Littérature scientifique sur le sujet « Printing privileges »

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Articles de revues sur le sujet "Printing privileges"

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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this remark
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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this
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Hylkema, Jacqueline. "'Goet, Origineel, ende Autentijcq’." Early Modern Low Countries 8, no. 2 (2024): 170–85. https://doi.org/10.51750/emlc20824.

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The question of whether printing privileges added more to publications than mere financial protection has often been raised in studies of printing privileges in the Dutch Republic. Traditionally, these discussions focus on the relationship between the authorities, printers, and privileged books, but what can the books that violated printing privileges tell us about the matter? This article offers a first exploration of the relationship between printing privileges, authority, and two different kinds of forgery (counterfeit and creative forgery) printed in the Dutch Republic in the seventeenth a
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Hylkema, Jacqueline. "'Goet, Origineel, ende Autentijcq' Printing Privileges, Forgery, and Authority in the Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 170–85. https://doi.org/10.51750/emlc20824.

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The question of whether printing privileges added more to publications than mere financial protection has often been raised in studies of printing privileges in the Dutch Republic. Traditionally, these discussions focus on the relationship between the authorities, printers, and privileged books, but what can the books that violated printing privileges tell us about the matter? This article offers a first exploration of the relationship between printing privileges, authority, and two different kinds of forgery (counterfeit and creative forgery) printed in the Dutch Republic in the seventeenth a
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Lamal, Nina. "Cross-Border Printing Privileges in the Seventeenth-Century Low Countries." Early Modern Low Countries 8, no. 2 (2024): 276–96. https://doi.org/10.51750/emlc20863.

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Based on the assumption that printing privileges were meant to protect printer-publishers from market competition locally, scholars have primarily studied such privileges in individual states. This article is the first attempt to study printing privileges transnationally, by focusing on the phenomenon of cross-border printing privileges in the seventeenth-century Habsburg Netherlands and the Dutch Republic. I examine both the foreign printers requesting a privilege in the Low Countries and local printers requesting a privilege from a foreign authority. In doing so, this essay analyses why prin
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Lamal, Nina. "Cross-Border Printing Privileges in the Seventeenth-Century Low Countries." Early Modern Low Countries 8, no. 2 (2024): 276–96. https://doi.org/10.51750/emlc20863.

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Based on the assumption that printing privileges were meant to protect printer- publishers from market competition locally, scholars have primarily studied such privileges in individual states. This article is the first attempt to study printing priv-ileges transnationally, by focusing on the phenomenon of cross-border printing privileges in the seventeenth-century Habsburg Netherlands and the Dutch Republic. I examine both the foreign printers requesting a privilege in the Low Countries and local printers requesting a privilege from a foreign authority. In doing so, this essay analyses why pr
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Rose, Stephen. "PROTECTED PUBLICATIONS: THE IMPERIAL AND SAXON PRIVILEGES FOR PRINTED MUSIC, 1550–1700." Early Music History 37 (October 2018): 247–313. http://dx.doi.org/10.1017/s0261127918000013.

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In the decades around 1600 many privileges for printed music were issued by the Holy Roman Emperor and the Elector of Saxony. Such privileges gave a bookseller or author an exclusive right to publish specified works for a limited period (usually ten years). The privileges threatened confiscation of any unauthorised copies, and fines for anyone caught printing or selling them. This article offers the first systematic study of archival material documenting the privileges for music, as preserved in the Österreichisches Staatsarchiv, Vienna, and the Sächsisches Hauptstaatsarchiv, Dresden. It recon
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Ottone, Andrea, Marius Buning, Pardo Alberto Campillo, and Nana Citron. "Una base dati per lo studio del sistema del privilegio librario nell'Europa moderna." DigItalia, rivista del digitale nei beni culturali 19, no. 1 (2024): 147–58. https://doi.org/10.36181/digitalia-00098.

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This paper discusses the theoretical premises, the operative functions, and the publishing perspectives of a database on early modern printing privileges. This database has been developed within the framework of the "Before Copyright" project, funded by the European Research Council and pursued at the Department of Archaeology, Conservation and History of the University of Oslo. Although initially focused on book history, this project aims to contribute tofields of study such as intellectual history, legal history and legal theory. The theoretical premise is that printing privileges, aside fro
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Buning, Marius. "Controlling the Flow of Information." Early Modern Low Countries 8, no. 2 (2024): 250–75. https://doi.org/10.51750/emlc20860.

