Bibliographies thématiques / Puppet theatre

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Littérature scientifique sur le sujet « Puppet theatre »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 26 juillet 2025

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Articles de revues sur le sujet "Puppet theatre"

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Lazar, Martina Maurič. "Slovenian Puppet Base Jumping." Maska 31, no. 179 (2016): 114–25. http://dx.doi.org/10.1386/maska.31.179-180.114_1.

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The contribution provides a deliberation on the current state of affairs in the field of puppet art in Slovenia. The author of the article is a member of the Ljubljana Puppet Theatre and thus relates her understanding of the state of Slovene puppetry from the subjective viewpoint of a co-creator. The article focuses on understanding the structure of two professional puppet theatres in Slovenia (Ljubljana Puppet Theatre and Puppet Theatre Maribor), as well as independent freelance artists. She stresses the sensitivity in developments in puppetry and care for its comprehensive development.
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McCormick, John. "Dramaturgy for the puppet theatre yesterday and today." Dramaturgias, no. 16 (April 13, 2021): 16–29. http://dx.doi.org/10.26512/dramaturgias16.37472.

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Until the twentieth century notions of dramaturgy were closely bound up with the Poetics of Aristotle, often leaving out of account less ‘regular’ forms from Shakespeare to the melodrama. From the 17th to the 19th century live actors and puppets could be virtually interchangeable, performing the same or similar repertoires. Adaptation of plays from the actors’ theatre was the general rule. Comparatively few authors wrote directly for the puppet stage, and when they did it was usually under special circumstances. In the nineteenth century a juvenile market began to grow, Two main streams in Eur
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TYTARENKO, Yana. "APPLICATION OF EXPRESSIVE MEANS OF PUPPET THEATRE AND OBJECT THEATRE IN PERFORMANCES BASED ON POEMS BY LINA KOSTENKO (KHMELNYTSKYI PUPPET THEATRE “DYVEN”, IVAN FRANKO NATIONAL UNIVERSITY OF LVIV)." Bulletin of the Lviv University. Series of Arts Studies 243, no. 25 (2024): 159–68. https://doi.org/10.30970/vas.25.2024.159-168.

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The article analyses the latest, full-fledged in 2024, trend in the repertoire of professional and student puppet theatres of Ukraine – an address to the works of Lina Kostenko, the outstanding poetess of the generation of the ‘60s (shestydesyatnyky). It can be considered in a broader context as the mastery of puppet theatre groups of poetic works of modern Ukrainian authors – Serhii Zhadan, Oksana Zabuzhko, etc. – whose names have not yet appeared on the posters of this type of theatre, during the full-scale Russian-Ukrainian war. Unlike the segment of the repertoire for children based on pla
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Verdonik, Maja S. "PUPPET THEATRE ADAPTATIONS OF HANS CHRISTIAN ANDERSEN’S STORIES." Detinjstvo L, no. 4 (2024): 44–54. https://doi.org/10.46793/childhood24.4.44v.

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This paper analyses contemporary puppet theatre adaptations of selected Hans Christian Andersen stories. It aims to explore the connection between Andersen’s stories and the puppet theatre, as well as the characteristics of some of these shows to answer the question: what makes the analyzed stories work on the puppet stage? Results of the analysis have shown the connection between the selected stories and puppet theatre in terms of bringing the inanimate to life as a characteristic inherent to puppet theatre, and in the shift to the unreal as a key feature of fantasy stories, which in puppet s
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Waszkiel, Halina. "The Puppet Theatre in Poland." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 164–79. http://dx.doi.org/10.34064/khnum1-51.09.

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Background, problems and innovations of the study. The modern Puppet Theater in Poland is a phenomenon that is very difficult for definition and it opposes its own identification itself. Problems here start at the stage of fundamental definitions already. In English, the case is simpler: “doll” means a doll, a toy, and “puppet” is a theatrical puppet, as well as in French functions “poupée” and “marionette” respectively. In Polish, one word serves both semantic concepts, and it is the reason that most identify the theater of puppets with theater for children, that is a big mistake. Wa
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Rei, Leino. "Tossed on the seas of Visual Theatre: challenges to Puppetry’s survival as an independent discipline." Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas 2, no. 25 (2021): 240–84. http://dx.doi.org/10.5965/2595034702252021240.

