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Thèses sur le sujet « Puppet theatre »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 26 juillet 2025

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1

Lovrič, Sara. "Illusion in Puppet Theatre." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202410.

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Tématem této práce je studium iluze v loutkovém divadle. V první části se pokusím objasnit pojem iluze v umění všeobecně. Hlavním předpokladem je, že umění a iluze jsou dva neoddělitelné pojmy. Iliuze není výsldkem neby výplodem umění, nýbrž nevyhnutelným prostředkem k analýze věcí. Ona neskutečným způsobem pomáhá k prožitku skutečného a neskutečného světa. V tomto prožitku kromě umělce působí také pozorovatel, na jehož schopnosti vnímat umělcovy iluze závisí také samotný účinek této iluze.V divadelním umění se iluze děje v okamžiku a prostoru před očima diváka. Zázrak iluze se uskutečňuje pře

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2

Sinthuphan, Jirayudh. "Animation in Siamese-Thai puppet theatre." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445455.

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3

Stoessner, Jennifer Kathleen. "Infecting the Inanimate: Puppet Theatre Responds to Aids." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363614334.

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4

Kopecká, Aneta. "Divadlo DRAK a jeho vliv na divadlo Spare Parts Puppet Theatre." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96651.

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This diploma thesis is dealing with two theatres: a Czech Puppet theatre called Theatre DRAK and an Australian theatre called Spare Parts Puppet Theatre. The thesis describes the influence of Czech Puppet Theatre at the Australian Puppet Theatre. The first chapter talks about the development of the DRAK Theatre, including the characteristics of chosen plays for the past few years. The next chapter gathers some information about Australian Puppet Theatre general from the 60s of 20th century. The third chapter outlines development of the Spare Parts Puppet Theatre as well as the plays for the pa

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5

Garrett, Thomas Butler. "The puppet, the cinematic and contemporary visual theatre : principles, practices, logos." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/6390bb62-a47d-4547-b6ee-af1375ec9473.

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This thesis finds inspiration in practitioner academics such as Craig and Meyerhold, and is conceived as a practice-informed research degree, consisting of a written element and a practical element that draw on and inspire each other. That there is value in both practising and analysing an art form is argued, and ‘case studies’ are made of practitioner/theorists at either end of the genealogy traced in the research: both those at the beginning of the 20th century and those at the beginning of the 21st. A case is made for judging the work of artists such as Robert Lepage, Robert Wilson, Complic

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6

Riley, Josephine. "The articulate figure : a study of presence in the Chinese theatre." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261171.

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7

Koerner, Ethan. "Voicing an other utilizing puppetry and pageantry for community-based spectacle in America /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1219701727.

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8

Grant, Ian John. "Shadows, touch and digital puppeteering : a media archaeological approach." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/80919/.

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Aims The practical aim of this research project is to create a multi-touch digital puppetry system that simulates shadow theatre environments and translates gestural acts of touch into live and expressive control of virtual shadow figures. The research is focussed on the qualities of movement achievable through the haptics of single and multi-touch control of the digital puppets in the simulation. An associated aim is to create a collaborative environment where multiple performers can control dynamic animation and scenography, and create novel visualisations and narratives. The conceptual aim

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Quintero, Buffy Serene. "Puppetry and art education: a personal journey." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1063.

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The thesis is an auto-ethnographic study of the author's journey to use puppetry arts as a mode of personal expression. It documents the process of developing; rehearsing; building puppets, props and stage; and performing a puppet performance. The thesis also includes primary source research obtained from an interview with professional puppeteer, Monica Leo, of Eulenspiegel Puppets. The author also describes and reflects upon her experiences teaching an enrichment course on puppetry arts to elementary students. The research highlights ways that puppetry arts can affect students' learning and r

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10

Morton, David R. "Transcending the inanimate : evoking the sublime in puppet-based performance." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/61775/1/David_Morton_Thesis.pdf.

