Bibliographies thématiques / Social aspects of Fashion design

Littérature scientifique sur le sujet « Social aspects of Fashion design »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 4 février 2022

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Articles de revues sur le sujet "Social aspects of Fashion design":

Loureiro, Sandra Maria Correia, Inês Costa et Padma Panchapakesan. « A passion for fashion ». International Journal of Retail & ; Distribution Management 45, n^o 5 (8 mai 2017) : 468–84. http://dx.doi.org/10.1108/ijrdm-11-2016-0202.

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Purpose The purpose of this paper is to explore the effect of social influence and individual vanity on passion for fashion of clothes and accessories and the mediating role of exhibitionist tendency. Design/methodology/approach The study was conducted in two phases. The first was exploratory (n=109), using online panel interviews, carried out among a sample of fashion enthusiasts. The quantitative phase (n=425). Shopping mall intercept field survey methodology has been utilised to collect data. Consumers who just completed their shopping and were about to leave the shopping malls were approached by trained interviewers. Findings The content analysis of phase 1 yielded four major aspects and more two aspects less cited that participants seek in posts and online information that motivate them for shopping, such as inspirational outfits, products and brands posted, self-identification with the style, value for money, friends and fashion magazines and runway shows. The findings of phase 2 reveal that the social influence is more important than individual vanity in enhancing the desire to buy and use fashion clothes and accessories. Further, the exhibitionist tendency acts as a mediator between passionate desire for fashion and self-expression word-of-mouth. Originality/value As far as authors know, this is the first attempt to explore the effect of two components of narcissism in fashion context and to analyse the social and individual influence on passionate desire to use fashion.

Neves, Rosiane. « Novas perspetivas : Moda & ; envelhecimento ». Todas as Artes Revista Luso-Brasileira de Artes e Cultura 3, n^o 2 (2020) : 99–112. http://dx.doi.org/10.21747/21843805/tav3n2a7.

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: The present essay intends to make known the social representations of women in old age in the fashion world, with the purpose of understanding this social phenomenon little investigated and of great social relevance. For this study we used a qualitative approach, with sampling of multiple cases, in the Porto Metropolitan Area and of interviewees in Lisbon - Portugal, with the participation of 14 women: elderly women over 65 (consumers) and fashion professionals (fashion design, shopkeeper, dressmaker, social events company) of notorious social recognition. The interviews were conducted based on a semi-structured script, in order to capture the social representations of elderly women and the contribution of fashion professionals in the face of the phenomenon studied. The work includes the following approaches: socio-historical aspects about fashion; the space of women in old age in the fashion world; theoretical assumptions about aging and fashion; methodology used; and, finally, the narratives of women in old age in the Portuguese context. Although elderly women do not understand the phenomenon of fashion in aging, they point out their social representations about fashion in this age group.

Henninger, Claudia Elisabeth, Panayiota J. Alevizou et Caroline J. Oates. « IMC, social media and UK fashion micro-organisations ». European Journal of Marketing 51, n^o 3 (10 avril 2017) : 668–91. http://dx.doi.org/10.1108/ejm-08-2015-0599.

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Purpose This paper aims to analyse the practical applicability of integrated marketing communications (IMC) to micro-organisations operating in the UK’s fashion industry, focusing specifically on the use of online platforms. Design/methodology/approach Qualitative methodological tools including semi-structured interviews, semiotics, Twitterfeed and Facebook analysis are used to examine to what extent micro-organisations apply IMC. Findings The findings suggest that these micro-organisations have a limited understanding of IMC. Although they utilise various channels, including social media, there is a disconnect between reaching the audience, understanding their needs and linking these aspects. External factors influence the use of various communication channels, leading to further fragmentation of sent messages. Research limitations/implications This research focuses on five micro-organisations within the fashion industry and thus may be seen as limited in nature. Whilst implications of the findings are discussed in terms of their impact to the wider industry and other sectors, this needs to be further researched. Practical implications Micro-organisations are underdeveloped in terms of both IMC and social media and require practical advice. Originality/value This study investigates two under-researched areas, IMC in micro-organisations and the use of social media within IMC, thereby moving forward our understanding of IMC in practice.

Gong, Yun. « Design Enriches Life，Life Breeds Fashion ». Journal of Arts and Humanities 5, n^o 11 (19 novembre 2016) : 39. http://dx.doi.org/10.18533/journal.v5i11.1039.

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As society advances and technology changes,fashion design has developed from the initial few exclusive to public demand, and fashion category also covers all walks of life, extends to every area from a single demand to industrialization. Fashion design development, has become an indispensable part of people's lives. Fashion satisfies public demand, reflecting the public interest towards, and designer correctly grasp of fashion and taste of popular motivated the design of continuous innovation to creating new business value, cultural values of the social value of fashion. A precise definition to fashion is hard, cause too broad as it relates to areas, such as products, clothing, entertainment, advertising, decoration, home, fashion is reach into every aspect of our lives. Fashion derived from life elements, convergence elements of era and innovation into your life all over again, this cycle forward and updated, fully embodies the understanding of art and life. Design enriches life, life gave birth to fashion.

Meraviglia, Laura. « Counterfeiting, fashion and the civil society ». Journal of Fashion Marketing and Management 19, n^o 3 (13 juillet 2015) : 230–48. http://dx.doi.org/10.1108/jfmm-06-2013-0084.