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The goal was to understand the current situation and give an overview of Baltic and Nordic countries' puppet theater and puppet theater training traditions and whether and how the puppeteer's profile has changed recently. To get an idea of the trends in this area, the common ground of the different countries, I interviewed theatre makers from Finland, Sweden, Norway, Latvia, Lithuania, and Estonia. The title of this research is "Tossed on the seas of visual theatre: challenges to puppetry’s survival as an independent discipline."To have a wider look at the puppetry, I also did two additional i
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Guidicelli, Carole, Anna Leone, Sara Maddalena, Didier Plassard, Janice Valls-Russell, and Jean Vivier. "On Pulchi Shake and Spear : An interview with Bruno Leone." Cahiers Élisabéthains: A Journal of English Renaissance Studies 117, no. 1 (2025): 128–36. https://doi.org/10.1177/01847678251339181.

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This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creative process, his target audience and his approach to performing abroad. He also explains his work adapting classic authors such as Shakespeare, Cervante
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Stefanova, Kalina. "When drama theatre meets puppetry: How a unique symbiosis brought about distinctive changes in Bulgaria’s theatre." Maska 31, no. 181 (2016): 120–28. http://dx.doi.org/10.1386/maska.31.181-182.120_1.

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The text outlines the unique symbiosis between drama and puppetry that started taking shape on Bulgarian theatre stages in the mid-1990s and gradually became a distinctive new theatre reality that changed the face of Bulgarian theatre. It was created by Alexander Morfov, CREDO Theatre and Stefan Moskov, along with a number of actors – all of them puppet theatre graduates – in their collaboration with the Bulgarian National (and other drama) Theater(s).
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Fisher, Emma. "The symbiotic relationship between puppetry and disability: The emergence of a strong contemporary visual language." Journal of Applied Arts & Health 11, no. 1 (2020): 15–28. http://dx.doi.org/10.1386/jaah_00015_1.

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This article will discuss how the puppet’s body is the perfect vessel to reclaim the voices of those that have been ‘othered’.1 It examines the history of the fractured puppet and the emergence of disability-affirmative puppet theatre in the twenty-first century, exploring the puppet’s ability to fracture, reform and move in new and exciting ways that allow different approaches of expression; these seek to challenge how the body, the puppeteer and the puppet are viewed. I will examine how puppet plays, A Square World, Meet Fred, The Iron Man and my own show Pupa, represent disability through p
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MOLONY, MARTIN G. "‘Oh, This Is More of Stretch’s Show’: Randal Stretch and Puppet Theatre in Eighteenth-Century Ireland." Eighteenth-Century Ireland: Volume 37, Issue 1 37, no. 1 (2022): 91–107. http://dx.doi.org/10.3828/eci.2022.6.

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This article outlines the popularity - and financial success - of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in Dublin’s Capel Street, became the centrepiece for satirical and political commentary of the day. Stretch’s theatre caught the attention of Dean Swift and his circle and is commemorated in satirical verse of the period. For decades, Dubliners used the phrase ‘This is more of Stretch’s Show’ to refer to anything outlandish or incredible. The article underlines the power of the puppet theatre as a satiri
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Thèses sur le sujet "Puppet theatre"

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Lovrič, Sara. "Illusion in Puppet Theatre." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202410.

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Tématem této práce je studium iluze v loutkovém divadle. V první části se pokusím objasnit pojem iluze v umění všeobecně. Hlavním předpokladem je, že umění a iluze jsou dva neoddělitelné pojmy. Iliuze není výsldkem neby výplodem umění, nýbrž nevyhnutelným prostředkem k analýze věcí. Ona neskutečným způsobem pomáhá k prožitku skutečného a neskutečného světa. V tomto prožitku kromě umělce působí také pozorovatel, na jehož schopnosti vnímat umělcovy iluze závisí také samotný účinek této iluze.V divadelním umění se iluze děje v okamžiku a prostoru před očima diváka. Zázrak iluze se uskutečňuje pře
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Sinthuphan, Jirayudh. "Animation in Siamese-Thai puppet theatre." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445455.

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Stoessner, Jennifer Kathleen. "Infecting the Inanimate: Puppet Theatre Responds to Aids." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363614334.

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Kopecká, Aneta. "Divadlo DRAK a jeho vliv na divadlo Spare Parts Puppet Theatre." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96651.

