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Bibliographies thématiques / Self-portrait / Thèses

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Thèses sur le sujet « Self-portrait »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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1

Letts, Michael. "Self-portrait." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300475353.

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Jugend, Nurit K. "Self-portrait /." May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Foley, Sean Patrick. "A self portrait." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314739094.

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Painter-de, Jonge Mardoe. "A self portrait." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328122393.

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Leiserson, Emily M. "Self-portrait and autobiography." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397642.

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This creative project is a series of self portraits, records of self and the stamp of culture that is placed on the physical body. In the series of prints and handmade books described in these pages, self-portrait provides a vehicle for examining creativity and humanity, self-image as a reflection on women, and autobiography as a means of cultural storytelling.<br>Department of Art

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Baldissera, Julien. "MIRAGE: A SELF PORTRAIT." Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20170.

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Haun, Gregory Cosmo. "The timely self-portrait machine." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/66744.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.<br>Includes bibliographical references (leaves 50-57).<br>This thesis explores the philosophy which underlies the Timely Self-Portrait Machine. The cultural history of the machine, the phenomenon of Television, and the personal history of this project are discussed. Technical information and a functional explanation of The Timely Self-Portrait Machine are provided. A central theme is echoed throughout; essentially, a request is made that the machine be treated by artists and designers as an agent of expressi

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Palumbo, Fiorella <1994&gt. "Francesca Woodman: Unfinished self- portrait." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19556.

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In questo elaborato viene letto e interpretato il lavoro della fotografa americana Francesca Woodman. La sua vita, strettamente legata all’amore per la fotografia, è segnata da una morte prematura e volontaria che non diventa qui l’unica chiave di lettura della sua opera. Al contrario sono i confronti con le opere d’arte che studiò e che amò sin dalla giovane età a diventare un valido supporto per l’interpretazione delle sue fotografie, tanto evocative quanto enigmatiche. Le sue stesse parole, estratte da alcune lettere personali, facilitano la comprensione circa la sua devozione per l’arte t

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Lobos, Victor Andres. "A Self Portrait: "The Embassy of Chile"." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/31118.

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Washington D.C. is a city of multicultural richness difficult to surpass. The huge diversity of languages, cultures, and people found in the city are the bases of its identity. Countless diplomatic missions, international organizations and agencies are a dramatic proof that Washington D.C. is currently the center of the world, the Rome of modern times. To this extent, each country that holds a diplomatic mission strives to make its representation, its presence to the host country, as good as possible. With this in mind, architecture is provided with a great opportunity to showcase the spirit o

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Shininger, Soni. "Portraiture : the self as art." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864932.

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The purpose of this project was to find out what it is about the self that deserves to be depicted in a work of art; what other artists have done in selfportraiture that may help me in my efforts; and what my own contribution to the history of self-portraiture could be. Self-portraiture is significant in its ability to serve as a personal platform to define the artist's life and relationships with society as well as other individuals. Many times selfportraiture becomes a visual self-search to recognize our own characteristics and traits that make us complete individuals. I investigated the his

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Lynn, Meredith Laura. "One-liners." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1014.

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Pratt, Sarah Jane. "Personal memory and the negotiation of identity : a self portrait." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/26143.

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The first section of this paper surveys the differing characteristics of memory, its fragmentary qualities, its constant negotiation within the present, its personalised form and its links to identity-formation and construction. Concepts of continuity, stabilising identity within the present, and their corresponding memory-related problems are discussed. Photographs are looked at in relation to memory as well as for their ability to inform or influence individual identity. References to the multi-faceted information that is unconsciously assimilated from multi-media sources in today's society,

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Heathcote, Christine. "Betende Hande: Albrecht Durer's Self-Portrait as a Gothic Church." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5694.

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In 1508 Albrecht Dürer, famed German printmaker and Nürnberg citizen, was commission by Jakob Heller of Frankfurt to paint a large altarpiece for a new church. The Heller Altarpiece was the second commission of the printer since his training in Venice, Italy (1504-1507) to paint like an Italian master. In order to prepare for such a commission, Dürer spent over a year creating drawings of black ink and white chalk on blue Venetian paper to serve as inspiration for the large painting. However once the painting was complete, the artist held onto these ink and chalk drawings as part of his person

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Mariuzzo, Junior Osvaldo. "Retrato e auto-retrato na obra de Egas Francisco." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284929.