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Purpose – The paper deals with counterfeiting, its problems and its effects, analyzing the case of Italy in particular. The purpose of this paper is to underline the scale of the phenomenon and its economic and social impact on the fashion industry and civil society, concentrating on the involvement of organized crime. Lastly, it offers some possible counter-strategies for detecting continual violations and ensuring it spreads no further. Design/methodology/approach – The author uses a multidisciplinary approach to the issue of counterfeiting in the fashion industry; beginning with an economic analysis of the phenomenon and examines its social implications, going deeper into the role of the consumer from a sociological point of view and, from a forensic one, the role of organized crime. Findings – Three things emerge from the analysis of the main features of the connection between counterfeiting, the fashion industry and the consequences for civil society: the size of the phenomenon, the low level of awareness in government and civil society about the seriousness of the problem, and the link with organized crime (and resulting social implications). Social implications – The main social implications of this work concern first the role of consumers, who may vary greatly in the degree of awareness they exercise when buying, and second the close connections between organized crime and the counterfeiting supply chain. Originality/value – Counterfeiting has become a global business. In Italy it has reached huge dimensions and has developed some peculiar aspects, particularly in the fashion industry: this paper brings out these economic, social and criminal aspects. In order to effectively tackle this problem, therefore, it is essential to work out both supply side and demand-side strategies and to strengthen co-operation across national borders, taking steps to control the whole supply chain as well as working to educate consumers.

Henninger, Claudia E., Panayiota J. Alevizou et Caroline J. Oates. « What is sustainable fashion ? » Journal of Fashion Marketing and Management : An International Journal 20, n^o 4 (3 octobre 2016) : 400–416. http://dx.doi.org/10.1108/jfmm-07-2015-0052.

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Purpose The purpose of this paper is to examine what the term sustainable fashion means from the perspective of micro-organisations, experts, and consumers. Design/methodology/approach This research is qualitative in nature, utilising a multi-methods case study approach (semi-structured interviews, semiotics, questionnaires). Grounded analysis was applied to analyse the data. Findings Findings indicate that interpretation of sustainable fashion is context and person dependent. A matrix of key criteria provides the opportunity to find common elements. Research limitations/implications Due to the nature of this research the sample size is limited and may not be generalised. Data were collected in the UK and are limited to a geographical region. Practical implications An important implication is that defining sustainable fashion is vital in order to avoid challenges, such as greenwashing, which were faced in other industries that have a longer history in sustainable practices. Micro-organisations should take advantage of identifying key sustainable fashion criteria, which will enable them to promote their fashion collections more effectively. Social implications The criteria identified provide assurance for consumers that sustainable fashion is produced with social aspects in mind (fair wages, good working conditions). Originality/value The paper proposes a matrix that allows micro-organisations to clearly identify their collections as sustainable.

Brandes, Uta. « Body-Guard Design : Gedner, Violence an Agency ». Cubic Journal, n^o 2 (septembre 2019) : 48–67. http://dx.doi.org/10.31182/cubic.2019.2.017.

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This essay focuses on one of the numerous aspects in design that illustrates the necessity of including gender. It discusses gender identities between subjection and agency within the broad realm of matters, textiles, and fashion. The article exemplarily wanders through various forms of social oppression and exploitation of women in history as well as today, but also offers perspectives of resilience and resistance. Although totally different from each other, they have one phenomenon in common: it is both the body and the material that matters. In the end, the possibility of transforming the social making of objectified and subjectified bodies into fluid identities is discussed.

Fletcher, Kate, et Dilys Williams. « Fashion Education in Sustainability in Practice ». Research Journal of Textile and Apparel 17, n^o 2 (1 mai 2013) : 81–88. http://dx.doi.org/10.1108/rjta-17-02-2013-b011.

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This paper sets out the experiences of and critical reflections on devising and delivering a Masters level fashion education course in sustainability at London College of Fashion, UK. The course, first established in 2008, has been created from a collaborative, participatory and ecological paradigm, and draws on an approach to fashion education that is oriented towards process, action and creative participation in all aspects of the transition to sustainability: social, environmental and economic. This stands in contrast to conventional educational models that concentrate on product or outcome and the preparation of students for economic life. The paper describes the Masters course's broad disciplinary approach and its theoretical framework, drawn from design for sustainability. Through reference to student work, the paper goes on to set out some of the opportunities and challenges that working in this way has presented, including among others; the bridging of epistemological differences at an institutional level; new roles for designers who are working within a framework of sustainability; and emerging ways to visualize the process and practice of sustainability.

Izdebska, Karolina. « Lepsze życie śmieci ? Design i upcykling ». Kultura Popularna 2, n^o 52 (28 décembre 2017) : 31–40. http://dx.doi.org/10.5604/01.3001.0010.7049.

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This paper is written to present the usage of waste materials in modern design. At the beginning the author analyzes the sources of fascination with waste and trash in art. Then the phenomenon from the borderline of ecology, design and high art - upcycling (re-design) is described. Upcycling was introduced as a one of the methods to maintain the environment without doing any harm and to recreate useful products out of waste materials. By changing functions, uses, and meanings of old things designers give the product a new higher value. The author lists the values and advantages of this method and examples of using it in indoor and outdoor spaces and also in fashion. In the summary the social aspects of upcycling are presented.

Gyde, Ciara, et Lisa S. McNeill. « Fashion Rental : Smart Business or Ethical Folly ? » Sustainability 13, n^o 16 (9 août 2021) : 8888. http://dx.doi.org/10.3390/su13168888.

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The research presented here illustrates the spectrum of fashion rental PSS firms and business strategies within the New Zealand fashion rental market. The evidence collected suggests that there is a market for fashion rental; however, this market is underdeveloped in regard to its potential as a benefit exchange medium that encourages alternative consumption practice. This study finds that there is, indeed, enormous potential in PSSs as a means to divert fashion-conscious consumers away from ownership behaviours; however, the current systems fall short of this goal. This study offers a taxonomy to create and develop fashion rental PSSs that achieve central aims of circular economy fashion systems, enhancing the collective, social aspects of access, value-sharing and continuing development of mutual gain within the system. It is anticipated that this taxonomy could be further refined and extended through research in other countries, including those with more established, larger fashion rental organisations. Further, there is potential for action research approaches to the design and analysis of alternative fashion rental PSSs.

