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1

Montana. Legislature. Office of the Legislative Auditor. Report to the Legislature: Follow-up on previous performance audit of the Liquor Division, Department of Revenue. The Office, 1986.

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2

O, Agnew Brandy, United States. Office of Aviation Medicine., and Civil Aeromedical Institute, eds. The effects of previous computer experience on air traffic-selection and training (AT-SAT) test performance: Final report. U.S. Dept. of Transportation, Federal Aviation Administration, Office of Aviation Medicine, 2000.

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3

Management, United States Bureau of Land. Washington Office 1995 budget and performance direction: (previously annual work plan). U. S. Dept. of the Interior, Bureau of Land Management, 1994.

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4

Farag, Marianne. Follow-up on previously issued recommendations on business planning and performance measurement. Office of the Auditor General, Manitoba, 2003.

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5

Juslin, Patrik N. Emotion in music performance. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0035.

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There are several features that we have come to expect from an expert performance: technical mastery, confidence, originality, flexibility, and a true understanding of the musical style. Yet the feature that both performers and listeners appear to regard as the most important is that the performer is expressive. The most-loved artists are commonly the ones that are able to express and evoke emotions in listeners. Previous studies have mainly concerned how performers express emotions, and this article focuses on this question. The article first provides working definitions of key concepts (e.g.
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Swart, Juani, Nina Katrin Hansen, and Nicholas Kinnie. Strategic Human Resource Management and Performance Management in Professional Service Firms. Edited by Laura Empson, Daniel Muzio, Joseph Broschak, and Bob Hinings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199682393.013.20.

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This chapter draws on previous research to consider how HRM practices are used to manage human and social capital to generate superior performance in professional service firms. Previous research indicates that PSFs rely on both human capital (knowledge and skills) and social capital (relationships inside and outside the PSF) to manage their performance outputs. In this context the authors review the existing research on strategic HRM practices in PSFs which is predominantly categorized into expertise- and efficiency-orientated HRM systems. They draw on their own research to outline two models
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Abel, Paul Richard. Conglomerate performance in Britain 1980-84: A review of the previous studies... with particular reference to Luffman and Reed, and a statistical analysis of conglomerate performance from the shareholders, the managers and the economy's points of view. 1985.

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8

Davé, Shilpa S. Apu’s Brown Voice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037405.003.0003.

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This chapter discusses the character Apu, exploring how his appearance on the television show The Simpsons in the 1990s was a departure from previous Hollywood and television representations of South Asians in the United States. Whereas South Asians were previously depicted as brief visitors or exotic foreigners, Apu symbolizes a permanent Indian immigrant presence in the United States. Yet, his brown-voice performance racializes and differentiates him from other Americans. The chapter theorizes the use of brown voice and discusses how animated characters, in particular, become a significant s
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Harding, Duncan. Final thoughts. Edited by Duncan Harding. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198768197.003.0020.

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This is the final chapter of this book, and it brings together some of the thoughts that have been discussed previously. It explores the importance of moving on in the process, every experience good and bad contributes to an improved performance for the future. It then looks at the value of embracing the positive, having dealt with anxiety in previous chapters, and the importance of balancing the two. It considers upgrading skills, each interview itself being an upgrade, and makes suggestions for effecting change. The chapter finally reflects on our new set of psychological skills available fo
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Noam, Vered. Alexander Janneus/The Priest Who Was Pelted with Citrons. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811381.003.0005.

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Chapter 4 returns to the temple arena with the account of an event in which either Alexander Janneus (Josephus) or an anonymous priest (Mishnah, Tosefta) is pelted with citrons in the temple. In Josephus this etiological story explains the circumstances underlying Janneus’s erection of a wooden barrier in the temple and, as in the previous chapter, evidences tension between Janneus and the people. The rabbinic tradition also concerns the history of the temple and its laws, but from a different direction, a conflict over the performance of the water libation. As opposed to the legends treated i
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Richman, Paula, and Rustom Bharucha, eds. Performing the Ramayana Tradition. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552506.001.0001.