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Orientador: Maria de Fátima Morethy Couto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-17T08:02:11Z (GMT). No. of bitstreams: 1 MariuzzoJunior_Osvaldo_M.pdf: 32441693 bytes, checksum: b23ed459f366d99a2b24d80e27dc321c (MD5) Previous issue date: 2010<br>Resumo: Egas Francisco pinta telas há mais de cinqüenta anos, sustentou-se durante todos esses anos com o dinheiro que recebe pela venda de suas obras e pelo ensino de artes, que por vezes o ajudou a sobreviver. Não é objetivo desse trabalho encaixar todas as peças do e

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Timmons, Jeffrey Wayne. "Theory and Poetry: John Ashbery's "Self-portrait in a Convex Mirror"." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4898.

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This thesis examines John Ashbery's poem "Self-Portrait in a Convex Mirror" and its revision of the traditional distinction between theory and poetry. Drawing a relationship between the poem's subject and the practices of postmodern theoretical discourse, the thesis posits the poem as an artifact of these changes. Creating a context for the poem, these developments not only inform the climate in which Ashbery's poem takes on significance, but, as well, explain the changing nature of literary study. Historical in its approach to the pressures and impulses within this climate of aesthetic produc

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Wilkes, Kerry J. "Itinerary of home." Thesis, Curtin University, 2000. http://hdl.handle.net/20.500.11937/818.

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Embodied in my art practice is the exploration of the relationship between my subjective self as consumer and the material culture of home. As an artist this praxis suggests alternative ways of reconstructing domestic subjectivity (self-portrait) through the formal processes of drawing and cataloguing insignificant collections acquired through 'lived experience'. This analysis utilises Michel de Certeau's concept of bricolage, a 'tactic' of fragmentation that 'makes do with what is at hand' to corrupt the 'proper' space and time of a contemporary productionist society. In the course of develop

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Vardeman, Christopher E. "Me, My Selfie, and I| Personality Traits' Influence on Online Self-Portrait Sharing." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10690904.

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<p> Millions of selfies are posted on social media every day. Past research has attempted to explain this behavior, though inconsistent results have necessitated further investigation. The present study broadened the scope of selfie research by using electronic survey methods in a sample of active social media users to examine the relationships between narcissism, extraversion, purpose in life, prevalence of posting, and two novel constructs: number of selfie drafts taken before final selection, and immediacy of posting after taking a selfie. Higher prevalence was significantly related to grea

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Rowell, Spencer. "An exploration of pathography within phototherapy : an analysis of the photographic self-portrait." Thesis, London Metropolitan University, 2017. http://repository.londonmet.ac.uk/1264/.

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This thesis presents and develops an advanced method of self-exploration for artists. The method, which incorporates the process of self-representation, enables a more authentic identification of the psyche of the artist to be created. The objective of the research is to develop a restorative and valid therapeutic process that artists can apply to achieve further authenticity in terms of the work that they conduct. The process that is developed as a product of this research is an advancement of ‘pathography’, a term used by Sigmund Freud in 1910 in the final chapter of Leonardo da Vinci and a

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19

Lamotte, Clarisse. "Autographie." Thesis, Saint-Etienne, 2014. http://www.theses.fr/2014STET2192.

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AUTOGRAPHIE : écriture de soi par soi. Dessin du sujet par le sujet. Mise en oeuvre de ce regard retourné sur lui-même. Enfin, langage graphique sur l'existence jusqu'à l'oubli de soi.L'autoportrait n'est qu'un point de départ pour un questionnement plus universel. C'est littéralement la mise en oeuvre, et de ce fait la mise en acte, de l'être témoignant aux autres de sa propre conscience. Poignante tentative de mise en lien avec soi-même pour rendre possible le lignage avec autrui. Troublante relation au monde qui nous révèle acteur et spectateur de son infinie révolution ombilicale. Soudaine

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Webster, Andrew. "The Embedded Self-Portrait in Italian Sacred Art of the Cinquecento and Early Seicento." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13006.

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Cases of Italian embedded self-portraiture appear in the sacred art of some of the most renowned artists of the Cinquecento and early Seicento, artists such as Bronzino, Michelangelo, Titian, Tintoretto, and Caravaggio. This thesis first examines the history of the practice from its origins in Quattrocento Florence and Venice then argues that an important development in the function and presentation of embedded self-portraits can be observed as Cinquecento artists experienced broad shifts in religious and cultural life as a result of the Reformation and Counter-Reformation. It also assesses

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Chernobrov, Dmitry. "The portrait of an other : metaphor, stereotype and the drawing self in international perceptions." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7066.