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This study investigated how contemporary puppet-based theatre can create deeply imaginative experiences for adult audiences. Designed to interrogate the potential effects of double-vision (Tillis, 1992), the theories of the sublime (Kant, 2008; 2003) and the uncanny (Jentsch, 1906; Freud, 1919) were used to create a series of creative guidelines. As practice-led research, the project embraced an iterative approach consisting of two cycles for creative experimentation, and a third for the creation of the final performance work The Harbinger, presented as a part of La Boite Theatre Company’s mai

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11

Christoffersen, Joshua Michael. "Telling stories with pictures : exploring theatrical design." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1568.

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This document will chronicle the theatrical design work of Josh Christoffersen at the University of Iowa from August of 2012 through the spring of 2015. The bulk of the images included will be production photos of realized productions--both large-scale mainstage and smaller independent productions--as well as draftings, paint elevations, and sketches to illuminate the process of the artist. The intent is that this document will stand as a record of the various techniques and tactics used throughout my graduate career to tell a story through design

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12

Silva, Karen Roberta Soares da. "Geografar, alfabetizar com fantoches, é só começar!" reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/38617.

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A presente pesquisa versa sobre a possibilidade ou não da alfabetização geográfica por meio do Teatro de Fantoche como possibilidade de uma prática lúdica, mais envolvente e que permita a autonomia do sujeito em sala de aula. Na coxia buscamos as informações por meio de entrevistas realizadas com sujeitos alunos e professores de terceira série/ano do Ensino Fundamental, em três escolas de Porto Alegre. O Objetivo geral que buscamos foi observar se o lúdico do teatro de Fantoches é uma possibilidade facilitadora da construção do Conhecimento Geográfico. Trabalhamos com a dialógica, a recursivid

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13

Proßowsky, Bjela. "“How to Talk to Dragons” Insights into the Praxis of an Inter-Cultural Shadow Puppet Theatre Play." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22271.

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Cultural diversity in a global community demands our tolerant understanding of one another. Participatory art projects can be instrumental in facilitating equal-footing encounters and creative communication between people from different cultures that transcend language barriers. Used as a methodology for synergistic exchange and exploration, they represent a useful tool for the study and advancement of alternative solutions to development-related themes, particularly where non-verbal communication is either essential or advantageous.This report considers an independent arts-based project, “Ho

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Horváthová, Anežka. "Možnosti podpory, prezentace a zachování kulturního statku "České loutkářství - lidové interpretační umění"." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-205332.

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This thesis reflects the history and contemporary changes of Czech and Slovak puppetry and presents Czech and Slovak legislative framework preceding the inscription of the element on the Representative List of the Intangible Cultural Heritage of Humanity UNESCO. The practical part analyses the process of preparation and implementation of recognition of traditional puppetry as an intangible cultural heritage in the Czech and Slovak Republics and maps the joint efforts of these countries to inscribe the phenomenon on the Representative List of the Intangible Cultural Heritage of Humanity. Based

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15

Maunder, Paul Alan. "For example Rachel Corrie: the role of theatre in, and as, an activist project." Thesis, University of Canterbury. Theatre and Film Studies, 2007. http://hdl.handle.net/10092/982.

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Rachel Corrie was a young American woman who died at the age of twenty-three in Gaza in 2003. She was killed when an Israeli Occupation Force bulldozer ran over her while she was defending a Palestinian house from demolition. Her martyr's death, combined with the force of her descriptions of her experiences as an activist in Palestine, not only provoked response from other activists; it became material for a number of theatrical projects, among them productions by the Royal Court Theatre in London, Bread and Puppet Theatre in the US, and in a production I recently wrote and directed here in Ne

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16

Fraley, Chad David. "Design and Construction of the Audrey II Puppet Series for the Play Little Shop of Horrors." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2030.

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This project's objective was to design and build 4 stages of the Audrey II puppet for the East Tennessee State University production of Little Shop of Horrors (Ashman, 1982). The puppets were to be created with consideration for the production space, budget, and operator ease, along with audience impact. This paper will present the design and construction in a step by step-bystep fashion using illustrations and photographic examples. Each puppet in the series was originally conceived using references to living plants and animals combined with an artistic vision of the designer. The puppets wer

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17

Laura, Joseph. "Rachel's Madcap Theater." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1929.

