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Littérature scientifique sur le sujet « Slaughterhouse-five »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 27 avril 2022

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Articles de revues sur le sujet "Slaughterhouse-five"

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Kavalir, Monika. « Modal structure in Kurt Vonnegut's Slaughterhouse-five ». Acta Neophilologica 44, no 1-2 (31 décembre 2011) : 103–11. http://dx.doi.org/10.4312/an.44.1-2.103-111.

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The article analyses modal structure (tense, polarity) in Kurt Vonnegut's novel Slaughterhouse-Five within the framework of Systemic-Functional Grammar. The analysis of the Mood element shows the prevailing pattern to be past positive; the use of present tenses embodies Vonnegut's specific non-linear concept of time. Similarly, the absence of negative polarity builds the deterministic belief that pervades the novel.
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Chul Won. « Slaughterhouse-Five : The World and the Subjectivity ». New Korean Journal of English Lnaguage & ; Literature 50, no 2 (mai 2008) : 95–111. http://dx.doi.org/10.25151/nkje.2008.50.2.005.

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Khaleel(M.A), Intisar Rashid. « Time Travel in Kurt Vonnegut's Slaughterhouse- Five ». ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no 1 (1 mars 2018) : 89–100. http://dx.doi.org/10.36473/ujhss.v224i1.250.

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For many years, time travel was the stuff of science fiction. This was all just part of the world's imagination until recently. Science authors, among them, Kurt Vonnegut (1922-2007) post-modern American writer, believe that one can travel through time forward or backward asking his memories and stream of consciousness to give sensory impressions of his thoughts and actions, that what Billy did in Vonnegut's Slaughter house- Five (1969). The protagonist Billy Pilgrim finds himself "unstuck in time" jumping between several periods of his life. Travelling between his experiences as a prisoner of war in World War II to his family life in 1950s, and 1960s and his time on Tralfmadorian Planet, Billy has the freedom and ability to travel; he has no control over these transitions. The present study falls into three sections plus a conclusion. The first section deals with the concept of time travel in literature and fiction. Section two presents historical and literary context to Vonnegut's novel. The treatment of time travel concept will be discussed in the third section. Then, the conclusions which sum up the findings of the research.
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Shrestha, Ravi Kumar. « Time Travel in Kurt Vonnegut’s Slaughterhouse-Five ». Patan Pragya 8, no 01 (31 décembre 2021) : 116–24. http://dx.doi.org/10.3126/pragya.v8i01.42426.

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This paper deals with Kurt Vonnegut’s experimentation with his notion of time travel in his experimental and postmodern science fiction Slaughterhouse-Five. This paper deals with some statements of problem such as why does the novelist use the idea of time travel? Why does he deconstruct traditional concept of time, traditional plot and history? To show Billy pilgrim’s time travel, the protagonist and war prisoner of Slaughterhouse at Dresden, the linear plot and mechanical/ traditional concept of time is not suitable, so the non-linear plot and the subjective/relative concept of time has been used. Qualitative research methodology has been used. Hence, the theories of Deconstruction, New Historicism and postmodern concept of time have been used. In this context, theorists such as Hengry Bergson, Albert Einstein, Jean-Francois Lyotard and so on and critics/writers such as Lois Tyson, Jago Morrison, Julie Armstrong, Todd F. Davis, OnurIsik, Daisaku Ikeda and so on have been used.
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Shi, Jing. « On the Postmodern Narrative Techniques in Slaughterhouse-Five ». Theory and Practice in Language Studies 9, no 5 (1 mai 2019) : 553. http://dx.doi.org/10.17507/tpls.0905.09.