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Arroyo, Roberto. "Retrato y Autorretrato Literario Indígena: Resistencia y Autonomía en las Américas." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18718.

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This dissertation examines how the indigenous subject has been constructed in the Americas and explores the interests of individuals, power groups, and institutions behind these characterizations. Two notions are proposed: literary portrait and self-portrait, as opposing tendencies configuring the indigenous subject. The portrait starts as a Hispanic colonial creation that kidnaps indigenous memory, pillages natural resources and is the basis of stereotypes that still endure. Next, creoles and mestizos' portrait at the birth of Latin American nations shows the indigenous as barbarians or noble

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Wilkes, Kerry J. "Itinerary of home." Curtin University of Technology, School of Art, 2000. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=10139.

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Embodied in my art practice is the exploration of the relationship between my subjective self as consumer and the material culture of home. As an artist this praxis suggests alternative ways of reconstructing domestic subjectivity (self-portrait) through the formal processes of drawing and cataloguing insignificant collections acquired through 'lived experience'. This analysis utilises Michel de Certeau's concept of bricolage, a 'tactic' of fragmentation that 'makes do with what is at hand' to corrupt the 'proper' space and time of a contemporary productionist society. In the course of develop

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Brett, Susan Mae. "Self-portrait and the discovery of the female voice in the writing of Marguerite Duras." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25355.

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Marguerite Duras' earlier works fit readily into the genre of the traditional novel and, like many early works of fiction, are often autobiographical in content. Un Barrage contre le Pacifique (l950), for example, tells the story of her difficult childhood in Indochina where she was raised by a widowed mother. However, with Moderato Cantabile (1958) her writing style changes markedly. The author associates this alteration in style with a crisis in her personal life whereby her writing becomes poetic and the narrative content increasingly abstruse. It is with the writer's experimentation in fi

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Mette, Meghan E. "Icon of Heroic “Degeneracy”: The Journey of Ernst Ludwig Kirchner’s Self-Portrait as a Soldier." Oberlin College Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1462967534.

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Scheffels, Erin L. "Everything is Fine: Self-Portrait of a Caregiver with Chronic Depression and Other Preexisting Conditions." Scholar Commons, 2018. https://scholarcommons.usf.edu/etd/7709.

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This dissertation documents the joys and terrors of caring for my father throughout my twenties and early thirties. The story is autoethnographic and demonstrates the value of narrative research in fostering understandings of self, other, and the world around us. I call this reflexive practice of writing narrative education because as I engaged in it, I learned what it means to care, and how mental health and illness factor into the ways in which care is expressed and provided in my own relationships and beyond. In addition, throughout the story I was a member of the academic community, which

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Fleischer, Ralph Martin. "CREATING STEPHEN, THE ARTIST : Reinterpreting Joyce's Portrait through Analysis of the Narrator." Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-86969.

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A Portrait of the Artist as a Young Man is viewed traditionally by many critics and scholars alike more or less, if not entirely, as Joyce’s autobiographical novel. The identity of the narrator and his relationship to the focalizer and the narrative text are aspects that have thus not been sufficiently examined and explored. An analysis of the passage when Stephen clarifies to himself his relationship to words which makes possible the revelation of his calling as an artist will reveal the intimacy of the narrator and Stephen, indicating they are one and the same. But it will also disclose the

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Pentes, Tatiana. "CRUEL BEAUTY: The articulation of ‘self’, ‘identity’ and the creation of an innovative feminine vocabulary in the self-portrait paintings of Frida Kahlo." Art History & Theory, Arts, University of Sydney, 1999. http://hdl.handle.net/2123/1905.

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Master of Letters (with Merit)<br>The objective of this paper is to examine the self-portrait paintings of Frida Kahlo and to explore the way in which they articulate a ‘self’ and ‘identity’ through creating an innovative feminine vocabulary. The aim of this creative research is to explore the way in which Frida Kahlo represented her sexual subjectivity in the body of self-portraits she produced in her short life time. The self-portraits, some of which were produced in a state of severe physical disability and chronic illness, were also created in the shadow of her famous partner- socialist M

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Pentes, Tatiana. "CRUEL BEAUTY: The articulation of ‘self’, ‘identity’ and the creation of an innovative feminine vocabulary in the self-portrait paintings of Frida Kahlo." Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/1905.