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This paper will cover the making of my thesis film Rachel’s Madcap Theater. I will break down all of the interdisciplinary aspects and collaborations with other artists that formed the final film: screenwriting, production design, directing, cinematography, sound, music, and special effects. For each of these categories, when appropriate, I will compare and contrast the changes made during the main stages of filmmaking: pre-production (all decisions made before shooting begins), production (all decisions made while shooting the movie), and post-production (all decisions made after shooting end

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18

Zachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.

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19

Liepaitė, Lauryna. "Mitologiniai pasakos "Eglė žalčių karalienė" motyvai ir jų interpretacija Vitalijaus Mazūro lėlių teatre." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130805_101156-36944.

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Baigiamajame magistro darbe apžvelgiami pasakos „Eglė žalčių karalienė“ mitologiniai ir tautosakiniais niuansai, šią pasaką vertina kaip viena svarbiausių lietuvių ir daugelio kitų šalių mitą, kuris apima visą Dievų panteoną, pasakoja žmogaus, vandens ir žemės pradžios istoriją. Šis mitas glaudžiai susijęs su žalčio, kaip šeimos saugotojo ir globėjo kultu, todėl aptinkama daug skirtingų šios pasakos variantų ir tęsinių įvairių kultūrų mitologijoje. Remiamasi tik lietuvių autorių atlikta šios pasakos analize. Pagrindinė pasakos analizė skirta šios pasakos atsiradimo ir dominavimo įvairiose pasa

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20

Kline, Daniel. "Bringing Pocci's "Hansel and Gretel" to America a study and translation of a puppet show /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1211208363.

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21

Mills, Jonathan Charles. "Namiki Sôsuke (1695-1751), dramaturge de l’« âge d'or » du théâtre ningyô-jôruri." Thesis, Paris, INALCO, 2020. http://www.theses.fr/2020INAL0001.

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Namiki Sôsuke (également connu sous le nom de Namiki Senryû, 1695-1751) est considéré comme l’auteur principal des œuvres les plus célèbres de « l’âge d’or » du théâtre de ningyô-jôruri (théâtre de poupées) des années 1740. Les trois chefs-d’œuvre de ce théâtre, Modèle de calligraphie, la tradition secrète de Sugawara (1746), Yoshitsune aux mille cerisiers (1747) et Le Trésor des vassaux fidèles (1748) furent probablement écrits sous sa direction. Ses pièces ont fait l’objet de très peu de recherches en langues occidentales, et à ce jour, il n’existe aucune étude globale de son œuvre. Notre ét

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22

Doe, Connor Bartlett. "Puppet Theater in the German-Speaking World." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/88.

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This work begins with a brief history of puppet theater in Germany. A look at important social aspects, pertinent philosophical discussions and the significance of puppet theater in the German literary tradition follow. The final chapter looks at Peter Schumann, a German puppeteer and artist who lives in America. In Germanistik, German puppet theater deserves a devoted place in the field of legitimate study in terms of its history, content and influence. Puppet theater's historical development in Germany represents the larger evolution of Germany. From ancient times up to the present day, this

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23

Rezzouk, Aurélie. "Exposer le théâtre. De la scène à la vitrine." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040161.

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Pour qui, à quelles fins, et comment exposer le théâtre? L’approche muséologique se veut ici à la fois méthode d’investigation du champ théâtral et éthique du muséal, dont elle envisage les enjeux, les moyens et la portée. L’exposition d’objets de théâtre, vestiges, témoins ou empreintes de la scène, ordonnés dans un parcours et intégrés à un propos, interroge la nature de l’événement scénique et de l’événement théâtral. Elle donne à voir l’objet en instance de signification, sans toutefois l’y réduire. Elle joue, pour ce faire, des affinités autant que des tensions entre présence scénique et

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24

Stoessner, Jennifer Kathleen. "Building American Puppetry on the Jim Henson Foundation." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211816560.

