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Articles de revues sur le sujet « Public defenders – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Kobuta, Stepan, and Svitlana Kobuta. "LITERARY WORK OF THE UKRAINIAN GALICIAN LAWYERS AT THE END OF THE XIX – BEGINNING OF THE XX CENTURY." Problems of humanities. History, no. 6/48 (April 27, 2021): 160–79. http://dx.doi.org/10.24919/2312-2595.6/48.228477.

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Summary. The purpose of the article is to analyse literary heritage of the Ukrainian lawyers who dealt with literature, to present an overview of its sense and essence with their professional work as a background. The paper aims at disclosing different genres of their literary activity, as well as their creative authenticity. The paper sheds light on the personalities whose literary works were long forgotten due to the Soviet propaganda of the former era. The methodology of the research relies on the historic and objective principles. It includes the historical, historical-comparative, biograp

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Aukerman, Jason. "Ray Bradbury’s Abiding Influence." New Ray Bradbury Review, no. 7 (August 27, 2023): 7–14. http://dx.doi.org/10.18060/27567.

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Ray Bradbury’s career spanned seven decades and intersected a remarkable, wide-ranging gamut of American cultural history. He was closely associated with Hollywood, where his stories and books were adapted for feature films and television. Adaptations of his work for network radio broadcasts began in 1946 and continued, both at home and abroad, until three years before his passing in 2012. For more than forty years he adapted dozens of his stories for successful stage runs in Los Angeles and occasionally for national venues. But his influence reached even broader cultural stages, writing for r

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Snigireva, Tatiana A., and Alexey V. Podchinenov. "The Samizdat Generation. Book Review: Rusina, Yu.A. (2019) Samizdat v SSSR: Teksty i Sud’by [Samizdat in the USSR: Texts and Destinies]. St. Petersburg: Aleteyya; Yekaterinburg: Ural Federal University." Tekst. Kniga. Knigoizdanie, no. 26 (2021): 179–89. http://dx.doi.org/10.17223/23062061/26/11.

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Samizdat materials are a huge collection of documents of different genres that can be viewed in the context of the dissident phenomenon in the USSR. Only the latest decade saw the intensive growth of scientific interest to this phenomenon, and, therefore, these historical records require further interpretation and analysis; the latter became the main purposes of the monograph reviewed. The study combines both theoretical and historical aspects of studying Soviet samizdat. The term “samizdat” is understood in its wider sense, not only as fiction prohibited for publication, but also as a product

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А.В., Латонова. "АЛЕКСАНДР I НА ВЕНСКОМ КОНГРЕССЕ ГЛАЗАМИ НЕМЕЦКОЙ ПРЕССЫ". Человеческий капитал 1, № 12(168) (2022): 57–67. http://dx.doi.org/10.25629/hc.2022.12.06.

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Статья посвящена анализу формирования образа российского императора Александра I в немецкоязычной прессе 1814-1815 гг. Исследуются репрезентации Александра I как монарха-победителя, дипломата, а также его повседневные репрезентации в ходе Венского конгресса. На основе анализа источников автор статьи воссоздает тот образ российского императора, который немецкоязычные газетчики хотели преподнести своим читателям в указанный период. При этом отмечается, что они описывали как реальные, так и отчасти вымышленные ситуации, демонстрирующие положительные качества Александра I без опоры на какие-либо ф

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González de la Garza, Luis Miguel. "La crisis de la democracia representativa. Nuevas relaciones políticas entre democracia, populismo virtual, poderes privados y tecnocracia en la era de la propaganda electoral cognitiva virtual, el microtargeting y el Big Data // The crisis of representation: the new political relations between democracy, populism, private powers and technocracy in the era of the information society." Revista de Derecho Político 1, no. 103 (2018): 257. http://dx.doi.org/10.5944/rdp.103.2018.23203.

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Resumen:El trabajo que presentamos trata de contemplar como la erosión del sistema representativo de partidos políticos ha deteriorado gravemente la confianza de los ciudadanos en su efectividad y responsabilidad, hasta el extremo de que nuevos movimientos sociales y políticos propugnen retornar a modelos de democracia directa. Defendemos aquí que ello no es posible, ni deseable precisamente en un momento en el que los nuevos medios técnicos hacen más posible que nunca la aparición de populismos articulados sobre bases tecnológicas que son de una extraordinario peligro para las democracias del

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Đozić, Adib. "Identity and shame – How it seems from Bosniaks perspective. A contribution to the understanding of some characteristics of the national consciousness among Bosniaks." Historijski pogledi 4, no. 5 (2021): 258–88. http://dx.doi.org/10.52259/historijskipogledi.2021.4.5.258.