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The objective of this paper is to examine the self-portrait paintings of Frida Kahlo and to explore the way in which they articulate a ‘self’ and ‘identity’ through creating an innovative feminine vocabulary. The aim of this creative research is to explore the way in which Frida Kahlo represented her sexual subjectivity in the body of self-portraits she produced in her short life time. The self-portraits, some of which were produced in a state of severe physical disability and chronic illness, were also created in the shadow of her famous partner- socialist Mexican muralist/ revolutionary Die

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Cailler, Julie. "L'autoportrait en photographie et la mélancolie." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080029.

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Cette recherche s'articule autour de trois pôles : Autoportrait, Photographie et Mélancolie et questionne les enjeux de la mélancolie dans les dispositifs de création des images de soi et de son expression au sein de l'autoreprésentation photographique. La mélancolie est ici pensée comme rapport singulier à l'image de soi, une définition qui prend appui sur des théories de la psychanalyse – bien que notre réflexion demeure esthétique – mais qui s'inscrit aussi dans l'histoire de la mélancolie, une histoire médicale, artistique et philosophique. Le corpus est constitué d'artistes dont le parcou

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Santos, Daniela Maura dos. "Um outro." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285142.

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Orientador: Lygia Arcuri Eluf<br>Acompanha desenhos estruturados em séries: Série 1. cerca de 120 desenhos sem titulo em formato A5, reproduzidos sobre papel canson com caneta hidrografica com 31,4 x 21,5cm e 21,5 x 31,4cm - Série 2. 'rolos' seis faixas de desenho realizado com caneta nanquim sobre sulfite sendo quatro deles destacados: Rolo Mora com 31,5 x 517,5 cm; Rolo 3 graças medindo 30,2 x 534cm; Rolo Theda com 31,5 x 700cm; Rolo japones em nanquim sobre papel japones com 20,32 x 609,6cm - Série 3. 'deslivros' cinco livros, um em tamanho original e outro reduzido, duas versões para o fac

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Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.

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With this dissertation I propose an investigation of how the photographic portrait attempts to construct and confirm identity through the representation of types. Drawing from theoretical texts by Roland Barthes and Robert Sobieszek and engaging with my own process of self-portraiture, as a means of troubling the usual power relations involved between the photographer and the sitter, I will demonstrate the dialectical nature of these roles involved in photographic portraiture. Looking at Pieter Hugo's portraits of judges in Botswana permits me to deal with issues of masquerade and how fashions

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Donnachie, Karen Ann. "The Human Use of the Human Face: The Photographic Self-Portrait in the Age of the Selfie." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/48541.

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Karen Ann Donnachie's research explores the phenomenon of the selfie as a vehicle for the mass projection of self and the effect it has on contemporary notions of identity, society and photography. During her practice-led research, Donnachie created electronic, algorithmic and Internet artworks including self-made and self-programmed ‘selfie’ cameras. This thesis maps the complex genre of the selfie between performance, narcissism, social tic, intrinsic desire for self-projection and a quest for authenticity and human connection.

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Allred, Melanie Kathleen. "The Light of Descartes in Rembrandts's Mature Self-Portraits." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8109.

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Rembrandt's use of light in his self-portraits has received an abundance of scholarly attention throughout the centuries--and for good reason. His light delights the eye and captivates the mind with its textural quality and dramatic presence. At a time of scientific inquiry and religious reformation that was reshaping the way individuals understood themselves and their relationship to God, Rembrandt's light may carry more intellectual significance than has previously been thought. Looking at Rembrandt's oeuvre of self-portraits chronologically, it is apparent that something happened in his lif

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Cailler, Julie. "L'autoportrait en photographie et la mélancolie." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080029.