Plus de sources

Thèses sur le sujet "Social aspects of Fashion design":

Skov, Lise. « Stories of world fashion and the Hong Kong fashion world ». Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22823682.

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CHATTARAMAN, VEENA. « POST-MODERN FASHION IN INDIA ». University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1029263840.

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Smal, Desiree Nora. « The role of environmental sustainability in a design-driven fashion industry : a South African case study ». Thesis, Cape Peninisula University of Technology, 2016. http://hdl.handle.net/20.500.11838/2269.

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Thesis (DTech (Design))--Cape Peninsula University of Technology, 2016.
This thesis is an investigation into environmental sustainability in the South African fashion industry, with a particular focus on the role of design therein. The fashion and textile industry is a significant contributor to the South African economy and a major user of human and natural resources. It is through the use of resources – natural, constructed and human – that the industry is also supposedly damaging to the natural environment and the people working within it. Notable authors on environmentally sustainable design and, in particular, environmentally sustainable fashion design, seem to suggest that a holistic approach to environmental sustainability is fundamental to the implementation thereof. Design has the ability to direct change, and thus design and designers have the potential to drive holistic sustainable practices in the fashion system.The question this research therefore poses is what the role of environmental sustainability should be in a design-driven approach in the South African fashion industry; interrogated through an exploratory and descriptive case study. The case study consists of three purposively selected sub-units that operate within an environmentally sustainable focus in their fashion businesses, and that design, produce, and retail fashion products. The aim of the research was to explore, through a snapshot of the South African fashion system, the implementation of environmental sustainability in the fashion industry in South Africa, in order to determine what role fashion design practice can have in developing environmental sustainability in the fashion system.The most notable finding of the research highlights the immense difficulty of operating as a fashion business from an environmentally sustainable focus in South Africa due to the lack (and unsuitability) of resources that can be considered environmentally sustainable. The declining textile industry of South Africa makes it either almost impossible, or very costly, to work within an environmentally sustainable framework, and is a major impediment in the implementation of environmental sustainability in praxis. Therefore, those businesses that decide to operate within an environmentally sustainable framework do so because of inherent personal values and ethics.The second aspect identified in the survey of scholarship and underpinned by the findings, is a need for a transformative approach with regard to design praxis and how design praxis can influence consumer eco-consciousness. The research concludes with a recommended framework that suggests a holistic and integrated approach to design-driven environmental sustainability in the South African fashion industry, and elaborates on the role of the fashion designer in the implementation of environmental sustainability in the fashion system. The holistic and integrated approach should extend into fashion design education, requiring a fundamental shift in current fashion design education in South Africa.
University of Johannesburg

Morales, Marina Única Diaz [UNESP]. « Design de moda : o caminho para a sustentabilidade ». Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/89764.

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Made available in DSpace on 2014-06-11T19:24:11Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-07-25Bitstream added on 2014-06-13T18:07:52Z : No. of bitstreams: 1 morales_mud_me_bauru.pdf: 998995 bytes, checksum: 4f949e645e293db5c0a4902ece36da87 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O índice de criminalidade e desocupação e desocupação se faz crescente na cidade de Londrina, no que diz respeito à população de baixa renda, ou seja, famílias que apresentam um rendimento salarial inferior a dois salários mínimos. Diante disso, surge a necessidade de se apresentar alternativas ocupacionais para jovens, buscando o desenvolvimento de um perfil mais adequado para o engajamento social, com o desenvolvimento de habilidades específicas que sirvam de diferencial e de motivação para o futuro profissional. Foi proposto o Projeto Reciclar Recriando a Vida, locado no Centro Social Marista Irmão Acácio de Londrina, utilizando como matéria prima o retraço da indústria do vestuário. Com a finalidade da valorização da vida, promoção da auto-estima, produtos de design de moda foram desenvolvidos. Como resultado desta dissertação, a utilização de recursos de linguagem formulou uma metodologia própria adequando ao perfil dos jovens atendidos. O design de moda, o desenho da figura humana e a linguagem de moda promoveram o desenvolvimento de habilidades que favoreceram as mudanças sócio-culturais, buscando uma identidade, o caminho para a sustentabilidade por meio do design social ou tecnologia social.
Criminal and unemployment indexes are growing in the city of Londrina, concerning low outcome population, or better, families that receive less thantwo salaries a month. Due to this reality, it is necessary to come up with occupation alternatives to the youth, searching for the development of a profile more adequated with their social engagement, and for the development of specific abilities that could motivate and serve as diferrential skills for their professional future. For all these reasons, it was proposed on Marista Irmão Acácio Social Center, at the city of Londrina, the project Reciclar Recriando a Vida. Having as objectives the valorization of life and the promotion of self-esteem, the project worked on the creation of fashion draw products. As a result of this work, the utilization of language resources formulated a particular metodology wich was adequated to the profile of young people wich was attended. The fasion draw, the human body draw and the fashion language promoted the development of abilities that favor the social and cultural trends, the search for a identity and the path to the suitable conditions through social draw or social technology.

Morales, Marina Única Diaz. « Design de moda : o caminho para a sustentabilidade / ». Bauru : [s.l.], 2006. http://hdl.handle.net/11449/89764.