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This diploma thesis is dealing with two theatres: a Czech Puppet theatre called Theatre DRAK and an Australian theatre called Spare Parts Puppet Theatre. The thesis describes the influence of Czech Puppet Theatre at the Australian Puppet Theatre. The first chapter talks about the development of the DRAK Theatre, including the characteristics of chosen plays for the past few years. The next chapter gathers some information about Australian Puppet Theatre general from the 60s of 20th century. The third chapter outlines development of the Spare Parts Puppet Theatre as well as the plays for the pa
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Garrett, Thomas Butler. "The puppet, the cinematic and contemporary visual theatre : principles, practices, logos." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/6390bb62-a47d-4547-b6ee-af1375ec9473.

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This thesis finds inspiration in practitioner academics such as Craig and Meyerhold, and is conceived as a practice-informed research degree, consisting of a written element and a practical element that draw on and inspire each other. That there is value in both practising and analysing an art form is argued, and ‘case studies’ are made of practitioner/theorists at either end of the genealogy traced in the research: both those at the beginning of the 20th century and those at the beginning of the 21st. A case is made for judging the work of artists such as Robert Lepage, Robert Wilson, Complic
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Riley, Josephine. "The articulate figure : a study of presence in the Chinese theatre." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261171.

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Koerner, Ethan. "Voicing an other utilizing puppetry and pageantry for community-based spectacle in America /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1219701727.

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Grant, Ian John. "Shadows, touch and digital puppeteering : a media archaeological approach." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/80919/.

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Aims The practical aim of this research project is to create a multi-touch digital puppetry system that simulates shadow theatre environments and translates gestural acts of touch into live and expressive control of virtual shadow figures. The research is focussed on the qualities of movement achievable through the haptics of single and multi-touch control of the digital puppets in the simulation. An associated aim is to create a collaborative environment where multiple performers can control dynamic animation and scenography, and create novel visualisations and narratives. The conceptual aim
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Quintero, Buffy Serene. "Puppetry and art education: a personal journey." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1063.

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The thesis is an auto-ethnographic study of the author's journey to use puppetry arts as a mode of personal expression. It documents the process of developing; rehearsing; building puppets, props and stage; and performing a puppet performance. The thesis also includes primary source research obtained from an interview with professional puppeteer, Monica Leo, of Eulenspiegel Puppets. The author also describes and reflects upon her experiences teaching an enrichment course on puppetry arts to elementary students. The research highlights ways that puppetry arts can affect students' learning and r
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Morton, David R. "Transcending the inanimate : evoking the sublime in puppet-based performance." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/61775/1/David_Morton_Thesis.pdf.

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This study investigated how contemporary puppet-based theatre can create deeply imaginative experiences for adult audiences. Designed to interrogate the potential effects of double-vision (Tillis, 1992), the theories of the sublime (Kant, 2008; 2003) and the uncanny (Jentsch, 1906; Freud, 1919) were used to create a series of creative guidelines. As practice-led research, the project embraced an iterative approach consisting of two cycles for creative experimentation, and a third for the creation of the final performance work The Harbinger, presented as a part of La Boite Theatre Company’s mai
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Livres sur le sujet "Puppet theatre"

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Vella, Maeve. Theatre of the impossible: Puppet theatre in Australia. Craftsman House, 1989.

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Ayesha, Taslim, and Pakistan National Council of the Arts., eds. Puppets in Pakistan, National puppet theatre. Pakistan National Council of the Arts, 2008.

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Schultz, Terry Louis. Organic puppet theatre. Network Publications, 1989.

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Schultz, Terry Louis. Organic puppet theatre. Network Publications, 1989.

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Schultz, Terry Louis. Organic puppet theatre. Network Publications, 1989.

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Lin, Paul. Asian theatre puppets: Creativity, culture and craftsmanship. Thames & Hudson, 2009.

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Jurkowski, Henryk. Aspects of Puppet Theatre. Edited by Penny Francis. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7.

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Secci, Sergio. Il teatro dei sogni materializzati: Storia e mito del Bread and Puppet theatre. La casa Usher, 2010.

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Brecht, Stefan. Peter Schumann's Bread and puppet theatre. Routledge, 1988.

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Brecht, Stefan. Peter Schumann's Bread and Puppet Theatre. Methuen, 1988.

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Chapitres de livres sur le sujet "Puppet theatre"

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Jurkowski, Henryk. "Literary Views on Puppet Theatre." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_1.

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Jurkowski, Henryk. "Towards a Theatre of Objects." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_2.