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Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theater. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from
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12

Shrock, Dennis. George Frideric Handel – Messiah. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469023.003.0004.

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Messiah is discussed in reference to Handel’s operas, other choral works in general, and other oratorios in specific, with focus on the librettos. Additional historic information covers the premiere of Messiah, audience reactions, and subsequent performances, including the beginning of its popularity after performances in the Foundling Hospital Chapel and large-scale and re-orchestrated festival performances in the 1780s. Musical topics address Handel’s compositional process (e.g., speed of writing, parody of previously composed works, and revision of works from performance to performance) and
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Pouillaude, Frédéric. Section 3. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0019.

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In the previous section, we saw how contemporary choreography reflects on the essence of the stage and its contemporaneity, in the very moment of performance itself. In parallel, a renewed consciousness of historicity and memory is also evident, complementing rather than opposing the transformations outlined. In the contemporary moment that I am trying to describe, there is a desire to wrench dance from its subjective absence of history, from its fixation in the perennial routines of tradition, as well as from its imprisonment in the bare present of experience. Dance-making seeks to ...
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Gilbert, Frédéric, Valérie Michaud, Kathleen Bentein, Carl-Ardy Dubois, and Jean-Luc Bédard. Unpacking the Dynamics of Paradoxes across Levels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827436.003.0004.

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Based on an in-depth case study of a healthcare organization, this chapter shows how paradoxical tensions were transferred between managers and professionals at different levels as they were dealing with them. It adds to the existing literature on nested tensions by showing more precisely how tensions transfer not only through discourse, but through control of specific structures and tools, according to actors’ power and views. The results shed light on how paradoxical tensions undergo transformation and surface, as actors at a higher level mobilize and impact others at a lower level. While pr
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Richard, Orlando C., and Carliss D. Miller. Considering Diversity as a Source of Competitive Advantage in Organizations. Edited by Quinetta M. Roberson. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199736355.013.0014.

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This chapter serves as a research framework for academics and practicing managers interested in understanding the conditions in which diversity, especially visible attributes such as race, gender, age, and nationality, positively or negatively affects organizational performance. This chapter differs from previous articles and books with a predominantly micro approach because the focus shifts from the individual, dyadic, and team diversity levels of analysis to diversity in large groups, subunits, and organizations. The key assumption throughout this chapter is that diversity represents a uniqu
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MG, Bridge. Part II International Sales Governed by the UN Sale Convention 1980 (CISG), 12 Remedies for Breach of Contract. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198792703.003.0012.

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This chapter builds on the previous chapter's discussion in drawing distinctions between the CISG and English law. This time the chapter considers the remedies for a breach of contract. In the event of non-performance by one of the contracting parties, various remedies are made available to the other under the CISG, largely recognizable by a common lawyer if not always available in the circumstances and to the same extent in English law. There is, however, a major structural difference that should be observed from the outset. English law draws a sharp distinction between breach of contract and
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Ltd, ICON Group. PREVIO, INC.: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2nd ed. Icon Group International, Inc., 2000.

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18

Spelman, Henry. Genre and Tradition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821274.003.0006.

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Whereas previous chapters focused on Pindar’s epinicians, this chapter broadens the scope of inquiry to consider Pindar’s other genres and also earlier lyric. First, it turns to Pindar’s fragmentary cultic poetry to see what can be determined about the representations and realities of secondary reception as they relate to genre. The conclusion emerges that, though the rhetoric of permanence is less common outside the epinicians, Pindar’s other genres also aimed to engage audiences beyond their first performance. Next, this chapter turns to earlier lyric in order to investigate how Pindar’s ori
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Hovy, Eduard. Text Summarization. Edited by Ruslan Mitkov. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199276349.013.0032.

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This article describes research and development on the automated creation of summaries of one or more texts. It defines the concept of summary and presents an overview of the principal approaches in summarization. It describes the design, implementation, and performance of various summarization systems. The stages of automated text summarization are topic identification, interpretation, and summary generation, each having its sub stages. Due to the challenges involved, multi-document summarization is much less developed than single-document summarization. This article reviews particular techni
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Sunardi, Christina. Where Tradition, Power, and Gender Intersect. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038952.003.0006.