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Orientador: Marizilda Menezes dos Santos
Banca: José Carlos Plácido da Silva
Banca: Henrique A. Cunha Júnior
Resumo: O índice de criminalidade e desocupação e desocupação se faz crescente na cidade de Londrina, no que diz respeito à população de baixa renda, ou seja, famílias que apresentam um rendimento salarial inferior a dois salários mínimos. Diante disso, surge a necessidade de se apresentar alternativas ocupacionais para jovens, buscando o desenvolvimento de um perfil mais adequado para o engajamento social, com o desenvolvimento de habilidades específicas que sirvam de diferencial e de motivação para o futuro profissional. Foi proposto o Projeto Reciclar Recriando a Vida, locado no Centro Social Marista Irmão Acácio de Londrina, utilizando como matéria prima o retraço da indústria do vestuário. Com a finalidade da valorização da vida, promoção da auto-estima, produtos de design de moda foram desenvolvidos. Como resultado desta dissertação, a utilização de recursos de linguagem formulou uma metodologia própria adequando ao perfil dos jovens atendidos. O design de moda, o desenho da figura humana e a linguagem de moda promoveram o desenvolvimento de habilidades que favoreceram as mudanças sócio-culturais, buscando uma identidade, o caminho para a sustentabilidade por meio do design social ou tecnologia social.
Abstract: Criminal and unemployment indexes are growing in the city of Londrina, concerning low outcome population, or better, families that receive less thantwo salaries a month. Due to this reality, it is necessary to come up with occupation alternatives to the youth, searching for the development of a profile more adequated with their social engagement, and for the development of specific abilities that could motivate and serve as diferrential skills for their professional future. For all these reasons, it was proposed on Marista Irmão Acácio Social Center, at the city of Londrina, the project "Reciclar Recriando a Vida". Having as objectives the valorization of life and the promotion of self-esteem, the project worked on the creation of fashion draw products. As a result of this work, the utilization of language resources formulated a particular metodology wich was adequated to the profile of young people wich was attended. The fasion draw, the human body draw and the fashion language promoted the development of abilities that favor the social and cultural trends, the search for a identity and the path to the suitable conditions through social draw or social technology.
Mestre

Patrick, Adele. « A taste for excess : disdained and dissident forms of fashioning femininity ». Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/2012.

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This thesis examines the meanings of forms of fashioned femininity in Britain in the post-war period. Drawing on a range of popular, academic and media texts, the widespread social, political and cultural disdain for the feminised decorative is defined and discussed. Modernist rhetoric and taste, the championing of design austerity, masculinity, bohemianism and appropriations of functional working-class fashioning are shown to be linked to the emergent tastes of Second-Wave feminism. In contrast, fashionings associated with working class and other disdained communities of women, defined here as 'feminine excess', whether in hair, make-up, jewellery or dress is shown to be demonised across historical and contemporary contexts by the arbiters of taste, expressed in key Modernist and feminist texts. Whereas both Modernism and facets of feminism are viewed as occluding and repudiating cultures and forms of working-class femininity, the emergence of queer theories and the rise of camp in popular culture is also critiqued here as ultimately confining discussions of and approbation for fashioned feminine excess to within the ironic discourse of drag. In the absence of research on, in particular working-class women's experiences and dis/pleasures in fashioning femininity, empirical data from female participants discussing their own histories of and tastes in fashioning is analysed alongside memory-work findings. Participants' contributions are discussed in two key chapters that focus on the significance of forms of identification in the self-fashioning of excess, specifically the iconic, excessive model of Dusty Springfield for women and girls growing up in Britain in the 1960s and, secondly, the complex array of meanings of hair and hair fashioning in constructing feminine and feminist selves. Throughout both the significance of class, notions of cultural difference, glamour and other pleasures in the processes of fashioning femininity. In a further chapter an array of media texts are analysed alongside insights generated by research participants focussing on the trope of jewels and jewellery. Desires for, pleasures in and identifications with female stars and Royals through their fashioning of glittering models of excess are charted across an array of popular texts consumed by communities of girls and women. Self-conscious, middle-class tastes for dissident fashioning and ironic appropriations of working-class excesses exemplified in punk or trailer trash vogues are compared to the non-ironic dissidence of Royal Taste, a form of feminine excess exemplified by stars such as Elizabeth Taylor and Shirley Bassey who, it is argued, have usurped the Royal aura in the post war period symbolised in their excessive will to adorn. This thesis concludes with a reflection on the obduracy of discriminatory trashing of working class forms of fashioning femininity and the consequences of this in terms of cultural justice. The hegemony of Modernist taste in paradoxically subordinating and appropriating otherness is critiqued alongside feminist neglect of the productive processes and loci of fashioning. This thesis calls for a re-evaluation of the existing institutional, modernist and feminist demonising of the other, excessive woman, highlights the constructedness of all fashioning and details the cultural value of disdained women's fashioning regimes and tastes.

謝浩麟 et Ho-lun Tommy Tse. « This is not an LV bag : the simulacra of fashion in and beyond the media business in Hong Kong and mainland China ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/206434.

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Fashion is ubiquitous, and it plays a significant role in the contemporary global market, in the creative industries and in urban social space. In the realms of art, history, philosophy and cultural studies, however, fashion is often regarded as a subaltern, peripheral or even unorthodox topic. Hence, this study aimed at remapping the relationships among the interdisciplinary and conflicting notions of fashion, determining which and how fashion theories are applicable to the real fashion industry in a specific place at a particular time, apprehending the nuanced mechanisms involved, and seeking to create a substantial case for the social construction of fashion. In general, the research investigated how the global fashion industry and the print media in Hong Kong appropriate, negotiate and re-create ideas of fashion. The research questioned how and why fashion media personnel represent certain luxury brands as fashionable through textual and visual signs, how they learn and improvise their ideas of fashion at the outset, and how they adapt and negotiate fashion’s meanings. The presentation will be in three parts. First, the literature on interdisciplinary fashion theories, the fashion business and case studies will be reviewed to explain the delicate and unobserved process of fashion communication. An empirical study of fashion marketers’ and media personnel’s perceptions, and their creation and negotiation of fashion meanings will be presented. This involved participant observation and in-depth interviews in two different but highly connected fields: as a fashion reporter in the editorial team of a Hong Kong fashion magazine; and as a marketing assistant in the PR and marketing team of a British luxury accessory brand. The rapport built through the fieldwork facilitated thirty-six in-depth interviews with Hong Kong and mainland Chinese fashion media personnel, including the editors, copywriters, advertising sales managers, graphic designers and photographers of twelve publications; Asian fashion bloggers, marketing personnel from global fashion conglomerates, fashion distributors and consultants from across the Asia-Pacific region. The results demonstrate the complex construction and negotiation of fashion culture(s) in Hong Kong and mainland China (in relation to the West) on the personal, organizational, industry and national levels. Whether and how far Western fashion theories can be applied to Asia’s fashion industry and media business is discussed. The results of this interdisciplinary study elucidate the evolution of the fashion media and fashion meanings in Hong Kong and mainland China since the 1980s, unveiling the unique and little-understood apparatus of Asia’s fashion industry in the global context. The “four myths of fashion” theorized by the researcher explain the conflicting imaginaries and hybridized patterns of fashion—It is at once mainstream and niche; is manifested officially and personally; is preset yet negotiable; is at once commercial and creative; comprises both Western and Asian elements; is communicated both top-down and bottom-up; is uprising or decaying at the same time; goes premium and mass in chorus. They also lead readers to look through the simultaneously constraining and enabling nature of fashion—the fashion simulacra—in the postmodern capitalist world in realistic social setting.
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Sociology
Doctoral
Doctor of Philosophy