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Kurt Vonnegut is admitted as a great master of postmodern writer. Vonnegut’s success is mainly attributed to his unique narrative approaches, various expressive methods and dramatic artistic effects. The application of metafiction is particularly obvious and significant in his novels. Slaughterhouse-Five is one of typical examples of the successful adoption of metafiction. The metafiction of Vonnegut’s style, applied in Slaughterhouse-Five, shows itself in three distinctive approaches—non-linear narrative, collage and parody. Based on postmodern narrative theory, the application of these three distinctive narrative techniques will be analyzed in details in this thesis. The analysis mainly includes the reasons why they are applied in the novel and the functions how they work. The paper is mainly divided into five parts. Relevant information of Vonnegut, postmodern metafiction and previous researches are introduced in the first chapter. After getting better acquainted with basic knowledge, three narrative methods of Vonnegut’s metafiction including non-linear narrative, collage and parody are separately and detailedly analyzed in the following three chapters. Every method applied in the novel deepens the anti-war theme, and then exposes war’s evilness and absurdity further. Finally, the last part is a conclusion which is an emphasis on effects of Vonnegut’s unique narrative techniques.
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Kavalir, Monika. « Kurt Vonnegut's Slaughterhouse-five : a functional grammar perspective ». Acta Neophilologica 39, no 1-2 (1 décembre 2006) : 41–50. http://dx.doi.org/10.4312/an.39.1-2.41-50.

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The paper tries to analyse the style of Kurt Vonnegut's Slaughterhouse-Five with the tool of Hallidayan systemic-functional grammar. Its aim is to explore in what way the syntactic and thematic structure helps construct the sentiment of fatalism and simplicity, and how it reinforces the novel's concept of time.
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Byungjoo Park. « Kurt Vonnegut’s Slaughterhouse-Five : Postmodern Narrative and History Rewriting ». Jungang Journal of English Language and Literature 56, no 4 (décembre 2014) : 135–51. http://dx.doi.org/10.18853/jjell.2014.56.4.007.

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Bring, Ove. « HUMANITARIAN LAW AND LITERATURE : FROM UTOPIA TO SLAUGHTERHOUSE-FIVE ». Yearbook of International Humanitarian Law 10 (décembre 2007) : 3–44. http://dx.doi.org/10.1017/s1389135907000037.

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AbstractThe article identifies humanitarian law related thought in some works of world literature. A starting point is Thomas More'sUtopia(1516). Since Judge T. Meron has dealt extensively with Shakespeare from a similar perspective, the works referred to in the article (exceptUtopia) are all post-Shakespearean. The exposé ends with Kurt Vonnegut'sSlaughterhouse Five(1969) and some dry comments on the bombing of Dresden in that book.
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Jensen, Mikkel. « Janus-Headed Postmodernism : The Opening Lines of SLAUGHTERHOUSE-FIVE ». Explicator 74, no 1 (2 janvier 2016) : 8–11. http://dx.doi.org/10.1080/00144940.2015.1133546.

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van Stralen, Hans. « Slaughterhouse-Five, existentialist themes elaborated in a postmodernist way ». Neophilologus 79, no 1 (janvier 1995) : 3–12. http://dx.doi.org/10.1007/bf00999558.

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Thèses sur le sujet "Slaughterhouse-five"

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Knippel, Mark Jacob 1983. « The Amber of the Moment ». Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11486.

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1 score (vii, 56 p.) Includes one sound recording in AIFF (Audio Interchange File Format)
The Amber of the Moment is a thirteen-minute composition for orchestra. Inspiration for this piece is drawn from two sources: the novel Slaughterhouse Five by Kurt Vonnegut Jr., and my desire to utilize techniques derived from various musical cultures, including Balinese gamelan and African drumming and marimba playing. Although not directly narrative, much of the imagery portrayed in Slaughterhouse Five informed the emotional landscape of the piece. As to the use of techniques from other cultures, my aim is not to merely imitate them, but to utilize them in a manner appropriate to the tradition of orchestral concert music.
Committee in charge: Dr. David Crumb, Chairperson; Dr. Robert Kyr, Member; Dr. Stephen Rodgers, Member
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Kimblad, Niclas. « Slaughterhouse-Five : An Analysis of Billy Pilgrim's Mental Trauma ». Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-62699.