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McCormick, John. "The Itinerant Puppet." In The Palgrave Handbook of Theatre and Migration. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20196-7_53.

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Jurkowski, Henryk. "Among Deities, Priests and Shamans." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_10.

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Jurkowski, Henryk. "The Acting Puppet as a Figure of Speech." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_11.

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Jurkowski, Henryk. "Between Literature and Plastic Art." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_3.

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Jurkowski, Henryk. "The Language of the Contemporary Puppet Theatre." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_4.

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Jurkowski, Henryk. "The Sign Systems of Puppetry." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_5.

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Jurkowski, Henryk. "Puppets and the Power of the State." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_6.

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Jurkowski, Henryk. "Eroticism and Puppetry." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_7.

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Actes de conférences sur le sujet "Puppet theatre"

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Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.

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Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models
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BOCA, Vladimir Bogdan. "Ethical perspectives on the representation of sexuality through puppets in theatre performances." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0017.

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In the next article we will try to answer the following questions: What boundaries exist outside the ethical norms of staging the obscene? To what extent can we consider the depiction of sexuality as artistic expression? Can a puppet diminish the vulgarity unwanted by the audience in a sexual scene? How much can be accepted in the representation of sexual intercourse on stage, even if it is to be performed with the help of puppets?
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Mahmutoglu, Vildan. "Memory Shaping in Migration Age: Amal’s Walking." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.9-1.

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Memory forms through visual and auditory perception and experience. Yet, memory studies frequently note that past traumas influence memory and the shaping of memory. Here, studies on past suffering influence the field of memory studies. For example, Huyssen notes that the narratives concerning past trauma not only transfer this past pain but also build memory which will emerge in the future (2018). At the present time, the creation of narratives is increasingly shifting away from large institutions, where short story pieces are gaining a place in general media through their formation as micron
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Hadzantonis, Michael. "Karangiozis in the Shadows: A Linguistic Anthropology of Greece's Shadow Puppetry." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-4.

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The Karangiozi theatre play has existed for centuries in its various forms and across territories. Initially emanating from the Ottoman regions, it entered Greece several centuries prior, and was popularized during Ottoman occupation of Greece. Structured on a system of multilayered symbolisms, the visuals, performances and narratives in Karangiozi present the lead character, Karangiozi, a poor and benevolent man who is frequently oppressed and beaten for his misdoings. The character must contend with the arrogance and comical approaches of other characters, and must support his family, all wh
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Shang, Yu-Fang, and Ya-Chiao Chang. "Reconfiguration and planning of the existing space in the Yunlin hand puppet theatre museum." In 2016 International Conference on Applied System Innovation (ICASI). IEEE, 2016. http://dx.doi.org/10.1109/icasi.2016.7539806.

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Ayala, Susana. "Becoming the Puppeteer: Reflections on Global Language and Culture by Puppetry Students in Yogyakarta, Indonesia." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-6.

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Puppet theater on the island of Java is an ancient art which has maintained some of its characteristics considered traditional, but has also been transforming innovations such as the wayang with hip-hop music among other popular expressions. The art of puppetry has also been institutionalized and is itself a degree program at the National Institute of Arts of Indonesia. In this paper, I show the outcomes of my research among students and shadow puppet art teachers in Java, Indonesia. There are two special characteristics in training puppeteers: The main use of Jawanese language and the develop
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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i
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Tomo, Tito Pradhono, Guillermo Enriquez, and Shuji Hashimoto. "Indonesian puppet theater robot with gamelan music emotion recognition." In 2015 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2015. http://dx.doi.org/10.1109/robio.2015.7418931.

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Maltseva, E. I., S. D. Nikolenko, S. A. Sazonova, and A. A. Venevitin. "RESULTS OF THE TECHNICAL MONITORING OF THE PUPPET THEATER." In Аспекты моделирования систем и процессов. Воронежский государственный лесотехнический университет им. Г.Ф. Морозова, 2022. http://dx.doi.org/10.58168/amsp2022_204-213.

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Ryohei, Egusa, Kusunoki Fusako, Wada Kumiko, Mizoguchi Hiroshi, Namatame Miki, and Inagaki Shigenori. "Evaluation of the puppet theater based on inclusive design method." In the 11th International Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2307096.2307129.

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Rapports d'organisations sur le sujet "Puppet theatre"

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Doe, Connor. Puppet Theater in the German-Speaking World. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.88.

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