Santos, Ana Paula Medeiros Teixeira dos. « Tranças, turbantes e empoderamento de mulheres negras : artefatos de moda como tecnologias de gênero e raça no evento Afro Chic (Curitiba-PR) ». Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2712.

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CAPES
Esta dissertação discute as articulações entre gênero, raça e cultura material na construção dos corpos de mulheres negras que passam pelo processo de transição capilar. A pesquisa está centrada no evento Afro Chic, que acontece em Curitiba e promove ações afirmativas relacionadas ao cabelo crespo e empoderamento de mulheres negras. Percebo esse evento como uma das estratégias da Geração Tombamento, movimento cultural que utiliza a moda e a estética como ferramentas políticas para desconstrução de estereótipos de raça e gênero. A partir de uma análise dos processos históricos ligados à ideologia de branqueamento no Brasil, busco compreender as rejeições e resistências a estética negra no país. Neste evento, me interessam principalmente as oficinas de tranças e turbantes, que ensinam essas técnicas e articulam seu uso à ligação com a cultura afro-brasileira, incentivando um olhar para a diversidade e para o corpo como um todo que é construído por diversos elementos, incluindo a cultura material. A pesquisa é de caráter qualitativo, tendo sido realizada observação participativa na segunda edição do evento, com registro em diário de campo e entrevistas com as facilitadoras das oficinas, com base no método de história oral e história de vida. A partir da teoria de cultura material e dos estudos de interseccionalidade, entendo tranças e turbantes como artefatos de moda e busco compreender como participam do processo de empoderamento de mulheres negras que passam pela transição capilar. Estes artefatos também constroem e desconstroem, marcam gênero e raça nos corpos e, deste modo, argumento que o uso de tranças e turbantes no processo de transição capilar é uma das propostas de “desbranqueamento” dos padrões estéticos no Brasil e estratégia de resistência ao racismo.
This dissertation discusses the articulations between gender, race and material culture in the black women’s bodies construction who undergo the process of hair transition. The research is centered on the Afro Chic event, which happens in Curitiba and promotes affirmative actions related to curly hair and black women’s empowerment. I perceive this event as one of the strategies of the Tombamento Generation, a cultural movement that uses fashion and aesthetics as political tools for the deconstruction of race and gender stereotypes. By an analysis of the historical processes related to the bleaching ideology in Brazil, I try to understand the rejections and resistances of the black aesthetics in the country. In this event, I am interested mainly in the braids and headwraps workshops, which teaches these techniques and articulate their use in connection with the Afro-Brazilian culture, encouraging a look at diversity and for the body as a whole constructed by different elements, including material culture. The research is qualitative, with participatory observation in the second edition of the event, with a field journal and interviews with the facilitators of the workshops, based on the method of oral history and life history. By the theory of material culture and intersectionality studies, I understand braids and turbans as fashionable artifacts and try to understand how they participate in the process of empowering black women who undergo the hair transition. This artifact also construct and deconstruct gender and race in the bodies and, therefore, I argue that the use of braids and turbans in the process of capillary transition is one of the proposals of "unbleaching" of Brazilian aesthetic standards and racism’s resistance strategy.

Zahid, Iqba Muhammad. « Sustainable Fashion Consumption and Consumer Behavior ». Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20715.

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Thesis was carried out to make an estimation of the willingness of consumers to buy the clothes produced under eco-friendly and decent way. Neoclassic demand theory was used and basic idea was to know that either moral effects on a consumer’s individual decision while choosing the products manufactured under friendly environment or not; if yes, then how and how much. Survey method along with choice experiment analysis was used to collect the data. Selected area was Boras Sweden and 50 respondents were considered for the survey. To estimate the degree of willingness of a consumer to pay for a Swan labeled and/or Fairtrade labeled jeans, choice experiments was used. Afterwards, the collected data was used within econometric models. It has been observed from results that consumers were more willing to pay for a Swan labeled and/or Fairtrade labeled jeans than non-labeled jeans. The responsible individuals regarding environment were much more willing to pay for Fairtrade and/or Swan labeled clothes, considering the factor that production does not affect the environment in negative way and it was done under socially acceptable conditions.
Program: Magisterutbildning i Fashion Management

Sun, Yanshu. « Media exposure, self and fashion clothing involvement of Chinese young people : analyses of effect models ». HKBU Institutional Repository, 2013. https://repository.hkbu.edu.hk/etd_oa/15.