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Kurt Vonnegut’s Slaughterhouse-Five focuses on Billy Pilgrim’s travels through time and his experiences during World War II. More than that, it is a story about the journey of a clearly troubled protagonist whose mental state, best described as broken, is never fully explored in the novel. The aim of this essay is to bring light to the intricacies of Billy’s curious mental state, and to explore the theory that the alien encounters as well as the time travelling that he experiences are the result of Post-Traumatic Stress Disorder that Billy suffers from. This is done by analyzing Billy’s experiences with time travel, emotional numbing, and Tralfamadorians and connecting it to known symptoms and causes of PTSD. The results show that Billy does indeed showcase strong signs of PTSD, which were most likely caused by a combination of childhood experiences and trauma during the war. This PTSD manifests itself through Billy’s time travelling and alien encounters, which are used as a coping mechanism.
Kurt Vonneguts Slakthus 5 fokuserar på Billy Pilgrims resor genom tiden och hans upplevelser under andra världskriget. Ännu mer än det så är det en berättelse om resan av en helt klart besvärad huvudperson vars mentala tillstånd, som bäst kan beskrivas som brutet, aldrig riktigt förklaras i romanen. Syftet med denna uppsats är att skapa en klarhet till förvecklingarna av Billys besynnerliga mentala tillstånd, och att undersöka teorin att utomjordingarna såväl som resorna genom tiden som han upplever är resultat av posttraumatisk stressyndrom som Billy lider av. Detta utförs genom att analysera Billys upplevelser av tidsresor, emotionellt bedövande och Tralfamadorer och ansluta dem till symtomer och orsaker till PTSD. Resultaten visar att Billy visar tydliga tecken på PTSD, som troligen orsakades av en kombination av barndomsupplevelser och trauma under sin tid som soldat. Denna PTSD manifisterar sig genom Billys tidsresor och möten med utomjordingar, som används som en coping mekanism.
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Azevedo, Mail Marques de 1938. « The real and the fantastic worlds in Vonnegut's Slaughterhouse-Five ». reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/23789.

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Resumo: Esta tese analisa o romance Slaughterhouse-Five, de Kurt Vonnegut, através da optica da subversão da realidade pelos elementos do fantástico contidos no texto. Propomo-nos a demonstrar como a ponderação desses elementos pode fornecer subsidios para uma compreensão mais nitida da cosmovisão do autor e do seu processo narrativo, bem como para uma perspectiva que abranja a diversidade de sua categorização crítica. No capitulo introdutorio, alem de estabelecer nossos objetivos, apresentamos uma rapida revisão das tendências divergentes do autor que levaram a classificação de sua obra como ficção cientifica, humor negro, sátira e novela do absurdo. O segundo capitulo, revisa os pontos principais da teoria do fantastico elaborada por Eric Rabkin, embasamento primario de nossa pesquisa, e faz referência a outros estudos, utilizados para expandir e complementar nossa linha principal. Partindo do ponto de vista básico de que o fantastico cria mundos alternativos, através da reversão das regras fundamentais da realidade normativa, nossa analise contrapõe, a partir do terceiro capitulo, o mundo real e o mundo fantastico de Slaughterhouse-Five. Este capitulo examina as novas- regras basicas, tanto de natureza estrutural como estetica, estabelecidas pela narraçao de Vonnegut. O quarto capítulo examina a constituição das personagens principais através dos diferentes papeis que desempenham e sua conseqüente multiplicação de personalidade. O capítulo quinto acompanha o movimento errático do herói, Billy Pilgrim, através do tempo, por meio de um gráfico que registra seus inúmeros deslocamentos. Deste gráfico deduzimos as correntes temporais do romance e os diferentes níveis de tempo, que incluem sua moldura autobiográfica. O capítulo sexto enfatiza a justaposição dos locais da experiência do autor a outros fictíciose a um planeta imaginário, pondo em relevo a interpenetração da realidade e da fantasia. Finalmente, o capítulo sétimo divide a ação em duas linhas narrativas. 0 enredo de Vonnegut examina o desenvolvimento do processo narrativo do autor, em busca de novos meios de expressão. A análise das peregrinações de Billy Pilgrim segue o esquema das aventuras do herói monomítico. A conclusão evidencia que as diversas tendências de Vonnegut podem ser subordinadas ao fantástico, uma vez que todas se baseiam em reversões estruturais. Desse exame também se depreende que a maneira narrativa peculiar do autor e sua cosmovisão podem ser iluminadas pela análise através do fantástico.
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Mills, Mark Spencer. « Interrogating History or Making History ? Vonnegut's Slaughterhouse-Five, DeLillo's Libra, and the Shaping of Collective Memory ». Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1524.pdf.