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This chapter analyzes performer interactions, bringing together many of the themes and issues discussed in previous chapters to demonstrate some of the ways that micro-moments of interaction on- and offstage are critical moments of complex cultural and ideological work. Building on Benjamin Brinner's attention to the importance of competence and authority in shaping interactions between performers as well as the ways such interactions affect what is performed, this chapter focuses on the relationship between the dancer and the drummer. It argues that contradictions between dominant ideologies
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Steichen, James. 1934. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0003.

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This chapter chronicles the first public performances by dancers from the School of American Ballet in 1934. Although these performances have been construed as previews prior to the company’s official debut in 1935, both were important milestones in the life of the organization. The June 1934 performance at Woodlands, the family estate of Edward Warburg, was a somewhat makeshift affair and revealed the haphazard management of the enterprise. It offered not only the first public performances of Serenade but revised versions of two of Balanchine’s existing ballets, Dreams and Mozartiana. A secon
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Frey, Bruno S., and Jana Gallus. Awards and Academic Performance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798507.003.0004.

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Awards may honour and induce performance. There are many different academic awards, ranging from the Nobel Prizes to best paper awards, and to awards for young scholars and rising stars. The Synthetic Control Method allows us to show empirically that the performance of recipients of the well-known John Bates Clark Medal (given by the American Economic Association to a scholar under the age of 40 ‘who is judged to have made the most significant contribution to economic thought and knowledge’) subsequently increases. Clark Medallists raise their publication activity and the work they had previou
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Fraunhar, Alison. Mulata Nation. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496814432.001.0001.

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Mulata Nation traces the figure of the mulata, the woman of mixed racial heritage in Cuban artwork and performance from the colonial era through the modern to the contemporary. While perhaps most widely linked with sensuality and sexual desirability, the mulata also serves as the embodiment of Cuba’s spirituality, and as emblematic of Cuban identity. Through close readings of representations of the mulata in fine and graphic art, mulata performers and the performance of mulata characters at distinct historical and ideological moments, the book claims that far from being a static, flat figure,
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Wheeldon, Marianne. The Controversy over the Ode à la France. Oxford University Press, 2018. http://dx.doi.org/10.1093/acprof:oso/9780190631222.003.0004.

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Chapter 4 considers the posthumous premieres of 1928 and their performance in a high-profile concert commemorating the tenth anniversary of the composer’s death. The event sparked fevered debate in the press and occasioned a surge of vitriolic commentary. By performing unpublished works from Debussy’s student years as well as his final incomplete work, the Ode à la France, the concert program and ensuing controversy got to the heart of what was now at stake in the composer’s posthumous reputation: what should be commemorated and who had the authority to decide. The struggle over these two ques
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Walker, Elsie. Amour. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.003.0009.

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This chapter is the culminating analysis of the book because Amour incorporates many sonic patterns that are representative of Haneke’s work, though it also handles these same patterns in surprising ways. The film features Haneke’s most subtly and tenderly demanding sound track to date, and this chapter explores how it rewards close analysis in relation to the director’s previous work. The chapter also provides extended consideration of Emmanuelle Riva’s performance as the female protagonist, emphasizing her subversively strong sonic presence. Along with refusing to reduce the ailing and aged
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Kühnen, Ulrich, and Marieke van Egmond. Learning. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789710.003.0012.

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Do metacognitive beliefs about learning differ across cultures? This chapter reviews relevant literature from different fields (in particular from educational science and from social, cognitive, and educational psychology). Building on previous work, it argues that Western students conceptualize learning primarily as the acquisition of knowledge and the development of mental skills (“mind orientation”). According to the “virtue orientation” that is more prevalent among Asians, learning encompasses in addition the pursuit of moral and social development. Both orientations are embedded in intell
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Beebe, James R., and Jake Monaghan. Epistemic Closure in Folk Epistemology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815259.003.0003.