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This study develops a complicated analysis model to explore more understanding for fashion communication in Confucian culture background, especially for the latest Chinese fashion. The current study examines theoretical connections between media exposure, some psychological and social variables and fashion clothing involvement in Chinese society within a predictive framework. To better understand the relations between these psychological factors, social norms and fashion clothing involvement, this study also explores several effect models, such as moderation effect, mediation effect and mediated moderation effect. Two studies were conducted using both quantitative and qualitative methods. In the first study, the author collected data through a random sampling survey. To cross-validate the survey findings, a second study adopting the method of group interviews was conducted. Results indicate that fashion clothing involvement is a function of exposing to the media, achievement lifestyle, perception of success, peer influence, cognitive dissonance reduction, and comparing with others. The results also indicate the complicated relations, such as, lifestyle factor moderates the tie between media exposure and fashion clothing involvement; social comparison processes mediates the relationship between media exposure and fashion clothing involvement; self-discrepancy also influences the relationship as a moderator; notably, social comparison mediates the moderation effect from self-discrepancy. Individuals with high levels of self-discrepancy experience more negative emotion from comparing to thin-ideal image in fashion media than those with low levels. Another finding is that traditional media, particularly magazines, are as strong in explanatory power as new media (e.g. website) in the model of fashion communication. Theoretical implications of this study provide an advance in understanding the mechanisms underlying internalization and the use of social norms, furthermore, develop the knowledge of self related theories.

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Livres sur le sujet "Social aspects of Fashion design":

Schwaab, Catherine. Fashion mode d'emploi. [Paris] : Flammarion, 2010.

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Knox, Kristin. Culture to catwalk : How world cultures influence fashion. London : A. & C. Black, 2011.

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Erner, Guillaume. Zhertvy mody ? : Kak sozda︠i︡ut modu, pochemu eĭ sledu︠i︡ut. Sankt-Peterburg : Izd-vo Ivana Limbakha, 2008.

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Erner, Guillaume. Victimes de la mode : Comment on la crée, pourquoi on la suit. Paris : La Découverte, 2003.

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Gradén, Lizette, et Magdalena Petersson McIntyre. Modets metamorfoser : Den klädda kroppens identiteter och förvandlingar. Stockholm : Carlssons, 2009.

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Julien, Mariette, et Michel Dion. Éthique de la mode féminine. Paris : Presses universitaires de France, 2010.

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Cianfanelli, Elisabetta. Lagabbia. Firenze : Polistampa, 2009.

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Vincent, Susan J. The anatomy of fashion : Dressing the body from the renaissance to today. New York : Berg, 2009.

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Pavitt, Jane. Fear and fashion in the Cold War. South Kensington, London : V & A Pub., 2008.

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Museum, Chicago History. Dior : The new look. [Chicago] : Chicago History Museum, 2006.

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Chapitres de livres sur le sujet "Social aspects of Fashion design":

Cilliers, Sarel. « Social Aspects of Urban Biodiversity - An Overview ». Dans Urban Biodiversity and Design, 81–100. Oxford, UK : Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444318654.ch4.

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Nucci, Antonio, et Matthew Hibberd. « Eco-activism, Human-Computer Interaction and Fast Fashion ». Dans Design, User Experience, and Usability : Design for Diversity, Well-being, and Social Development, 519–30. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78224-5_36.

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Agarwal, Shlagha. « Mapping Creative Pedagogies in Fashion Design Education—Fashion Design Program at American University in the Emirates as a Case Study ». Dans Creative Business and Social Innovations for a Sustainable Future, 189–98. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-01662-3_22.

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Freire, Karine. « Strategic Design for Social Innovation In The Fashion System : The Sustainable Fashion Ecosystem Case ». Dans Textile Science and Clothing Technology, 87–103. Singapore : Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1850-5_5.

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Njeru, Sophia N. « Junior Sportspersons Living with Physical Disabilities’ [Dis]Satisfaction Level with Selected Active Sportswear Attributes : Implications for Sustainable Apparel Design for Social Inclusion in Kenya ». Dans Sustainable Design in Textiles and Fashion, 53–83. Singapore : Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2466-7_4.

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Shaikh, Asadullah, Shccraz Ali, Nasrullah Memon et Panagiotis Karampelas. « SOA Security Aspects in Web-based Architectural Design ». Dans From Sociology to Computing in Social Networks, 415–30. Vienna : Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0294-7_22.

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Roth, Camille. « Reconstruction Failures : Questioning Level Design ». Dans Epistemological Aspects of Computer Simulation in the Social Sciences, 89–98. Berlin, Heidelberg : Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-01109-2_7.

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Conti, Giovanni Maria, et Maria Angeliki Panagiotidou. « Social Innovation in Fashion Design : Can Design Provide Opportunities of Inclusion to Refugees in Greece ? » Dans Advances in Industrial Design, 24–31. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51194-4_4.

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Dangschat, Jens S. « Social Aspects of Spatial Planning, Urban Design, and Architecture ». Dans Die Fakultät für Architektur und Raumplanung, 135–40. Wien : Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205202271-026.

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Ouverson, Kaitlyn, Norene Kelly et Stephen B. Gilbert. « Fashion and Technology : Implications for the Social Acceptability of a Wearable Device ». Dans Human-Computer Interaction. User Interface Design, Development and Multimodality, 203–13. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58071-5_16.

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Actes de conférences sur le sujet "Social aspects of Fashion design":

Uliana Perez, Iana, Cleuza Bittencourt Ribas Fornasier et Suzana Barreto Martins. « Essential competences to fashion design practice for sustainability from the perspective of Design Thinking ». Dans Systems & Design : Beyond Processes and Thinking. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3266.

