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Littérature scientifique sur le sujet « Santa Margherita (Church : Italy) »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Santa Margherita (Church : Italy)"

Bornstein, Daniel. "The Uses of the Body: The Church and the Cult of Santa Margherita da Cortona." Church History 62, no. 2 (1993): 163–77. http://dx.doi.org/10.2307/3168141.

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Our bodies, like the poor, are always with us. They are the mechanism through which we apprehend the world, and as such—as the inescapable point of contact between subjective consciousness and objective “reality”— the body becomes a primary medium of cultural communication and bearer of cultural meanings. Paradoxically, this is nowhere clearer than in the case of ascetics like Margherita da Cortona, who wage unremitting war on their bodies during their lives and whose bodily remains in consequence are enshrined and revered. It was through her body that Margherita, like other illiterate holy wo

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Matera, Loredana, Raffaele Persico, Edoardo Geraldi, Maria Sileo, and Salvatore Piro. "GPR and IRT tests in two historical buildings in Gravina in Puglia." Geoscientific Instrumentation, Methods and Data Systems 5, no. 2 (2016): 541–50. http://dx.doi.org/10.5194/gi-5-541-2016.

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Abstract. This paper describes a geophysical investigation conducted into two important churches, namely the Cathedral of Santa Maria Assunta and the Church of Santa Croce, both in Gravina in Puglia (close to Bari, southern Italy). The Church of Santa Croce, now deconsecrated, lies below the cathedral. Therefore, the two churches constitute a unique building body. Moreover, below the Church of Santa Croce there are several crypts, which are only partially known. The prospecting was performed both with a pulsed commercial ground penetrating radar (GPR) system and with a prototypal reconfigurabl

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Giorgi, Lara De, Dora Francesca Barbolla, Ivan Ferrari, Francesco Giuri, Chiara Torre, and Giovanni Leucci. "Geophysical Investigation at the Santa Chiara Church in Nardò (Southern Italy)." Heritage 6, no. 3 (2023): 2978–89. http://dx.doi.org/10.3390/heritage6030158.

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The church of Santa Chiara with its adjacent convent, whose foundations date back to the 13th century, is a monastic complex in the city of Nardò in the province of Lecce. The current church was built ex novo between the 17th and 18th centuries under the direction of Bishop Orazio Fortunato. Currently, there is no information about the presence of crypts or burials in the church and in the adjacent area. For this reason, a campaign of geophysical investigations was undertaken using electromagnetic, electrical resistivity and ground-penetrating radar methods. Geophysical investigations were car

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De Giorgi, Lara, Ivan Ferrari, Francesco Giuri, Giovanni Leucci, and Giuseppe Scardozzi. "Integrated Geoscientific Surveys at the Church of Santa Maria della Lizza (Alezio, Italy)." Sensors 21, no. 6 (2021): 2205. http://dx.doi.org/10.3390/s21062205.

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The church of Santa Maria della Lizza is one of the most important examples of medieval architecture in the Salento Peninsula in south Italy. In order to understand the extension and layout of the crypts, integrated ground-penetrating radar (GPR) prospections and laser scanner surveys were undertaken in the church and in the surrounding areas. The analysis of the GPR measurements revealed many anomalies that could be ascribed to unknown structures (crypts), as well as other anomalies related to the old church. The GPR data were supported by the laser scanner data establishing the spatial relat

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Ryde, Jeni. "Church or Museum? The Case of Santa Croce, Florence, Italy." International Journal of the Inclusive Museum 2, no. 2 (2009): 39–50. http://dx.doi.org/10.18848/1835-2014/cgp/v02i02/44265.

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Babilio, Enrico, and Silvana Rapuano. "The Complex Architecture of the Vault System of an Early Medieval Church." Heritage 6, no. 8 (2023): 5779–804. http://dx.doi.org/10.3390/heritage6080304.

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The present work focuses on the solid modeling of the church of Santa Sofia in Benevento, Italy, and is related to a multidisciplinary research project that involved methods typical to both the humanities and mathematical engineering. Starting from the history of the church and its current configuration, a twofold objective is pursued: to give a brief account of the methodology used to analyze and virtualize the main phases of Santa Sofia and to report on the problem of modeling the church vault complex. Indeed, the 3D modeling of the church presented different levels of difficulty with some p

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Imposa, Sebastiano, and Sabrina Grassi. "Georadar survey inside the Santa Maria Maggiore church of Ispica (Sicily-Italy)." Environmental Earth Sciences 73, no. 5 (2014): 1939–49. http://dx.doi.org/10.1007/s12665-014-3542-9.

