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Littérature scientifique sur le sujet « Printing privileges »

Auteur : Grafiati

Publié le 2 juin 2025

Mis à jour le 19 juillet 2025

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Articles de revues sur le sujet "Printing privileges"

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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this remarkable engagement of psalmists and printers of psalters in the system of printing privileges interacted with the pluralism of the seventeenth-century Dutch religious landscape, showing how the contexts of the privileged psalters diversified: whereas the first privileges were connected to the Dutch Revolt and the creation of a strong Reformed church, later on in the seventeenth century privileged psalters also became important within other churches. An analysis of the use of the privileges in the front matter of psalters suggests that the sense of political approval of the privilege interacted with the religious approval that psalmists sought. When aiming at an official position within the church, a psalmist was probably at a disadvantage if their work was lacking such a privilege.

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Geerdink, Nina. "Printing Privileges for Psalters in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 186–205. https://doi.org/10.51750/emlc20857.

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Starting from the assumption that printing privileges were an important way of enhancing a publication’s reputation, this article focuses on psalters, which played an important role in Protestant religious life in the Dutch Republic. Psalters were among the earliest books granted privileges by the States of Holland and the States-General, and were published with a privilege more often than other works. Furthermore, while privileges were generally applied for by publishers, in the case of psalters it was often the psalmists themselves who were the applicant. This article argues that this remarkable engagement of psalmists and printers of psalters in the system of printing privileges interacted with the pluralism of the seventeenth-century Dutch religious landscape, showing how the contexts of the privileged psalters diversified: whereas the first privi-leges were connected to the Dutch Revolt and the creation of a strong Reformed church, later on in the seventeenth century privileged psalters also became important within other churches. An analysis of the use of the privileges in the front matter of psalters suggests that the sense of political approval of the privilege interacted with the religious approval that psalmists sought. When aiming at an official position within the church, a psalmist was probably at a disadvantage if their work was lacking such a privilege.

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Hylkema, Jacqueline. "'Goet, Origineel, ende Autentijcq’." Early Modern Low Countries 8, no. 2 (2024): 170–85. https://doi.org/10.51750/emlc20824.

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The question of whether printing privileges added more to publications than mere financial protection has often been raised in studies of printing privileges in the Dutch Republic. Traditionally, these discussions focus on the relationship between the authorities, printers, and privileged books, but what can the books that violated printing privileges tell us about the matter? This article offers a first exploration of the relationship between printing privileges, authority, and two different kinds of forgery (counterfeit and creative forgery) printed in the Dutch Republic in the seventeenth and early eighteenth century. The counterfeits of Jacob Cats’s Self-Stryt (1620) and the States Bible confirm that the authority of the States-General and the sense of official endorsement printing privileges added to a publication indeed played a role in the discourse of counterfeits in the Dutch Republic. But did this sense of endorsement make printing privileges an attractive tool in the publication of creative forgeries? It appears that the role of printing privileges was limited in this genre, but the possible reasons behind this are relevant too in the context of the relationship between authority and printing privileges.

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Hylkema, Jacqueline. "'Goet, Origineel, ende Autentijcq' Printing Privileges, Forgery, and Authority in the Dutch Republic." Early Modern Low Countries 8, no. 2 (2024): 170–85. https://doi.org/10.51750/emlc20824.

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The question of whether printing privileges added more to publications than mere financial protection has often been raised in studies of printing privileges in the Dutch Republic. Traditionally, these discussions focus on the relationship between the authorities, printers, and privileged books, but what can the books that violated printing privileges tell us about the matter? This article offers a first exploration of the relationship between printing privileges, authority, and two different kinds of forgery (counterfeit and creative forgery) printed in the Dutch Republic in the seventeenth and early eighteenth century. The counterfeits of Jacob Cats’s Self-Stryt (1620) and the States Bible confirm that the authority of the States-General and the sense of official endorsement that print-ing privileges added to a publication indeed played a role in the discourse of counterfeits in the Dutch Republic. But did this sense of endorsement make printing privileges an attractive tool in the publication of creative forgeries? It appears that the role of printing privileges was limited in this genre, but the possible reasons behind this are relevant too in the context of the relationship between authority and printing privileges.

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Lamal, Nina. "Cross-Border Printing Privileges in the Seventeenth-Century Low Countries." Early Modern Low Countries 8, no. 2 (2024): 276–96. https://doi.org/10.51750/emlc20863.