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Cette recherche s'articule autour de trois pôles : Autoportrait, Photographie et Mélancolie et questionne les enjeux de la mélancolie dans les dispositifs de création des images de soi et de son expression au sein de l'autoreprésentation photographique. La mélancolie est ici pensée comme rapport singulier à l'image de soi, une définition qui prend appui sur des théories de la psychanalyse – bien que notre réflexion demeure esthétique – mais qui s'inscrit aussi dans l'histoire de la mélancolie, une histoire médicale, artistique et philosophique. Le corpus est constitué d'artistes dont le parcou

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Fleck, Débora. "Brás Cubas e o auto-retrato dalém-túmulo." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=577.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Este trabalho pretende examinar como Machado de Assis conseguiu, através da escrita do romance Memórias Póstumas de Brás Cubas, problematizar não apenas este gênero literário, como também o discurso autobiográfico e a própria ficção. Nosso objetivo, portanto, foi analisar o livro dentro do livro, aquele escrito por Brás Cubas, e demonstrar que, através da criação desse artifício, o autor trouxe ao leitor uma discussão relevante sem, no entanto, apresentá-la com ares de tese. Em um primeiro momento, estudamos fundamentalmente os con

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Pinto, Daniel Gomes. "80faces: objeto-Para-outro." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8807.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>O presente trabalho foi desenvolvido a partir do enlace poético teórico feito a partir da análise e produção da obra 80faces, desenvolvida por aquele que se apresenta aqui tanto como autor da obra como pesquisador da mesma. Tal característica proporcionou uma dupla perspectiva que são apresentadas em partes distintas do trabalho, sendo a primeira um aparato teórico referencial e a segunda as anotações e idéias apropriadas por livre demanda do próprio artista pesquisador. As 80faces corresponde a um estudo das fotografias que o ar

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Arnett, Joanne M. "Rogue Gallery." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366636723.

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Harper, Stephen Bryce. "Investigations into Social Game Theory." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/812.

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Investigations into Social Game Theory is a document that describes my two-year exploration of the ritual encapsulated in our societal framework. It discusses the thoughts and processes that accompanied the three bodies of work that led to the creation of my final thesis exhibition.

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Rocco, Patricia. "Performing female artistic identity : Lavinia Fontana, Elisabetta Sirani and the allegorical self-portrait in sixteenth and seventeenth-century Bologna." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99389.

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Artemisia Gentileschi's self-portrait, Allegory of Painting, painted in 1630, has activated a complex discussion of female artistic identity in which performance is tied to concerns with status. This thesis addresses an earlier history of development in allegorical self-portraiture in the work of the sixteenth-century Bolognese artist, Lavinia Fontana, and her seventeenth-century successor, Elisabetta Sirani. I argue that the female artist's negotiation for status was played out in the transformation from a more official mode of self presentation, such as Fontana's Self-Portrait at the Keyboar

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Draper, Jessica Lindiwe. "Being white : Part I: A self-portrait in the third person; Part II: Whiteness in South African visual culture." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:aa3689b2-6d6f-4cc0-8599-9db96a56611d.

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This thesis is concerned with the ways in which whiteness and authenticity are manifested within contemporary visual culture in South Africa. The project begins as an artistic inquiry grounded in autobiography, which becomes an elaborate self-portrait narrated from the distance of the third person. My practice aims to address the trajectories that I am unable to articulate through my theoretical analysis. Through a process of solvent release printing, I explore the dualities of my own identity as African and white in an attempt to counteract the view that one negates the other. Part I attempts

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Tran, Michelle. "Standing in the shadow of the moon : a diaristic encounter with identity through my everyday /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/8531.

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Art and lived experience are the key to my work. Standing in the Shadow of the Moon – A Diaristic Encounter With Identity Through My Everyday is an inquiry into the various possibilities for photography as a diaristic medium that blends the concepts of documentary and tableau photography, whilst exploring my identity. In this mode of expression, my project is an investigation into concepts of self-representation and subjectivity. What does it mean to create an enigmatic series of 'self-portraits' that are focused on those around me, those whom reflect me, but are not me?

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D\'Agostino, Adriana. "A criança e o autorretrato: uma análise da relação da criança de seis anos com o autorretrato." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-191420/.

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A presente pesquisa deu-se a partir do material de arte da Rede Salesiana de Escolas, Galeria de retratos, para alunos do 1º ano do Ensino Fundamental, no ano de 2012. Tem como objeto de investigação a relação entre autorretratos e crianças de seis anos, inserida numa educação contemporânea em Arte. A partir de uma abordagem autobiográfica, apresentam-se as diferentes situações de investigações vivenciadas nas aulas com os alunos, buscando entender como acontecem seus processos expressivos. O trabalho é desenvolvido em três capítulos: o primeiro trata do autorretrato e a relação com a criança.