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This chapter reports the results of four empirical studies that investigate the extent to which an epistemic closure principle for knowledge is reflected in folk epistemology. Previous work by Turri (2015a) suggested our shared epistemic practices may only include a closure principle that applies to perceptual beliefs but not to inferential beliefs. The chapter argues that the results of these studies provide reason for thinking individuals are making a performance error when their knowledge attributions and denials conflict with the closure principle. When the chapter authors used research ma
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Yaari, Nurit. Israeli Theatre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198746676.003.0012.

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This chapter reviews the state of Israeli theatre today, seventy-two years since the production of Racine’s Phaedra at Habima Theatre, and sums up its notable achievements, and the myriad forms, styles, artists, and institutions that together provide fertile ground for Israeli theatre’s encounters with classical drama. An overview of the seventy-two years of reception of Greek tragedy in Israeli theatre (1945–2017) demonstrates clearly that the most important development appears to be that local theatre makers have relinquished previous preconceived ideas about classical Greek drama and perfor
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Toniolo, Gianni. An Overview of Italy’s Economic Growth. Edited by Gianni Toniolo. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199936694.013.0001.

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Between 1861 and 2011, Italy's GDP per person multiplied by about twelve times. An initially backward country, Italy converged to the productivity leaders in 1898-1992, whereas between 1861 and 1896, and again between 1992 and 2011, Italy's economic growth was weaker than that of the main advanced countries. Drawing also on the main results of the research presented in the rest of the book, Chapter 1 outlines Italy's initial backwardness, the causes of poor economic performance in the thirty-odd years after unification, and the features and reasons for Italy's secular convergence to the produc
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Turner, Henry S., ed. Early Modern Theatricality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.001.0001.

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The original essays inOxford Twenty-First Century Approaches to Literaturemean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. Following the models established by previous volumes in the series,Early Modern Theatricalitylaunches a new generation of scholarship on early modern drama by focusing on the rich formal capacities of theatrical performance. The collectio
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Uzendoski, Michael A., and Edith Felicia Calapucha-Tapuy. The Twins and the Jaguars. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036569.003.0005.

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This chapter employs the verse analysis method developed by Dell Hymes to analyze an Amazonian Quichua myth-narrative, “The Twins and the Jaguars,” from the province of Napo. The narrative's theme, “becoming a jaguar,” is expressed through a rhetorical logic of onset, ongoing, and outcome that unfolds as a structural transformation relation between humans and mythical jaguars. This structural transformation relation is mediated by a third element, the twins, who not only lend movement to structure but also advance the development of drama by obviating previous relations as a dynamic synecdoche
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Eller, Jonathan R. New York, 1951. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0038.

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This chapter focuses on Ray Bradbury's 1951 trip to New York, describing it as more personally stressful than any of his previous visits. While in New York, Bradbury wrote two new pages for “The Magical Kitchen” and produced a new page for a very short time-travel piece titled “The Dragon.” He also felt that he could handle the unpredictability of the New York publishing world this time around. This chapter begins with a discussion of Bradbury's itinerary in New York, including meetings with magazine editors such as Eleanor Stierham of Today's Woman and a lecture on writing at Columbia Univers
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Harding, Duncan. Deconstructing the Interview. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198768197.001.0001.

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The professional interview is a charged psychological encounter and hurdle, necessary for all of us to traverse in order to move on in our lives and careers. The interviewer is the gatekeeper who holds the keys to our brighter future. This book is a detailed examination of the interview experience and our role as the interviewee within it. This book does not consider the content required for any given interview; instead, it looks in detail at the interview processes and performance from a psychological perspective in order to be the best we can be. Deconstructing the Interview teaches a way of
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Field, Clive D. Periodizing Secularization. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848806.001.0001.

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Moving beyond the (now somewhat tired) debates about secularization as paradigm, theory, or master narrative, this book focuses upon the empirical evidence for secularization, viewed in its descriptive sense as the waning social influence of religion, in Britain. Particular emphasis is attached to the two key performance indicators of religious allegiance and churchgoing, each subsuming several sub-indicators, between 1880 and 1945, including the first substantive account of secularization during the fin de siècle. A wide range of primary sources is deployed, many relatively or entirely unknow
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Yunhwa Rao, Nancy. The Chinese Exclusion Act and Chinatown Theaters. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0003.