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Based on the assumption that printing privileges were meant to protect printer-publishers from market competition locally, scholars have primarily studied such privileges in individual states. This article is the first attempt to study printing privileges transnationally, by focusing on the phenomenon of cross-border printing privileges in the seventeenth-century Habsburg Netherlands and the Dutch Republic. I examine both the foreign printers requesting a privilege in the Low Countries and local printers requesting a privilege from a foreign authority. In doing so, this essay analyses why printers were requesting privileges for their books from more than one authority across political borders. Rather than seeing these cross-border privileges solely as a way for printers to expand the reach and commercial viability of their published works, this article demonstrates that, by securing privileges from multiple authorities, printers showed they were able to navigate the market for institutions and complex networks of power. By analysing diplomatic correspondence alongside privilege requests, I demonstrate the crucial role of ambassadors in favouring certain printers and their project. Throughout the seventeenth century, the state and its representatives became involved in securing such privileges from other authorities. This hitherto hidden role of diplomatic agents alerts us both to the fierce competition in a certain segment of the international book market and the importance of managing a state’s international reputation.

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Lamal, Nina. "Cross-Border Printing Privileges in the Seventeenth-Century Low Countries." Early Modern Low Countries 8, no. 2 (2024): 276–96. https://doi.org/10.51750/emlc20863.

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Based on the assumption that printing privileges were meant to protect printer- publishers from market competition locally, scholars have primarily studied such privileges in individual states. This article is the first attempt to study printing priv-ileges transnationally, by focusing on the phenomenon of cross-border printing privileges in the seventeenth-century Habsburg Netherlands and the Dutch Republic. I examine both the foreign printers requesting a privilege in the Low Countries and local printers requesting a privilege from a foreign authority. In doing so, this essay analyses why printers were requesting privileges for their books from more than one authority across political borders. Rather than seeing these cross-border privileges solely as a way for printers to expand the reach and commercial viability of their published works, this article demonstrates that, by securing privileges from multi-ple authorities, printers showed they were able to navigate the market for institutions and complex networks of power. By analysing diplomatic correspondence alongside privilege requests, I demonstrate the crucial role of ambassadors in favouring certain printers and their project. Throughout the seventeenth century, the state and its rep-resentatives became involved in securing such privileges from other authorities. This hitherto hidden role of diplomatic agents alerts us both to the fierce competition in a certain segment of the international book market and the importance of managing a state’s international reputation.

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Rose, Stephen. "PROTECTED PUBLICATIONS: THE IMPERIAL AND SAXON PRIVILEGES FOR PRINTED MUSIC, 1550–1700." Early Music History 37 (October 2018): 247–313. http://dx.doi.org/10.1017/s0261127918000013.

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In the decades around 1600 many privileges for printed music were issued by the Holy Roman Emperor and the Elector of Saxony. Such privileges gave a bookseller or author an exclusive right to publish specified works for a limited period (usually ten years). The privileges threatened confiscation of any unauthorised copies, and fines for anyone caught printing or selling them. This article offers the first systematic study of archival material documenting the privileges for music, as preserved in the Österreichisches Staatsarchiv, Vienna, and the Sächsisches Hauptstaatsarchiv, Dresden. It reconstructs the ritualistic procedure for obtaining a privilege, analyses how composers justified their applications for privileges, and asks whether privileges gave effective protection against unauthorised editions. Revising previous interpretations of the privilege system as an early form of copyright, I instead argue that privileges enhanced the commercial and symbolic value of printed music.

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Ottone, Andrea, Marius Buning, Pardo Alberto Campillo, and Nana Citron. "Una base dati per lo studio del sistema del privilegio librario nell'Europa moderna." DigItalia, rivista del digitale nei beni culturali 19, no. 1 (2024): 147–58. https://doi.org/10.36181/digitalia-00098.

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This paper discusses the theoretical premises, the operative functions, and the publishing perspectives of a database on early modern printing privileges. This database has been developed within the framework of the "Before Copyright" project, funded by the European Research Council and pursued at the Department of Archaeology, Conservation and History of the University of Oslo. Although initially focused on book history, this project aims to contribute tofields of study such as intellectual history, legal history and legal theory. The theoretical premise is that printing privileges, aside from being an instrument of commercial promotion, also served as means through which territorial states interfered in cultural and intellectual dynamics by filtering fields of knowledge. In order to build an interpretative model around this hypothesis, a relational database was created to manage a vast amount of data. The said database will be used to fragment and reaggregate data according to multiple logical and investigative purposes. The dataset, which includes bibliographical, geographical and biographical elements, is derived from a vast number of printing privileges spanning from 1470s to circa 1800. The ante quem terminus is set at a period of time when the printing privilege system began to decline, eventually being replaced by modern copyright law.