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Clementi, Francesco, Enrico Quagliarini, Francesco Monni, Ersilia Giordano, and Stefano Lenci. "Cultural Heritage and Earthquake: The Case Study of “Santa Maria Della Carità” in Ascoli Piceno." Open Civil Engineering Journal 11, no. 1 (2017): 1079–105. http://dx.doi.org/10.2174/1874149501711011079.

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Background:In October 2016, two major earthquakes occurred in Marche region in the Centre of Italy, that resulted in widespread damage. The second one strokes Norcia, Visso, Arquata del Tronto, Accumoli and Amatrice, causing a lot of damages to cultural heritage of the cities of Tolentino, San Severino, Camerino and Ascoli Piceno, where the church ofSanta Maria della Caritàis located.Introduction:The church has high historical, architectural and social value for the city of Ascoli Piceno, because it is the only one that is opened to the devotees all time in the day and night. From the structur

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Guadagnuolo, Mariateresa, Giuseppe Faella, Marianna Aurilio, and Mariano Nuzzo. "The Conservation of Sixteenth Century Church Santa Maria of Montedecoro in Maddaloni." Resourceedings 2, no. 3 (2019): 165. http://dx.doi.org/10.21625/resourceedings.v2i3.654.

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Santa Maria of Montedecoro is a sacral complex located in Maddaloni, in the south of Italy, and is one of the most important historical monuments of the city. Built in the sixteenth century, the monastic organism consists of an aggregate structure, including the church dedicated to the Virgin Mary, the bell tower which is set back from the church, the sacristy, the parsonage. This paper concerns the analysis of all the degradation phenomena identified in the complex, due to both its deterioration state and structural damage. Particular attention is placed on the bell tower that shows different

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Sfarra, Stefano, Abdelhakim Bendada, Clemente Ibarra-Castanedo, Dario Ambrosini, Domenica Paoletti, and Xavier Maldague. "Santa Maria di Collemaggio Church (L’Aquila, Italy): Historical Reconstruction by Non-Destructive Testing Techniques." International Journal of Architectural Heritage 9, no. 4 (2015): 367–90. http://dx.doi.org/10.1080/15583058.2013.794376.

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Thèses sur le sujet "Santa Margherita (Church : Italy)"

Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.

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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to corre

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Roy, Brian E. "The façade of Santa Maria Novella : architecture, context, patronage and meaning." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34772.

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This thesis is a monograph on the facade of the church of Santa Maria Novella in Florence, Italy. The present appearance of the facade is the result of three building campaigns effected over the period of two centuries (c1300--c1500), and two restorative campaigns conducted in the twentieth century. Each of the three major campaigns is considered in isolation, with attention to reconstructions, formal and comparative analyses, and extensive contextualization and discussion of patronage networks. The twentieth-century interventions are cursorily presented in an epilogue. Major themes developed

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Berk, Bensu. "The Byzantine Church of Santa Croce in Ravenna (Italy): Experimental Investigation on Historic Materials and Monitoring of Rising Damp." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Rising damp is an almost inevitable and hazardous phenomenon for historic buildings. This phenomenon, which already exists in buildings (to a lesser or greater extent), accelerates when faced with disasters that dramatically increase the water content within the building. While researchers are developing new monitoring methods to examine the effects of rising damp on structures effectively, organizations are designing new risk management plans to minimize the impact of disasters to which cultural heritages are exposed. The case study presented in this thesis includes studies carried out in the

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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery'

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Simons, Patricia. "Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their chapel in S. Maria Novella /." Connect to thesis, 1985. http://eprints.unimelb.edu.au/archive/00000836.

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Moretti, Laura. "Dagli Incurabili alla Pietà : le chiese degli ospedali grandi di Venezia tra architettura e musica, 1522-1790 /." Firenze : Olschki, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017044031&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Di, Napoli Beatrice. "Modelling and safety assessment of the Santa Maria Maddalena Church, Ischia, Italy." Master's thesis, 2019. http://hdl.handle.net/1822/62506.

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Dissertação de mestrado em Structural Analysis of Monuments and Historical Constructions<br>The church of Santa Maria Maddalena in Casamicciola Terme, Ischia Island, Italy, represents one of the very rare examples of the particular building technique of the Borbonic Baraccato system, one of the earliest engineered earthquake resisting systems developed in Southern Italy between the 18th and 19th Centuries. Its unicity lies on the materials adopted. It presents Neapolitan yellow tuff-masonry walls embraced in iron frames, while the traditional Baraccato system utilizes embedded timber frame

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Matos, Michael Anton Hahn Cynthia J. "The icon of the Madonna Della Clemenza patronage, placement, purpose /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04102005-191335.

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Thesis (M.A.)--Florida State University, 2005.<br>Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.

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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.

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Livres sur le sujet "Santa Margherita (Church : Italy)"

Balboni, Francesca. Roma riscopre un gioiello: Santa Margherita : porta d'Oriente e d'Occidente. Edizioni dell'Orso, 2008.

