteristic oscillation between the extreme semantic poles, which formed during the period of antiquity. The subject o

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Agee, Joseph. "José Ortega y Gasset on Philosophy and Historical Thinking." Mediterranean Studies 32, no. 2 (2024): 212–29. https://doi.org/10.5325/mediterraneanstu.32.2.0212.

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ABSTRACT The Spanish philosopher José Ortega y Gasset not only emphasized the importance of the Greek tradition as it applies to modern philosophy; he also insisted on demonstrating how it inspired his own philosophical project. He believed the pre-Socratic philosophers, Parmenides and Heraclitus, were the first to develop a rational basis for the thinking process and attempted to show a dynamic continuum of this tradition up to the present. His concern was to protect this heritage from the challenges of scientific positivism and postmodernism. This article will examine five key works by Orteg

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Félix, Maurício Dutra, and Jorge Vicente Valentim. "Releituras da tradição: Pode um desejo imenso (2002), de Frederico Lourenço." Revista Desassossego 16, no. 31 (2024): 238–60. http://dx.doi.org/10.11606/issn.2175-3180.v16i31p238-260.

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Based on the perception of some affinities between the presuppositions of a poetics of postmodernism, as outlined by Linda Hutcheon (1991), and the novelistic plot of Pode um desejo imenso (2002), by the Portuguese writer Frederico Lourenço, we propose a reading of the fictional work in focus, observing the revisitations proposed by the author, sometimes from a classical heritage in the construction of characters that reinvigorate and rewrite the lines of a homoaffective relationship (in connection with the pederasty of Ancient Greece), sometimes from a literary camonian tradition, in which on

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Marcinkiewicz, Paweł. "„W lesie, w drewnianym domku": o cnocie radości i szczęścia w najnowszym tomie Michaela Krügera." Fabrica Litterarum Polono-Italica, no. 2(8) (July 3, 2024): 1–20. http://dx.doi.org/10.31261/flpi.2024.08.06.

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Michael Krüger is one of the most important poets of contemporary Europe, combining in his works many traditions of the old continent’s literature, from ancient Greece to twentieth-century Poland. In addition, strong American influences surface in his verse. While Krüger’s early work was a search for his own mode of expression through more or less faithful imitations of very different Polish and American poets, in his mature poems from the 2021 volume In the Forrest, in the Wooden House the Munich poet finds a highly original solution to the seemingly insoluble dilemma faced by all prominent a

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Swanepoel, Magdaleen. "The Development of the Interface between Law, Medicine and Psychiatry: Medico-Legal Perspectives in History." Potchefstroom Electronic Law Journal/Potchefstroomse Elektroniese Regsblad 12, no. 4 (2017): 123. http://dx.doi.org/10.17159/1727-3781/2009/v12i4a2742.

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Medicine and law were related from early times. This relation resulted as a necessity of protecting communities from the irresponsible acts of impostors. Various legal codes dealing with medical malpractice existed in Egypt, Mesopotamia, China, Islam, Greece, Rome, Persia and India. Over the course of the past 30 years, interest in the history of psychiatry has boomed. Much of this proliferation of interest has taken place under the broad influence of postmodernism and has resulted in multiple and diverse histories that no longer seek to provide a linear narrative of constant evolutionary prog

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Neofotistos, Vasileios, and Theofanis Papastathis. "Political and philosophical theories that dominate the structure of the Greek educational system." Pedagogical Research 10, no. 1 (2025): em0226. http://dx.doi.org/10.29333/pr/15587.

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Modernism and postmodernism are two opposed approaches that are directly related to how each human mind sees and perceives the world and how to make it better. In the Greek educational system, in both primary and secondary education, an effort is made to general restructure the curriculum by promoting the use of new teaching methods in the educational process. Through the presentation of the two opposing perspectives the evolution of knowledge into a more complex process, which aims at learning and specialization serving the purposes and goals of a society that moves within a globalized econom

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Chesné, Amaury, and Romanos Ioannidis. "An Investigation of the Perception of Neoclassical, Eclectic, Modernist, and Postmodern Architecture within Different Urban Landscapes: Athens vs. Paris." Land 13, no. 3 (2024): 340. http://dx.doi.org/10.3390/land13030340.

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The public perception of buildings belonging to different architectural movements is a largely unexplored area from a quantitative scientific perspective. However, a better scientific understanding of perceptions of architectural movements is important for the formation of improved planning and design policies. In this work, we carry out an initial exploration of the public preferences of the architectural movements of Neoclassicism, Eclecticism, Modernism, and Postmodernism. To this aim, a total of 103 citizens from Athens (Greece) and Paris (France) were presented with the same questions reg

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Palkush, Vitaliyа. "IMPLEMENTATION OF THE IDEAS OF ALTERNATIVE EDUCATION OF F.U.PARKER IN THE MODERN AMERICAN SCHOOL." Scientific Bulletin of Uzhhorod University. Series: «Pedagogy. Social Work» 2, no. 55 (2024): 72–76. http://dx.doi.org/10.24144/2524-0609.2024.55.72-76.

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The article` purpose is to reveal the peculiarities of using F.U.Parker` ideas of alternative education in a modern American school. Research methods: theoretical ‒ study of scientific literature, analysis, systematization, comparison, concretization, information generalization. Alternative education differs significantly from traditional education in its content, forms and methods of educational process organizing. It gives greater freedom to teachers and students, takes into account the individual characteristics and capabilities of children as much as possible. The article emphasizes that t

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Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

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This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redole

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Reynolds, Terrence. "Historicism, Truth Claims, and the Teaching of Ethics." Horizons 23, no. 1 (1996): 86–102. http://dx.doi.org/10.1017/s0360966900029868.