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This article examines the political dimensions of printing privileges in the seventeenth-century Dutch Republic, analysing their impact on the dissemination of information, the development of the printing industry, and the nature of published works. While Dutch printing privileges are often seen as legal tools primarily important for the local market, this essay shows that the ‘local’ cannot be isolated from intra- and pan-European connections. By selectively granting privileges, the authorities sought not only to control the flow of information, but also to actively shape it. Privileges thus
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Buning, Marius. "Controlling the Flow of Information: The Soft Power Dimensions of Printing Privileges in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8 (December 20, 2024): 250–75. https://doi.org/10.51750/emlc20860.

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This article examines the political dimensions of printing privileges in the seven-teenth-century Dutch Republic, analysing their impact on the dissemination of information, the development of the printing industry, and the nature of published works. While Dutch printing privileges are often seen as legal tools primarily important for the local market, this essay shows that the ‘local’ cannot be isolated from intra- and pan-European connections. By selectively granting privileges, the authorities sought not only to control the flow of information, but also to actively shape it. Pri
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Thèses sur le sujet "Printing privileges"

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Kim, Hyŏk. "Chosŏn sidae wanmun e kwanhan yŏnʼgu". [Kyŏngggi-do Sŏngnam-si] : Hanʼgukhak Chungang Yŏnʼguwŏn, 2005. http://catalog.hathitrust.org/api/volumes/oclc/309366052.html.

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Ho, Nien-yun, and 何念耘. "The Origin of Press Freedom ? --Milton and the Privilege of Printing." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/17114760118953491048.

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碩士<br>淡江大學<br>大眾傳播學系碩士班<br>97<br>The academic circle has regarded Milton as the pioneer who first advocated freedom of the press, and translated Areopagitica: A Speech for the Liberty of Unlicensed Printing to the Parliament of England into Petition of Press Freedom. This translation views liberty of unlicensed printing as press freedom, while nowadays, press freedom refers to freedom of the press. The thesis questions whether liberty of unlicensed printing equals to freedom of the press. Therefore, the thesis asserts historical realism in ontology, adopts historical method, and carefully exam
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Santos, Daniela Fernandes dos. "Cum Priuilegium. O privilégio de impressão em Portugal (século XVI)." Master's thesis, 2021. http://hdl.handle.net/10362/132002.

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Com a presente dissertação pretendemos estudar o sistema de privilégios em Portugal para a impressão e venda de livros impressos ao longo do século XVI. Estes privilégios surgiram no mundo tipográfico como uma forma de distinção entre os participantes no setor, cujo principal objetivo seria a garantia de retorno económico pelo investimento na publicação de um livro. Inspirados nos privilégios reais que instituíam um monopólio de utilização de um novo objeto, protegendo o seu inventor, os privilégios para a impressão e venda de livros tratavam-se de uma lei privada, que atuava em favor de um su
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Livres sur le sujet "Printing privileges"

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United States. Congress. Senate. Committee on Rules and Administration. Printing pictures of missing children on Senate mail: Report. U.S. G.P.O., 1987.

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Santi-Mazzini, Giovanni. Con licenza de' superiori e privilegio: Rappresentazione storico-antologica del libro in un prologo, sette atti e un epilogo. L. Fusconi, 1991.

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France. Documents pour servir à l'histoire de l'élaboration de la constitution du 4 octobre 1958. La Documentation Française, 1988.

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France. Die Landgüterordnung Kaiser Karls des Grossen: Capitulare de villis vel curtis imperii Caroli Magni. Deutscher Landwirtschaftsverlag, 1990.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1994.

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France. Codes et textes de loi usuels 1986: 12 codes, 102 textes de loi ; précédés de, Dictionnaire juridique, consultations juridiques rapides ; suivis de, Modèles d'actes, guide alphabétique, table chronologique. Prat-Europa, 1986.

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France. Lois et décrets: Texte intégral, analyses et commentaires, résumés. Hermès, 1998.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1992.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1993.

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Privilegia typographica Polonorum: Polskie przywileje drukarskie 1493-1793. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej, 2010.