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Kall, Filip. « ”There is no why” : A Psychoanalytic Approach to Trauma and Delusion in Kurt Vonnegut’s Slaughterhouse-Five ». Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-31429.

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Slaughterhouse-Five by Kurt Vonnegut provides a profound discussion on how the many traumas of war affect the human psyche. The novel’s protagonist, Billy Pilgrim, is a direct witness of many horrific events in World War II, which causes certain life-changing symptoms later in his life. This essay examines the psychological processes of Billy Pilgrim in relation to the traumatic events he experiences in the war. More specifically, Billy’s delusions of supernatural nature are discussed in an attempt to find a connection to the war-trauma. In doing this, the analysis utilizes a psychoanalytic approach to explore the theoretical concepts of trauma and delusion. The essay then identifies certain key moments that are of significance to the development of Billy Pilgrim’s psychological processes and investigates how the different events affect his psyche. Furthermore, Billy’s delusions are discussed to identify their cognitive functions. The analysis finds a clear connection between Billy’s delusions and his trauma, and the essay finds that several of his psychological mechanisms are supported by the corresponding ideas within the psychoanalytic framework. Moreover, a progression of his symptoms is identified and discussed in relation to his experiences in World War II.
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Langdon, Gareth. « A self-conscious Kurt Vonnegut : an analysis of Cat's Cradle, Slaughterhouse-Five and Breakfast of Champions ». Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/6802.

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The works of Kurt Vonnegut stand as seminal in the American literary canon. Looking at three of his most influential novels, namely Cat's Cradle, Slaughterhouse-Five and Breakfast of Champions, this study aims to better understand the mechanisms which inform his fiction. Working chronologically through the novels, the study examines historical context, narrative technique, theoretical underpinnings and the social critique of each novel. Guided by an idea of the postmodern novel the study examines how these elements interact, concluding that by way of what may be considered "simple" yet self-conscious metafiction and prose as well as variations in narrative technique, Vonnegut is able to more accurately convey his opinions on the American situation as well as demonstrate his stance on the role of fiction and the writer in contemporary society. The study also considers closely the role of the reader and the author/reader/text relationship.
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Keegan, Diana Morna Gerrard Dickson. « A study of Camus' notion of the absurd and its mythology in "Catch-22" and "Slaughterhouse-Five" ». Access to citation, abstract and download form provided by ProQuest Information and Learning Company ; downloadable PDF file, 139 p, 2008. http://proquest.umi.com/pqdweb?did=1460433511&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Conklin, Robert Brian. « A fools' parade through three modern American novels : Catch-22, Slaughterhouse-five, and the World according to Garp / ». Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243521288.

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Conklin, Robert Brian. « A fool's parade through three modern Americna novels : Catch-22, Slaughterhouse-Five, and The World According to Garp ». The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243521288.

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Libeg, Nicholas R. « Thus Spoke Billy Pilgrim : Kurt Vonnegut's Nietzschean Thought ». Youngstown State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1391773726.