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Deniger, Marcy M. (Marcy Marble). "An Ethnographic Study of the Use of Puppetry with a Children's Group." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc331542/.

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This study utilized an ethnographic methodology to examine and describe the various aspects and processes occurring in a children's group as the members created their own puppets and accompanying puppet plays. Individual and interactive behavior patterns were isolated and analyzed as a means of gaining an in depth understanding of the puppetry process. The puppetry process, in turn, was viewed in terms of information it provided regarding the individual members and the group process. The facilitative and non-facilitative aspects of the procedure were delineated. The adult leader met with a gro

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Hong, Huili, A. Gray, Karin Keith, and Edward J. Dwyer. "Enhancing Reader’s Theatre Through Puppetry." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/987.

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27

Goncarovs, Sarah Beth. "[Re]animate a puppet theater workshop for Silver Spring /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3306.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Gorgati, Roberto Douglas Queiroz. "Arquiteturas do contato : desvios do corpo e do objeto no teatro de animação." Universidade do Estado de Santa Catarina, 2013. http://tede.udesc.br/handle/handle/1265.

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Made available in DSpace on 2016-12-08T16:51:58Z (GMT). No. of bitstreams: 1 ROBERTO.pdf: 518630 bytes, checksum: fbfef8edee4d11a7fc02ede4ec399772 (MD5) Previous issue date: 2013-03-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research discusses the relashionship between body and objects in the Puppet Theatre. To think about these direct and tactile relashionships whith materials and objects, is to think about the act of animation. This act is more than simulation of life in one inanimated object, animation is also transformation. Body and object have their physi

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Tribble, Keith Owen. "European symbolist theater : conventions and innovations /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6647.

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Ratet, Jennifer. "Du littéraire au marionnettique : réécritures de textes littéraires sur la scène marionnettique contemporaine." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30052.

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Une part conséquente de la production marionnettique puise sa matière dans des textes-sources issus de la littérature. Je me suis interrogée sur ce qui distingue ces spectacles de marionnettes des « créations originales ». Cette contribution se veut une analyse des rapports entretenus entre les données textuelles et leurs réappropriations scéniques d’un point de vue technique, thématique et esthétique. Son objectif de recherche est de déterminer s’il existe une poétique de la réécriture du littéraire par le marionnettique. J’ai d’abord construit un corpus de spectacles avec pour critères d’inc

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Salmon, Mary Dwight. "Script training with storybooks and puppets a social skills intervention package across settings for young children with autism and their typically developing peers /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124238875.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xvii, 326 p.; also includes graphics (some col.). Includes bibliographical references (p. 236-244). Available online via OhioLINK's ETD Center

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Kor, Yanna. "Les Théâtres d’Alfred Jarry : l’invention de la scène pataphysique." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30031.

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Associé tout d’abord au cycle Ubu, Alfred Jarry garde une position relativement marginale dans les études du théâtre français de la fin du 19e siècle. Etudié soit dans le cadre de la dramaturgie de l’époque soit comme un précurseur de l’avant-garde théâtrale, il reste l’homme de lettres passionné par le théâtre de marionnettes. Ce travail part de l’ambition de mettre en lumière un autre Jarry, l’homme de plateau, le marionnettiste dont les œuvres littéraires sont guidées par la pratique théâtrale. Une première partie analyse le modèle théâtral de Jarry dans le champ des arts de la scène de l’é

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Gossett, Neeley. "Puppets, politics, and postmodernity : Paula Vogel speaks through theater history /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/gossettn/neeleygossett.html.

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Ballay, Jean-François. "Disparition de l'homme et machinerie humaine sur le scène contemporaine. Denis Marleau, Heiner Goebbels, Jean-François Perret." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030116.