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Ciarallo, Annamaria. Federico II a Melfi: Ritrovato il vero volto dell'imperatore. Procaccini, 1994.

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Angela, Acordon, ed. La Basilica di Santa Margherita: Storia ed arte del Santuario di Nostra Signora della Rosa a Santa Margherita Ligure. Borini costruzioni, 2002.

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Tassi, Roberto. Chiesa di Santa Margherita detta "Chiesa di Dante": XI secolo = "Church of Dante" : 11th century. M.I.R., 1996.

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M, Bucci Luca, and Molfino Francesco Zaverino, eds. Il Convento dei cappuccini tra storia e arte: Santa Margherita Ligure. De Ferrari, 2009.

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M, Bucci Luca, and Molfino Francesco Zaverino, eds. Il Convento dei cappuccini tra storia e arte: Santa Margherita Ligure. De Ferrari, 2009.

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Baldini, Carlo. I mille anni della chiesa di Santa Croce a Greve in Chianti: Già di Santa Margherita alla Piana di Mezzola. Tipografia grevigiana, 2002.

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Audenino, Roberta. Le pergamene dei monasteri albesi della Beata Margherita di Savoia e di Santa Caterina: XI-XIV secolo. Società per gli studi storici, archeologicied artistici della Provincia di Cuneo, 2007.

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Dell'Oro, Paola. Chiesa di Santa Margherita in Somadino: Storia e restauri di un gioiello romanico in alta Valsassina. s.n.], 2009.

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Magnolia, Scudieri, De Rosa Stefano, and Florentia mater (Organization), eds. Una chiesa, un popolo, un quadro: Restauro della Crocifissione in Santa Margherita a Saletta di Fiesole. Polistampa, 2002.

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Chapitres de livres sur le sujet "Santa Margherita (Church : Italy)"

Casapulla, Claudia, Thomas Celano, Carlo Rainieri, Giovanni Fabbrocino, and Francesca Ceroni. "On the Dynamic Performance of the Santa Maria Maddalena Church, Ischia Island (Italy): Numerical and Experimental Comparative Analysis." In Lecture Notes in Civil Engineering. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74258-4_45.

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Passuello, Angelo. "Le committenze architettoniche di Atto nella Toscana del XII secolo: uno sguardo d’insieme e un epigono veneto." In Atto abate vallombrosano e vescovo di Pistoia. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0335-7.12.

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The paper deals with the architectural commissions of Atto, during the thirty years in which the religious was first prior general of the Vallombrosani and then bishop of Pistoia (1125-1153). The churches that still have the structure and decorations of the 12th century are particularly analyzed, for example: Santa Maria di Montepiano, San Michele di Plaiano and San Michele di Salvenero in north-western Sardinia, San Paolo a Ripa d'Arno in Pisa and others. Before the year 1140 Atto obtained a relic of san Jacopo the Major, which in 1145 was placed in a chapel in the first two spans of the sout

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Dameron, George. "Case Study I." In A People's Church, edited by Agostino Paravicini Bagliani. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501716768.003.0012.

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This chapter examines a case study on Florence. It explains how Florentine ecclesiastical institutions, communities, and religious traditions played a formative role in the evolution of the commune and the elevation of Florence from minor to major status in Tuscany. Moreover, the evolution of the medieval Florentine Church bears many similarities with ecclesiastical and religious developments elsewhere in medieval Italy and Europe. The chapter looks into the Florentine Church's history about the cultivation of closer relationships between the papacy, Church, and commune. It considers the legac

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Radcliffe, Ann. "The Italian or The Confessional of the Black Penitents." In The Italian. Oxford University Press, 2017. http://dx.doi.org/10.1093/owc/9780198704430.003.0001.

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About the year 1764, some English travellers in Italy, during one of their excursions in the environs of Naples, happened to stop before the portico of the Santa Maria del Pianto, a church belonging to a very ancient convent* of...

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Condoleo, Paola, Luca Pezzoli, and Alberto Taliercio. "The church of Santa Maria Elisabetta in Peia (Italy): From history to structural issues." In Structural Analysis of Historical Constructions: Anamnesis, Diagnosis, Therapy, Controls. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-230.

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Wilhelm, Raymund, and Miriam Wittum. "Errori, reinterpretazioni e riformulazioni. Osservazioni sulle varianti nella tradizione manoscritta della ‘Vita di santa Margarita’ lombarda." In The Church and the Languages of Italy before the Council of Trent. Pontifical Institute of Mediaeval Studies, 2015. http://dx.doi.org/10.1515/9781771103626-007.