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This chapter focuses on immigration policies in the United States and how they impacted Chinatown opera theaters from their burgeoning in the nineteenth century through the passage of the Chinese Exclusion Act of 1882 and into the early twentieth century. Whereas Chinese theaters rose to prominent entertainment in the 1870s, with four concurrent theaters in San Francisco, late nineteenth century exclusionary regulations severely curtailed previously vibrant Chinatown opera theaters. It eventually cut off the flow of performers and limiting companies’ performance opportunities by early 20th cen
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Bailey, Doug. Cutting Skin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190611873.003.0002.

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This chapter provides a detailed description, discussion, and interpretation of the performance artist Ron Athey’s 1994 show 4 Scenes in a Harsh Life, and the controversy that it caused at local, national, and international levels. Discussion places that performance in the contexts of Athey’s other work, and the broader practice of performance art of the body, and then argues for the relevance of the Athey work for understanding the Neolithic pit-houses at Neolithic Măgura. Primary articulations of relevance are the previously under-represented role of the digger-as-performer, of the audience-
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Beale, Geoff, and John Read, eds. Guidelines for Evaluating Water in Pit Slope Stability. CSIRO Publishing, 2014. http://dx.doi.org/10.1071/9780643108363.

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Guidelines for Evaluating Water in Pit Slope Stability is a comprehensive account of the hydrogeological procedures that should be followed when performing open pit slope stability design studies. Created as an outcome of the Large Open Pit (LOP) project, an international research and technology transfer project on the stability of rock slopes in open pit mines, this book expands on the hydrogeological model chapter in the LOP project's previous book Guidelines for Open Pit Slope Design (Read & Stacey, 2009; CSIRO PUBLISHING).
 The book comprises six sections which outline the latest
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Manning, Jane. Insight. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199346677.003.0008.

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As a vocalist and specialist in new music, Jane Manning engages with diverse influences that contribute to her own approach to preparing performances: coming to a brand new score and beginning to make sense of it, dialogue with the composer, considering previous interpretations where these exist, and seeking characterization that has personal integrity yet meticulously respects the score—and all of which is underpinned by attention to vocal technique.
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Heyde, Neil, Christopher Redgate, Roger Redgate, and Matthew Wright. Intervention. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0026.

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Four highly experienced contemporary musicians—cellist, violinist, oboist and turntablist—who had never previously played together as a quartet discuss a public performance of free-improvisation. The conversation ranges across unpredictability and technology, composition and improvisation, and the rewards of getting to know one another through music.
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Sparti, Davide. On the Edge. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.020.

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While all human agency unfolds with a certain degree of improvisation, there are specific cultural practices in which improvisation plays an even more relevant role. Among these, jazz offers a privileged site for understanding how improvisation operates, offering the opportunity to find within it a frame of reference that might be related to other genres and modes of creation. This contribution, as Wittgenstein would say, has a “grammatical” design to it. It proposes to clarify the significance of the term “improvisation” by reflecting upon theconditionsthat make the practice possible. Rather
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Moran, John, and Philip Chamberlain. Blueprints for Tropical Dairy Farming. CSIRO Publishing, 2017. http://dx.doi.org/10.1071/9781486306473.

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Blueprints for Tropical Dairy Farming provides insight into the logistics, infrastructure and management required for the development of small and large dairy farms in tropical developing countries. Farmers will learn how to improve the welfare, milk quality and productivity of their dairy herds. This book complements author John Moran’s five previous books on the principles of tropical dairy farming.
 The manual covers a wide range of topics related to ensuring the sustainability of dairy production systems in tropical developing countries, such as South and East Asia, Africa and Central
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Forrest, Stephen R. Organic Electronics. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198529729.001.0001.

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Organic electronics is a platform for very low cost and high performance optoelectronic and electronic devices that cover large areas, are lightweight, and can be both flexible and conformable to irregularly shaped surfaces such as foldable smart phones. Organics are at the core of the global organic light emitting device (OLED) display industry, and also having use in efficient lighting sources, solar cells, and thin film transistors useful in medical and a range of other sensing, memory and logic applications. This book introduces the theoretical foundations and practical realization of devi
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Genetic improvement of farmed animals. CABI, 2021. http://dx.doi.org/10.1079/9781789241723.0000.