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Oliveira, Luiz Alberto Pinheiro de. "Lembrar e inventar: o percurso autobiográfico de Lygia Fagundes Telles e Nélida Piñon." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7139.

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Consagradas escritoras brasileiras por suas obras de ficção, na forma de contos, crônicas e romances, Lygia Fagundes Telles e Nélida Piñon se ocuparam também do memorialismo em algum momento de suas carreiras. Lygia Fagundes Telles evitou escrever a sua autobiografia e optou por se autorrepresentar por meio de textos híbridos, em que os gêneros textuais se misturam e a ficção e a memória se amalgamam. Desse modo, a dissertação analisará esses textos que estão presentes nos livros A disciplina do amor (1980), Invenção e memória (2000), Durante aquele estranho chá (2002) e Conspiração de nuvens

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Demirutku, Kursad. "Parenting Styles, Internalization Of Values, And The Self-concept." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608269/index.pdf.

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In the present study, mediating effects of parenting dimensions between parent values and parent-child value similarity were examined along with the relationships between values, value priorities, parent-child value similarity, and self-evaluations. In the first study, Portrait Values Questionnaire (Schwartz, et al., 2001) was adapted to Turkish in a university sample, and its construct validity was investigated together with its psychometric qualities. In the second study, in both high-school and university samples, hypothesized relationships and mediation models were tested in, in which the

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SIRI, FRANCESCA. "L’esperienza estetica di ritratti e autoritratti. Uno studio comportamentale, eye-tracking ed EEG." Doctoral thesis, Università degli studi di Modena e Reggio Emilia, 2020. http://hdl.handle.net/11380/1201003.

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Con la svolta bioculturale, sono fioriti i tentativi di coniugare il sapere e i metodi delle discipline scientifiche con quelle umanistiche. Si tratta di un cammino in bilico tra un vero dialogo interdisciplinare e una retorica multidisciplinare che può portare all’eccessiva semplificazione o neuromania. Il presente elaborato si colloca in questo incerto sentiero con l’aspirazione di seguire un percorso basato sulla conoscenza sia dell’estetica sia delle neuroscienze. L’estetica, in quanto scienza della conoscenza sensibile, e le neuroscienze, basate sulla teoria della simulazione incarnata, m

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Middleton, Margaret Landa. "I Am the Luchadora: Countering Exotification through Printed Installation." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1497018912616689.

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Nishioka, Sayaka. "Sel-f(DESIRES SN#2)100MG." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd_retro/155.

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In this Thesis Sel-f (DESIRES SN#2) 100MG' I will talk about my origin and how my life of living in the United States for 13 years made me become who I am and my concerns. It helped to make me realized why I make and why I have become an artist. While living in the US I realized I was like a frog that's in a well. I began to realized and appreciate my country and its histories and so on. Encountering many people from different walks of life, being able to connect with them and share made me grow a lot and appreciate what I do as an Artist.

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Björsell, Frida. "Teoribildning och bildtolkning som metod för nytänkande : en studie av heteronormativa diskurser med utgångspunkt i konstnären Chaterine Opies fotografi Self-Portrait/Cutting." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-506.

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Syftet med mitt examensarbete är att belysa resonemang rörande normalt respektive onormalt, maktstrukturer, genusfrågor och kommunikationsprocesser, med utgångspunkt i konstnären Catherine Opies fotografi Self-Portrait/Cutting från 1993. Verket rymmer en komplexitet eftersom brottet mot våra heteronormativa föreställningar utrycks så explicit. Det finns en ambivalens och direkthet i verket som fascinerar. De motstridiga läsningarna väcker ett behov av att förstå bilden på ett mer nyanserat sätt. Jag har medvetet valt att studera Self-Portrait utifrån teorier som ligger till grund för många kon

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Katanosaka, Vitor Yugo. "Autorretrato: Fotografia: Reflexão." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/1927.

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Made available in DSpace on 2016-03-15T19:42:59Z (GMT). No. of bitstreams: 1 Vitor Yugo Katanosaka.pdf: 22117962 bytes, checksum: 541b157322fd1165052a8eb1c7a2f8cb (MD5) Previous issue date: 2015-02-24<br>The self-image is a common practice in the history of visual arts, is a search that has always been fascinating to humans. Photograph, a language that does not end, is technique of communication and expression, space for imagination and meaning in materialized picutre. Photography is an image mediation technology, support either for appearance as existence. Photography has an important role

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