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Garozzo, Raissa, Carmelo Pino, Cettina Santagati, and Concetto Spampinato. "Harnessing the Power of Artificial Intelligence for Modelling and Understanding Cultural Heritage Data." In Impact of Industry 4.0 on Architecture and Cultural Heritage. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch015.

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This chapter combines traditional artificial intelligence (AI) concepts, i.e., computational ontologies, with more recent trends, i.e., deep learning for content-based semantic retrieval in Cultural Heritage. More specifically, the proposed AI-empowered system employs computational ontologies for modelling photographs of religious historical buildings. The ontology, besides supporting data-modelling and concept-level annotation, guides a learning process – implemented through Convolutional Neural Network (CNN) – for automated image categorization and retrieval. The whole system has been tested

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Arenghi, Alberto, and Carlotta Coccoli. "Does Pure Contemplation Belong to Architecture? The Denied Ramps at the Church of San Salvatore in the Santa Giulia Museum in Brescia." In Studies in Health Technology and Informatics. IOS Press, 2022. http://dx.doi.org/10.3233/shti220869.

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This paper addresses the issue of balancing the two values underlying the accessibility and conservation of cultural heritage: its use and its protection. These values are often, wrongly, regarded as opposites, or as incompatible. The reason for this contrast originates in the way of understanding ancient architecture and in the value of the relationship between architecture and people. This issue is considered by presenting a recent case concerning the Museum of Santa Giulia in Brescia, a multi-layered complex that preserves evidence ranging from the prehistoric to the contemporary age, house

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"Digital integrated models for the restoration and monitoring of the cultural heritage: The 3D Architectural Information System of the Church of Santa Maria del Carmine in Penne (Pescara, Italy)." In Computational Modelling of Objects Represented in Images III. CRC Press, 2012. http://dx.doi.org/10.1201/b12753-88.

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Actes de conférences sur le sujet "Santa Margherita (Church : Italy)"

Condoleo, Paola, Luca Pezzoli, and Alberto Taliercio. "The church of Santa Maria Elisabetta in Peia (Italy): From history to structural issues." In The 10th International Conference on Structural Analysis of Historical Constructions, SAHC 2016. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-250.

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Casapulla, Claudia, Francesca Ceroni, Carlo Rainieri, L. U. Argiento, P. Arcamone, and Giovanni Fabbrocino. "STRUCTURAL ASSESSMENT OF SANTA MARIA MADDALENA CHURCH IN ISCHIA ISLAND (ITALY) BY EXPERIMENTAL MODAL ANALYSIS UNDER OPERATIONAL CONDITIONS." In 7th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Institute of Structural Analysis and Antiseismic Research School of Civil Engineering National Technical University of Athens (NTUA) Greece, 2019. http://dx.doi.org/10.7712/120119.7040.19382.

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Sfarra, S., A. Bendada, C. Ibarra-Castanedo, D. Ambrosini, D. Paoletti, and X. Maldague. "Discovering the mysteries of the Santa Maria di Collemaggio Church (L''Aquila, Italy) by non-destructive testing techniques." In 2012 Quantitative InfraRed Thermography. QIRT Council, 2012. http://dx.doi.org/10.21611/qirt.2012.127.

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Colica, Emanuele, Giovanni Leucci, Giorgio Rizzo, et al. "GPR and passive seismic investigations in the church of Santa Maria delle Grazie at Campi Salentina (Lecce, Italy)." In 2021 11th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2021. http://dx.doi.org/10.1109/iwagpr50767.2021.9843185.

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Di Napoli, B., M. Ciocci, T. Celano, P. Lourenço, and C. Casapulla. "Calibration of a FEM Model with Complex Geometry: the Case Study of Santa Maria Maddalena Church in Ischia, Italy." In 12th International Conference on Structural Analysis of Historical Constructions. CIMNE, 2021. http://dx.doi.org/10.23967/sahc.2021.042.

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Pajić, Sanja, and Roza G. Damiko. "UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.

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The paper considers the relations between art created on the territory of the Serbian medieval state and Italian painting from the end of the 13th and the first two decades of the 14th century in the context of contemporary historical events, as well as political and family ties between the Angevin, Nemanjić and Árpád dynasties. Representations of standardized forms of rare iconographic solutions appear in the monumental painting in the endowments of King Milutin (1282–1321), spread predominantly in the art at the territory of Serbia and Macedonia. The monumental Mother of God Pelagonitissa wa

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Sfarra, S., C. Ibarra-Castanedo, D. Ambrosini, D. Paoletti, A. Bendada, and X. Maldague. "The use of optical and infrared techniques for the restoration of the frescoes damaged by earthquake: a case study–the fresco of Giacomo Farelli in the Church of Santa Maria della Croce di Roio (L’Aquila, Italy)." In STREMAH 2011. WIT Press, 2011. http://dx.doi.org/10.2495/str110521.

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