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Livres sur le sujet "Slaughterhouse-five"

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Kurt, Vonnegut, Ryan North et Albert Monteys. Slaughterhouse-Five. Los Angeles, CA : Boom ! Studios, 2020.

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Smith, Dennis Stanton. Slaughterhouse-five : Notes. Lincoln, Neb : Cliffs Notes, 1997.

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Kurt Vonnegut's Slaughterhouse-five. Woodbury, N.Y : Barron's Educational Series, Inc., 1985.

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Kurt Vonnegut, Jr.'s Slaughterhouse-five. Piscataway, N.J : Research & Education Association, 1996.

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War in Kurt Vonnegut's Slaughterhouse-five. Detroit : Greenhaven Press, 2011.

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Boon, Kevin A. Kurt Vonnegut : Slaughterhouse-five and Cat's cradle. New York : Marshall Cavendish Benchmark, 2012.

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Klinkowitz, Jerome, et Jerome Klinkowitz. Slaughterhouse-five : Reforming the novel and the world. Boston : Twayne Publishers, 1990.

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Kurt, Vonnegut. Slaughterhouse-Five : The Children's Crusade : A Duty-Dance With Death. New York : Dial Press., 2005.

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Kurt, Vonnegut. Slaughterhouse-Five : The Children's Crusade : A Duty-Dance With Death. New York : Dial Press, 2005.

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Kurt, Vonnegut. Slaughterhouse-five, or, The children's crusade : A duty-dance with death. New York : Dell, 1988.

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Chapitres de livres sur le sujet "Slaughterhouse-five"

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Hill, George Roy. « Slaughterhouse-Five ». Dans 100 Science Fiction Films, 135–36. London : British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_67.

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Yuan, Shichao. « Research on Black Humor in Slaughterhouse Five ». Dans Lecture Notes in Electrical Engineering, 781–89. London : Springer London, 2012. http://dx.doi.org/10.1007/978-1-4471-4793-0_100.

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Böker, Uwe, et Frank Kelleter. « Vonnegut, Kurt : Slaughterhouse-Five or The Children's Crusade ». Dans Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18834-1.

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Bring, Ove. « Humanitarian Lawand Literature : From Utopia to Slaughterhouse-Five ». Dans Yearbook of International Humanitarian Law, 3–44. The Hague : T.M.C. Asser Press, 2009. http://dx.doi.org/10.1007/978-90-6704-773-9_1.

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Ferro Milone, Giulia. « Mensch-Tier-Begegnungen in Kurt Vonneguts Roman Slaughterhouse-Five ». Dans Cultural Animal Studies, 241–55. Stuttgart : J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04939-1_15.

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Broer, Lawrence R. « Duty Dance with Death : A Farewell to Arms and Slaughterhouse-Five ». Dans New Critical Essays on Kurt Vonnegut, 167–92. New York : Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100817_10.

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Giannakopoulos, Giorgos. « Out of the Ruins of Dresden : Destructive Plasticity in Kurt Vonnegut’s Slaughterhouse-Five ». Dans Ruins in the Literary and Cultural Imagination, 145–58. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26905-0_9.

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Hicks, Andrew John. « Slaughterhouse-Five ». Dans Posthumanism in the Novels of Kurt Vonnegut, 177–215. Routledge, 2020. http://dx.doi.org/10.4324/9780367521646-10.

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« Religion and Morality in Slaughterhouse-Five by Kurt Vonnegut ». Dans Opposing Censorship in Public Schools, 81–92. Routledge, 1997. http://dx.doi.org/10.4324/9781410601414-13.

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Klinkowitz, Jerome. « The Personal Novels : ‘Slaughterhouse-Five’, ‘Breakfast of Champions’, ‘Slapstick’ and ‘Jailbird’ ». Dans Kurt Vonnegut, 63–82. Routledge, 2019. http://dx.doi.org/10.4324/9780429327056-4.

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