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The production and consumption of clothing products is characterised by rapid and continuous cycles of purchase, use and disposal of clothes, which leads to several environmental and social impacts. In order to change this reality and promote sustainability, this sector has to undergo deep transformations (Fletcher & Grose, 2011). In this context, designers play a significant role. In addition to being in the position of decision-making about materials and methods used in the productive process, the questions raised by sustainability demand design skills (Brown, 2010; Gwilt & Rissanen, 2011; Fletcher & Grose, 2011). However, the role reserved to fashion designers in this context is “more complex than traditional design activities” (Fletcher & Grose, 2011, p. 162). Design practice for sustainability demands different competences from the designer. In view of that, this paper explores the competences in design and fashion design for sustainability, and aims at verifying similarities and differences between them, in order to analyse the knowledge inherent to sustainability through design thinking. The methodology used for the study was deductive, conducted through qualitative exploratory research, outlined by bibliographic research and developed based on several books about design, fashion and sustainability. The identification of the competences took four aspects into account: types of thinking, types of knowledge (know what to do and why), skills (know-how) and attitudes (be willing to do). Design and fashion design competences for sustainability were compiled separately and then compared for similarities and differences. As a result, we found that great part of design competences are important for sustainable practices: approximately 58% of attitudes, 36% of thinking, 58% of knowledges and 41% of design skills are common to sustainable fashion design competences. The comparison shows the importance of attitudes to the work with sustainability – once its addition was significant –, and the need of acquiring specific knowledge of fashion design for sustainability. Research also shows that, for a professional with design competence, the development of thinking and skills needed for working with fashion design for sustainability is easier.DOI: http://dx.doi.org/10.4995/IFDP.2016.3266

Aguiar, Andréa M. « Social Representations in Fashion Consume Culture ». Dans 6th Information Design International Conference. São Paulo : Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-22.

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Ye-zhe, Wu, Sun Li et Le Jia-jin. « G-LMBPNN : A New Fashion Color Prediction Model ». Dans 2010 International Conference on Computational Aspects of Social Networks (CASoN 2010). IEEE, 2010. http://dx.doi.org/10.1109/cason.2010.118.

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« THE PSYCHOLOGICAL EFFECT OF FASHION COLOURS COLLECTIONS AND FASHION ORIGINALITY : AN EXPERIMENT ON FASHION DESIGN PROGRAM STUDENTS ». Dans SOCIOINT 2021- 8th International Conference on Education and Education of Social Sciences. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.46529/socioint.202142.

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Cao, Yumin, Jing Wang et Huaming Peng. « Dunhuang Caisson Patterns in Fashion Design ». Dans 2015 International Conference on Social Science, Education Management and Sports Education. Paris, France : Atlantis Press, 2015. http://dx.doi.org/10.2991/ssemse-15.2015.446.

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Zhijun Rong, Peigen Li, Xinyu Shao et Kuisheng Chen. « Social aspects of collaborative design ». Dans in Design (CSCWD). IEEE, 2008. http://dx.doi.org/10.1109/cscwd.2008.4536989.

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Fernandes, S., J. Lucas, A. Cruchinho et R. Miguel. « Sustainability, social innovation and collaborative economy in fashion design ». Dans The International Conference on Sustainable Smart Manufacturing (S2M). Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742 : CRC Press, 2017. http://dx.doi.org/10.1201/9781315198101-80.

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Guedes, Graca. « ONLINE, LIFELONG LEARNING FOR A SUSTAINABLE FASHION DESIGN ». Dans 6th SWS International Scientific Conference on Social Sciences ISCSS 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscss.2019.4/s13.044.

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Suhartini, Ratna, Yulistiana, Urip Wahyuningsih, Luthfiyah Nurlaela, Elizabeth Titik Winanti et Euis Ismayanti. « Development of Diploma 4 Fashion Design Curriculum ». Dans 2nd International Conference on Social, Applied Science, and Technology in Home Economics (ICONHOMECS 2019). Paris, France : Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200218.054.

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Moradi, Parisa, Ricardo Sosa et Amabel Hunting. « The Social Aspects of Companion Robots ». Dans Design Research Society Conference 2020. Design Research Society, 2020. http://dx.doi.org/10.21606/drs.2020.208.

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Rapports d'organisations sur le sujet "Social aspects of Fashion design":

Chen, Chanjuan, et Kendra Lapolla. Style Studies : Adopting Personas in Fashion Design Pedagogy through Use of Social Media Web Applications with Real Consumers. Ames : Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-291.

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DeJaeghere, Joan, Vu Dao, Bich-Hang Duong et Phuong Luong. Inequalities in Learning in Vietnam : Teachers’ Beliefs About and Classroom Practices for Ethnic Minorities. Research on Improving Systems of Education (RISE), février 2021. http://dx.doi.org/10.35489/bsg-rise-wp_2021/061.

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Global and national education agendas are concerned with improving quality and equality of learning outcomes. This paper provides an analysis of the case of Vietnam, which is regarded as having high learning outcomes and less inequality in learning. But national data and international test outcomes may mask the hidden inequalities that exist between minoritized groups and majority (Kinh) students. Drawing on data from qualitative videos and interviews of secondary teachers across 10 provinces, we examine the role of teachers’ beliefs, curricular design and actions in the classroom (Gale et al., 2017). We show that teachers hold different beliefs and engage in curricular design – or the use of hegemonic curriculum and instructional practices that produce different learning outcomes for minoritized students compared to Kinh students. It suggests that policies need to focus on the social-cultural aspects of teaching in addition to the material and technical aspects.

Altamirano Montoya, Álvaro, Mariano Bosch, Carolina Cabrita Felix, Rodrigo Cerda, Manuel García-Huitrón, Laura Karina Gutiérrez et Waldo Tapia Troncoso. 2020 Pension Indicators for Latin America and the Caribbean. Inter-American Development Bank, décembre 2020. http://dx.doi.org/10.18235/0002967.