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The relationship between identity and national consciousness is one of the important issues, not only, of the sociology of identity but of the overall opinion of the social sciences. This scientific question has been insufficiently researched in the sociological thought of Bosnia and Herzegovina, and with this paper we are trying to actualize it. Aware of theoretical-methodological and conceptual-logical difficulties related to the research problem, we considered that in the first part of the paper we make some theoretical-methodological notes on the problems in studying this phenomenon, in or

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Jerelianskyi, P. (Velychko Yu P. ). "Equal among equals. Ukrainian women in historical and cultural context." Aspects of Historical Musicology 17, no. 17 (2019): 33–43. http://dx.doi.org/10.34064/khnum2-17.02.

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The article is an attempt to define a very special role of women in society, inherent in only Ukrainian historical realities. In particular, a somewhat non-trivial approach to the formation of a source base for the study allowed referring to works of fiction. Most attention is paid to the issue of women entering society medium in the times of the Cossacks. Among the conclusions – contrary to national, gender and social oppression for several centuries – Ukrainian women have maintained their commitment to universal human and Christian ideals and virtues. The role and place that women take in th

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Werding, Martin, Hans D. Barbier, and Axel Börsch-Supan. "Zum Problem der Generationengerechtigkeit in den Sozialversicherungen." Zeitschrift für Wirtschaftspolitik 52, no. 2 (2003). http://dx.doi.org/10.1515/zfwp-2003-0204.

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AbstractIn his paper Martin Werding proposes “Public pension entitlements according to the number of children: arguments for an unpopular idea”. Proposals to curtail public pension entitlements for those who have no children, thus shifting the burden involved in pension reform that is necessitated by demographic ageing mainly to this sub-group of insured individuals, are provoking heated debates. Nonetheless, the idea is defended here arguing that unfunded public pensions are essentially based on aggregate human capital investment in which the childless are less engaged than those who have chi

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Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b

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Joseph, Kaela, Tanya Cook, and Alena Karkanias. "“Are You Watching <em>The Godfather</em>?”." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3064.

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Introduction In the film Barbie, Stereotypical Ken “only has a great day if Barbie looks at him”. Ken’s identity is based on Barbie’s approval, that is, until he garners the approval of other Kens by reshaping their collective identities under the patriarchy. The Kens’ patriarchal collective identities are demonstrated in part through their participation in popular-culture fandoms. They mansplain The Godfather and Stephen Malkmus, demand their Barbies be “really invested in the Zack Snyder cut of Justice League”, and sing Matchbox 20’s “Push” at the Barbies “while staring uncomfortably into [t

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Fowles, Jib. "Television Violence and You." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1828.

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Introduction Television has become more and more restricted within the past few years. Rating systems and "family programming" have taken over the broadcast networks, relegating violent programming, often some of the most cutting edge work in television, to pay channels. There are very few people willing to stand up and say that viewers -- even young children -- should be able to watch whatever they want, and that viewing acts of violence can actually result in more mature, balanced adults. Jib Fowles is one of those people. His book, The Case For Television Violence, explores the long history

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Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2657.

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   1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the

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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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Mee, Sharon Jane. "Cinema as Prosthesis: Errol Morris’s Use of the Interrotron in Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1593.

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Errol Morris’s Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. is a documentary made in 1999 that focuses on a designer of execution equipment, Fred A. Leuchter, Jr. It is notable that when filming Mr. Death—specifically, in interviews with Leuchter—Morris used a self-designed system that he calls the Interrotron (a combination of the words “interview” and “terror”). My primary interest lies in how apparatuses—the execution equipment that Leuchter designs, the Interrotron that Morris uses to film Leuchter, and cinema—come to function prosthetically. I argue that the apparatus as a prosth

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Smith, Royce W. "The Image Is Dying." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2172.

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The whole problem of speaking about the end…is that you have to speak of what lies beyond the end and also, at the same time, of the impossibility of ending. Jean Baudrillard, The Illusion of the End(110) Jean Baudrillard’s insights into finality demonstrate that “ends” always prompt cultures to speculate on what can or will happen after these terminations and to fear those traumatic ends, in which the impossible actually occurs, may only be the beginning of chaos. In the absence of “rational” explanations for catastrophic ends and in the whirlwind of emotional responses that are their after-e

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Murphy, Ffion, and Richard Nile. "The Many Transformations of Albert Facey." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1132.

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In the last months of his life, 86-year-old Albert Facey became a best-selling author and revered cultural figure following the publication of his autobiography, A Fortunate Life. Released on Anzac Day 1981, it was praised for its “plain, unembellished, utterly sincere and un-self-pitying account of the privations of childhood and youth” (Semmler) and “extremely powerful description of Gallipoli” (Dutton 16). Within weeks, critic Nancy Keesing declared it an “Enduring Classic.” Within six months, it was announced as the winner of two prestigious non-fiction awards, with judges acknowledging Fa

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