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Buning, Marius. "Controlling the Flow of Information." Early Modern Low Countries 8, no. 2 (2024): 250–75. https://doi.org/10.51750/emlc20860.

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This article examines the political dimensions of printing privileges in the seventeenth-century Dutch Republic, analysing their impact on the dissemination of information, the development of the printing industry, and the nature of published works. While Dutch printing privileges are often seen as legal tools primarily important for the local market, this essay shows that the ‘local’ cannot be isolated from intra- and pan-European connections. By selectively granting privileges, the authorities sought not only to control the flow of information, but also to actively shape it. Privileges thus served as instruments of power and as a means of transmitting cultural values and setting the political agenda. Analysing Dutch privileges from this perspective provides a more nuanced understanding of their application and purpose, illustrating their role as mechanisms of soft power that reinforced existing power structures and facilitated cultural hegemony.

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Buning, Marius. "Controlling the Flow of Information: The Soft Power Dimensions of Printing Privileges in the Seventeenth-Century Dutch Republic." Early Modern Low Countries 8 (December 20, 2024): 250–75. https://doi.org/10.51750/emlc20860.

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This article examines the political dimensions of printing privileges in the seven-teenth-century Dutch Republic, analysing their impact on the dissemination of information, the development of the printing industry, and the nature of published works. While Dutch printing privileges are often seen as legal tools primarily important for the local market, this essay shows that the ‘local’ cannot be isolated from intra- and pan-European connections. By selectively granting privileges, the authorities sought not only to control the flow of information, but also to actively shape it. Privileges thus served as instruments of power and as a means of transmitting cultural values and setting the political agenda. Analysing Dutch privileges from this perspective provides a more nuanced understanding of their application and purpose, illustrating their role as mechanisms of soft power that reinforced existing power structures and facilitated cultural hegemony.

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Thèses sur le sujet "Printing privileges"

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Kim, Hyŏk. "Chosŏn sidae wanmun e kwanhan yŏnʼgu". [Kyŏngggi-do Sŏngnam-si] : Hanʼgukhak Chungang Yŏnʼguwŏn, 2005. http://catalog.hathitrust.org/api/volumes/oclc/309366052.html.

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Ho, Nien-yun, and 何念耘. "The Origin of Press Freedom ? --Milton and the Privilege of Printing." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/17114760118953491048.

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碩士<br>淡江大學<br>大眾傳播學系碩士班<br>97<br>The academic circle has regarded Milton as the pioneer who first advocated freedom of the press, and translated Areopagitica: A Speech for the Liberty of Unlicensed Printing to the Parliament of England into Petition of Press Freedom. This translation views liberty of unlicensed printing as press freedom, while nowadays, press freedom refers to freedom of the press. The thesis questions whether liberty of unlicensed printing equals to freedom of the press. Therefore, the thesis asserts historical realism in ontology, adopts historical method, and carefully examines Areopagitica according to the original text and its context to observe the thoughts of Milton closely. Research found Areopagitica states: 1. Milton objected to religion licensing established by the Roman Catholic Church, imitated by Church of England, and eventually executed by Presbyterian. 2. “Liberty” stood for Civil Liberty which only belonged to people with wise and temperance. 3. “Liberty of unlicensed printing” stood for publishing privilege beyond religion licensing. 4. Blasphemous, atheistical, and libelous must be banished for good. Thus, obviously Areopagitica was written as a religion tract, not for freedom of press.

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Santos, Daniela Fernandes dos. "Cum Priuilegium. O privilégio de impressão em Portugal (século XVI)." Master's thesis, 2021. http://hdl.handle.net/10362/132002.