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L’acteur est-t-il l’objet d’une nouvelle mise en cause radicale, un siècle après Maeterlinck, Jarry et Craig ? La discussion prend aujourd’hui une tournure inédite. Il ne s’agit plus d’écarter l’homme de la scène pour le remplacer par une marionnette idéale. Les acteurs artificiels, avatars, robots et autres doubles, semblent désormais pouvoir devenir autonomes. La question n’est pas seulement : qu’est-ce qui manque, lorsque l’acteur manque ? Mais aussi, qu’est-ce qui ne manque pas ? Pour étudier ce sujet, cette thèse s’appuie sur trois œuvres qui ont fait événement à l’orée du XXIe siècle : L

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Stock, Marel Angela. "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2944.pdf.

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Lessing, Petronella. "'n Ondersoek na die integrasie en wisselwerking van die betekenisdraende elemente in poppeteater." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2453.

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Thesis (MDram (Drama))--University of Stellenbosch, 2009.<br>AFRIKAANSE OPSOMMING: In hierdie navorsing word gepoog om die betekenisdraende elemente van poppeteater, naamlik beweging, klank en ontwerp van naderby te ondersoek om vas te stel in watter mate al drie elemente onmisbaar is al dan nie en hoe hierdie elemente op mekaar inspeel. Die semiotiek van beide teater en poppeteater word as agtergrond en teoretiese basis vir die ondersoek bespreek. Binne hierdie elemente word verskillende kernaspekte ondersoek waaronder distorsie, oordrywing en die dubbele aard van die toneelpop as lewelose ob

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Curtis, Richard A. "People, poets, puppets: popular performance and the wong cilik in contemporary Java." Thesis, Curtin University, 1997. http://hdl.handle.net/20.500.11937/2098.

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Many studies have analysed the ways in which the dominant forces of state and capital are shaping contemporary Indonesian political economy, social relations and cultural production. More and more of such studies have evaluated the significance of the "middle class(es)" as a burgeoning social force. Few studies specifically address the social agency of the subordinated classes, the bulk of Indonesia's population, identified as the wong cilik in this study. Only recently have some scholars begun to take seriously the rapid formation of an urban working class as an increasingly important compone

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Fisler, Benjamin Daniel. "The phenomenology of racialism blackface puppetry in American theatre, 1872-1939 /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2464.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Zefferino, Melanie. "Dramatic figures in the Venetian Republic : performance, patronage, and puppets." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/69994/.

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This study offers new insights to the knowledge of Venice`s history and theatre historiography. It is the outcome of an interdisciplinary research investigating the visual and performative culture of this unique context though its representations with dramatic figures from the beginning to the end of its history as a republic. The first chapter offers an insight into Medieval Venice focusing on liturgical drama, mystery plays, and civic ritual with display of movable sculptures and puppets. The second chapter sheds light on the relation between puppetry, the commedia, and different forms of sp

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Ilari, Mayumi Denise Senoi. "Teatro político e contestação no mundo globalizado: o Bread & Puppet Theater na sociedade de consumo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14052008-134439/.

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Criado na cidade de Nova Iorque no início dos anos sessenta, o Bread & Puppet Theater estabeleceu-se em meio à vanguarda artística norte-americana do século XX, tornando-se célebre nas apresentações e paradas de rua em protesto contra a guerra do Vietnã. Quatro décadas de teatro mais tarde, em plena guerra no Iraque, o grupo dirigido por Peter Schumann, agora radicado em Vermont, prossegue com seu teatro de papel-maché, em protesto contra os impérios vis e injustos do mundo globalizado. Esta pesquisa compara o espetáculo Portões do Inferno, último \"Circo de Ressurreição Doméstica\" (1998), es

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Curtis, Richard A. "People, poets, puppets: popular performance and the wong cilik in contemporary Java." Curtin University of Technology, School of Social Sciences and Asian Languages, 1997. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=11257.

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Many studies have analysed the ways in which the dominant forces of state and capital are shaping contemporary Indonesian political economy, social relations and cultural production. More and more of such studies have evaluated the significance of the "middle class(es)" as a burgeoning social force. Few studies specifically address the social agency of the subordinated classes, the bulk of Indonesia's population, identified as the wong cilik in this study. Only recently have some scholars begun to take seriously the rapid formation of an urban working class as an increasingly important compone

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Solberg, Ragnhild S. "Playing Puppets : Agency, Immersion, and the Fictional Realities of Sabbath’s Theater and Portal." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24132.