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AbstractThis article analyzes the impact of postmodernism on the meaning, truth, and justification of claims in contemporary theology and ethics. It argues that historicist premises do not lead inexorably from a naïve objectivism in ethics to ethical relativism, as Sheila Greeve Davaney and Richard Rorty suggest. Instead, as the work of Carol Christ and Jeffrey Stout has argued, theologians and ethicists are justified in making indirect, web-of-belief related claims to ontological truth. Christ's theological realism and Stout's modest pragmatism both appear able to support meaningful discussio

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Borgohain, Indrani A. "Breaking the Silence of Homer’s Women in Pat Barker’s the Silence of The Girls." International Journal of English Language Studies 3, no. 2 (2021): 10–16. http://dx.doi.org/10.32996/ijels.2021.3.2.2.

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Since time immemorial, women have been silenced by patriarchal societies in most, if not all, cultures. Women voices are ignored, belittled, mocked, interrupted or shouted down. The aim of this study examines how the contemporary writer Pat Barker breaks the silence of Homer’s women in her novel The Silence of The Girl (2018). A semantic interplay will be conducted with the themes in an attempt to show how Pat Barker’s novel fit into the Greek context of the Trojan War. The Trojan War begins with the conflict between the kingdoms of Troy and Mycenaean Greece. Homer’s The Iliad, a popular story

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Szadok-Bratuń, Aleksandra, and Marek Bratuń. "Z rodowodu klasycznego prawa naturalnego." Studia Prawa Publicznego, no. 3(27) (September 15, 2019): 9–27. http://dx.doi.org/10.14746/spp.2019.3.27.1.

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The issue of natural law has been mentioned by almost all philosophers of law, from the classical ones of ancient Greece to contemporary postmodernists, and is presented in various ways. In compliance with Cicero’s observation that “history is the herald of the future” we have attempted to go back to the sources and to start our considerations ab ovo. The historical review does not address systematically the issue discussed here, and only serves to properly explain what natural law in a classical reflection of ius naturale is. Therefore, our approach to the classical natural law has been narro

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Yin, Mingyi. "A brief analysis of Guy Ritchie’s postmodernist style in Lock, Stock and Two Smoking Barrels." Arts, Culture and Language 1, no. 6 (2024). http://dx.doi.org/10.61173/teb1pg20.

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Black comedy is not a strictly critical concept of literary theory, but with the application of postmodernism in movies, the application of black humor in black comedy subverts the traditional way of humor. As early as the 5th century BC in Greece, comedian Aristophanes created literary works with humorous black color. In the 1960s, the publication of Friedman’s short story collection Black Humor marked the formal birth of black humor literature. (Thompson Bordwell 78) After the popularity of this school for several years, its influence penetrated the film field. Lock, Stock, and Two Smoking B

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Sapfo, A. Mortaki. "Four Decades of Greek Artistic Presence in Paris (1970-2010): Theory and Interpretation." International Journal of Business, Human and Social Sciences 11.0, no. 6 (2018). https://doi.org/10.5281/zenodo.1317220.

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This article examines the presence of Greek immigrant artists (painters and sculptors) in Paris during 1970-2010. The aim is to highlight their presence in the French capital through archival research in the daily and periodical press as well as present the impact of their artistic activity on the French intellectual life and society. At the same time, their contribution to the development of cultural life in Greece becomes apparent. The integration of those migrant artists into an environment of cultural coexistence and the understanding of the social phenomenon of their migration, in the con

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Franghiadis, Alexis. "The Question of Modern Economic Development in Greek Historiography and its Public Perception during the 20th century (1907–1990)." Historein 17, no. 2 (2018). http://dx.doi.org/10.12681/historein.10025.

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Presumed traits of the Greek economy, such as backwardness, dependence, faulty entrepreneurship, shortage of capital and aversion to industrial investment, have long constituted a solid stereotype, which emerged in the 1930s. The stereotype was undermined by empirical research during the first period of intense growth of economic history in Greece, from 1974 to 1990. It continues, however, to be perpetuated, even in academia. Its main components are the historiographical silence on the significance that Greek business networks in the Balkans, the Middle East and southern Russia had for the Gre

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Dr.Gazala, Gayas. "Historiographic Metafiction: A Comparative Analysis of the Iliad and the Aeneid." October 26, 2022. https://doi.org/10.36993/RJOE.2022.7.4.10.

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Homer’s The Iliad and Virgil's The Aeneid portray historical events of the Trojan War, and later the foundation of the Roman Empire. Both the Epics are works of great literary complexity that contain profound insights and a wide-ranging account of the human condition. A majority of epics and fiction written during the classical ages have been written in response to historical movements or events such as the Trojan War, and the establishment of the Roman Empire. The heroic effort to destroy Troy and get Helen back to Greece was an epic of struggle and theme covering the first half of

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Kidd, Kerry. "Called to Self-care, or to Efface Self?" M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1988.

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Pignarre's How Depression Became an Epidemic and Ehrenberg's The Exhaustion of Being Oneself: Depression and Society are two recent titles exploring the latest manifestation of a historically resonant phenomenon -- depression, nervous exhaustion, melancholia. Over the millennia, treatments and explanations have bounded. This mysterious ailment has been viewed as the call of the soul seeking self-purification; the inner wail of the child, mourning forever the loss of its own mother (primary sense of self); the sob of the woman who cannot cope with the realities of childbearing; and the nightmar

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