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Com a presente dissertação pretendemos estudar o sistema de privilégios em Portugal para a impressão e venda de livros impressos ao longo do século XVI. Estes privilégios surgiram no mundo tipográfico como uma forma de distinção entre os participantes no setor, cujo principal objetivo seria a garantia de retorno económico pelo investimento na publicação de um livro. Inspirados nos privilégios reais que instituíam um monopólio de utilização de um novo objeto, protegendo o seu inventor, os privilégios para a impressão e venda de livros tratavam-se de uma lei privada, que atuava em favor de um suplicante – o autor do livro, o impressor, o livreiro ou o editor – garantindo que, durante um determinado prazo, ninguém poderia imprimir ou vender o livro com privilégio, sob penas pecuniárias, espirituais ou degredo. A investigação da qual resulta esta dissertação incidiu, principalmente, na recolha dos privilégios concedidos em Portugal ao longo do século XVI, através do contacto com os próprios livros e com os alvarás de privilégio manuscritos. Para iniciar esta investigação, partimos do princípio da importância dos documentos de privilégio como um elemento pertencente ao Livro Antigo digno de uma análise individual e de conjunto, uma vez que contêm em si relevantes informações para o estudo do Livro. Entre as principais conclusões que extraímos está o papel do autor nos privilégios quinhentistas em Portugal; o impacto do privilégio no negócio dos impressores e dos livreiros; e a tipologia dos privilégios concedidos resultante da visão de conjunto dos documentos. Apresentamos, ainda, uma lista descritiva de todos os livros quinhentistas com privilégio em Portugal que foram encontrados.<br>With the present dissertation we intend to study the book-privilege system in Portugal during the sixteenth century. These privileges arose in the typographical sphere as a distinction between the participants in the sector, with the primary goal of guaranteeing some economical return for their investments in the publishing of a book. Inspired by the monopolies instituted via a royal privilege, which protected the inventor of a new object, the book-privilege system acted as a private law, in favor of its require –the author of the book, the printer, the bookseller or the editor – establishing that, during the term of the privilege, no one could print or sell the book com privilegio, under penalty of fines, spiritual punishment or exile. The investigation which prompted this dissertation focused mainly on the collection of the privileges granted in Portugal in the sixteenth century, through contact with the books themselves and the letters of privilege. To start the investigation, our intention was set to analyze these privileges as present them as the important elements of the printed book they are, containing relevant information for the study of Old Book History. Some of the conclusions we draw regard the importance of the author’s role in the privileges granted in Portugal; the impact of a privilege in the business of a printer and a bookseller; the types of privileges granted resulting from the analysis of the documents as a whole. We also present a descriptive list of all the sixteenth century books com privilegio in Portugal that we could find.

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Livres sur le sujet "Printing privileges"

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United States. Congress. Senate. Committee on Rules and Administration. Printing pictures of missing children on Senate mail: Report. U.S. G.P.O., 1987.

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Santi-Mazzini, Giovanni. Con licenza de' superiori e privilegio: Rappresentazione storico-antologica del libro in un prologo, sette atti e un epilogo. L. Fusconi, 1991.

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France. Documents pour servir à l'histoire de l'élaboration de la constitution du 4 octobre 1958. La Documentation Française, 1988.

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France. Die Landgüterordnung Kaiser Karls des Grossen: Capitulare de villis vel curtis imperii Caroli Magni. Deutscher Landwirtschaftsverlag, 1990.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1994.

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France. Codes et textes de loi usuels 1986: 12 codes, 102 textes de loi ; précédés de, Dictionnaire juridique, consultations juridiques rapides ; suivis de, Modèles d'actes, guide alphabétique, table chronologique. Prat-Europa, 1986.

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France. Lois et décrets: Texte intégral, analyses et commentaires, résumés. Hermès, 1998.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1992.

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France. Recueil des actes de Louis VI, roi de France (1108-1137). Diffusion de Boccard, 1993.

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Privilegia typographica Polonorum: Polskie przywileje drukarskie 1493-1793. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej, 2010.

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Chapitres de livres sur le sujet "Printing privileges"

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Hayen, Mats. "Book printing in Stockholm, from royal privilege to market economy, 1780–1850." In Luxury, Fashion and the Early Modern Idea of Credit. Routledge, 2020. http://dx.doi.org/10.4324/9780429318979-12.

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Gehbald, Agnes. "A Pious Privilege: Printing for Hospitals and Orphanages Across the Spanish Empire." In Book Markets in Mediterranean Europe and Latin America. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13268-1_3.

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Geoffroy-Schwinden, Rebecca Dowd. "Legal Privilège and Musical Production." In From Servant to Savant. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197511510.003.0002.

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This chapter details the ways in which legal privileges (privilèges) dictated musical production in Old Regime Paris, from concert performances to music printing and publishing, and even technological innovation. An influx of privileges from the Crown by the early eighteenth century stratified musicians into classes coterminous with their legal and social status. While some musicians found corporate privileges in guilds, others obtained it individually in privileged institutions like the Académie Royale de musique (the Opéra). Before the French Revolution began in 1789, musicians from Jean-Baptiste Lully and François Couperin le grand to François-Joseph Gossec earned expanded legal rights, professional autonomy, and institutional authority through the many channels forged by “musical privilege.” This chapter thus uncovers how privilege, as the dominant infrastructure through which musical production took place under the Old Regime, yielded a paradoxical professionalization among musicians.