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Chapitres de livres sur le sujet "Printing privileges"

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Hayen, Mats. "Book printing in Stockholm, from royal privilege to market economy, 1780–1850." In Luxury, Fashion and the Early Modern Idea of Credit. Routledge, 2020. http://dx.doi.org/10.4324/9780429318979-12.

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Gehbald, Agnes. "A Pious Privilege: Printing for Hospitals and Orphanages Across the Spanish Empire." In Book Markets in Mediterranean Europe and Latin America. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13268-1_3.

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Geoffroy-Schwinden, Rebecca Dowd. "Legal Privilège and Musical Production." In From Servant to Savant. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197511510.003.0002.

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This chapter details the ways in which legal privileges (privilèges) dictated musical production in Old Regime Paris, from concert performances to music printing and publishing, and even technological innovation. An influx of privileges from the Crown by the early eighteenth century stratified musicians into classes coterminous with their legal and social status. While some musicians found corporate privileges in guilds, others obtained it individually in privileged institutions like the Académie Royale de musique (the Opéra). Before the French Revolution began in 1789, musicians from Jean-Bap
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Bracha, Oren. "Early American Printing Privileges. The Ambivalent Origins of Authors’ Copyright in America." In Privilege and Property. Open Book Publishers, 2010. http://dx.doi.org/10.2307/j.ctt5vjt9v.8.

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Bracha, Oren. "Early American Printing Privileges. The Ambivalent Origins of Authors’ Copyright in America." In Privilege and Property: Essays on the History of Copyright. Open Book Publishers, 2010. http://dx.doi.org/10.11647/obp.0007.04.

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Hämmerle, Tobias E. "Mediennetzwerk und Nachrichtenwesen. Papier, Post, Druck, Vertrieb." In Niederösterreich im 18. Jahrhundert, Band 1: Land, Politik und Wirtschaft. NÖ Institut für Landeskunde, 2024. http://dx.doi.org/10.52035/noil.2024.18jh01.24.

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The Media Network and the Communication System. Paper, Post, Printing, and the Book Trade. In the 18th century, the media space of Austria under the Enns was undoubtedly concentrated on the centre of Vienna in terms of production, consumption, and distribution. Nevertheless, in the Lower Austrian hinterland, regional media locations developed in the late 17th and early 18th century which were not insignificant as a production and industrial location for the imperial capital. For example, several paper mills existed in the Lower Austrian hinterland, with the Quarter over the Manhartsberg (today
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Buning, Marius. "Promoting Technical Knowledge. Printing Privileges and Technical Literature in the early Dutch Republic." In Le livre technique avant le xxe siècle. CNRS Éditions, 2017. http://dx.doi.org/10.4000/books.editionscnrs.27787.

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Ricketson, Sam, and Jane C. Ginsburg. "The Development of International Copyright Relations." In International Copyright and Neighbouring Rights. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0001.

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This chapter traces the development of international copyright relations. Although the legal theories underlying copyright protection differ greatly from country to country, the origins of this form of protection in each are strikingly similar: the grant of exclusive printing rights or privileges which were made to printers and booksellers by national authorities soon after the introduction of printing in Europe in the late fifteenth and early sixteenth centuries. The chapter then looks at the Act of Anne in the UK, which granted to authors and their assigns a short period of statutory protect
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Lewinski, Silke von. "Reasons for the Shift Towards the Trade Context." In International Copyright Law and Policy. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199207206.003.0016.

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Abstract From the very beginning of copyright protection, when the emergence of printing techniques triggered the system of privileges, technical developments have resulted in the emergence of new kinds of works and new kinds of uses which have provoked the adaptation of existing laws in the field. The extent of the technical progress that has taken place since the last revision of the Berne Convention and the adoption of the Rome Convention has inevitably had repercussions on copyright and neighbouring rights laws. Examples have included: the emergence of cable (re)transmission and satellite
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White, Paul. "Badius and Textual Culture." In Jodocus Badius Ascensius. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265543.003.0004.

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This chapter is divided into three parts. The first focuses on the first two parts of Varro’s definition of the role of the grammarian: lectio and enarratio. It shows how Badius used figurative language to conceptualize these roles, paying particular attention to the symbolism of initiation and sacred mystery, and to concepts of copia and excess. The second looks at emendatio and iudicium. This section incorporates an account of Badius’s attitudes towards textual scholarship and editing, and examines the medical and bodily metaphors he used to characterize this work. The third part considers t
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