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Lerman, Mark J. "MOBILE ENCHANTMENT: THE VIRGINIA THEATRE MACHINE LLC, A NEW TWIST ON DRIVE-IN THEATRE." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5337.

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A disassembling of the Virginia Theatre Machine (VTM), LLC and its annual restaging of an adaption of Charles Dickens’ novella, A Christmas Carol. The VTM is a custom-built trailer theater that combines the performance energy of street theater with the magic and wonder of a fully designed theatrical production. I provide a historical context for this 21st century revising of mobile theater that switches the paradigm of the traditional theater experience by bringing the stage to audiences, for free. I draw from critical social and cultural theory to make sense of the audience impact in public

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Kline, Daniel P. "Bringing Pocci’s “Hansel and Gretel” to America: A Study and Translation of a Puppet Show." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1211208363.

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Huang, Yu Ting, and 黃鈺婷. "Research on Hakka Puppetry – Shan Puppet Theatre as an Example." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/n73jj9.

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碩士<br>國立新竹教育大學<br>音樂學系碩士班<br>102<br>This study aims at exploring the existence and operation of Hakka Puppetry in modern society. In the scope of the study, it targets a developing Hakka Puppetry - Shan Puppet Theatre as the main subject. Being applied the methods of fieldwork, participant observation, interview, surveys and data analysis, the study investigates Hakka Puppetry music, repertory, the process and the content of performance, and the contextual denotation of cultural environment. Five Chapters are included in this research. The first Chapter, Introduction, mainly described the mot

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Liu, Yentzu, and 劉晏慈. "A Study of the intercultural Theatre Presented By Taiyuan Puppet Theatre Company." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/69436232146356550359.

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碩士<br>國立臺灣藝術大學<br>戲劇學系<br>100<br>Taiyuan Puppet Theatre Company was established in 2000, which exclusively belonged to Lin Liu-Hsin Puppet Theatre Museum. Numerous performances have accumulated over the years. The company performs traditional puppet while finding new and creative ways to further enhance the beauty of this traditional art. The thesis analyzed Taiyuan Puppet Theatre’s current approaches and the performances of intercultural adaptation, theory and performance achievements include promotion of local characteristic, international collaboration performances, and Innovation of creat

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Lin, Li-Lun, and 林莉倫. "The female puppet master Jiang Si Mei and the study of her puppet theatre company." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/57469933126922315751.

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碩士<br>國立臺北教育大學<br>台灣文化研究所<br>98<br>This thesis is mainly about the life story of the first generation of female puppet master in Taiwan—Jiang Si Mei, and the development history of Si Mei Building puppet theatre company founded by Jiang Si Mei. The thesis includes six chapters, introduction, the historical and cultural aspects of Taiwanese puppet show, the leading character of Taiwanese puppet theatre company—the puppet master, the leading lady in the theatre world—the first female puppet master, Jiang Si Mei, “Like mother, like son”—True Happiness puppet theatre company and New Happiness pupp

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"Vietnamese Water Puppet Theatre: A Look Through The Ages." TopSCHOLAR, 2009. http://digitalcommons.wku.edu/stu_hon_theses/205.

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洪文駿. "A study on marketing strategies for PiLi puppet theatre." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/89167053421184096303.

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Chen, Long-ting, and 陳龍廷. "A Study of Oral Literature in Taiwanese Puppet Theatre." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/65089267573994920569.

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博士<br>國立成功大學<br>台灣文學研究所<br>94<br>This thesis, composed of seven chapters, will explore the oral tradition of puppet theatre (po-te-hì) in Taiwanese. A great deal of effort has been made on Taiwan’s puppet theatre. What seem to be lacking, however, is to understand its problem of language, especially its aspect of oral performance. The puppet theatre is one of traditional folklores, which were once assumed to inevitable decline in Taiwan. It is a miracle that the puppet theatre unceasingly survived and presented Taiwan as a result of the icon election. The campaign “Show Taiwan to the World” la

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