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Bracha, Oren. "Early American Printing Privileges. The Ambivalent Origins of Authors’ Copyright in America." In Privilege and Property. Open Book Publishers, 2010. http://dx.doi.org/10.2307/j.ctt5vjt9v.8.

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Bracha, Oren. "Early American Printing Privileges. The Ambivalent Origins of Authors’ Copyright in America." In Privilege and Property: Essays on the History of Copyright. Open Book Publishers, 2010. http://dx.doi.org/10.11647/obp.0007.04.

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Hämmerle, Tobias E. "Mediennetzwerk und Nachrichtenwesen. Papier, Post, Druck, Vertrieb." In Niederösterreich im 18. Jahrhundert, Band 1: Land, Politik und Wirtschaft. NÖ Institut für Landeskunde, 2024. http://dx.doi.org/10.52035/noil.2024.18jh01.24.

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The Media Network and the Communication System. Paper, Post, Printing, and the Book Trade. In the 18th century, the media space of Austria under the Enns was undoubtedly concentrated on the centre of Vienna in terms of production, consumption, and distribution. Nevertheless, in the Lower Austrian hinterland, regional media locations developed in the late 17th and early 18th century which were not insignificant as a production and industrial location for the imperial capital. For example, several paper mills existed in the Lower Austrian hinterland, with the Quarter over the Manhartsberg (today’s “Waldviertel”) and the Quarter under the Wienerwald (today’s “Industrieviertel”) in particular emerging as significant regions. The Lower Austrian towns of Krems, Retz, Horn, and Wiener Neustadt emerged in the course of the 18th century as regional printing locations. Post offices, inns and taverns, and weekly and annual markets functioned as important communication and information hubs. The flying and stationary book trade supplied the early modern media public with both ad-hoc and periodical printed works. Keywords: printers and publishers, censorship, printing privileges, media system, news

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Buning, Marius. "Promoting Technical Knowledge. Printing Privileges and Technical Literature in the early Dutch Republic." In Le livre technique avant le xxe siècle. CNRS Éditions, 2017. http://dx.doi.org/10.4000/books.editionscnrs.27787.

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Ricketson, Sam, and Jane C. Ginsburg. "The Development of International Copyright Relations." In International Copyright and Neighbouring Rights. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0001.

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This chapter traces the development of international copyright relations. Although the legal theories underlying copyright protection differ greatly from country to country, the origins of this form of protection in each are strikingly similar: the grant of exclusive printing rights or privileges which were made to printers and booksellers by national authorities soon after the introduction of printing in Europe in the late fifteenth and early sixteenth centuries. The chapter then looks at the Act of Anne in the UK, which granted to authors and their assigns a short period of statutory protection for their books, as well as French copyright law. Despite the broad similarities, great differences still remained between the provisions of the various national copyright laws. The chapter provides a brief comparative survey of these national measures, considering the kinds of works protected, the duration of protection, the rights recognized, the restrictions on the exercise of these rights, and the formalities required for protection. It also addresses the problem of international piracy of foreign works.

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Lewinski, Silke von. "Reasons for the Shift Towards the Trade Context." In International Copyright Law and Policy. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199207206.003.0016.

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Abstract From the very beginning of copyright protection, when the emergence of printing techniques triggered the system of privileges, technical developments have resulted in the emergence of new kinds of works and new kinds of uses which have provoked the adaptation of existing laws in the field. The extent of the technical progress that has taken place since the last revision of the Berne Convention and the adoption of the Rome Convention has inevitably had repercussions on copyright and neighbouring rights laws. Examples have included: the emergence of cable (re)transmission and satellite broadcasting; the improvement of reproduction techniques available even to consumers (offering better quality, greater speed, and more options such as colour reproduction and private audio and audiovisual copying); the emergence of computer programs; and the growing importance of databases.

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White, Paul. "Badius and Textual Culture." In Jodocus Badius Ascensius. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265543.003.0004.

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This chapter is divided into three parts. The first focuses on the first two parts of Varro’s definition of the role of the grammarian: lectio and enarratio. It shows how Badius used figurative language to conceptualize these roles, paying particular attention to the symbolism of initiation and sacred mystery, and to concepts of copia and excess. The second looks at emendatio and iudicium. This section incorporates an account of Badius’s attitudes towards textual scholarship and editing, and examines the medical and bodily metaphors he used to characterize this work. The third part considers the ways in which Badius presented and conceptualized the various aspects of the printing process: from patronage and the acquisition of exemplars to the issuing of privileges. In this domain Badius used figurative language grounded in concepts of property and theft, friendship and sociability, and familial relations.

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