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The PLAC Network's Pension Indicators are a dataset containing information related to the labor markets and pension systems of the nineteen PLAC Network member countries: Argentina, Bahamas, Barbados, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, El Salvador, Guyana, Haiti, Honduras, Jamaica, Mexico, Panama, Paraguay, Peru, Trinidad and Tobago, and Uruguay. The indicators are divided into five main categories: environment, performance, sustainability, society's preparedness for aging and reform, and pension system design. Each one of these categories are divided into a few subcategories as well. These indicators were constructed with the objective of becoming an important tool for the improvement of the following aspects of pension systems: coverage, sufficiency of benefits, financial sustainability, equity and social solidarity, efficiency, and institutional capacity. An important characteristic of this dataset is the comparability of these indicators since it permits the identification of areas of cooperation and knowledge exchange among countries. The dataset is accompanied by a User's Manual, which can be found in this link https://publications.iadb.org/en/users-manual-idb-plac-network-pension-indicators

Altamirano Montoya, Álvaro, Mariano Bosch, Carolina Cabrita Felix, Rodrigo Cerda, Manuel García-Huitrón, Laura Karina Gutiérrez et Waldo Tapia Troncoso. 2019 Pension Indicators for Latin America and the Caribbean. Inter-American Development Bank, décembre 2020. http://dx.doi.org/10.18235/0002966.

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The 2019 PLAC Network's Pension Indicators are a dataset containing information related to the labor markets and pension systems of the nineteen PLAC Network member countries: Argentina, Bahamas, Barbados, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, El Salvador, Guyana, Haiti, Honduras, Jamaica, Mexico, Panama, Paraguay, Peru, Trinidad and Tobago, and Uruguay. The indicators are divided into five main categories: environment, performance, sustainability, society's preparedness for aging and reform, and pension system design. Each one of these categories are divided into a few subcategories as well. These indicators were constructed with the objective of becoming an important tool for the improvement of the following aspects of pension systems: coverage, sufficiency of benefits, financial sustainability, equity and social solidarity, efficiency, and institutional capacity. An important characteristic of this dataset is the comparability of these indicators since it permits the identification of areas of cooperation and knowledge exchange among countries. The dataset is accompanied by a User's Manual, which can be found in this link: https://publications.iadb.org/en/users-manual-idb-plac-network-pension-indicators

Beuermann, Diether, Nicolas L. Bottan, Bridget Hoffmann, Jeetendra Khadan et Diego A. Vera-Cossio. Suriname COVID-19 Survey. Inter-American Development Bank, mai 2021. http://dx.doi.org/10.18235/0003266.

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This dataset constitutes a panel follow-up to the 2016/2017 Suriname Survey of Living Conditions. It measures welfare related variables before and after the onset of the COVID-19 pandemic including labor market outcomes, financial literacy, and food security. The survey was executed in August 2020. The Suriname COVID-19 Survey is a project of the Inter-American Development Bank (IDB). It collected data on critical socioeconomic topics in the context of the COVID-19 pandemic to support policymaking and help mitigate the crisis impacts on the populations welfare. The survey recontacted households interviewed in 2016/2017 by the Suriname Survey of Living Conditions (SSLC) and was conducted by phone due to the mobility restrictions and social distancing measures in place. It interviewed 1,016 households during August 2020 and gathered information about disease transmission, household finances, labor, income, remittances, spending, and social protection programs. Data and documentation of the 2016/2017 Suriname Survey of Living Conditions can be found at: https://publications.iadb.org/en/suriname-survey-living-conditions-2016-2017 The survey was designed and implemented by Sistemas Integrales. This publication describes the main methodological aspects, such as sample design, estimation procedures, topics covered by the questionnaire, field organization and quality control. It also presents the structure and codebook for the two resulting publicly available datasets.

Frazer, Sarah, Anna Wetterberg et Eric Johnson. The Value of Integrating Governance and Sector Programs : Evidence from Senegal. RTI Press, septembre 2021. http://dx.doi.org/10.3768/rtipress.2021.rb.0028.2109.

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As the global community works toward the Sustainable Development Goals, closer integration between governance and sectoral interventions offers a promising, yet unproven avenue for improving health service delivery. We interrogate what value an integrated governance approach, intentionally combining governance and sectoral investments in strategic collaboration, adds to health service readiness and delivery using data from a study in Senegal. Our quasi-experimental research design compared treatment and control communes to determine the value added of an integrated governance approach in Senegal compared to health interventions alone. Our analysis shows that integrated governance is associated with improvements in some health service delivery dimensions, specifically, in aspects of health facility access and quality. These findings—that health facilities are more open, with higher quality infrastructure and staff more frequently following correct procedures after integrated governance treatment—suggests a higher level of service readiness. We suggest that capacity building of governance structures and an emphasis on social accountability could explain the added value of integrating governance and health programming. These elements may help overcome a critical bottleneck between citizens and local government often seen with narrower sector or governance-only approaches. We discuss implications for health services in Senegal, international development program design, and further research.

Birch, Izzy. Financial Incentives to Reduce Female Infanticide, Child Marriage and Promote Girl’s Education : Institutional and Monitoring Mechanisms. Institute of Development Studies (IDS), décembre 2020. http://dx.doi.org/10.19088/k4d.2021.005.

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The focus of this paper is on the complementary mechanisms and interventions likely to increase the effectiveness and impact of conditional cash transfer (CCT) schemes in South Asia that aim to reduce female infanticide and child marriage and promote girls’ education. The literature on the institutional aspects of these particular schemes is limited, but from this and from the wider literature on CCT programmes in similar contexts, the following institutional mechanisms are likely to enhance success: a strong information and communication strategy that enhances programme reach and coverage and ensures stakeholder awareness; advance agreements with financial institutions; a simple and flexible registration process; appropriate use of technology to strengthen access, disbursement, and oversight; adequate implementation capacity to support processes of outreach, enrolment, and monitoring; monitoring and accountability mechanisms embedded in programme design; coordination mechanisms across government across social protection schemes; an effective management information system; and the provision of quality services in the sectors for which conditions are required. There is a very limited body of evidence that explores these institutional issues as they apply to the specific CCT programmes that are the focus of this report, however, there is more available evidence of the potential impact of ‘cash-plus’ programmes, which complement the transfers with other interventions designed to enhance their results or address the structural barriers to well-being