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Abstract This 484-paged book is an extensively updated and expanded edition of the previous book by Simm, which focused on cattle and sheep. It has 14 chapters, the first chapter in the book sets the scene for modern livestock breeding, by looking at the origins and roles of today's livestock breeds. The next four chapters deal with the scientific principles of livestock improvement. Chapter 2 outlines some of the basic principles in genetics and attempts to illustrate the link between genes and the performance of individual farm animals, or populations of them. In Chapter 3 the main strategie
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Bergman, Torbjörn, Gabriella Ilonszki, and Wolfgang C. Müller, eds. Coalition Governance in Central Eastern Europe. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198844372.001.0001.

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Coalitions among political parties govern most of Europe’s parliamentary democracies. Traditionally, the study of coalition politics has been focused on Western Europe. Coalition governance in Central Eastern Europe brings the study of the full coalition life-cycle to a region that has undergone tremendous political transformation, but which has not been studied from this perspective. The volume covers Bulgaria, Estonia, the Czech Republic, Latvia, Lithuania, Hungary, Poland, Romania, Slovakia, and Slovenia. It provides information and analyses of the cycle, from pre-electoral alliances to coa
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45

Qiong Yu, Sabrina, and Guy Austin, eds. Revisiting Star Studies. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474404310.001.0001.

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This collection revisits star studies with themes and methods from the latest international research into stardom and fandom across the globe. It challenges the Hollywood-centrism in star studies by presenting new angles and models, and raises important questions about image, performance, gender, sexuality, race, fandom, social media, globalisation, and translocal stardom. This volume seeks to expand the notion of stardom that is traditionally associated with glamour and desirability to include less glamourous, more troubling stardom (e.g. ageing stars, ‘crip’ stars), or previously unacknowled
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Shay, Anthony, and Barbara Sellers-Young, eds. The Oxford Handbook of Dance and Ethnicity. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.001.0001.

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Dance intersects with ethnicity in a powerful variety of ways and in a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, such as when African Americans were—and sometimes still are—told that their bodies are “not right” for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when nineteenth-century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance ri
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Bullock, Charles S., and Karen L. Owen. Special Elections. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197540626.001.0001.

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Special elections are a significant point of entry into the U.S. Congress. These electoral contests are not numerous, and their occurrence is largely random. They have attracted extraordinary attention from the national parties, political consultants, and the media when control of the House of Representatives is up for grabs in every regular election. Perhaps never have special elections drawn as much attention as during the first two years of the Trump presidency. This volume provides a detailed case study of the most expensive special House election ever conducted augmented with mini-cases e
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Bucuvalas, Tina, ed. Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.001.0001.

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Greek Music in America: A Reader provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This is the first book to offer a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora. The book opens with a sociohistorical overview of Greek music in America, foll
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Morgan, Oliver. Turn-taking in Shakespeare. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836353.001.0001.

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Whenever people talk to one another, there are at least two things going on at once. First, and most obviously, there is an exchange of speech. Second, and slightly less obviously, there is a negotiation about how that exchange is organized—about whose turn it is to talk at any given moment. Linguists call this second, organizational, level of communicative activity ‘turn-taking’, and since the late 1970s it has been central to the way in which spoken interaction is understood. In spite of its relevance to the study of drama, however, turn-taking has received little attention from critics and
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Webster, Peter R. Children as creative thinkers in music. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0039.

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The study of creative thinking in music involves a complex combination of cognitive and affective variables, often executed at the highest levels of human thinking and feeling. This is such a complicated set of long-term engagements (composition, repeated music listening, or decisions about previously composed music in performance) or ‘in the moment’ engagements (improvisation and one-time listening), that it becomes quickly apparent why this field has not attracted more music researchers and why many feel the topic is hopelessly impregnable. However, the changes in education and the role of m
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